{"title":"Shakespeare, Objects and Phenomenology: Daggers of the Mind by Susan Sachon (review)","authors":"W. Rogers","doi":"10.1093/sq/quac048","DOIUrl":"https://doi.org/10.1093/sq/quac048","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"73 1","pages":"158 - 160"},"PeriodicalIF":0.3,"publicationDate":"2022-11-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43245289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Publishing the History Play in the Time of Shakespeare: Stationers Shaping a Genre by Amy Lidster (review)","authors":"Kyle Pivetti","doi":"10.1093/sq/quac051","DOIUrl":"https://doi.org/10.1093/sq/quac051","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"73 1","pages":"150 - 152"},"PeriodicalIF":0.3,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45765343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shakespeare and the Romantics. By David Fuller","authors":"C. Jansohn","doi":"10.1093/sq/quac050","DOIUrl":"https://doi.org/10.1093/sq/quac050","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41444904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shakespeare and the Political Way by Elizabeth Frazer (review)","authors":"Dan Breen","doi":"10.1093/sq/quac045","DOIUrl":"https://doi.org/10.1093/sq/quac045","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"73 1","pages":"160 - 162"},"PeriodicalIF":0.3,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44102154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Literature's Stake: Economy, Law, and Aesthetics in The Merchant of Venice","authors":"Christopher Pye","doi":"10.1093/sq/quac043","DOIUrl":"https://doi.org/10.1093/sq/quac043","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"73 1","pages":"76 - 99"},"PeriodicalIF":0.3,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49395779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shakespeare in the World: Cross-Cultural Adaptation in Europe and Colonial India, 1850–1900. By Suddhaseel Sen","authors":"Amrita Sen","doi":"10.1093/sq/quac049","DOIUrl":"https://doi.org/10.1093/sq/quac049","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45686164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man's Fortune","authors":"Ezra Horbury","doi":"10.1093/sq/quac041","DOIUrl":"https://doi.org/10.1093/sq/quac041","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"73 1","pages":"100 - 120"},"PeriodicalIF":0.3,"publicationDate":"2022-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49288067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
the Danish prince Amleth is deported to England by his uncle, who has killed Amleth’s father, married his mother
{"title":"Recovering Shakespeare's Racial Genealogies: Slavery, Barbarism, and Whiteness in Hamlet and its Sources","authors":"K. Gillen","doi":"10.1093/sq/quac040","DOIUrl":"https://doi.org/10.1093/sq/quac040","url":null,"abstract":"the Danish prince Amleth is deported to England by his uncle, who has killed Amleth’s father, married his mother","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"73 1","pages":"1 - 23"},"PeriodicalIF":0.3,"publicationDate":"2022-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44478446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"And golden vizards on their faces\": Theatrical Awakening in All Is True","authors":"K. Schreyer","doi":"10.1093/sq/quac042","DOIUrl":"https://doi.org/10.1093/sq/quac042","url":null,"abstract":"","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"73 1","pages":"121 - 145"},"PeriodicalIF":0.3,"publicationDate":"2022-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46351446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
T HIS ESSAY PRESENTS A “ RARE WORDS ” ANALYSIS of Shakespeare’s plays and poems with the goal of better establishing their chronology. The technique of examining Shakespeare’s rare words for what they suggest about the order of his works was proposed by Gregor Sarrazin over a century ago, and subsequently elaborated by such figures as, among others, Karolina Steinha¨user, Alfred Hart, Eliot Slater, M. W. A. Smith, Thomas Merriam, and MacDonald P. Jackson. 1 As modeled by Sarrazin and refined by these and other scholars, the procedure examines the strength and weakness of associations in the overlap, across Shakespeare’s texts, of words he seldom used. Indeed, while called “rare” by tradition, “seldom-used” is more to the point: such words are less like “ honorificabilitudinitatibus ” in Love’s Labor’s Lost (5.1.41) — understandably used only once in the canon, and in that respect too rare to connect this comedy with other texts — and more like the same play’s “jangling” (2.1.225), which it shares only with A Midsummer Night’s Dream (3.2.353); “moderately” (1.1.197), used elsewhere just in Romeo and Juliet (2.6.14); and “specialties” (2.1.164), which it has in common only with The Taming of the Shrew (2.1.126). 2 Because they link a target text with other texts, such words are referred to as “link words.” Texts written closer in time to each other tend to be linked by their word choices. Statistical Mechanics and its Applications 388.6 (2009): 916 – 26, 920. The Shannon Entropy score for Lucrece confirms a simpler ratio: with 15,043 tokens and 3,655 types, Lucrece is the rich-est long text encountered in Shakespeare’s repertory (we exclude “The Phoenix and Turtle” and “A Lover’s Complaint” owing to their brevity).
{"title":"Shakespeare's Rare Words and Chronology","authors":"Douglas Bruster, Anna Christoffersen","doi":"10.1093/sq/quac028","DOIUrl":"https://doi.org/10.1093/sq/quac028","url":null,"abstract":"T HIS ESSAY PRESENTS A “ RARE WORDS ” ANALYSIS of Shakespeare’s plays and poems with the goal of better establishing their chronology. The technique of examining Shakespeare’s rare words for what they suggest about the order of his works was proposed by Gregor Sarrazin over a century ago, and subsequently elaborated by such figures as, among others, Karolina Steinha¨user, Alfred Hart, Eliot Slater, M. W. A. Smith, Thomas Merriam, and MacDonald P. Jackson. 1 As modeled by Sarrazin and refined by these and other scholars, the procedure examines the strength and weakness of associations in the overlap, across Shakespeare’s texts, of words he seldom used. Indeed, while called “rare” by tradition, “seldom-used” is more to the point: such words are less like “ honorificabilitudinitatibus ” in Love’s Labor’s Lost (5.1.41) — understandably used only once in the canon, and in that respect too rare to connect this comedy with other texts — and more like the same play’s “jangling” (2.1.225), which it shares only with A Midsummer Night’s Dream (3.2.353); “moderately” (1.1.197), used elsewhere just in Romeo and Juliet (2.6.14); and “specialties” (2.1.164), which it has in common only with The Taming of the Shrew (2.1.126). 2 Because they link a target text with other texts, such words are referred to as “link words.” Texts written closer in time to each other tend to be linked by their word choices. Statistical Mechanics and its Applications 388.6 (2009): 916 – 26, 920. The Shannon Entropy score for Lucrece confirms a simpler ratio: with 15,043 tokens and 3,655 types, Lucrece is the rich-est long text encountered in Shakespeare’s repertory (we exclude “The Phoenix and Turtle” and “A Lover’s Complaint” owing to their brevity).","PeriodicalId":39634,"journal":{"name":"SHAKESPEARE QUARTERLY","volume":"72 1","pages":"279 - 324"},"PeriodicalIF":0.3,"publicationDate":"2022-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42378961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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