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Matt Brennan, When Genres Collide: Down Beat, Rolling Stone and the Struggle between Jazz and Rock. 马特·布伦南(Matt Brennan),《当流派碰撞:垮掉的节拍》(When Genres Collide:Down Beat),《滚石》(Rolling Stone)和《爵士乐与摇滚的斗争》(Struggle between Jazz and Rock)。
0 MUSIC Pub Date : 2021-10-01 DOI: 10.1558/jazz.43396
J. Spillane
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引用次数: 0
On the sunny side of the street: Sidestepping race for inclusion at the New Orleans Jazz Fest 在阳光明媚的街道上:参加新奥尔良爵士音乐节的竞走赛
0 MUSIC Pub Date : 2021-10-01 DOI: 10.1558/jazz.43394
Sonya A. Grier
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引用次数: 0
Festa do Jazz: A case study on gender (im)balance in Portuguese jazz Festa do Jazz:葡萄牙爵士中性别(im)平衡的个案研究
0 MUSIC Pub Date : 2021-10-01 DOI: 10.1558/jazz.42077
José Dias, Beatriz Nunes
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引用次数: 0
Gender politics, UK jazz festivals and COVID-19: Maintaining the momentum of change during a time of crisis 性别政治、英国爵士音乐节和COVID-19:在危机时期保持变革势头
0 MUSIC Pub Date : 2021-10-01 DOI: 10.1558/jazz.43395
S. Raine
Music festivals offer a valuable glimpse into the state of the current musical landscape. Through them we can follow the career trajectories of particular artists, spot genre trends and divergences, identify connections and differences, and make sense of emerging scenes. Equally, music festivals lay bare the continued inequalities that exist;inclusions and absences are starkly visible in festival line-ups, and marketing and communications provide inspiration for public debate and the fuel for change. For scholars, festivals offer a context through which to examine the complex politics of music, condensed into a specific time and place yet engaging with global trends and debates, with international artists and audiences, with the past and the future, all within the economic and social context of the music industries. From spring 2020, we could clearly plot through music festivals the global impact of the COVID-19 pandemic on live music as we have previously known it, the government-driven lockdowns and social distancing regulations bringing an abrupt halt to live performance and threatening the existence of many music festivals. This period of disruption extended also to the outreach, education, artist development, fundraising, partnership working, and overall strategies of festival teams, to include festival-driven and global attempts to address significant issues relating to access and diversity within the music industries. This article explores gender politics from the stage of UK jazz festivals and considers the momentum of gender-focused initiatives during a period of international crisis.
音乐节为我们提供了了解当前音乐现状的宝贵机会。通过它们,我们可以跟踪特定艺术家的职业轨迹,发现流派趋势和分歧,识别联系和差异,并理解新出现的场景。同样,音乐节也暴露了持续存在的不平等;音乐节的阵容中,包容和缺席是显而易见的,营销和传播为公众辩论提供了灵感,为变革提供了动力。对于学者来说,音乐节提供了一个背景,通过这个背景来研究音乐的复杂政治,浓缩到一个特定的时间和地点,但与全球趋势和辩论,与国际艺术家和观众,与过去和未来,都在音乐产业的经济和社会背景下进行。从2020年春季开始,我们可以通过音乐节清楚地描绘出我们之前所知道的新冠肺炎大流行对现场音乐的全球影响,政府推动的封锁和社会距离规定导致现场表演突然停止,并威胁到许多音乐节的存在。这段中断时期也延伸到推广、教育、艺术家发展、筹款、合作伙伴工作和音乐节团队的整体战略,包括音乐节驱动和全球尝试解决与音乐产业内的准入和多样性有关的重大问题。本文从英国爵士音乐节的舞台上探讨了性别政治,并考虑了在国际危机时期以性别为中心的倡议的势头。
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引用次数: 1
The gatekeepers’ puzzle: Programming diversity and inclusion in a jazz festival 守门人的难题:爵士音乐节的节目多样性和包容性
0 MUSIC Pub Date : 2021-10-01 DOI: 10.1558/jazz.42412
Michael Allemana
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引用次数: 0
Pathways to sustainability: Diversity of programming for audiences in Australian jazz festivals 可持续发展之路:澳大利亚爵士乐节观众节目的多样性
0 MUSIC Pub Date : 2021-07-30 DOI: 10.1558/jazz.41156
S. Foran
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引用次数: 0
Jazz and cosmopolitan practice: The case of Lloyd Swanton 爵士乐与国际化实践:以Lloyd Swanton为例
0 MUSIC Pub Date : 2021-03-02 DOI: 10.1558/JAZZ.36831
Ben Phipps
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引用次数: 0
Beyond romance: Rethinking time and narrative in jazz histories 超越浪漫:爵士乐历史中的时间与叙事反思
0 MUSIC Pub Date : 2021-01-21 DOI: 10.1558/JAZZ.41591
Iván Iglesias Iglesias
This article analyses narrative, time and causality in current general histories of jazz, in the context of the ontological turn in the field. It proposes that jazz studies should go beyond romance as the dominant historical emplotment, pluralize their narratives, and establish a new historiographical relationship to the past in order to produce a truly global, decentred and decolonized history of the genre. The article is divided in three sections, which successively explore historical narratives, representations of time and causality in the past, and some theoretical problems in global and local histories.
本文在爵士乐领域本体论转向的背景下,分析了当前爵士乐通史中的叙事、时间和因果关系。它提出,爵士乐研究应该超越浪漫主义作为主要的历史内容,将其叙事多元化,并与过去建立新的历史关系,以产生一部真正全球化、去中心化和非殖民化的爵士乐史。本文分为三个部分,依次探讨了历史叙事、对过去时间和因果关系的表征,以及全球史和地方史中的一些理论问题。
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引用次数: 0
The style of Roy Eldridge in 1938: Analytical study through two improvisations on ‘Body and Soul’ 1938年罗伊·埃尔德里奇的风格:对《身体与灵魂》两首即兴创作的分析研究
0 MUSIC Pub Date : 2020-09-17 DOI: 10.1558/JAZZ.40884
Juan Zagalaz
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引用次数: 0
Michael Perez and Jessica McKee, eds. Billie Holiday: Essays on the Artistry and Legacy. 迈克尔·佩雷斯和杰西卡·麦基编。《比莉·哈乐黛:艺术与遗产随笔》
0 MUSIC Pub Date : 2020-09-17 DOI: 10.1558/JAZZ.41581
L. Caplan
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引用次数: 0
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Jazz Research Journal
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