Pub Date : 2022-10-11DOI: 10.22616/j.landarchart.2022.20.08
A. Holovatiuk, N. Leshchenko
A methodology is proposed for the architectural organization of new and activation of existing abandoned, degrading urban spaces and their transformation into attractive public spaces through the introduction of new architectural objects-memes into them, which will bring new emotional and functional content to these places. The notions of a meme in architecture and object-meme are introduced and scientifically substantiated. The last one is proposed as a tool for activating and increasing the attractiveness of existing and new various urban public spaces and, in particular, city parks and squares. The questions that object-meme must solve for this are generalized and systematized. Based on an international sociological video experiment on the perception of different people in different urban public spaces, the characteristics of the last ones, which evoke positive emotions in most people in them, were analyzed and summarized. Recommendations are systematized on the architectural and functional organization of such spaces, in particular city squares and parks, and the placement of objects-memes in them. Approbation of the put forward theoretical provisions is presented in the conceptual projects for the creation of a new city square in the historical part of Kyiv and the revitalization of the existing degrading park in the Gran-San-Blas area in Madrid.
提出了一种新的建筑组织和激活现有废弃的、退化的城市空间的方法，并通过引入新的建筑对象-模因将其转化为有吸引力的公共空间，这将为这些地方带来新的情感和功能内容。介绍了建筑模因和客体模因的概念，并对其进行了科学论证。最后一种是作为激活和增加现有和新的各种城市公共空间的吸引力的工具，特别是城市公园和广场。客体模因必须解决的问题是一般化和系统化的。基于国际上对不同城市公共空间中不同人的感知进行的社会学视频实验，分析和总结了最后一种能唤起大多数人积极情绪的特征。对这些空间的建筑和功能组织，特别是城市广场和公园，以及在其中放置物体-模因的建议进行了系统化。对提出的理论规定的认可体现在概念性项目中，即在基辅的历史地段创建一个新的城市广场，以及在马德里的granan - san - blas地区振兴现有的退化公园。
{"title":"Objects-memes in the architectural organization of attractive urban public spaces","authors":"A. Holovatiuk, N. Leshchenko","doi":"10.22616/j.landarchart.2022.20.08","DOIUrl":"https://doi.org/10.22616/j.landarchart.2022.20.08","url":null,"abstract":"A methodology is proposed for the architectural organization of new and activation of existing abandoned, degrading urban spaces and their transformation into attractive public spaces through the introduction of new architectural objects-memes into them, which will bring new emotional and functional content to these places. The notions of a meme in architecture and object-meme are introduced and scientifically substantiated. The last one is proposed as a tool for activating and increasing the attractiveness of existing and new various urban public spaces and, in particular, city parks and squares. The questions that object-meme must solve for this are generalized and systematized. Based on an international sociological video experiment on the perception of different people in different urban public spaces, the characteristics of the last ones, which evoke positive emotions in most people in them, were analyzed and summarized. Recommendations are systematized on the architectural and functional organization of such spaces, in particular city squares and parks, and the placement of objects-memes in them. Approbation of the put forward theoretical provisions is presented in the conceptual projects for the creation of a new city square in the historical part of Kyiv and the revitalization of the existing degrading park in the Gran-San-Blas area in Madrid.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44570744","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-11DOI: 10.22616/j.landarchart.2022.20.09
Olena Troshkina, V. Us, A. Mostovenko, L. Shevchenko, N. Novoselchuk
The article describes and analyzes the possibility of using the method of writing a cinematic script in the design of park space, and it is a test of the method for teaching park design by the method of screenplay and generalization of the results. The authors analyze the possibility of applying this method in the actual design of the existing architectural environment of the city and compare the results with the results of their colleagues from another educational institution of architectural profile in performing similar tasks. The article proves that the cinematographic script, not the theatrical one, is the most suitable for the analysis of the architectural environment and writing the script of its perception. Sid Field's film paradigm, based on Sid Field's film paradigm, is based on the slogan "Every moment the spectator should be interested in what will happen next?" modern city life. According to the screenplay, which has its own structural units, the territory of the park is also divided into several functional zones, each of which corresponds to the cinematic elements. As in the movie, each part of the park evokes certain emotions, which are programmed by the designers in advance. This can be done by manipulating space and its boundaries. The authors suggest that this method of cinematic scenario can be used in the design of the architectural environment of the city, as a new part of it (urban quarter, neighborhood, and district) and in adjusting the existing historical environment.
{"title":"Cinematic methods of scenario construction in the design of landscape parks","authors":"Olena Troshkina, V. Us, A. Mostovenko, L. Shevchenko, N. Novoselchuk","doi":"10.22616/j.landarchart.2022.20.09","DOIUrl":"https://doi.org/10.22616/j.landarchart.2022.20.09","url":null,"abstract":"The article describes and analyzes the possibility of using the method of writing a cinematic script in the design of park space, and it is a test of the method for teaching park design by the method of screenplay and generalization of the results. The authors analyze the possibility of applying this method in the actual design of the existing architectural environment of the city and compare the results with the results of their colleagues from another educational institution of architectural profile in performing similar tasks. The article proves that the cinematographic script, not the theatrical one, is the most suitable for the analysis of the architectural environment and writing the script of its perception. Sid Field's film paradigm, based on Sid Field's film paradigm, is based on the slogan \"Every moment the spectator should be interested in what will happen next?\" modern city life. According to the screenplay, which has its own structural units, the territory of the park is also divided into several functional zones, each of which corresponds to the cinematic elements. As in the movie, each part of the park evokes certain emotions, which are programmed by the designers in advance. This can be done by manipulating space and its boundaries. The authors suggest that this method of cinematic scenario can be used in the design of the architectural environment of the city, as a new part of it (urban quarter, neighborhood, and district) and in adjusting the existing historical environment.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46762707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Landscape Architecture is defined as a blend of art and science. However, it has been acknowledged that configuration of design forms, which is related to spatial composition and element forms is the most challenging design aspect that the students face in learning the design process in the basic design course. This is not the case for the scientific aspects where students can establish their ability and confidence in learning landscape technical issues and functional requirements. This paper discusses the outcomes of the first Landscape Architecture Design Studio at the Department of Landscape Architecture at Imam Abdulrahman Bin Faisal University (IAU), which represents the first foundation stone for Landscape Architecture design education. The Landscape Architecture Studio has examined the role of creative practice in art plays in the landscape architecture design process in the light of Zangwill’s Aesthetic Creation Theory (ACT), and following the Form-Based Design (FBD) approach process defined by Stefano Fillipi. In this studio, students were asked to design a private garden related to, hypothetically, an artist’s family house. Based on the FBD approach, each student chose a specific modern artist, supposedly owning the garden house, and studied his artistic principles of forms, patterns, colours and composition, and used them as an inspiration for their own art paintings. The students’ art pieces acted as the basis for conceptualising their design preliminary plans and 3D images. As a result of this studio, students showed a great interest in the studio artistic approach, and demonstrated a significant ability to translate the artistic principles and qualities existing in creative painting successfully into their landscape architecture design. At the end of the teaching process, a reflective student survey feedback from instructors indicated that students had learned about the aesthetic creative approach and were able to understand the role non-aesthetic properties played into manifesting the design aesthetic quality.
{"title":"Landscape architecture design as an art creative practice: A studio teaching model","authors":"Omar Hosam Aldeen Mohammad, Montasir Masoud Alabdullah","doi":"10.22616/j.landarchart.2022.20.10","DOIUrl":"https://doi.org/10.22616/j.landarchart.2022.20.10","url":null,"abstract":"Landscape Architecture is defined as a blend of art and science. However, it has been acknowledged that configuration of design forms, which is related to spatial composition and element forms is the most challenging design aspect that the students face in learning the design process in the basic design course. This is not the case for the scientific aspects where students can establish their ability and confidence in learning landscape technical issues and functional requirements. This paper discusses the outcomes of the first Landscape Architecture Design Studio at the Department of Landscape Architecture at Imam Abdulrahman Bin Faisal University (IAU), which represents the first foundation stone for Landscape Architecture design education. The Landscape Architecture Studio has examined the role of creative practice in art plays in the landscape architecture design process in the light of Zangwill’s Aesthetic Creation Theory (ACT), and following the Form-Based Design (FBD) approach process defined by Stefano Fillipi. In this studio, students were asked to design a private garden related to, hypothetically, an artist’s family house. Based on the FBD approach, each student chose a specific modern artist, supposedly owning the garden house, and studied his artistic principles of forms, patterns, colours and composition, and used them as an inspiration for their own art paintings. The students’ art pieces acted as the basis for conceptualising their design preliminary plans and 3D images. As a result of this studio, students showed a great interest in the studio artistic approach, and demonstrated a significant ability to translate the artistic principles and qualities existing in creative painting successfully into their landscape architecture design. At the end of the teaching process, a reflective student survey feedback from instructors indicated that students had learned about the aesthetic creative approach and were able to understand the role non-aesthetic properties played into manifesting the design aesthetic quality.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46808329","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-20DOI: 10.22616/j.landarchart.2021.19.01
A. Ziemeļniece, U. Īle, I. Stokmane
The value of the cultural landscape heritage, its accessibility, preservation, landscape protection zone rating, avoidance of blocking or releasing viewlines (silhouettes, panoramas) etc. – these are the issues which are very little reflected in municipal documents. The documents mainly consist of decisions and support to meet practical or business-friendly needs. Along with the increased attraction of EU investment in agriculture, the mentioned issues become even more aggravated – at which expense the areas and the respective payments are increasing? The answer is one – at the expense of the landscape. In each of Latvian counties, there are territories that cannot lose historical value and we must search for a mutually beneficial algorithm. EU funding projects must contribute to the preservation of the cultural landscape heritage, i.e. to the introduction of Europe's best philosophy and practices. The recovery of the cultural landscape, including maintenance works and its progress in postsocialist areas, is not an easy task, knowing the existing ownership and the economic situation in the country. Will we really get a greater contribution to the state economy from the amount of threshed centners than from the preservation of landscape values in the long term? A task of crucial importance is the research of each region's landscape space, the development of a concept and elaboration of project documentation. As the study shows, Latvian greenfields and cultural heritage calls for the actions to form several areas of the museum reserve.
{"title":"Spatial identity of Latvian cultural landscape within regional context","authors":"A. Ziemeļniece, U. Īle, I. Stokmane","doi":"10.22616/j.landarchart.2021.19.01","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.01","url":null,"abstract":"The value of the cultural landscape heritage, its accessibility, preservation, landscape protection zone rating, avoidance of blocking or releasing viewlines (silhouettes, panoramas) etc. – these are the issues which are very little reflected in municipal documents.\u0000The documents mainly consist of decisions and support to meet practical or business-friendly needs. Along with the increased attraction of EU investment in agriculture, the mentioned issues become even more aggravated – at which expense the areas and the respective payments are increasing? The answer is one – at the expense of the landscape.\u0000In each of Latvian counties, there are territories that cannot lose historical value and we must search for a mutually beneficial algorithm.\u0000EU funding projects must contribute to the preservation of the cultural landscape heritage, i.e. to the introduction of Europe's best philosophy and practices. The recovery of the cultural landscape, including maintenance works and its progress in postsocialist areas, is not an easy task, knowing the existing ownership and the economic situation in the country. Will we really get a greater contribution to the state economy from the amount of threshed centners than from the preservation of landscape values in the long term?\u0000A task of crucial importance is the research of each region's landscape space, the development of a concept and elaboration of project documentation. As the study shows, Latvian greenfields and cultural heritage calls for the actions to form several areas of the museum reserve.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49662129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-20DOI: 10.22616/j.landarchart.2021.19.03
T. Kashchenko, A. Akhaimova, Olha Homon, Wojciech Ciepłucha
The article raises the issue of interaction between architecture and natural environment in the expression of the people’s national identity. On the examples of different peoples’ cultures means of expression of national color, characteristic landscape receptions are analyzed. The means of national identity expression on the Ukraine territory are studied in detail; the important role of open-air museums in this process is shown. The importance of preserving national identity in the modern conditions of globalization and international architecture is proved. The classical world principles of combining landscape and architecture as expressions of the country national identity are analyzed, as well as the ways of solving this problem in Ukraine by ways of organizing open-air museums, ethnographic corners and fragmentary use of folk motifs in modern parks.
{"title":"Synthesis of landscape and architecture as a means of expressing national identity","authors":"T. Kashchenko, A. Akhaimova, Olha Homon, Wojciech Ciepłucha","doi":"10.22616/j.landarchart.2021.19.03","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.03","url":null,"abstract":"The article raises the issue of interaction between architecture and natural environment in the expression of the people’s national identity. On the examples of different peoples’ cultures means of expression of national color, characteristic landscape receptions are analyzed. The means of national identity expression on the Ukraine territory are studied in detail; the important role of open-air museums in this process is shown. The importance of preserving national identity in the modern conditions of globalization and international architecture is proved. The classical world principles of combining landscape and architecture as expressions of the country national identity are analyzed, as well as the ways of solving this problem in Ukraine by ways of organizing open-air museums, ethnographic corners and fragmentary use of folk motifs in modern parks.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42115244","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-02-20DOI: 10.22616/j.landarchart.2021.19.02
N. Ņitavska, Daiga Skujāne
Landscape variability due to anthropogenic pressure poses a risk to the existence of valuable and unique landscapes. It once became the reason for raising the issue of landscape protection in Europe, paying special attention to landscapes of national importance by giving them a special status. In European practice, the granting of the status of a landscape of national importance to certain territories is based on a long tradition. In England and Scotland, it was started in 1949, separating nature protection and landscape protection directly into laws and regulations, and also later by identifying and mapping the country's most important landscapes, developing guidelines for landscape protection, planning and management, and setting up national landscape protection institutions. Later, in 1992, Finland also granted a special status to its particularly important landscapes. In general, this establishing method is similar to the UK experience. The experience of France, on the other hand, is based on exploiting the potential of the landscape for tourism, by branding specific landscapes and linking them in a single network. The traditions of European countries in identifying and managing landscapes of national importance are different, but they are mainly based on the desire of each country to highlight and preserve its special and important landscapes both as real territories and as symbols of national identity. This article analyses the understanding of national landscapes, comparing the examples of individual European countries, as well as the experience of Latvia, with the aim to determine the best basis and method for Latvia to identify, protect and manage national landscapes.
{"title":"Practice of Identification, Protection and Management of Landscapes of National Importance in Europe and Latvia","authors":"N. Ņitavska, Daiga Skujāne","doi":"10.22616/j.landarchart.2021.19.02","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.02","url":null,"abstract":"Landscape variability due to anthropogenic pressure poses a risk to the existence of valuable and unique landscapes. It once became the reason for raising the issue of landscape protection in Europe, paying special attention to landscapes of national importance by giving them a special status. In European practice, the granting of the status of a landscape of national importance to certain territories is based on a long tradition. In England and Scotland, it was started in 1949, separating nature protection and landscape protection directly into laws and regulations, and also later by identifying and mapping the country's most important landscapes, developing guidelines for landscape protection, planning and management, and setting up national landscape protection institutions. Later, in 1992, Finland also granted a special status to its particularly important landscapes. In general, this establishing method is similar to the UK experience. The experience of France, on the other hand, is based on exploiting the potential of the landscape for tourism, by branding specific landscapes and linking them in a single network. The traditions of European countries in identifying and managing landscapes of national importance are different, but they are mainly based on the desire of each country to highlight and preserve its special and important landscapes both as real territories and as symbols of national identity. This article analyses the understanding of national landscapes, comparing the examples of individual European countries, as well as the experience of Latvia, with the aim to determine the best basis and method for Latvia to identify, protect and manage national landscapes.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-02-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47541004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.22616/j.landarchart.2022.21.01
Ieva Kraukle, I. Stokmane, K. Vugule
The impact of the Covid-19 pandemic demonstrated the importance of urban forests for human well-being at a time of tight constraints, when large forests close to urban areas were in high demand. Increased use affects the management of territories. Urban forests play an important role in providing ecosystem services. Urban forests show a close link between ecosystem services and forest functions. A literature review was carried out, exploring the ecosystem services and specific urban forest services provided by such territories. This article examines the experience of the Ogres Zilie kalni during the Covid-19 pandemic, taking into account the peculiar functions of urban forests. Different types of recreation that take place in the Ogres Zilie kalni, and their impact on park management are discussed. The aim of the article is to analyse and present the challenges of urban forest governance and management under the influence of Covid-19, looking through the functions of urban forests. Taking into account the classifications of ecosystem services available in Zilie kalni, zoning and assessment of the territory have been carried out. Cartographic material has been created based on practical experience and employee interviews. The practical experience of territory management gained during Covid-19 is important and should be taken into account in the future development of green spaces, respecting the new habits of visitors potentially affected by the pandemic, where one of the most important proposals is to develop more small localised recreation areas on smaller paths.
{"title":"The Ogres Zilie kalni park urban forest management","authors":"Ieva Kraukle, I. Stokmane, K. Vugule","doi":"10.22616/j.landarchart.2022.21.01","DOIUrl":"https://doi.org/10.22616/j.landarchart.2022.21.01","url":null,"abstract":"The impact of the Covid-19 pandemic demonstrated the importance of urban forests for human well-being at a time of tight constraints, when large forests close to urban areas were in high demand. Increased use affects the management of territories. Urban forests play an important role in providing ecosystem services. Urban forests show a close link between ecosystem services and forest functions. A literature review was carried out, exploring the ecosystem services and specific urban forest services provided by such territories. This article examines the experience of the Ogres Zilie kalni during the Covid-19 pandemic, taking into account the peculiar functions of urban forests. Different types of recreation that take place in the Ogres Zilie kalni, and their impact on park management are discussed. The aim of the article is to analyse and present the challenges of urban forest governance and management under the influence of Covid-19, looking through the functions of urban forests. Taking into account the classifications of ecosystem services available in Zilie kalni, zoning and assessment of the territory have been carried out. Cartographic material has been created based on practical experience and employee interviews. The practical experience of territory management gained during Covid-19 is important and should be taken into account in the future development of green spaces, respecting the new habits of visitors potentially affected by the pandemic, where one of the most important proposals is to develop more small localised recreation areas on smaller paths.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":"1 1","pages":""},"PeriodicalIF":0.4,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68273038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.22616/j.landarchart.2021.19.11
A. Riekstins
This paper researches the limits of repeating patterns that tesselate in a more artistic way for architectural application that is not limited to creating regular triangular, rectangular or hexagonal pieces with decorative purpose and sole material usage. Digitally parametric modeling and CAD-CAM paradigm with input-output sensorial microcontrollers, have brought the possibility to explore the limits of mixing up manual and automatized fabrication techniques with the infinite geometrical potential, implementing AI features. The applied research is being materialized into a mixed technique grayscale concrete floor-tiling prototype featuring concepts of passive flame-imitated indirect red light to enhance health benefits (Arduino microcontroller operated) and zero-waste manufacturing by carrying out CNC milling positive cast to a rubber mold to create an exact amount of geometrically matching pieces needed for the design.
{"title":"Parametric Biodigital Inspired Tessellation for Mass Customized Digital Fabrication","authors":"A. Riekstins","doi":"10.22616/j.landarchart.2021.19.11","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.11","url":null,"abstract":"This paper researches the limits of repeating patterns that tesselate in a more artistic way for architectural application that is not limited to creating regular triangular, rectangular or hexagonal pieces with decorative purpose and sole material usage. Digitally parametric modeling and CAD-CAM paradigm with input-output sensorial microcontrollers, have brought the possibility to explore the limits of mixing up manual and automatized fabrication techniques with the infinite geometrical potential, implementing AI features. The applied research is being materialized into a mixed technique grayscale concrete floor-tiling prototype featuring concepts of passive flame-imitated indirect red light to enhance health benefits (Arduino microcontroller operated) and zero-waste manufacturing by carrying out CNC milling positive cast to a rubber mold to create an exact amount of geometrically matching pieces needed for the design.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46136739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article is devoted to the analysis of the history of creation of the Residence of Bukovinian and Dalmatian Metropolitans in the city of Chernivtsi, where the Yurii Fedkovych Chernivtsi National University is now located. A part of this ensemble is a park, the uniqueness of which is due to the combination of three types of parks at the same time – the Italian garden, the French regular park and the English landscape park. The periods of creation of the park, participation of landscape designers and clergymen are covered in detail, landscape techniques and their correspondence to the three above-mentioned types of parks are analyzed. The range of problems of the park's existence and measures for its arrangement are described. Proposals for the creation of a unique Bible garden with the symbolic meaning of landscape sceneries are described separately. The proposed measures are substantiated in terms of creating a new tourist attraction.
{"title":"Historical traditions and cultural and economic tenability of the modern landscape design of the Residence of Bukovinian and Dalmatian Metropolitans","authors":"Iryna Korotun, Yuliana Balaniuk, Anatolii Vakolyuk","doi":"10.22616/j.landarchart.2021.19.07","DOIUrl":"https://doi.org/10.22616/j.landarchart.2021.19.07","url":null,"abstract":"The article is devoted to the analysis of the history of creation of the Residence of Bukovinian and Dalmatian Metropolitans in the city of Chernivtsi, where the Yurii Fedkovych Chernivtsi National University is now located. A part of this ensemble is a park, the uniqueness of which is due to the combination of three types of parks at the same time – the Italian garden, the French regular park and the English landscape park. The periods of creation of the park, participation of landscape designers and clergymen are covered in detail, landscape techniques and their correspondence to the three above-mentioned types of parks are analyzed. The range of problems of the park's existence and measures for its arrangement are described. Proposals for the creation of a unique Bible garden with the symbolic meaning of landscape sceneries are described separately. The proposed measures are substantiated in terms of creating a new tourist attraction.","PeriodicalId":40393,"journal":{"name":"Landscape Architecture and Art","volume":" ","pages":""},"PeriodicalIF":0.4,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45238216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2021-12-30DOI: 10.22616/j.landarchart.2021.19.06
Aurelija Daugėlaitė, H. Doğan, I. Gražulevičiūtė-Vileniškė
Growing environmental awareness and emerging design and performance requirements related with the implementation of sustainability goals inevitably have an influence on construction, architecture, urban design and the development of our built environment in general. This influence is reflected both in the increasingly efficient ecological performance of built structures and the growing array of related technologies, and in the aesthetic expression of these environmentally conscious designs. The aesthetic expression of sustainability concept and values is sometimes referred to as sustainability aesthetics. The aim of this research is to develop and test a methodological framework for characterizing the sustainability aesthetics of the built environments. The elaborated methodological framework integrates biophilic design, sustainability aesthetics, regenerative design and genius loci as the most promising approaches, allowing the integration of human and environmental concerns. To test the framework, we selected historic built environments that reflect long-lasting sustainable co-existence between humans and their environment and represent hybrid characteristics of both architectural and urban space. One of the purposes selecting these environments for the case study was to determine the features of an organically evolved sustainability aesthetics that could become a valuable source of inspiration for architectural design and management of the built environments.
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