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Reception-Texts Readers Audiences History最新文献

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After The Cheat 出轨之后
IF 0.1 Q4 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.5325/reception.14.1.0042
D. Miyao
A discernible identity of the Japanese American film audience coalesced at a pivotal moment in the history of Japanese immigrants in the United States. That audience formed amidst a discrete event in early American cinema, the release of Cecil B. DeMille’s The Cheat in December 1915. The social construction of that audience emerged as a result of both the historical forces and the public discourses at work: 1) the social circumstances, particularly on the West Coast of the United States, involving intensifying racist thinking; and 2) the discursive event that was negotiated publicly as a controversial response to The Cheat in Japanese American publications. The production of a Japanese American film audience was inevitable by the mid-1910s, and The Cheat was the nodal point. Still, the public controversy over The Cheat in the important Japanese American newspaper Rafu Shimpo made the formation of such a filmgoing identity complicit and transparent.
在日本移民美国历史上的关键时刻,日裔美国电影观众的一种明显的身份融合在一起。1915年12月,塞西尔·b·德米尔(Cecil B. DeMille)的《骗子》(the Cheat)上映,这是美国早期电影史上的一个独立事件。观众的社会建构是历史力量和公共话语共同作用的结果:1)社会环境,特别是在美国西海岸,涉及种族主义思想的加剧;2)在日裔美国人的出版物中,作为对《欺骗》的有争议的回应而公开协商的话语事件。到20世纪10年代中期,日裔美国人电影观众的产生是不可避免的,而《骗子》是一个转折点。尽管如此,日裔美国人重要报纸《拉夫新报》(Rafu Shimpo)对《欺骗》(the Cheat)的公开争议,使这种观影身份的形成变得复杂而透明。
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引用次数: 0
“One of Koestler’s Best” “Koestler最好的作品之一”
IF 0.1 Q4 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.5325/reception.14.1.0005
Zénó Vernyik
This article analyzes the immediate critical reception of Arthur Koestler’s Arrival and Departure. The third novel published in his lifetime, it was the first Koestler wrote in English. Although a commercial success, his biographies disagree on the novel’s critical reception: some claim it was a success, others talk of a reserved or hostile reception. As a part of an ongoing larger project, the present article shows, based on the analysis of sixty reviews published between 1943 and 1946, that the novel had an unqualified critical success. Further, through comparing this reception to that of Thieves in the Night, it pinpoints that Arrival and Departure is both comparatively less obscure than Thieves in the Night, and, unlike in the case of the other novel, the contemporary status of Arrival and Departure is not the result of an uncritical rehashing of old critical remarks. This quantitatively informed treatment is then juxtaposed to a discussion of three specific claims of the early reviews (flat characters, weak plot, and a polemical structure) in terms of their connection to the book’s genre. Finally, the paper emphasizes that regardless of the iconic status of Darkness at Noon, Arthur Koestler clearly should not be considered as a one-book wonder.
本文分析了阿瑟·库斯勒的《到达与离开》在评论界的直接反响。这是他一生中出版的第三部小说,也是他第一部用英语写的小说。尽管这部小说在商业上取得了成功,但评论界对他的评价却不尽相同:一些人认为这是一部成功的小说,另一些人则认为这是一部保守的或充满敌意的小说。作为一个正在进行的更大项目的一部分,本文基于对1943年至1946年间发表的60篇评论的分析,表明这部小说在评论界取得了绝对的成功。此外,通过与《夜贼》的比较,作者指出,《到达与离开》相对而言都没有《夜贼》那么晦涩,而且,与其他小说不同,《到达与离开》的当代地位并不是对旧批评言论不加批判地重复的结果。这种定量的信息处理然后与早期评论的三个具体主张(扁平的角色,薄弱的情节和争论性的结构)的讨论并置,就它们与书的类型的联系而言。最后,本文强调,尽管《正午的黑暗》具有标志性的地位,但阿瑟·库斯勒显然不应该被视为一本书的奇迹。
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引用次数: 0
Who Didn’t Do It? 谁没做?
IF 0.1 Q4 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.5325/reception.14.1.0022
Erin A. Smith
David Grann’s Killers of the Flower Moon is a generic hybrid: literary journalism, true crime tale of the Wild West, and whodunit. I argue that the activation of different sets of reader expectations for these genres gives it an extraordinarily powerful political impact. Based on reviews and reader responses on Amazon and Goodreads and on the genre characteristics of the narrative itself, I make the case that Grann satisfies readers’ expectations for formula Westerns and classical detective stories in the first two parts (i.e., solving the crime and arresting the bad guy), only to undermine them in the final section, in which just about all the white citizens in the county emerge as complicit with the crimes. Further, Killers of the Flower Moon–like many true-crime stories–offers a feminist critique of the romance plot by unveiling how happily-ever-after marriages can turn violent and abusive for women.
大卫·格兰的《花月杀手》是一部综合了文学新闻、西部真实犯罪故事和侦探小说的作品。我认为,激活不同类型的读者对这些类型的期望,使其具有非常强大的政治影响。根据亚马逊(Amazon)和Goodreads上的评论和读者的反应,以及叙事本身的类型特征,我认为《格兰》在前两部分满足了读者对西部片和经典侦探小说的期望(即破案和逮捕坏人),但在最后一部分却破坏了这些期望,因为在最后一部分,这个县几乎所有的白人公民都成了犯罪的同谋。此外,像许多真实的犯罪故事一样,《花月杀手》通过揭示婚后幸福的女人如何变得暴力和虐待,对浪漫情节进行了女权主义的批判。
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引用次数: 0
Women (Re)Writing Milton 女人(再)写弥尔顿
IF 0.1 Q4 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.5325/reception.14.1.0095
Lara Dodds
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引用次数: 0
Shakespeare and the Romantics 莎士比亚和浪漫主义者
IF 0.1 Q4 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.5325/reception.14.1.0092
C. Mahoney
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引用次数: 0
Reading an Other 阅读他人
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-07-10 DOI: 10.5325/reception.13.1.0076
Patrocinio P. Schweickart
abstract:The Resisting Reader by Judith Fetterley is a groundbreaking critique of the American literary canon that put together two major critical movements of the 1970s—feminist criticism and reception theory. Fetterley demonstrated how canonical American texts are “designed” to “immasculate” women readers, to compel them to identify with a male point of view, one of whose tenets is the designation of woman as other. Fetterley inspired the author to examine how women read women’s texts and to formulate a theory of careful, responsible reading that does justice to the communicative project embodied in the text.
朱迪思·费特利的《抗拒的读者》是对美国文学经典的开创性批判,它将20世纪70年代的两大批评运动——女性主义批评和接受理论结合在一起。费特利展示了美国经典文本是如何被“设计”成“男性化”的女性读者,迫使她们认同男性的观点,其原则之一是将女性指定为他者。费特利启发作者研究女性如何阅读女性文本,并提出了一种谨慎、负责任的阅读理论,以公正地对待文本中体现的交际项目。
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引用次数: 0
Fetterley’s Feminist Blueprint for Resisting Scholars 费特利抵制学者的女权主义蓝图
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-07-10 DOI: 10.5325/reception.13.1.0061
Bona
abstract:This article highlights three ways in which Fetterley’s feminist methodology anticipated intersectional praxis and enabled my own critiques of how American writers disguised and reified violent erasures of gender, class, and race. First, it highlights the misogyny extant in the Italian-American literary tradition, epitomized by Mario Puzo’s The Godfather, in ways that recall Fetterley’s analysis of The Great Gatsby. Second, it argues that Fetterley’s attention to the violent erasure of gender paved the way for thinking about the effacement of race as examined by Toni Morrison in Playing in the Dark. Third, it suggests that The Resisting Reader produced the conditions for a feminist methodology embracing interdisciplinary scholarship on race, class, and citizenship.
本文强调了费特利的女权主义方法论预见了交叉实践的三种方式,并使我能够批评美国作家如何掩饰和具体化对性别、阶级和种族的暴力抹去。首先,它突出了意大利裔美国文学传统中存在的厌女症,马里奥·普佐(Mario Puzo)的《教父》(the Godfather)就是一个缩影,其方式让人想起费特利(Fetterley)对《了不起的盖茨比》(the Great Gatsby)的分析。其次,它认为费特利对暴力抹杀性别的关注为托尼·莫里森(Toni Morrison)在《黑暗中玩耍》(Playing in the Dark)中对种族抹杀的思考铺平了道路。第三,它表明《抗拒的读者》为女权主义方法论创造了条件,包括种族、阶级和公民身份方面的跨学科研究。
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引用次数: 0
The Desisting Reader 停止阅读
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-07-10 DOI: 10.5325/reception.13.1.0084
Mccallum
abstract:Situates the reception of The Resisting Reader in context of my own experience with feminism in the academy and conducts a close reading of a racial slur that troubles the book and its reception today.
将《抗拒的读者》的接受情况置于我自己在学术界的女权主义经历的背景下,并对困扰这本书及其今天的接受的种族诽谤进行了仔细的阅读。
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引用次数: 0
The Reception of The Resisting Reader, Early and Late 抵制读者的接受,早与晚
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-07-10 DOI: 10.5325/reception.13.1.0024
Charlene Avallone
abstract:An analysis of the reviews of The Resisting Reader and of early academic responses shows that literary and feminist scholars quickly welcomed the work, while reader studies came more slowly to a positive appreciation of it. Judith Fetterley’s theory of feminist resistant reading has extended across multiple fields and outside of the academy to become newly relevant today.
对《抗拒的读者》的评论和早期学术反应的分析表明,文学和女权主义学者很快就对这部作品表示欢迎,而读者研究对它的积极评价则来得更慢。朱迪思·费特利的女权主义抵抗阅读理论已经扩展到多个领域,并在学术界之外,在今天变得新的相关。
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引用次数: 0
Still Resisting after All These Years: Judith Fetterley and Her Resisting Reader 多年来仍在抗拒:朱迪思·费特利和她抗拒的读者
IF 0.1 Q4 Arts and Humanities Pub Date : 2021-07-10 DOI: 10.5325/reception.13.1.0041
Susan Kress

abstract:

Personal reminiscences about author Judith Fetterley and personal responses to her book, The Resisting Reader.

对作家朱迪思·费特利的个人回忆以及对她的著作《抗拒的读者》的个人回应。
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引用次数: 0
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Reception-Texts Readers Audiences History
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