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ARYS-Antiguedad Religiones y Sociedades最新文献

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Clark, Elizabeth A. (2021). Melania the Younger. From Rome to Jerusalem. Women in Antiquity. Oxford: Oxford University Press 克拉克,伊丽莎白A.(2021)。小梅拉尼娅。从罗马到耶路撒冷。古代的妇女。牛津:牛津大学出版社
IF 0.3 Q3 HISTORY Pub Date : 2022-10-07 DOI: 10.20318/arys.2022.7072
Blake Leyerle
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引用次数: 0
Hirsch-Luipold, Rainer & Roig Lanzillotta, Lautaro (eds.) (2021). Plutarch’s Religious Landscapes. Leiden & Boston: Brill
IF 0.3 Q3 HISTORY Pub Date : 2022-10-07 DOI: 10.20318/arys.2022.6788
Daniele Morrone
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引用次数: 0
Chrysanthou, Anthi (2020). Defining Orphism. The Beliefs, the “Teletae” and the Writings. Berlin: De Gruyter 菊花,安徽(2020)。俄耳甫斯主义定义。信仰,“Teletae”和著作。柏林:德格吕特
IF 0.3 Q3 HISTORY Pub Date : 2022-10-07 DOI: 10.20318/arys.2022.6928
Francesc Casadesús Bordoy
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引用次数: 0
Dillon, Matthew & Matthew, Christopher (eds.) (2020). Religion and Classical Warfare. The Roman Republic. Yorkshire & Philadelphia: Pen & Sword Military 狄龙,马修和马修,克里斯托弗(编)(2020)。宗教与古典战争。罗马共和国。约克郡和费城:笔和剑军事
IF 0.3 Q3 HISTORY Pub Date : 2022-10-07 DOI: 10.20318/arys.2022.6902
Alejandro Díaz Fernández
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引用次数: 0
Introducing Greek Alchemy to Christianity 向基督教介绍希腊炼金术
IF 0.3 Q3 HISTORY Pub Date : 2022-10-07 DOI: 10.20318/arys.2022.6796
Vincenzo Carlotta
One of the most noticeable features distinguishing Byzantine works on alchemy from the earlier Greco-Egyptian alchemical tradition is the widespread presence of Christian prayers and direct references to specifically Christian ideas and beliefs. By focusing on Stephanus’s Lessons (7th cent.), the first alchemical work including extensive references to Christianity, the paper will explore how alchemy was Christianised in the early Byzantine period. The first part of this study will analyse the strategies adopted by the author of the Lessons to frame alchemy as a Christianised discipline aiming at discovering the divine principle hidden in the natural world. In the second part, the limitations of this process of Christianisation of alchemy will be pointed out by examining if and to what extent specifically Christian ideas were included in Stephanus’ treatment of alchemy and its operations, and if the introduction of a Christianised framework into an alchemical work entailed the exclusion of previous non-Christian alchemical ideas. The results of this twofold analysis will show the complexity and inextricable tensions of the process of Christianisation undergone by the alchemical discipline when it started to be practiced in the socio-cultural context of the Byzantine world.
拜占庭炼金术作品与早期希腊-埃及炼金术传统最显著的区别之一是基督教祈祷的广泛存在,以及对基督教思想和信仰的直接引用。通过关注斯蒂芬努斯的教训(公元7世纪),第一个炼金术工作包括广泛参考基督教,论文将探索炼金术是如何在早期拜占庭时期被基督教化的。本研究的第一部分将分析《课程》作者采用的策略,将炼金术作为一门基督教化的学科,旨在发现隐藏在自然世界中的神圣原则。在第二部分,通过考察斯蒂芬努斯对炼金术及其操作的论述中是否包含基督教思想,以及在多大程度上包含基督教思想,以及在炼金术作品中引入基督教化的框架是否需要排除先前的非基督教炼金术思想,将指出炼金术基督教化过程的局限性。这种双重分析的结果将显示出炼金术学科在拜占庭世界的社会文化背景下开始实践时所经历的基督教化过程的复杂性和不可分割的紧张关系。
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引用次数: 0
Quenching greedy souls in metal lakes 在金属湖中熄灭贪婪的灵魂
IF 0.3 Q3 HISTORY Pub Date : 2022-10-07 DOI: 10.20318/arys.2022.6856
Daniele Morrone
Plutarch’s theological dialogue De sera numinis vindicta ends with an eschatological myth narrating the afterlife vision of Thespesius (22-33, 563b-568a), centred on the souls’ “purification” from their earthly vices – obtained by means of punishments – and on the process of their reincarnation. This myth includes symbolic images of metallurgic interest. The most elaborate of these corresponds to the description of the chastisement of the “insatiable” and “greedy” souls, which are cyclically immersed into lakes of gold, lead, and iron, enduring painful transformations in each lake (30, 567c-d). This article focuses on the analysis of the implications and literary genesis of this scene, in the frame of the rest of the myth and of the dialogic part of De sera num., of Plutarch’s ethical and scientific ideas, of his culture, and of the tendencies of his metaphorical and analogical prose (as evidenced by his other works). It begins with an introduction to Plutarch’s religious thought and use of Platonic myths, defending the assumption that these should be treated as non-literal “enigmatic” tales and thus interpreted symbolically. A section is then dedicated to the narrative frame of Thespesius’s vision – the story of the moral conversion of an unscrupulously hedonist and greedy man – and to Plutarch’s symbolic presentation of the stains of vice (26, 565b-d), each associated with a colour, focusing on the stain of “miserliness and greed”. After an overview of the other punishments witnessed by Thespesius, mainly to be interpreted as forms of contrapasso and exhibitions of the souls’ hidden, wicked selves, the analysis of Plutarch’s treatment of greed is completed with an extensive discussion of the scene of the metallic lakes. Previous scholarly treatments of the scene are also discussed, with a focus on those which connected it with alchemy. Considering a recently proposed comparison between Plutarch’s scene and some of the images used by the alchemist Zosimus in his allegorical dreams (MA X, XI, XII Mertens), the hypothesis of their affinity is explored with mainly negative results. However, a further hypothesis is suggested without full endorsement: namely, that the symbols used by Plutarch, like those used by Zosimus, were influenced by the aesthetics of Egyptian and/or Jewish religion in the syncretising environment of 1st-cent. CE Alexandria.
普鲁塔克的神学对话De sera numinis vindicta以一个末世论神话结束,讲述了特塞普西乌斯(22-33,563b-568a)对来世的看法,集中在灵魂从尘世的罪恶中“净化”——通过惩罚获得——以及他们转世的过程。这个神话包含了冶金学兴趣的象征性图像。其中最详尽的描述对应于对“贪得无厌”和“贪婪”灵魂的惩罚,这些灵魂被循环地浸入金、铅和铁的湖中,在每个湖中忍受痛苦的转变(30,567 c-d)。本文重点分析了这一场景的含义和文学起源,在神话的其余部分和《我的时代》的对话部分的框架下,普鲁塔克的伦理和科学思想,他的文化,以及他的隐喻和类比散文的倾向(从他的其他作品中可以看出)。它首先介绍了普鲁塔克的宗教思想和柏拉图神话的使用,捍卫了这些应该被视为非字面的“谜”故事的假设,因此被象征性地解释。然后有一节专门讲述了特塞普西乌斯愿景的叙事框架——一个肆无忌惮的享乐主义者和贪婪的人的道德转变的故事——以及普鲁塔克对罪恶污点的象征性呈现(26,565 b-d),每个污点都与一种颜色有关,重点是“吝啬和贪婪”的污点。在概述了特塞普西修目睹的其他惩罚之后,主要被解释为对位的形式和灵魂隐藏的邪恶自我的展示,普鲁塔克对贪婪的分析以对金属湖场景的广泛讨论结束。以前的学术处理现场也进行了讨论,重点是那些连接它与炼金术。然而,有人提出了一个进一步的假设,但没有得到充分的认可:即普鲁塔克使用的符号,就像佐西莫斯使用的符号一样,受到了埃及和/或犹太宗教美学在一美分的融合环境中的影响。CE亚历山大。
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引用次数: 0
Zepernick, Marte (2020). “Heilige Bäume” in der antiken griechischen Religion. Antike Kultur und Geschichte, 21. Münster: LIT 是吗?古希腊宗教中的"圣树"古代文化和历史明斯特:LIT
IF 0.3 Q3 HISTORY Pub Date : 2022-10-07 DOI: 10.20318/arys.2022.6614
M. Meyer
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引用次数: 0
Gee, Emma (2020). Mapping the Afterlife. From Homer to Dante. Oxford: Oxford University Press 哇,艾玛(2020)。描绘来世。从荷马到但丁。牛津:牛津大学出版社
IF 0.3 Q3 HISTORY Pub Date : 2022-10-07 DOI: 10.20318/arys.2022.6904
Mark F. McClay
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引用次数: 0
Urciuoli, Emiliano Rubens (2020). La religione urbana. Come la città ha prodotto il cristianesimo. Bologna: EDB Urciuoli, Emiliano Rubens(2020)。城市宗教。这座城市是如何产生基督教的。博洛尼亚:EDB
IF 0.3 Q3 HISTORY Pub Date : 2022-10-07 DOI: 10.20318/arys.2022.6786
M. Marcos
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引用次数: 0
Chapelain de Seréville-Niel, Cécile; Delaplace, Christine; Jeanne, Damien & Sineux, Pierre † (eds.) (2020). Purifier, soigner ou guérir? Maladies et lieux religieux de la Méditerranée antique à la Normandie médiévale. Presses Universitaires de Rennes sereville - niel牧师,cecile;Delaplace, Christine;Jeanne, Damien & Sineux, Pierre†(编)(2020)。净化,治愈还是治愈?从古地中海到中世纪诺曼底的疾病和宗教场所。雷恩大学出版社
IF 0.3 Q3 HISTORY Pub Date : 2022-10-07 DOI: 10.20318/arys.2022.6613
C. Prêtre
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引用次数: 0
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ARYS-Antiguedad Religiones y Sociedades
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