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JESÚS PÉREZ MAGALLÓN. Soñando caminos: Moratín y la nación imaginada. Valencia: Calambur, 2019. 379 pp. jesus perez magallon。梦想之路:moratin和想象中的国家。他的父亲是一名律师,母亲是一名律师。379 pp。
Q3 Arts and Humanities Pub Date : 2022-06-04 DOI: 10.18192/rceh.v44i3.6391
Thomas C. Neal
Reseña de Soñando caminos: Moratín y la nación imaginada de Jesús Pérez Magallón.
Soñando Caminos回顾:莫拉蒂和耶稣·佩雷斯·马加隆的想象中的国家。
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引用次数: 0
ROCÍO RØDTJER. Women and Nationhood in Restoration Spain 1874-1931. The State as Family. Cambridge: Legenda, 2019. xiii + 174 pp. ROCIO RØDTJER。1874-1931年西班牙复辟时期的妇女与国家地位。国家是家庭。剑桥:Legenda, 2019。Xiii + 174页。
Q3 Arts and Humanities Pub Date : 2022-06-04 DOI: 10.18192/rceh.v44i3.6392
Susana Liso
Reseña de Women and Nationhood in Restoration Spain 1874-1931. The State as Family de Rocío Rødtjer.
Reseña西班牙复辟时期的妇女与国家地位1874-1931。国家为Family de Rocío Rødtjer。
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引用次数: 0
MABEL MORAÑA. Pensar el cuerpo: Historia, materialidad y símbolo. Barcelona: Herder, 2020. 364 pp. 梅布尔MORAÑA。思考身体:历史、物质性和象征。他的父亲是一名律师,母亲是一名律师。364 pp。
Q3 Arts and Humanities Pub Date : 2022-06-04 DOI: 10.18192/rceh.v44i3.6389
Elizabeth Montes Garcés
Reseña de Pensar el cuerpo: Historia, materialidad y símbolo de Mabel Moraña. 
思考身体:梅布尔·莫拉尼亚的历史、物质和象征。
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引用次数: 0
Rebeldía existencialista en “Las mariposas” de María Luisa Puga 玛丽亚·路易莎·普加《蝴蝶》中的存在主义叛逆
Q3 Arts and Humanities Pub Date : 2022-06-04 DOI: 10.18192/rceh.v44i3.6366
C. Tovar
“Las mariposas”, cuento magistral de María Luisa Puga, nos presenta a un revolucionario inconforme con la historia de su vida. Preso en un hospital militar y creyéndose a punto de morir torturado para sacarle información de su organización clandestina, el protagonista escribe para explicarse sus decisiones, entender el vacío que siente y rescatar lo salvable de su pasado para darle sentido a su muerte. En este ensayo, siguiendo las pautas de El hombre rebelde de Albert Camus, nos preguntamos si el buen revolucionario, que comienza luchando contra la injusticia social, puede terminar siendo un asesino con sed de venganza.
maria路易莎·普加(Luisa Puga)的精彩故事《蝴蝶》(Las mariposas)向我们展示了一位对自己的人生故事不满意的革命者。主人公被关押在一家军事医院,为了从他的秘密组织中获取信息,他认为自己即将被折磨致死,他写信解释自己的决定,理解他感到的空虚,拯救他的过去,使他的死亡有意义。在这篇文章中,遵循阿尔贝·加缪的《叛逆的人》的指导,我们想知道,一个开始与社会不公作斗争的好革命者,是否最终会成为一个渴望复仇的杀人犯。
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引用次数: 0
ROSA PERELMUTER, ED. La recepción literaria de Sor Juana Inés de la Cruz: un siglo de apreciaciones críticas (1910-2010). Recopilación bibliográfica Luis M. Villar. Nueva York: IDEA, 2021. 634 pp. 《索尔·胡安娜的文学接受ines de La Cruz:一个世纪的批判性评价》(1910-2010)。Luis M. Villar的书目汇编。纽约:IDEA, 2021年。634 pp。
Q3 Arts and Humanities Pub Date : 2022-06-04 DOI: 10.18192/rceh.v44i3.6390
Alberto Pérez-Amador Adam
Reseña de La recepción literaria de Sor Juana Inés de la Cruz: un siglo de apreciaciones críticas (1910-2010) de Rosa Perelmuter (ed).
罗莎·佩雷穆特(Rosa Perelmuter)的《索尔·胡安娜ines de La Cruz:一个世纪的批判性评价》(1910-2010)。
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引用次数: 0
JOSÉ MIGUEL MARTÍNEZ TORREJÓN, ED. Los pre-textos de La Florida del Inca. By Inca Garcilaso de la Vega. North Carolina: U of North Carolina P, 2021. 172 pp. jose MIGUEL martinez torrejon,印加佛罗里达的前文本。印加·加尔西拉索·德拉维加。= =地理= =根据美国人口普查局的数据,该县总面积为,其中土地和(1.)水。172 pp。
Q3 Arts and Humanities Pub Date : 2022-06-04 DOI: 10.18192/rceh.v44i3.6386
A. V. López
Reseña de Los pre-textos de La Florida del Inca. Por Inca Garcilaso de la Vega de José Miguel Martínez Torrejón (ed).
印加佛罗里达州前文本概述。由何塞·米格尔·马丁内斯·托雷洪(编辑)的印加·加西拉索·德拉维加撰写。
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引用次数: 0
ROSALÍA CORNEJO-PARRIEGO, ED. Black USA and Spain: Shared Memories in the 20th Century. New York and London: Routledge, 2020. 291 pp. ROSALÍA CORNEJO-PARRIEGO, ED.黑人美国和西班牙:20世纪的共同记忆。纽约和伦敦:劳特利奇出版社,2020。291页。
Q3 Arts and Humanities Pub Date : 2021-11-24 DOI: 10.18192/rceh.v44i2.6139
Nicholas R. Jones
Reseña de Black USA and Spain: Shared Memories in the 20th Century de Rosalía Cornejo-Parriego, ed. 
Reseña de Black美国和西班牙:20世纪的共同记忆de Rosalía Cornejo-Parriego主编。
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引用次数: 0
Un católico en Nueva York: Lorca’s Tragic Vision of the United States 纽约的天主教徒:洛尔卡对美国的悲剧愿景
Q3 Arts and Humanities Pub Date : 2021-11-23 DOI: 10.18192/rceh.v44i2.6130
Max F. Jensen
This article discusses the role of Spanish Catholic tradition in the poetry of Federico García Lorca, especially in Poeta en Nueva York. Beginning with key concepts from Miguel de Unamuno’s Tragic Sense of Life to elucidate this tradition of irrationality, suffering, and spiritual vitality, we see that Lorca uses similar ideas as resistance to a “Protestant” modernity that, according to Lorca, favored materialist progress while eschewing human suffering. This article also demonstrates how the use of Spanish religious tradition complicates long-standing stereotypes of Spain’s supposed lack of modernization.
本文探讨西班牙天主教传统在费德里科·García洛尔卡诗歌中的作用,特别是在《新纽约的诗》中。从米格尔·德·乌纳穆诺(Miguel de Unamuno)的《生命的悲剧性》(tragedy Sense of Life)中的关键概念开始,阐明这种非理性、痛苦和精神活力的传统,我们看到洛尔卡用类似的思想来抵制“新教”现代性,根据洛尔卡的说法,这种现代性倾向于物质主义进步,同时回避人类的痛苦。这篇文章还展示了西班牙宗教传统的运用如何使人们长期以来对西班牙缺乏现代化的刻板印象复杂化。
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引用次数: 0
Roberto Arlt and the Readers of Romance 罗伯托·阿尔特与浪漫小说的读者
Q3 Arts and Humanities Pub Date : 2021-11-23 DOI: 10.18192/rceh.v44i2.6129
Casey Drosehn Gough
This essay examines the role of female readership in the work of the Argentine writer Roberto Arlt. I argue that the conflicted and embodied status of the reading public in Arlt’s work is crystallized in the female (or feminized) reader of romances. Through this figure, the Arltian text reveals the pervasiveness of normative sentimental discourse, and narrates how this discourse circulates, impacts, and is absorbed by the bodies of its readers. These critiques emerge quite clearly in Arlt’s novels, where the author enjoys greater freedom of expression. However, his periodical publications and theater necessarily employ a more oblique critical strategy. Focusing on his aguafuertes, the short story “Eugenio Delmonte y los 1300 novios” and the play Trescientos millones, I show how Arlt interpolates his readers as readers of romance while also enacting a rupture in the boundary between the work and the medium in which it appears, encouraging the reader’s awareness of the influence of those media in her daily life.  
本文探讨了女性读者在阿根廷作家罗伯托·阿尔特作品中的作用。我认为,在阿尔特的作品中,读者群体的矛盾和具体化的地位在女性(或女性化)的浪漫小说读者中得到了体现。通过这一形象,阿尔蒂亚文本揭示了规范性情感话语的普遍性,并叙述了这种话语是如何传播、影响和被读者的身体吸收的。这些批评在阿尔特的小说中表现得非常明显,作者在小说中享有更大的表达自由。然而,他的期刊出版物和戏剧必然采用一种更为隐晦的批评策略。着眼于他的aguafuertes,短篇小说《Eugenio Delmonte lost 1300 novios》和戏剧《Trescientos million》,我展示了阿尔特是如何将他的读者作为浪漫的读者插入的,同时也打破了作品和媒介之间的界限,鼓励读者意识到这些媒介在她的日常生活中的影响。
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引用次数: 0
“Jugamos a la guerra”: Boys, Toys, and Military Masculinity in Galdós’s La desheredada “我们玩战争”:加尔多斯被剥夺继承权的男孩、玩具和军事男子气概
Q3 Arts and Humanities Pub Date : 2021-11-23 DOI: 10.18192/rceh.v44i2.6131
C. Mckinney
In the sixth chapter of Benito Pérez Galdós’s La desheredada, we find children at play in an impoverished neighborhood of Madrid. But what at first glance appears to be a simple representation of boys playing war is, upon closer inspection, a problematization of Spanish masculinity. This article suggests that the concepts of militarism and masculinity were synonymous throughout the second half of the nineteenth century. Galdós, however, critiques this conflation by converting the children’s game into a tragedy.
在贝尼托·帕萨雷兹Galdós的《堕落》的第六章中,我们看到马德里一个贫困社区的孩子们在玩耍。但是,乍一看,这似乎是一个简单的男孩玩战争的表现,仔细观察,这是西班牙男子气概的问题化。这篇文章表明,军国主义和男子气概的概念在整个19世纪后半叶是同义词。然而,Galdós批评这种合并,将儿童游戏变成了悲剧。
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引用次数: 0
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