Pub Date : 2021-12-30DOI: 10.22616/j.landarchart.2021.19.13
M. Markova
The study gives insight into the definition of abandoned places and objects in rural landscape planning. The goal of the study is to identify the essential aspects of rural landscape planning, that are related to abandoned places and objects, to use these findings from the literature review in further research already defining abandoned places and objects and giving guidelines for these kinds of places and object inclusion in planning documents. Rural landscape planning is considered to be the beginning of the development of planning, but planning issues have moved these days in the direction of metropolitan areas. There are still relevant initial planning goals in rural landscape planning - the creation of a quality living environment and job creation. Nowadays the importance of the landscape planning approach at the local level is emphasized. Rural landscape development and change processes are closely linked to the Common Agricultural Policy. Abandoned place/object in the context of planning can be considered as one that is not used for one year or more according to the defined function, or a place/object as abandoned, defined in human perception.
{"title":"Aspects of rural landscape planning related to abandoned places and objects","authors":"M. Markova","doi":"10.22616/j.landarchart.2021.19.13","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.13","url":null,"abstract":"The study gives insight into the definition of abandoned places and objects in rural landscape planning. The goal of the study is to identify the essential aspects of rural landscape planning, that are related to abandoned places and objects, to use these findings from the literature review in further research already defining abandoned places and objects and giving guidelines for these kinds of places and object inclusion in planning documents. Rural landscape planning is considered to be the beginning of the development of planning, but planning issues have moved these days in the direction of metropolitan areas. There are still relevant initial planning goals in rural landscape planning - the creation of a quality living environment and job creation. Nowadays the importance of the landscape planning approach at the local level is emphasized. Rural landscape development and change processes are closely linked to the Common Agricultural Policy. Abandoned place/object in the context of planning can be considered as one that is not used for one year or more according to the defined function, or a place/object as abandoned, defined in human perception.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43767642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.22616/j.landarchart.2021.19.05
V. Tovbych, K. Herych, N. Vatamaniuk
The article analyzes and investigates the economic problems of urban and rural populations, ecological and emotional-psychological effects on people of urbanized visually "polluted" environment; considers the terms "permaculture" and "video-ecology"; different types of natural landscapes. Methods of greening the urban environment using the principles of permaculture and the possibility of their application in creating a comfortable architectural environment are studied. The aim of the study is to analyze the landscape component of permaculture as a way to create video-ecological architecture (on the example of Chernivtsi region). The basis of the philosophy of permaculture is a competent functional design of interconnected components from which a system is built, namely, in our case – a socially-oriented architecture, which involves the design of an architectural environment focused on addressing the social needs of society. Describes ways to create a video-ecological innovation center of employment with public spaces with the study and consideration of the permaculture method of areas for landscaping, as well as designing a complex and creating public spaces according to different types of landscape areas of Chernivtsi region in Ukraine.
{"title":"Landscape component of permaculture as a way to create video-ecological socially-oriented architecture (on the example of Chernivtsi region, Ukraine)","authors":"V. Tovbych, K. Herych, N. Vatamaniuk","doi":"10.22616/j.landarchart.2021.19.05","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.05","url":null,"abstract":"The article analyzes and investigates the economic problems of urban and rural populations, ecological and emotional-psychological effects on people of urbanized visually \"polluted\" environment; considers the terms \"permaculture\" and \"video-ecology\"; different types of natural landscapes. Methods of greening the urban environment using the principles of permaculture and the possibility of their application in creating a comfortable architectural environment are studied. The aim of the study is to analyze the landscape component of permaculture as a way to create video-ecological architecture (on the example of Chernivtsi region). The basis of the philosophy of permaculture is a competent functional design of interconnected components from which a system is built, namely, in our case – a socially-oriented architecture, which involves the design of an architectural environment focused on addressing the social needs of society. Describes ways to create a video-ecological innovation center of employment with public spaces with the study and consideration of the permaculture method of areas for landscaping, as well as designing a complex and creating public spaces according to different types of landscape areas of Chernivtsi region in Ukraine.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45637644","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.22616/j.landarchart.2021.19.12
O. Sleptsov, Y. Ivashko, A. Dmytrenko, Michael P. Krupa
The article analyzes and formulates the characteristic features of traditional Ukrainian landscape design, which had authentic roots and was based on minimal interference in the existing natural environment and its maximum use to enhance the properties of architecture. The purpose of the article is to identify traditional and innovative elements in the landscaping of modern Ukrainian Orthodox churches.The descriptive method, the graphical-and-analytical method, the methods of historical and comparative analysis were used. The main traditional methods of Ukrainian landscape design of the XVII–XVIII centuries are determined. Examples of traditional landscape design of Polish monasteries are given, taking into account the rather long influence of Polish culture on a large part of Ukrainian territories. The modern landscape techniques in Ukraine based on the use of folk traditions are described and analyzed. Two main directions of modern landscape design of territories around cult buildings are defined – repetition of the established receptions (in ethno-complexes) and creative modernization of architectural forms in combination with landscape design (on examples of newly built churches). It is shown how both methods enhance the properties and aesthetic expressiveness of architecture.
{"title":"The contemporary churches in the natural environment: modernization of landscape traditions","authors":"O. Sleptsov, Y. Ivashko, A. Dmytrenko, Michael P. Krupa","doi":"10.22616/j.landarchart.2021.19.12","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.12","url":null,"abstract":"The article analyzes and formulates the characteristic features of traditional Ukrainian landscape design, which had authentic roots and was based on minimal interference in the existing natural environment and its maximum use to enhance the properties of architecture. The purpose of the article is to identify traditional and innovative elements in the landscaping of modern Ukrainian Orthodox churches.The descriptive method, the graphical-and-analytical method, the methods of historical and comparative analysis were used. The main traditional methods of Ukrainian landscape design of the XVII–XVIII centuries are determined. Examples of traditional landscape design of Polish monasteries are given, taking into account the rather long influence of Polish culture on a large part of Ukrainian territories. The modern landscape techniques in Ukraine based on the use of folk traditions are described and analyzed. Two main directions of modern landscape design of territories around cult buildings are defined – repetition of the established receptions (in ethno-complexes) and creative modernization of architectural forms in combination with landscape design (on examples of newly built churches). It is shown how both methods enhance the properties and aesthetic expressiveness of architecture.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43685042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.22616/j.landarchart.2021.19.04
A. Markovskyi, V. Tovbych, Olga Lagutenko
The article analyzes the influence of the water artery – the Dnieper River and the active relief on the specifics of the city development on the example of Kyiv since ancient times. The specifics of the development of Kiev was that this development began from the territories close to the Dnieper, located on the right steep bank of the city. It is proved that initially the maximum use of proximity to the river and active Landforms was applied exclusively for religious dominants, whereas since the Soviet era, this vector has radically changed first towards representative ideological buildings, and in modern conditions – towards commercial multi-storey residential development. The purpose of the article was to trace how the waterway – the Dnieper River, accent landforms and landscaping influenced the formation of Kyiv during its existence, as well as to determine the features of the influence of these natural components on the modern development of the city. The scientific novelty of the study lies in a comprehensive coverage of the relationship between the natural components and development of Kyiv from ancient times to the present, identifying modern problems, their causes and ways to overcome them.
{"title":"The role of the river, active landscape and greenery in the formation of urban development in Kyiv","authors":"A. Markovskyi, V. Tovbych, Olga Lagutenko","doi":"10.22616/j.landarchart.2021.19.04","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.04","url":null,"abstract":"The article analyzes the influence of the water artery – the Dnieper River and the active relief on the specifics of the city development on the example of Kyiv since ancient times. The specifics of the development of Kiev was that this development began from the territories close to the Dnieper, located on the right steep bank of the city. It is proved that initially the maximum use of proximity to the river and active Landforms was applied exclusively for religious dominants, whereas since the Soviet era, this vector has radically changed first towards representative ideological buildings, and in modern conditions – towards commercial multi-storey residential development. The purpose of the article was to trace how the waterway – the Dnieper River, accent landforms and landscaping influenced the formation of Kyiv during its existence, as well as to determine the features of the influence of these natural components on the modern development of the city. The scientific novelty of the study lies in a comprehensive coverage of the relationship between the natural components and development of Kyiv from ancient times to the present, identifying modern problems, their causes and ways to overcome them.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49525697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.22616/j.landarchart.2021.19.08
Yang Ding, P. Zueva, I. Gražulevičiūtė-Vileniškė, Hanna Yablonska, Marek Początko
The study focuses on the origins and characteristics of traditional Japanese landscape design and its features. A comparative analysis of historical Chinese and Japanese horticultural traditions is carried out, as a result of which it is proved that in both cases the basis was religious syncretism with regional characteristics. A comparative analysis of Chinese and Japanese gardens has shown how, over time, they drifted further and further from each other, the Chinese garden continued to improve its hedonistic orientation, while the Japanese garden followed the path of maximum asceticism, the aesthetics of empty space, symbolism, that is, which helped maximize concentration and self-contemplation.
{"title":"A traditional Japanese garden and its lessons for modern times","authors":"Yang Ding, P. Zueva, I. Gražulevičiūtė-Vileniškė, Hanna Yablonska, Marek Początko","doi":"10.22616/j.landarchart.2021.19.08","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.08","url":null,"abstract":"The study focuses on the origins and characteristics of traditional Japanese landscape design and its features. A comparative analysis of historical Chinese and Japanese horticultural traditions is carried out, as a result of which it is proved that in both cases the basis was religious syncretism with regional characteristics. A comparative analysis of Chinese and Japanese gardens has shown how, over time, they drifted further and further from each other, the Chinese garden continued to improve its hedonistic orientation, while the Japanese garden followed the path of maximum asceticism, the aesthetics of empty space, symbolism, that is, which helped maximize concentration and self-contemplation.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47028355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.22616/j.landarchart.2021.19.10
Aija Grietena
In the art of environmental design, architecture, landscape architecture and interiors need to be balanced through interdisciplinary collaborative planning to enhance the psycho-emotional quality of environment, and in this respect, the study of the interaction of landscapes and indoor space through comparative analysis and inductive reference continue. Enclosed by evergreen Vacciniosa type of forest, the impressive building of the new Roja Stage / Summer Concert Hall has been standing proudly on the shores of the Gulf of Riga since 2019. The building actively contrasts with the surrounding landscape. The language of architectural forms in glass and concrete is geometrically sharp, saturated with broken lines and planes in contrast to the adjacent natural landscape, pine forest. The specific detailed case study underlines the importance of balanced interdisciplinary collaboration in harmonious interaction between architecture, landscape and indoor space.
{"title":"Interaction of landscape and indoor space in architecture of Roja open-air stage / summer concert hall","authors":"Aija Grietena","doi":"10.22616/j.landarchart.2021.19.10","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.10","url":null,"abstract":"In the art of environmental design, architecture, landscape architecture and interiors need to be balanced through interdisciplinary collaborative planning to enhance the psycho-emotional quality of environment, and in this respect, the study of the interaction of landscapes and indoor space through comparative analysis and inductive reference continue. Enclosed by evergreen Vacciniosa type of forest, the impressive building of the new Roja Stage / Summer Concert Hall has been standing proudly on the shores of the Gulf of Riga since 2019. The building actively contrasts with the surrounding landscape. The language of architectural forms in glass and concrete is geometrically sharp, saturated with broken lines and planes in contrast to the adjacent natural landscape, pine forest. The specific detailed case study underlines the importance of balanced interdisciplinary collaboration in harmonious interaction between architecture, landscape and indoor space.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48633122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.22616/j.landarchart.2021.19.14
L. Ābele, Dina Barute, Lasma Ulmane-Ozolina, B. Rivza
Digital skills are one of the most important skills that were highlighted in the times of COVID-19, including areas like landscape architecture. COVID-19 pandemic raised possibilities for blended-learning in adult education that were not used much before the pandemic. Data shows that Latvia’s inhabitants digital skills compared to the EU average is much lower and there is a need for innovative ways to attract lifelong learners to participate in skills’ advancement courses. At the end of 2020, a survey was conducted with the aim of the survey to find out the society's self-assessment of digital skills and the need to improve them for remote working. Results showed that a high number of respondents are willing to participate in blended learning courses and are eager to develop their digital skills.
{"title":"Blended learning in lifelong adult education in the aspects of covid-19 epidemical restriction","authors":"L. Ābele, Dina Barute, Lasma Ulmane-Ozolina, B. Rivza","doi":"10.22616/j.landarchart.2021.19.14","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.14","url":null,"abstract":"Digital skills are one of the most important skills that were highlighted in the times of COVID-19, including areas like landscape architecture. COVID-19 pandemic raised possibilities for blended-learning in adult education that were not used much before the pandemic. Data shows that Latvia’s inhabitants digital skills compared to the EU average is much lower and there is a need for innovative ways to attract lifelong learners\u0000to participate in skills’ advancement courses. At the end of 2020, a survey was conducted with the aim of the survey to find out the society's self-assessment of digital skills and the need to improve them for remote working. Results showed that a high number of respondents are willing to participate in blended learning courses and are\u0000eager to develop their digital skills.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45104446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.22616/j.landarchart.2021.19.09
Yang Ding, Olena Semykina, Andriy Mykhailenko, Olga M. Ushakova, Oleksandr Khliupin
The article considers examples of modern gardens and parks with elements of Chinese and Japanese landscape design, analyzes the degree of their similarity with historic gardens. A comparative analysis of historic gardens and modern gardens and parks is carried out in order to prove which elements of traditional oriental landscape design are cited the most. A set of elements that embody national identity in modern Chinese and Japanese gardens is argued. It is shown how, over time, including under the direct influence of multiculturalism and in connection with the typification of pavilions for mass construction, the concentrated national features of eastern gardens were gradually smoothed out. As the most recognizable elements of modern Chinese gardens, pavilions, sculpture, compositions of stones, Japanese gardens – gates-torii, pagodas, compositions of boulders, "dry gardens", landscaping with sakura, coniferous trees, and Japanese maples were identified. Compared to Chinese gardens, in a modern Japanese garden outside of Japan there may be no buildings at all or their number is minimal, and the natural environment itself is more natural. On the contrary, the Chinese garden outside of China showcases the art of landscape design and the craftsmanship of man-made landscape paintings.
{"title":"Modern Chinese and Japanese garden as a symbol of national identity in the context of globalism","authors":"Yang Ding, Olena Semykina, Andriy Mykhailenko, Olga M. Ushakova, Oleksandr Khliupin","doi":"10.22616/j.landarchart.2021.19.09","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.09","url":null,"abstract":"The article considers examples of modern gardens and parks with elements of Chinese and Japanese landscape design, analyzes the degree of their similarity with historic gardens. A comparative analysis of historic gardens and modern gardens and parks is carried out in order to prove which elements of traditional oriental landscape design are cited the most. A set of elements that embody national identity in modern Chinese and Japanese gardens is argued. It is shown how, over time, including under the direct influence of multiculturalism and in connection with the typification of pavilions for mass construction, the concentrated national features of eastern gardens were gradually smoothed out. As the most recognizable elements of modern Chinese gardens, pavilions, sculpture, compositions of stones, Japanese gardens – gates-torii, pagodas, compositions of boulders, \"dry gardens\", landscaping with sakura, coniferous trees, and Japanese maples were identified. Compared to Chinese gardens, in a modern Japanese garden outside of Japan there may be no buildings at all or their number is minimal, and the natural environment itself is more natural. On the contrary, the Chinese garden outside of China showcases the art of landscape design and the craftsmanship of man-made landscape paintings.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48341039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-10-07DOI: 10.22616/j.landarchart.2021.18.04
C. Jorge
From Design with Nature of Ian L. McHarg to The Origin of Eukaryotic Cells of Lynn Margulis, the role of the microorganisms in the cycle of life, health, and disease, and in climate change constitutes the life support system of the biosphere. The micro-parklands of the Emergency Hospital in Madrid create a natural system of prefabricated elements following the aim of rapid implementation, isolation, and protection taking as reference the simple integrated system of living microorganisms. These micro-enclosures provide circular areas where patients, visitors, or healthcare professionals can meet in secret places surrounded by trees and shrubs or long green islands where they can walk around. The landscape architecture project has a surface of 7,434 sqm and occupies a plot of 69,791 sqm located in the Hortaleza district of Madrid. Belonging to the previous City of Justice project on the north side of the Institute of Legal Medicine, the plot, which is trapezoidal with a drop of 4,5 meters, is destined for a public hospital constructed in four months during the Covid-19 pandemic. Due to dry climatic conditions, adapted species with low water demand have been selected reducing the risk of allergies or respiratory problems. The topography has been modified to conserve rainwater and direct it to green areas that act as sponges that reduce runoff, store water, remove sediment and pollutants and release it into other ecosystems. There is no separation between soft scape (planting) and hard scape (soil) in the intervention, both are soft and porous and have macro and micro living beings. Following the references of these books, creativity and destruction as real phenomena both have attributes such as fitness and unfitness in the evolutionary way or health and disease. The vital system of living organisms (creativity) and viruses (destruction) has guided the design and distribution of these external areas that intend to prevent infections in the open air, as part of the mutation and adaptation process.
{"title":"Landscape intervention in the Hospital for Covid-19 pandemic in Madrid","authors":"C. Jorge","doi":"10.22616/j.landarchart.2021.18.04","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.18.04","url":null,"abstract":"From Design with Nature of Ian L. McHarg to The Origin of Eukaryotic Cells of Lynn Margulis, the role of the microorganisms in the cycle of life, health, and disease, and in climate change constitutes the life support system of the biosphere. The micro-parklands of the Emergency Hospital in Madrid create a natural system of prefabricated elements following the aim of rapid implementation, isolation, and protection taking as reference the simple integrated system of living microorganisms. These micro-enclosures provide circular areas where patients, visitors, or healthcare professionals can meet in secret places surrounded by trees and shrubs or long green islands where they can walk around. The landscape architecture project has a surface of 7,434 sqm and occupies a plot of 69,791 sqm located in the Hortaleza district of Madrid. Belonging to the previous City of Justice project on the north side of the Institute of Legal Medicine, the plot, which is trapezoidal with a drop of 4,5 meters, is destined for a public hospital constructed in four months during the Covid-19 pandemic. Due to dry climatic conditions, adapted species with low water demand have been selected reducing the risk of allergies or respiratory problems. The topography has been modified to conserve rainwater and direct it to green areas that act as sponges that reduce runoff, store water, remove sediment and pollutants and release it into other ecosystems. There is no separation between soft scape (planting) and hard scape (soil) in the intervention, both are soft and porous and have macro and micro living beings. Following the references of these books, creativity and destruction as real phenomena both have attributes such as fitness and unfitness in the evolutionary way or health and disease. The vital system of living organisms (creativity) and viruses (destruction) has guided the design and distribution of these external areas that intend to prevent infections in the open air, as part of the mutation and adaptation process.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48017040","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-03-14DOI: 10.22616/J.LANDARCHART.2020.17.02
D. Chernyshev, Y. Ivashko, Dominika Kuśnierz-Krupa, A. Dmytrenko
The article analyses the impact of natural environment on the creation of a Christian church design, as an example, reviews the Orthodox architecture of Ukraine – historical and contemporary one. From time immemorial, Orthodox churches were erected in the most picturesque places – on high hills, steep banks, near rivers and lakes – so that the temple was reflected in the water surface. A typical example is the historical silhouette of the steep right bank of Kyiv, formed by many churches, cathedrals and monasteries located along the edge of the hilly shore. If temples in the urban environment were constrained by the conditions of dense quarterly development (the principal cathedrals and monasteries were an exception), then the peculiarity of the remote suburban monasteries – the hermitages – was precisely the creation of nature and architecture picturesque combination. At the monasteries, parks, gardens and flower beds were created, artificial lakes were arranged. During the domination of the atheistic ideology, temple construction was in decline, most of the cathedrals, churches and monasteries were destroyed or redesigned under the socialist functions of clubs, museums of atheism, schools and storages. The contemporary course in the creation of new Orthodox churches is aimed at restoring the lost sequence in the church building. In this case, particular attention is paid to the natural environment: churches are built in park areas, in forest parks, on the banks of lakes, surrounded by flower beds. The relevance of the study is explained by the presence in Ukraine of a large number of Orthodox churches – both architectural monuments and newly built, which are traditionally surrounded by gardens, parks and flower gardens as symbols of their non-earthly purpose, the image of the Garden of Eden. Therefore, during the restoration and new construction of such objects, it is necessary to understand the features of the сhurch landscape design, which has been formed and improved over the centuries.
{"title":"Role of natural landscape in perception of Ukrainian sacral architecture monuments","authors":"D. Chernyshev, Y. Ivashko, Dominika Kuśnierz-Krupa, A. Dmytrenko","doi":"10.22616/J.LANDARCHART.2020.17.02","DOIUrl":"https://doi.org/10.22616/J.LANDARCHART.2020.17.02","url":null,"abstract":"The article analyses the impact of natural environment on the creation of a Christian church design, as an example, reviews the Orthodox architecture of Ukraine – historical and contemporary one. From time immemorial, Orthodox churches were erected in the most picturesque places – on high hills, steep banks, near rivers and lakes – so that the temple was reflected in the water surface. A typical example is the historical silhouette of the steep right bank of Kyiv, formed by many churches, cathedrals and monasteries located along the edge of the hilly shore. If temples in the urban environment were constrained by the conditions of dense quarterly development (the principal cathedrals and monasteries were an exception), then the peculiarity of the remote suburban monasteries – the hermitages – was precisely the creation of nature and architecture picturesque combination. At the monasteries, parks, gardens and flower beds were created, artificial lakes were arranged. During the domination of the atheistic ideology, temple construction was in decline, most of the cathedrals, churches and monasteries were destroyed or redesigned under the socialist functions of clubs, museums of atheism, schools and storages. The contemporary course in the creation of new Orthodox churches is aimed at restoring the lost sequence in the church building. In this case, particular attention is paid to the natural environment: churches are built in park areas, in forest parks, on the banks of lakes, surrounded by flower beds. The relevance of the study is explained by the presence in Ukraine of a large number of Orthodox churches – both architectural monuments and newly built, which are traditionally surrounded by gardens, parks and flower gardens as symbols of their non-earthly purpose, the image of the Garden of Eden. Therefore, during the restoration and new construction of such objects, it is necessary to understand the features of the сhurch landscape design, which has been formed and improved over the centuries.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-03-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41392954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}