Pub Date : 2023-04-28DOI: 10.18192/rceh.v45i1.6640
Imogen Choi, Felipe Valencia
In cantos 32 and 33 of the third and final part of La Araucana, the narrator digresses from the matter of the Arauco War to recount the story of Queen Dido of Carthage in the anti-Virgilian, historiographic tradition whereby she was a chaste and prudent monarch who sacrificed herself for the good of her people. Ercilla’s version of Dido dialogues with contemporary Neo-Senecan tragedy, particularly two plays on the same subject: Cristóbal de Virués’s Elisa Dido (c. 1585) and Gabriel Lobo Lasso de la Vega’s La honra de Dido restaurada (1587). All three texts explore the tragedy that inevitably befalls commonwealths when women sit on the throne. We study these texts in light of the connections between epic and tragedy in Spanish letters of the late sixteenth century, the history and ideas surrounding women on the throne in early modern Spain, and the episodes of Ercilla’s poem that flank the Dido one.
在《阿劳卡纳》第三部分也是最后一部分的第32和33小节中,叙述者偏离了阿劳科战争的主题,讲述了迦太基女王迪多在反维吉尔的历史传统中的故事,她是一位贞洁谨慎的君主,为人民的利益牺牲了自己。Ercilla版本的Dido对话与当代新塞内坎悲剧,特别是关于同一主题的两部戏剧:Cristóbal de Virués的Elisa Dido(约1585年)和Gabriel Lobo Lasso de la Vega的la honra de Dido restaurada(1587年)。这三本书都探讨了当女性登上王位时,英联邦不可避免地会遭遇的悲剧。我们根据16世纪末西班牙信件中史诗和悲剧之间的联系、现代西班牙早期围绕女性登上王位的历史和思想,以及埃尔西拉诗歌中Dido诗的侧面情节来研究这些文本。
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Pub Date : 2022-06-04DOI: 10.18192/rceh.v44i3.6361
Rachel Ann Linville
Iñárritu’s depiction of the human treatment of nature, as well as female and male bodies, is a clear and powerful denunciation of how predatory and exploitative values promoted by capitalism have come to pervade all aspects of human relationships in Western culture. Iñárritu goes beyond a critique of capitalism as an economic system and portrays the effects of these values on our quality of life. The film is not exclusively pessimistic but instead suggests that we are not condemned to an enslaving predatory chain. Through subtle artistic elements and the worldview shared by Ige and Bea, Biutiful proposes a spiritual interconnectedness that favors collaborative relationships not just among humans, but also with nature
{"title":"Biutiful Worldview: Alternatives to a Society Pervaded by Capitalist Values","authors":"Rachel Ann Linville","doi":"10.18192/rceh.v44i3.6361","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6361","url":null,"abstract":"Iñárritu’s depiction of the human treatment of nature, as well as female and male bodies, is a clear and powerful denunciation of how predatory and exploitative values promoted by capitalism have come to pervade all aspects of human relationships in Western culture. Iñárritu goes beyond a critique of capitalism as an economic system and portrays the effects of these values on our quality of life. The film is not exclusively pessimistic but instead suggests that we are not condemned to an enslaving predatory chain. Through subtle artistic elements and the worldview shared by Ige and Bea, Biutiful proposes a spiritual interconnectedness that favors collaborative relationships not just among humans, but also with nature","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48961971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-04DOI: 10.18192/rceh.v44i3.6374
Miguel Rosas Buendia
Este artículo estudia Cartas de Amambay (1878) y otros textos de Lucio Mansilla sobre Paraguay, donde este realizó una fracasada exploración aurífera tras la Guerra de la Triple Alianza (1864-1870), a fin de dilucidar el encuentro entre literatura y ciencias naturales. Aunque alineado con la ideología de la Alianza, Mansilla elaboró una defensa de la autonomía literaria respecto a su capacidad de representación y conocimiento del espacio del viaje. Esta defensa posee un lado oscuro: su legitimación se sustentó en la invisibilización de la heterogeneidad local, proceso que puede leerse como análogo a la práctica de variadas ciencias naturales finiseculares que tendieron a suprimir saberes y agentes locales.
{"title":"Ciencias naturales, aislamiento y especulación en Cartas de Amambay y otros textos sobre el Paraguay de Lucio Mansilla","authors":"Miguel Rosas Buendia","doi":"10.18192/rceh.v44i3.6374","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6374","url":null,"abstract":"Este artículo estudia Cartas de Amambay (1878) y otros textos de Lucio Mansilla sobre Paraguay, donde este realizó una fracasada exploración aurífera tras la Guerra de la Triple Alianza (1864-1870), a fin de dilucidar el encuentro entre literatura y ciencias naturales. Aunque alineado con la ideología de la Alianza, Mansilla elaboró una defensa de la autonomía literaria respecto a su capacidad de representación y conocimiento del espacio del viaje. Esta defensa posee un lado oscuro: su legitimación se sustentó en la invisibilización de la heterogeneidad local, proceso que puede leerse como análogo a la práctica de variadas ciencias naturales finiseculares que tendieron a suprimir saberes y agentes locales.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48641161","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-04DOI: 10.18192/rceh.v44i3.6402
Revista Canadiense de Estudios Hispánicos
Índice de volumen 44
成交量指数44
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Pub Date : 2022-06-04DOI: 10.18192/rceh.v44i3.6387
Carolina Carvajal González
Reseña de María Lorenza de los Ríos, Marquesa de Fuerte-Híjar: vida y obra de una escritora del Siglo de las Luces de Elisa Martín-Valdepeñas y Catherine M. Jaffe.
María Lorenza de los Ríos,Marquesa de Forto-Híjar:Elisa Martin-Valdepeñas和Catherine M.Jaffe的灯光世纪作家的生活和作品。
{"title":"ELISA MARTÍN-VALDEPEÑAS, CATHERINE M. JAFFE. María Lorenza de los Ríos, Marquesa de Fuerte-Híjar: vida y obra de una escritora del Siglo de las Luces. Madrid: Iberoamericana /Frankfurt am Main: Vervuert, 2019. 485 pp.","authors":"Carolina Carvajal González","doi":"10.18192/rceh.v44i3.6387","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6387","url":null,"abstract":"\u0000 \u0000 \u0000Reseña de María Lorenza de los Ríos, Marquesa de Fuerte-Híjar: vida y obra de una escritora del Siglo de las Luces de Elisa Martín-Valdepeñas y Catherine M. Jaffe. \u0000 \u0000 \u0000","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47871151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-04DOI: 10.18192/rceh.v44i3.6364
Sara Skillen
This article questions the paternal logic of José Martí’s nationalism, through the works Abdala (1869) and Ismaelillo (1882). Martí’s nineteenth-century writing announces the creation of a Cuban nation defined by many in terms of his literary production. However, there remains another Martí, a maternal Martí that escapes our intentions to define and concretize his Work. Beginning with Bracha Ettinger’s concept of the “matrixial,” I maintain that these texts disintegrate the borders between the national body, the individual, and the writer and that this paternal Martí gives way to a maternal relation.
{"title":"Estranged Mother: José Martí, the Matrixial Father in Exile","authors":"Sara Skillen","doi":"10.18192/rceh.v44i3.6364","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6364","url":null,"abstract":"This article questions the paternal logic of José Martí’s nationalism, through the works Abdala (1869) and Ismaelillo (1882). Martí’s nineteenth-century writing announces the creation of a Cuban nation defined by many in terms of his literary production. However, there remains another Martí, a maternal Martí that escapes our intentions to define and concretize his Work. Beginning with Bracha Ettinger’s concept of the “matrixial,” I maintain that these texts disintegrate the borders between the national body, the individual, and the writer and that this paternal Martí gives way to a maternal relation.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44867521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-04DOI: 10.18192/rceh.v44i3.6395
Javier Rubiera
Reseña de La puesta en escena del teatro áureo: Ayer, hoy y mañana de Duncan Wheeler (trad. Mar Diestro-Dópido).
Áureo剧院的舞台回顾:昨天,今天和邓肯·惠勒(传统。右撇子-做́pido)。
{"title":"DUNCAN WHEELER. La puesta en escena del teatro áureo: Ayer, hoy y mañana. Traducción de Mar Diestro-Dópido. Kassel: Edition Reichenberger, 2020. 275 pp.","authors":"Javier Rubiera","doi":"10.18192/rceh.v44i3.6395","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6395","url":null,"abstract":"Reseña de La puesta en escena del teatro áureo: Ayer, hoy y mañana de Duncan Wheeler (trad. Mar Diestro-Dópido).","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44836708","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-04DOI: 10.18192/rceh.v44i3.6356
Elisabeth L. Austin
Director Alberto Arvelo’s 2013 biopic of Simón Bolívar, Libertador, recasts the general as physically handsome in order to use the actor Édgar Ramírez’s body to enhance the audience’s affective response toward his person, and, by extension, the Venezuelan nation. Curiously, this contemporary film portrayal of Bolívar evokes the use of portraiture during the Virreinato and Independence eras, which stoked nationalistic attachment by synecdoche through using portraits as stand-ins for national heroes such as Bolívar. Libertador thus invokes the past even as it invites spectators of the present to feel something new for its protagonist.
{"title":"Lusty Nationalism: Image and Affect in Alberto Arvelo’s Libertador (2013)","authors":"Elisabeth L. Austin","doi":"10.18192/rceh.v44i3.6356","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6356","url":null,"abstract":"Director Alberto Arvelo’s 2013 biopic of Simón Bolívar, Libertador, recasts the general as physically handsome in order to use the actor Édgar Ramírez’s body to enhance the audience’s affective response toward his person, and, by extension, the Venezuelan nation. Curiously, this contemporary film portrayal of Bolívar evokes the use of portraiture during the Virreinato and Independence eras, which stoked nationalistic attachment by synecdoche through using portraits as stand-ins for national heroes such as Bolívar. Libertador thus invokes the past even as it invites spectators of the present to feel something new for its protagonist.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49577406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-04DOI: 10.18192/rceh.v44i3.6359
Matthew Goldmark
This article demonstrates that Carlos de Sigüenza y Góngora’s Infortunios de Alonso Ramírez (1690) engages the discourse of pity to create an imperial community. While the article builds on recent scholarship that has emphasized the global context of Ramírez’s travels, it shows that geographical displacement is not the only type of movement in this text. Infortunios also demands that readers be moved on an affective level in order to prove their capacity to feel for an imperial peer. In this regard, it is not geopolitics alone, but also affective transits that determine the boundaries and binds of Spanish empire.
本文论证了Carlos de sigenza y Góngora的Infortunios de Alonso Ramírez(1690)运用怜悯的话语创造了一个帝国共同体。虽然这篇文章建立在最近强调Ramírez旅行的全球背景的学术基础上,但它表明,地理位移并不是本文中唯一的运动类型。《信息》还要求读者在情感层面上被感动,以证明他们对帝国贵族的感受能力。在这方面,不仅是地缘政治,还有情感过境决定了西班牙帝国的边界和约束。
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Pub Date : 2022-06-04DOI: 10.18192/rceh.v44i3.6384
C. Fischer
Reseña de Vernacular Latin Americanisms: War, the Market, and the Making of a Discipline de Fernando Degiovanni.
Reseña de方言拉丁美洲:战争,市场,和制定纪律费尔南多·德乔瓦尼。
{"title":"FERNANDO DEGIOVANNI. Vernacular Latin Americanisms: War, the Market, and the Making of a Discipline. Pittsburgh: U of Pittsburgh P, 2018. 238 pp.","authors":"C. Fischer","doi":"10.18192/rceh.v44i3.6384","DOIUrl":"https://doi.org/10.18192/rceh.v44i3.6384","url":null,"abstract":"Reseña de Vernacular Latin Americanisms: War, the Market, and the Making of a Discipline de Fernando Degiovanni.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45061367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}