Journal Article “A Moniment, without a tombe”: Institution, Instruction, and Succession in Shakespeare’s First Folio Get access Urvashi Chakravarty Urvashi Chakravarty Email: urvashi.chakravarty@utoronto.ca Search for other works by this author on: Oxford Academic Google Scholar Shakespeare Quarterly, Volume 74, Issue 3, Fall 2023, Pages 217–232, https://doi.org/10.1093/sq/quad024 Published: 29 September 2023
{"title":"“A Moniment, without a tombe”: Institution, Instruction, and Succession in Shakespeare’s First Folio","authors":"Urvashi Chakravarty","doi":"10.1093/sq/quad024","DOIUrl":"https://doi.org/10.1093/sq/quad024","url":null,"abstract":"Journal Article “A Moniment, without a tombe”: Institution, Instruction, and Succession in Shakespeare’s First Folio Get access Urvashi Chakravarty Urvashi Chakravarty Email: urvashi.chakravarty@utoronto.ca Search for other works by this author on: Oxford Academic Google Scholar Shakespeare Quarterly, Volume 74, Issue 3, Fall 2023, Pages 217–232, https://doi.org/10.1093/sq/quad024 Published: 29 September 2023","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"264 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135588914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Drowning the First Folio: Co-laboring and the Value of Knowledge in The Tempest Get access Nedda Mehdizadeh Nedda Mehdizadeh Email: nmehdiz@ucla.edu Search for other works by this author on: Oxford Academic Google Scholar Shakespeare Quarterly, Volume 74, Issue 3, Fall 2023, Pages 233–246, https://doi.org/10.1093/sq/quad025 Published: 29 September 2023
{"title":"Drowning the First Folio: Co-laboring and the Value of Knowledge in <i>The Tempest</i>","authors":"Nedda Mehdizadeh","doi":"10.1093/sq/quad025","DOIUrl":"https://doi.org/10.1093/sq/quad025","url":null,"abstract":"Journal Article Drowning the First Folio: Co-laboring and the Value of Knowledge in The Tempest Get access Nedda Mehdizadeh Nedda Mehdizadeh Email: nmehdiz@ucla.edu Search for other works by this author on: Oxford Academic Google Scholar Shakespeare Quarterly, Volume 74, Issue 3, Fall 2023, Pages 233–246, https://doi.org/10.1093/sq/quad025 Published: 29 September 2023","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135588878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Journal Article Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World. By Patricia Akhimie Get access Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World. By Patricia Akhimie. New York: Routledge, 2018. Illus. Pp. xii + 219. Kimberly Anne Coles Kimberly Anne Coles Email: kcoles@umd.edu Search for other works by this author on: Oxford Academic Google Scholar Shakespeare Quarterly, Volume 74, Issue 3, Fall 2023, Pages 292–294, https://doi.org/10.1093/sq/quad032 Published: 29 September 2023
{"title":"<i>Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World</i>. By <scp>Patricia Akhimie</scp>","authors":"Kimberly Anne Coles","doi":"10.1093/sq/quad032","DOIUrl":"https://doi.org/10.1093/sq/quad032","url":null,"abstract":"Journal Article Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World. By Patricia Akhimie Get access Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World. By Patricia Akhimie. New York: Routledge, 2018. Illus. Pp. xii + 219. Kimberly Anne Coles Kimberly Anne Coles Email: kcoles@umd.edu Search for other works by this author on: Oxford Academic Google Scholar Shakespeare Quarterly, Volume 74, Issue 3, Fall 2023, Pages 292–294, https://doi.org/10.1093/sq/quad032 Published: 29 September 2023","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135588920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OUT OF NO FEWER THAN FIVE SO-CALLED “SHAKESPEARE’S CHAIRS” that have been preserved or at least referred to in sources, the most remarkable one is probably the chair purchased by Princess Izabela Czartoryska (1746–1831) in Stratford-upon-Avon in 1790, today housed in the National Museum in Krakow. Despite its long and turbulent history, a large fragment of the chair has survived, having been kept in a reliquary-like case prepared especially for it at the beginning of the nineteenth century (figure 1). Moreover, the number of preserved documents related to the object is exceptional. The two most important ones are an extensive, extremely detailed, vivid, slightly amusing, and slightly gruesome description of the circumstances of the purchase, written by Izabela Czartoryska herself around 1820, and a certificate of the chair’s authenticity issued in Stratford in January 1791. The other available documents contain only
{"title":"Shakespeare's Chair: Material Culture and Literary Phantasms","authors":"Michał Mencfel","doi":"10.1093/sq/quad016","DOIUrl":"https://doi.org/10.1093/sq/quad016","url":null,"abstract":"OUT OF NO FEWER THAN FIVE SO-CALLED “SHAKESPEARE’S CHAIRS” that have been preserved or at least referred to in sources, the most remarkable one is probably the chair purchased by Princess Izabela Czartoryska (1746–1831) in Stratford-upon-Avon in 1790, today housed in the National Museum in Krakow. Despite its long and turbulent history, a large fragment of the chair has survived, having been kept in a reliquary-like case prepared especially for it at the beginning of the nineteenth century (figure 1). Moreover, the number of preserved documents related to the object is exceptional. The two most important ones are an extensive, extremely detailed, vivid, slightly amusing, and slightly gruesome description of the circumstances of the purchase, written by Izabela Czartoryska herself around 1820, and a certificate of the chair’s authenticity issued in Stratford in January 1791. The other available documents contain only","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"74 1","pages":"114 - 138"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46460926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Christopher N. Warren, Sam Lemley, D. Schuldt, Elizabeth Dieterich, Laura S DeLuca, Max G’Sell, Taylor Berg-Kirkpatrick, Kari Thomas, Kartik Goyal, Nikolai Vogler
“R OF DENMARK.” WHO IS RESPONSIBLE FOR THIS INFAMOUS LARGE-LETTER BLUNDER IN SHAKESPEARE’S FOURTH FOLIO (1685, hereafter F4)—one of the most “embarrassing, excruciating, and egregious errors in English”? The “HAMLET / RPINCE of DENMARK” internal title page appeared on signature 3E6r, page 59, in the “Tragedies” section (figure 1). According to Fredson Bowers, writing in Shakespeare Quarterly in 1951, we will never know the printer of that section “until we know everything there is to be learned about seventeenth-century types.” Bowers doubted we could ever list the full set of F4’s printers because F4 was printed anonymously, and the volume left few clues about its printers. While George Watson Cole’s 1909 “examination of the letterpress show[ed] that a copy of the Third Folio was apparently broken into three portions and sent to three different printers,” Bowers himself only got as far as attributing the first of F4’s three separately paginated parts. The purpose of this note is to identify the other two printers involved in F4, one of whom, John Macock, was the printer whose shop was responsible for F4’s Hamlet. Regrettably, this short note does not include everything there is to be learned about seventeenth-century types.
{"title":"Who Rpinted Shakespeare's Fourth Folio?","authors":"Christopher N. Warren, Sam Lemley, D. Schuldt, Elizabeth Dieterich, Laura S DeLuca, Max G’Sell, Taylor Berg-Kirkpatrick, Kari Thomas, Kartik Goyal, Nikolai Vogler","doi":"10.1093/sq/quad021","DOIUrl":"https://doi.org/10.1093/sq/quad021","url":null,"abstract":"“R OF DENMARK.” WHO IS RESPONSIBLE FOR THIS INFAMOUS LARGE-LETTER BLUNDER IN SHAKESPEARE’S FOURTH FOLIO (1685, hereafter F4)—one of the most “embarrassing, excruciating, and egregious errors in English”? The “HAMLET / RPINCE of DENMARK” internal title page appeared on signature 3E6r, page 59, in the “Tragedies” section (figure 1). According to Fredson Bowers, writing in Shakespeare Quarterly in 1951, we will never know the printer of that section “until we know everything there is to be learned about seventeenth-century types.” Bowers doubted we could ever list the full set of F4’s printers because F4 was printed anonymously, and the volume left few clues about its printers. While George Watson Cole’s 1909 “examination of the letterpress show[ed] that a copy of the Third Folio was apparently broken into three portions and sent to three different printers,” Bowers himself only got as far as attributing the first of F4’s three separately paginated parts. The purpose of this note is to identify the other two printers involved in F4, one of whom, John Macock, was the printer whose shop was responsible for F4’s Hamlet. Regrettably, this short note does not include everything there is to be learned about seventeenth-century types.","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"74 1","pages":"139 - 146"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42858629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fictions of Consent: Slavery, Servitude, and Free Service in Early Modern England. By Urvashi Chakravarty","authors":"Mira Assaf Kafantaris","doi":"10.1093/sq/quad019","DOIUrl":"https://doi.org/10.1093/sq/quad019","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48736286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"John Fletcher’s Rome: Questioning the Classics. By Domenico Lovascio","authors":"Joseph F. Stephenson","doi":"10.1093/sq/quad012","DOIUrl":"https://doi.org/10.1093/sq/quad012","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43176234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Passion's Fictions from Shakespeare to Richardson: Literature and the Sciences of Soul and Mind by Benedict S. Robinson (review)","authors":"Jean E. Feerick","doi":"10.1093/sq/quad017","DOIUrl":"https://doi.org/10.1093/sq/quad017","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"74 1","pages":"150 - 152"},"PeriodicalIF":0.3,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42707290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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