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Quite an Original Failure: Melville’s Imagined Reader in The Confidence-Man 一个完全原创的失败:梅尔维尔在《信心人》中想象的读者
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2016-06-28 DOI: 10.5325/RECEPTION.8.1.0073
M. Seybold
This article explores how Herman Melville uses the elegant structure of the April Fool’s Day prank to anticipate not only the critical and commercial failure of his final novel in 1857, but also the proclivities of the twentieth-century literary scholar. The Confidence-Man simultaneously invites and defies the many attempts to read it as allegory and, through a series of increasingly antagonistic metafictional interludes, Melville’s narrator berates his imagined reader and, vicariously, all his readers for their delusional expectations, hypocritical standards, and otherwise irrational reading habits.
本文探讨了赫尔曼·梅尔维尔如何利用愚人节恶作剧的优雅结构,不仅预测了他1857年最后一部小说在评论界和商业上的失败,而且还预测了这位20世纪文学学者的倾向。《自信的人》同时也让很多人把它当作寓言来解读,通过一系列日益对立的元虚构穿插,梅尔维尔的叙述者痛斥他想象中的读者,以及所有读者虚幻的期望、虚伪的标准和不合理的阅读习惯。
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引用次数: 3
Soldiers, Readers, and the Reception of Victor Hugo’s Les Misérables in Civil War America 内战时期的美国,士兵、读者和对维克多·雨果《不幸的人》的接受
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2016-06-28 DOI: 10.5325/RECEPTION.8.1.0005
Vanessa Steinroetter
This article examines the literary reception of Victor Hugo’s Les Misérables in Civil War America and the literary and cultural factors contributing to its remarkable popularity. After its 1862 publication in France, Les Misérables was quickly translated into English and appeared in two American editions. While previous scholarship has noted the novel’s status as a bestseller of the war, this article is the first to draw on an archive of handwritten and printed sources, including fictional and nonfictional texts, to examine the reasons Hugo’s novel resonated so strongly with Civil War American readers. This article argues that soldiers used references to the novel in their autobiographical writing to create a lens through which to view and comment on their wartime experiences, while novelists such as John Esten Cooke drew on Hugo’s message of struggle for freedom in their own cause. Additional reasons for the novel’s warm reception among American soldiers lie in its themes of fighting and suffering, potential for empathetic identification with characters and scenes, and widespread availability at a time of considerable disruptions to the literary marketplace.
本文考察了维克多·雨果的小说《不幸的人》在南北战争时期的文学接受情况,以及文学和文化因素导致其如此受欢迎。1862年在法国出版后,《missamrables》很快被翻译成英文,并在美国出现了两个版本。虽然之前的学者已经注意到这部小说是一部关于内战的畅销书,但这篇文章是第一次利用手写和印刷资料的档案,包括虚构和非虚构的文本,来研究雨果的小说在美国内战读者中产生如此强烈共鸣的原因。这篇文章认为,士兵们在他们的自传写作中引用了这部小说,以创造一个镜头,通过这个镜头来观察和评论他们的战争经历,而约翰·埃斯滕·库克等小说家则借鉴了雨果在他们自己的事业中为自由而斗争的信息。这部小说在美国士兵中受到热烈欢迎的另一个原因是,它的主题是战斗和苦难,对人物和场景的同情认同的潜力,以及在文学市场严重混乱的时期广泛流行。
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引用次数: 1
The Social Lives of Poems in Nineteenth-Century America by Michael C. Cohen (review) 《19世纪美国诗歌的社会生活》作者:迈克尔·c·科恩
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2016-06-28 DOI: 10.5860/choice.193679
G. Silverman
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引用次数: 0
What Would Jesus Read? Popular Religious Books and Everyday Life in Twentieth-Century America. by Erin A. Smith (review) 耶稣会读什么?通俗宗教书籍与二十世纪美国的日常生活。作者:Erin A. Smith(评论)
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2016-06-28 DOI: 10.5860/choice.191877
Barbara Ryan
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引用次数: 0
Guest Editors’ Introduction 特邀编辑介绍
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2015-06-19 DOI: 10.1080/10864415.1997.11518286
Patrocinio P. Schweickart, Patrocinio Philip Goldstein
After preliminary foundational work of William Harper and Issac Levi, it was only 30 years ago when the formal study of belief change or, as it is alternatively called, theory change started. The seminal work was due to Carlos Alchourrón, Peter Gärdenfors and David Makinson, a trio of researchers that was soon widely referred to by the acronym “AGM”. During the 1980s, AGM introduced a qualitative model of belief change that acknowledged three doxastic attitudes, namely, belief, disbelief and nonbelief. The problem of belief change is how these attitudes should rationally change in response to new information. Two kinds of operations were regarded as central: Revision is the transformation of beliefs that happens if some new piece of information is to be incorporated into the body of a reasoner’s beliefs; especially relevant is the case in which the new information contradicts his or her beliefs. Contraction is what happens if some piece of information is to be discarded from the body of the reasoner’s beliefs. It seems fair to say that the AGM model has been very well corroborated as a model for belief change in the case in which information comes or goes in a single package, both at a certain instant in time and over a stretch of time. The 25th anniversary of the central paper of AGM [1] on partial meet contraction and revision has recently been celebrated in a special
在William Harper和Issac Levi进行了初步的基础工作之后,直到30年前,人们才开始正式研究信仰变化,或者也可以称之为理论变化。这项开创性的工作要归功于卡洛斯Alchourrón,彼得Gärdenfors和大卫梅金森,这三位研究人员很快就被广泛称为“AGM”。在20世纪80年代,AGM引入了一个信念变化的定性模型,该模型承认三种对立的态度,即信仰、不相信和不相信。信念改变的问题是这些态度应该如何理性地改变以回应新的信息。两种操作被认为是核心的:修正是信念的转变,如果一些新的信息被纳入推理者的信念主体,就会发生这种转变;特别相关的是新信息与他或她的信念相矛盾的情况。收缩是当一些信息要从推理者的信念中被丢弃时发生的情况。公平地说,在信息以单一形式出现或消失的情况下,无论是在某一时刻还是在一段时间内,年度股东大会模型似乎已经被很好地证实为信念变化的模型。2010年年会中央论文《局部meet收缩与修正》发表25周年,最近在一个特别会议上举行了庆祝活动
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引用次数: 0
Senecan Tragedy and the Reception of Augustan Poetry by Christopher V. Trinacty (review) 塞内坎悲剧与克里斯托弗·v·崔纳提对奥古斯都诗歌的接受(书评)
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2015-06-19 DOI: 10.5860/choice.185833
I. Willis
121 a course syllabus). In response to the exploitative nature of crowd-sourced digital competitions, antispec websites and blogs have sprung up, Kennedy concluding that the main criticism is not the obvious monetary issues but the failure to acknowledge the value of design. In working with a designer in the context of a home renovation, I wholeheartedly agree with the view of the participants that design should begin only after extensive discussion with the clients. Both Kennedy’s and Suhr’s chapters would have benefitted from the use of more data samples to support their claims. As for the remaining chapters, the contexts discussed are interesting, but they read like first drafts of manuscripts that require revisions to the central argument, methodology, and/or data analysis/ presentation. In sum, this is a rather slim volume that does not carve out a sharp focus or cohere particularly well. The readership can be the judge as to whether there is enough content of interest to merit further investigation. Or is there an app or algorithm for that?
课程大纲)。针对众包数字竞赛的剥削性质,反规范网站和博客如雨后春笋般涌现,Kennedy总结道,主要的批评不是显而易见的金钱问题,而是未能承认设计的价值。在与设计师的家居装修工作中,我完全同意参与者的观点,即只有在与客户广泛讨论后才能开始设计。肯尼迪和苏尔的章节都将受益于使用更多的数据样本来支持他们的主张。至于其余章节,所讨论的上下文很有趣,但它们读起来就像手稿的初稿,需要对中心论点、方法和/或数据分析/呈现进行修改。总而言之,这是一本相当薄的书,没有划出一个清晰的焦点或连贯性特别好。读者可以判断是否有足够的有趣的内容值得进一步调查。或者有一个应用程序或算法?
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引用次数: 0
(Re)reading Zora Neale Hurston and “The Lost Keys of Glory” (重读)阅读佐拉·尼尔·赫斯顿和《失落的荣耀之钥》
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2015-06-19 DOI: 10.5325/RECEPTION.7.1.0008
M. West
This essay revisits one of the thorniest issues in Hurston scholarship—the question of whether Hurston and her writings should be considered feminist. I place the debate within contemporary scholarship and address the question via an unpublished and little-known 1947 essay titled “The Lost Keys of Glory.” In this essay—a blend of folklore and analysis of gender roles—Hurston argues that most women are unable to compete with men in the workplace and that feminism has failed women. To address the incongruity between the essay and the way in which Hurston lived her life, I establish the roots of persistent late twentieth-and twenty-first-century perceptions of Hurston as a feminist. I move on to trace the lineage of the folktale Hurston uses to frame this critique of gender relations. Then, drawing from three definitions of feminism, I argue that while on the surface Hurston’s essay seems strikingly anti-feminist in the twenty-first century, when read within its original context and within various feminist frameworks, the essay does contain a number of feminist elements, suggesting that to some degree in 1947 Hurston held what we would call today feminist ideals, particularly given the ideological context of the post-World War II re-conversion era.
这篇文章回顾了赫斯顿学术研究中最棘手的问题之一——赫斯顿和她的作品是否应该被视为女权主义者。我将这一争论置于当代学术界,并通过1947年一篇未发表且鲜为人知的文章《失落的荣耀之钥》来解决这个问题。在这篇混合了民间传说和性别角色分析的文章中,赫斯顿认为,大多数女性无法在工作场所与男性竞争,女权主义让女性失败了。为了解决这篇文章与赫斯顿生活方式之间的不协调,我建立了20世纪末和21世纪对赫斯顿作为女权主义者的持续看法的根源。我继续追溯赫斯顿用来构建性别关系批判的民间故事的渊源。然后,根据女权主义的三种定义,我认为,虽然表面上赫斯顿的文章在21世纪似乎明显是反女权主义的,但当在其原始语境和各种女权主义框架中阅读时,这篇文章确实包含了一些女权主义元素,这表明在1947年赫斯顿在某种程度上持有我们今天所说的女权主义理想,特别是考虑到二战后重新转变时代的意识形态背景。
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引用次数: 2
Staging the Reception of American Ethnic Authors in Women’s Popular Magazines: Encountering Amy Tan’s The Joy Luck Club Stories in Seventeen and Ladies’ Home Journal 女性大众杂志对美国少数民族作家的接待——以谭恩美的《十七岁》《喜福会》和《妇女家庭杂志》为例
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2015-06-19 DOI: 10.5325/reception.7.1.0045
Matthew James Vechinski
This article investigates how Amy Tan’s The Joy Luck Club penetrated the mainstream with the help of magazines read by millions of women and teenage girls. Seventeen and Ladies’ Home Journal first published two stories from the book that were edited to isolate the relationships between Chinese immigrant mothers and their American-born daughters. This emphasis in turn simplified the stories’ representation of Chinese-American families and peer groups, offering a way for the magazines to appeal to their audiences’ existing cultural assumptions. The book’s title story as edited for Ladies’ Home Journal celebrates an adult daughter’s renewed interest in her mother’s traditions, and the version of “The Rules of the Game” that appeared in Seventeen champions a talented young daughter asserting her independence from her mother. In addition to the reception of these stories in the context of women’s magazines, the article considers readers’ responses to The Joy Luck Club book—an example of a short story cycle by an ethnic American author. Audiences outside the academy have found it difficult to read across interlinking stories, which limits their level of engagement with the text. The demanding fictional form of Tan’s book, much like the truncated magazine versions of the stories, may actually encourage shallow interpretations of the struggles of its ethnic American characters.
本文调查了谭恩美的《喜福会》是如何借助数百万女性和少女阅读的杂志进入主流的。《十七岁》和《妇女家庭杂志》(Ladies ' Home Journal)首先发表了这本书中的两个故事,这两个故事经过编辑,将中国移民母亲和她们在美国出生的女儿之间的关系分开。这种强调反过来又简化了故事对华裔美国家庭和同龄人群体的表现,为杂志提供了一种吸引读者现有文化假设的方式。这本书的标题故事是为《女性家庭杂志》编辑的,它庆祝了一个成年女儿对母亲的传统重新产生兴趣,《十七岁》中出现的“游戏规则”版本支持一个有才华的年轻女儿坚持独立于母亲。除了在女性杂志的背景下接受这些故事外,本文还考虑了读者对《喜福会》一书的反应——这是一个美国少数族裔作家短篇小说周期的例子。学院以外的观众发现很难读懂相互关联的故事,这限制了他们对文本的参与程度。谭的书要求很高的虚构形式,很像那些故事的删节版杂志,实际上可能会鼓励对其美国种族角色的斗争进行肤浅的解读。
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引用次数: 1
Rethinking the Creation of Cultural Hierarchy in America 重新思考美国文化等级制度的形成
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2014-07-07 DOI: 10.5325/RECEPTION.6.1.0004
J. Rubin
vol. 6, 2014 Copyright © 2014 The Pennsylvania State University, University Park, PA The year 2013 marked the twenty-fifth anniversary of the publication of Lawrence Levine’s Highbrow/ Lowbrow: The Emergence of Cultural Hierarchy in America. The book was immediately, and wildly, influential among American cultural historians and students of American literature. I remember attending a national meeting shortly after it came out where participants reverentially invoked Levine’s key terms and assumptions, as if they had discovered in the book’s pages an explanation, deeply satisfying both ideologically and emotionally, for a phenomenon that had long been troubling them. In the years since 1988, Highbrow/Lowbrow has exhibited the staying power of a classic, a status certified by the book’s appearance on countless syllabi and oral exam lists. Today it remains available in paperback and in a Kindle version, and I am told that a French edition was just recently published. Many of us have profited a great deal from Levine’s study, and we lament his untimely death in 2006. Yet those of us who have been working in the history of the book and related areas have arrived at a point where we might profitably reassess the arguments of Highbrow/Lowbrow, instead of merely appropriating its framework. What have we learned over the last twentyfive years about cultural hierarchy in America? What Rethinking the Creation of Cultural Hierarchy in America
2014年第6卷版权所有©2014宾夕法尼亚州立大学,宾州大学公园2013年是劳伦斯·莱文的《高雅/低俗:美国文化等级的出现》出版25周年。这本书立即在美国文化历史学家和研究美国文学的学生中产生了广泛的影响。我记得在这本书出版后不久,我参加了一次全国会议,与会者虔诚地引用了莱文的关键术语和假设,就好像他们在书中找到了一个解释,对一个长期困扰他们的现象在思想上和情感上都得到了极大的满足。自1988年以来,《高雅/低俗》展现了经典的持久力,这本书出现在无数的教学大纲和口试表上,证明了它的地位。如今,这本书仍有平装本和Kindle版,我还听说,法文版最近刚刚出版。我们中的许多人都从莱文的研究中获益良多,我们对他在2006年的英年早逝表示哀悼。然而,我们这些一直在研究书籍历史和相关领域的人已经到达了一个点,我们可以重新评估高雅/低俗的论点,而不仅仅是占用它的框架。在过去的25年里,我们从美国的文化等级制度中学到了什么?反思美国文化等级制度的形成
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引用次数: 1
Readers of Joshua Loth Liebman’s Peace of Mind 约书亚·罗思·利伯曼《心灵的平静》的读者
IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Pub Date : 2014-07-07 DOI: 10.5325/RECEPTION.6.1.0038
C. Oestreicher
vol. 6, 2014 Copyright © 2014 The Pennsylvania State University, University Park, PA In 1946, Simon & Schuster published Rabbi Joshua Loth Liebman’s bestselling book Peace of Mind, a selfhelp manual that explained how psychiatry and religion together could help individuals achieve emotional and spiritual maturity, and ultimately happiness. At the time of its publication, Liebman was a rabbi at Boston’s Temple Israel and was well known from his sermons on the NBC radio program Message to Israel, broadcast in Boston and New York City. Significantly, Liebman was, in the words of Matthew S. Hedstrom, the first “non-Christian author to reach a mass audience in the United States” and Donald Meyer has called Peace of Mind “the book first heralding the whole flood of postwar religious bestsellers.”1 The book reached readers on six continents, was on the New York Times bestseller list for 173 weeks and the Publishers Weekly bestseller list for 147 weeks, and, by 1964, went into its thirty-eighth printing. The significance of Peace of Mind lay in the way Liebman blended religion, psychology, and self-help and the degree to which his readers accepted him as an expert in all three areas. Prior to World War II, selfhelp books were gaining momentum, largely owing to the popularity of Dale Carnegie’s How to Win Friends and Influence People (1937) and Napoleon Hill’s Think and Grow Rich (1937). Religious authors such as Harry Readers of Joshua Loth Liebman’s Peace of Mind
1946年,西蒙与舒斯特出版了拉比·约书亚·罗思·利伯曼的畅销书《心灵的平静》,这本自助手册解释了精神病学和宗教如何共同帮助个人实现情感和精神的成熟,并最终获得幸福。在这本书出版时,利伯曼是波士顿以色列圣殿的一名拉比,他因在NBC广播节目《致以色列的信息》(Message to Israel)上的布道而闻名,该节目在波士顿和纽约市播出。重要的是,用马修·s·赫德斯特罗姆(Matthew S. Hedstrom)的话来说,利伯曼是第一个“在美国获得大量读者的非基督教作家”,唐纳德·迈耶(Donald Meyer)称《心灵的平静》是“第一本预示着战后宗教畅销书浪潮的书”。这本书的读者遍及六大洲,在《纽约时报》畅销书排行榜上停留了173周,在《出版人周刊》畅销书排行榜上停留了147周,到1964年,它已经印刷了38次。《心灵的平静》的意义在于,利伯曼将宗教、心理学和自助结合在一起,他的读者也在一定程度上接受了他在这三个领域的专家地位。在第二次世界大战之前,自助书籍的势头越来越大,这主要归功于戴尔·卡内基的《如何赢得朋友和影响他人》(1937年)和拿破仑·希尔的《思考致富》(1937年)的流行。宗教作家,如哈利读者约书亚罗思利布曼的心灵的和平
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引用次数: 0
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