Pub Date : 2022-05-01DOI: 10.19137/anclajes-2022-2621
Ana Lourdes Álvarez Romero
: We analyze the book Los hongos alucinantes (1964), by Fernando Benítez (1912-2000), through three main approaches: first, as a successor and reformer of the Mexican Indigenista Literature of the 1950s; second, as a border text between literature, journalism and ethnography, in which Benítez “authorizes” himself through specific strat - egies; third, as a critical text of the anthropological discipline. Strongly influenced by the counterculture of the time and by Literary Indigenismo, Los hongos alucinantes imitates
{"title":"Los hongos alucinantes: apéndice de la literatura mexicana indigenista y crítica a la disciplina antropológica","authors":"Ana Lourdes Álvarez Romero","doi":"10.19137/anclajes-2022-2621","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2621","url":null,"abstract":": We analyze the book Los hongos alucinantes (1964), by Fernando Benítez (1912-2000), through three main approaches: first, as a successor and reformer of the Mexican Indigenista Literature of the 1950s; second, as a border text between literature, journalism and ethnography, in which Benítez “authorizes” himself through specific strat - egies; third, as a critical text of the anthropological discipline. Strongly influenced by the counterculture of the time and by Literary Indigenismo, Los hongos alucinantes imitates","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41384003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.19137/anclajes-2022-2623
Victoria Cóccaro
: Pablo Katchadjian’s experimental novel Qué hacer (2010) is constructed by repetitions that assemble –in an unpredictable and unbridled way– different settings, objects, actions, and characters. It is a fictional force or narrative energy where the living as random power transformation appears. In the context of a dispute around this capacity for variation, this work presents escape, failures, wanderings, excesses
{"title":"Infinito y sustracción en Qué hacer de Pablo Katchadjian: lo novelesco en el horizonte neoliberal","authors":"Victoria Cóccaro","doi":"10.19137/anclajes-2022-2623","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2623","url":null,"abstract":": Pablo Katchadjian’s experimental novel Qué hacer (2010) is constructed by repetitions that assemble –in an unpredictable and unbridled way– different settings, objects, actions, and characters. It is a fictional force or narrative energy where the living as random power transformation appears. In the context of a dispute around this capacity for variation, this work presents escape, failures, wanderings, excesses","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41408006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-05-01DOI: 10.19137/anclajes-2022-2624
Carina González
: Aesthetics and politics were intrinsically linked during the emergence of the historical avant-gardes, but the discussion about their goals and interventions remains timely today. The intellectual field that emerged in forties and fifties Argentina, though following a moderate and seldom-disruptive version of the classic avant-garde (Sarlo 1997), did advance complex discussions on social realism and experimental forms linked more to modernism than to surrealism. In this period, Fina Warschaver (1910-1989), a writer with affiliations to Communist Party, published the controversial novel La casa Modesa (1949), which was ignored by critics due to its experimental form and its dis-tance from the social realism promoted by communist ideology. This essay analyzes the strategies that Warschaver borrows from Virginia Woolf’s modernist approach to
{"title":"La casa propia de Fina Warschaver: en los márgenes de la vanguardia","authors":"Carina González","doi":"10.19137/anclajes-2022-2624","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2624","url":null,"abstract":": Aesthetics and politics were intrinsically linked during the emergence of the historical avant-gardes, but the discussion about their goals and interventions remains timely today. The intellectual field that emerged in forties and fifties Argentina, though following a moderate and seldom-disruptive version of the classic avant-garde (Sarlo 1997), did advance complex discussions on social realism and experimental forms linked more to modernism than to surrealism. In this period, Fina Warschaver (1910-1989), a writer with affiliations to Communist Party, published the controversial novel La casa Modesa (1949), which was ignored by critics due to its experimental form and its dis-tance from the social realism promoted by communist ideology. This essay analyzes the strategies that Warschaver borrows from Virginia Woolf’s modernist approach to","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47805655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.19137/anclajes-2022-2616
María Fernanda Pinta
{"title":"\"El fin de Europa\" (y de lo que no es Europa). Motivos y versiones del final según Rafael Spregelburd","authors":"María Fernanda Pinta","doi":"10.19137/anclajes-2022-2616","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2616","url":null,"abstract":"","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49080889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.19137/anclajes-2022-2614
Marcos Zangrandi, Nicolás Suárez
: The article aims to investigate the problem of long duration in contem - porary Argentinean cinema, based on the cases of La flor (Mariano Llinás, 2018) and Fantasmas de la ruta (José Celestino Campusano, 2013). These are two particularly long films, in which extension, as a creative principle, is articulated with productive strategies, formal endeavors and new spatial constructions. A first dimension of this extension is determined by the productive time. In both works, the duration of the creative proc - esses is linked to the development of long-lasting film communities that depart from conventional funding, production and exhibition procedures. On the other hand, both films intertwine different plots, recomposing genres and narrative structures, as if the length of time became a laboratory of plots that reinvent patterns of verisimilitude and multiply the possibilities of fiction. Finally, there is an expansive impulse that articulates temporal and spatial extensions in both productions, in such a way that the cartographic projection of these long-lasting fictions discovers diverse transtemporal utopias, which in turn correspond to different cinematographic communities and ways of narrating the extension.
：本文旨在以La flor（Mariano Llinás，2018）和Fantasmas de La ruta（JoséCelestino Campusano，2013）为案例，探讨阿根廷当代电影中的长时长问题。这是两部特别长的电影，在这两部电影中，延伸作为一种创作原则，与生产策略、形式努力和新的空间建构相结合。这种扩展的第一个维度是由生产时间决定的。在这两部作品中，创作过程的持续时间与长期电影社区的发展有关，这些社区脱离了传统的资金、制作和展览程序。另一方面，这两部电影都将不同的情节交织在一起，重新组合了类型和叙事结构，仿佛时间的长度成为了情节的实验室，重塑了逼真的模式，增加了小说的可能性。最后，在这两部作品中，都有一种扩展的冲动，表达了时间和空间的延伸，以这种方式，这些长期小说的地图投影发现了不同的跨时间乌托邦，而这些乌托邦又对应于不同的电影社区和叙事延伸的方式。
{"title":"Cómo filmar juntos. Transtemporalidades y variaciones de lo extenso en el cine de Llinás y Campusano","authors":"Marcos Zangrandi, Nicolás Suárez","doi":"10.19137/anclajes-2022-2614","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2614","url":null,"abstract":": The article aims to investigate the problem of long duration in contem - porary Argentinean cinema, based on the cases of La flor (Mariano Llinás, 2018) and Fantasmas de la ruta (José Celestino Campusano, 2013). These are two particularly long films, in which extension, as a creative principle, is articulated with productive strategies, formal endeavors and new spatial constructions. A first dimension of this extension is determined by the productive time. In both works, the duration of the creative proc - esses is linked to the development of long-lasting film communities that depart from conventional funding, production and exhibition procedures. On the other hand, both films intertwine different plots, recomposing genres and narrative structures, as if the length of time became a laboratory of plots that reinvent patterns of verisimilitude and multiply the possibilities of fiction. Finally, there is an expansive impulse that articulates temporal and spatial extensions in both productions, in such a way that the cartographic projection of these long-lasting fictions discovers diverse transtemporal utopias, which in turn correspond to different cinematographic communities and ways of narrating the extension.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42798742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.19137/anclajes-2022-2617
Cristian Molina
: We propose to read Los Sorias , by Alberto Laiseca, as a long duration’s fiction and practice. This means addressing the knowledge about time, formal and common, that the novel promotes from various images and that define doing time as a very slow practice (of reading, writing, publishing), supported by Alberto Laiseca. This, in addition, is articulated with the conception of the novel as a time machine, from which Laiseca defines a very slow duration with the past as an open time.
{"title":"Una máquina del tiempo lentísima. \"Los sorias\", de Alberto Laiseca","authors":"Cristian Molina","doi":"10.19137/anclajes-2022-2617","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2617","url":null,"abstract":": We propose to read Los Sorias , by Alberto Laiseca, as a long duration’s fiction and practice. This means addressing the knowledge about time, formal and common, that the novel promotes from various images and that define doing time as a very slow practice (of reading, writing, publishing), supported by Alberto Laiseca. This, in addition, is articulated with the conception of the novel as a time machine, from which Laiseca defines a very slow duration with the past as an open time.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41615722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.19137/anclajes-2022-2611
Sandra Contreras, A. Laera
: While current experiences around time seem dominated by speed, immedi- ate obsolescence and the short-termism, the works that make up this dossier bring together heterogeneous aesthetic materials in a cultural series that outlines alternative ways of processing, inhabiting, reimagining temporality. Through the proposed analysis, literary, cinematographic and theatrical works of contemporary Argentina enter into a dialogue based on a common commitment to the long term, to long duration as a unit of measurement for their narrative projects. Thus, time recovers the lost centrality in narrative imaginations –and critical reflections–, but it does so in the form of question - ing its perception, the discontinuity of its rhythms and chronologies, the interrogation of what it means to inhabit time and the opening to the different temporalities that are coupled, descompose or ignored behind this use of the singular.
{"title":"A largo plazo: proyectos narrativos transtemporales en la Argentina contemporánea","authors":"Sandra Contreras, A. Laera","doi":"10.19137/anclajes-2022-2611","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2611","url":null,"abstract":": While current experiences around time seem dominated by speed, immedi- ate obsolescence and the short-termism, the works that make up this dossier bring together heterogeneous aesthetic materials in a cultural series that outlines alternative ways of processing, inhabiting, reimagining temporality. Through the proposed analysis, literary, cinematographic and theatrical works of contemporary Argentina enter into a dialogue based on a common commitment to the long term, to long duration as a unit of measurement for their narrative projects. Thus, time recovers the lost centrality in narrative imaginations –and critical reflections–, but it does so in the form of question - ing its perception, the discontinuity of its rhythms and chronologies, the interrogation of what it means to inhabit time and the opening to the different temporalities that are coupled, descompose or ignored behind this use of the singular.","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48039736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.19137/anclajes-2022-2615
L. Segade
This paper proposes to address the various temporalities that Lola Arias’s biodramatic project on the Malvinas War (the video installation Veterans, the documentary play Minefield and the film Theater of War) brings into play, in relation to the pro-
{"title":"Una imagen que no se olvida: trauma y anacronismo en el proyecto biodramático de Lola Arias sobre la guerra de Malvinas","authors":"L. Segade","doi":"10.19137/anclajes-2022-2615","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2615","url":null,"abstract":"This paper proposes to address the various temporalities that Lola Arias’s biodramatic project on the Malvinas War (the video installation Veterans, the documentary play Minefield and the film Theater of War) brings into play, in relation to the pro-","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48243289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-01DOI: 10.19137/anclajes-2022-2612
A. Laera
: In Ricardo Piglia’s Los diarios de Emilio Renzi , there is a multiple negotiation between the autobiographical writing of the three hundred and twenty seven notebooks throughout his life, the work of editing and fictionalizing them in three volumes, the pa - ratexts and the set of stories inserted throughout the narration. This negotiation, which is both a procedure and a compositional effect, entails friction between different times and on two levels. On the one hand, at the enunciative level: the original notebooks; the writing of the book and its publication between 2015 and 2017, and each of the
{"title":"Tiempo de la vida, tiempos de la ficción: \"Los diarios de Emilio Renzi\" de Ricardo Piglia","authors":"A. Laera","doi":"10.19137/anclajes-2022-2612","DOIUrl":"https://doi.org/10.19137/anclajes-2022-2612","url":null,"abstract":": In Ricardo Piglia’s Los diarios de Emilio Renzi , there is a multiple negotiation between the autobiographical writing of the three hundred and twenty seven notebooks throughout his life, the work of editing and fictionalizing them in three volumes, the pa - ratexts and the set of stories inserted throughout the narration. This negotiation, which is both a procedure and a compositional effect, entails friction between different times and on two levels. On the one hand, at the enunciative level: the original notebooks; the writing of the book and its publication between 2015 and 2017, and each of the","PeriodicalId":40458,"journal":{"name":"Anclajes","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48419156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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