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Victoriographies-A Journal of Nineteenth-Century Writing 1790-1914最新文献

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Timothy Gao, Virtual Play and the Victorian Novel: The Ethics and Aesthetics of Fictional Experience 虚拟游戏与维多利亚时代小说:虚构体验的伦理与美学
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/vic.2022.0462
Brianna Beehler
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引用次数: 0
Dara Rossman Regaignon, Writing Maternity: Medicine, Anxiety, Rhetoric, and Genre Dara Rossman Regaignon,《写产妇:医学、焦虑、修辞和流派》
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/vic.2022.0463
Doreen Thierauf
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引用次数: 0
Claire Nally, Steampunk: Gender, Subculture and the Neo-Victorian 克莱尔·纳利,蒸汽朋克:性别、亚文化与新维多利亚时代
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/vic.2022.0458
M. Palma
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引用次数: 0
Tea, Fiction, and the Imperial Sensorium 茶、小说与帝国感官
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/vic.2022.0456
Kate Thomas
This article explores a cultural paradox in nineteenth-century England: that tea, a colonially sourced comestible, was figured as a curative for the exhaustions incurred by building and administering an empire. Pursuing the idea that colonialism reconfigured the sensorium of both colonised and coloniser, I trace how tea – as a stimulant and a palliative – was an agent in mediating the highs and lows of imperial feeling. I correlate sitting down and tea-drinking with the settlings of colonial annexation and with the consumption and production of fiction, specifically the genres of fantasy and sensation fiction. Writers engaged include Wilkie Collins, Thomas de Quincey, J. M. Barrie, and Thomas Macaulay.
这篇文章探讨了19世纪英国的一个文化悖论:茶,一种殖民地来源的食物,被认为是治疗建立和管理帝国所产生的疲惫的药物。追求殖民主义重新配置了被殖民者和殖民者的感官的想法,我追溯了茶是如何 – 作为兴奋剂和缓和剂 – 是调解帝国情感高潮和低谷的代理人。我把坐下来喝茶与殖民地吞并的解决以及小说的消费和生产联系起来,特别是幻想和感觉小说的类型。参与的作家包括威尔基·柯林斯、托马斯·德·昆西、J·M·巴里和托马斯·麦考利。
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引用次数: 0
A ‘touch of Tombatism’: Mary Lamb, Mary Shelley, Charles Dickens, and Children Reading in Graveyards “Tombatism的触摸”:Mary Lamb、Mary Shelley、Charles Dickens和儿童在墓地阅读
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/vic.2022.0453
J. Gardner
This essay is about the significance of Mary Lamb’s portrayal of a child reading from a gravestone in the short story ‘Elizabeth Villiers; or The Sailor Uncle’ from Mrs. Leicester’s School (1809). Maybe the most famous tomb-reading scene in literature is that of Pip divining the personalities of his immediate family from their gravestone at the opening of Great Expectations (1860–1). However, a similar scene had been used previously by Mary Shelley in Falkner (1837) and earlier still by Lamb in ‘Elizabeth Villiers; or The Sailor Uncle’. My argument is that Lamb’s text continued to have a hidden, posthumous existence as Shelley and Charles Dickens went on to translate that image of a child reading from their parent’s gravestone. Each author also records and transmits a practice used by poor children to gain an education. Furthermore, the grave acts as a childhood home where dead parents continue to educate their children.
这篇文章是关于玛丽·兰姆在短篇小说《伊丽莎白·维利尔斯》中对一个在墓碑上读书的孩子的描写的意义;或莱斯特夫人学校的《水手叔叔》(1809年)。也许文学作品中最著名的读墓场景是在《远大前程》(1860-1)的开头,皮普从直系亲属的墓碑上占卜他们的性格。然而,玛丽·雪莱在《福克纳》(1837)中使用过类似的场景,兰姆在《伊丽莎白·维利尔斯》中更早使用过。或者水手叔叔。我的观点是,兰姆的文字在他死后仍然有一种隐藏的存在,因为雪莱和查尔斯·狄更斯继续翻译着孩子在父母墓碑上读书的形象。每位作者还记录并传播了贫困儿童接受教育的一种做法。此外,坟墓作为一个童年的家,在那里死去的父母继续教育他们的孩子。
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引用次数: 0
Jessie Reeder, The Forms of Informal Empire: Britain, Latin America, and Nineteenth-Century Literature 杰西·里德:《非正式帝国的形式:英国、拉丁美洲和19世纪文学》
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/vic.2022.0460
Wafa Hamid
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引用次数: 0
The Legend of the Legion: Nihilism and the Restoration of the Aristocracy in Ouida’s Under Two Flags 军团传说:维达《双旗之下》中的虚无主义与贵族复辟
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/vic.2022.0455
Laura H. Clarke
Ouida’s Under Two Flags (1867) is not a widely read Victorian novel today, but it is offers important insight into the philosophical concerns of a novelist who was hugely popular in her time. In Under Two Flags, Ouida explores what she saw as the epistemological problem developing in the nineteenth century, a nihilistic view that promoted scepticism, aestheticism, and idleness, which is a perspective she believed was responsible for the demise of the aristocracy. Wishing to restore the power and position of the aristocracy, Ouida sends her protagonist Bertie Cecil, a dandy who embodies the aestheticism and ennui of the upper class, to the French Foreign Legion in order to make an important social and psychological point. Ouida draws upon the legend that the French Foreign Legion rehabilitated its wayward recruits to present a society in which something is demanded of Bertie and where he rises to that demand. Symbolically speaking, Bertie regains his inheritance and his title in the novel only after a radical transformation that restores him, and by implication the aristocracy, to a foundational moral and chivalrous code.
乌伊达的《两面旗下》(1867)在今天并不是一部广为阅读的维多利亚小说,但它为一位在她那个时代大受欢迎的小说家的哲学问题提供了重要的见解。在《两面旗下》一书中,Ouida探讨了她所认为的19世纪发展起来的认识论问题,这是一种宣扬怀疑主义、唯美主义和懒惰的虚无主义观点,她认为这是贵族灭亡的原因。为了恢复贵族的权力和地位,Ouida将她的主人公Bertie Cecil送到了法国外籍军团,以表达重要的社会和心理观点。Ouida借鉴了法国外籍军团改造其任性新兵的传说,以呈现一个对Bertie有要求的社会,而Bertie也在这个社会中满足了这一要求。象征性地说,伯蒂在经历了一次彻底的转变后,才重新获得了自己的遗产和小说中的头衔,这使他以及贵族阶层恢复了基本的道德和骑士准则。
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引用次数: 0
Alexandra Valint, Narrative Bonds: Multiple Narrators in the Victorian Novel 亚历山德拉·瓦利特:《叙事纽带:维多利亚小说中的多重叙述者》
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/vic.2022.0461
Jolene Zigarovich
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引用次数: 0
Dorice Williams Elliott, Transported to Botany Bay: Class, National Identity and the Literary Figure of the Australian Convict Dorice Williams Elliott,《被转移到植物湾:阶级、民族认同与澳大利亚罪犯的文学形象》
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/vic.2022.0457
Nicola Bandler-Llewellyn
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引用次数: 0
Danny Laurie-Fletcher, British Invasion and Spy Literature, 1871–1918: Historical Perspectives on Contemporary Society Clare Clarke, British Detective Fiction 1891–1901: The Successors to Sherlock Holmes 《英国入侵与间谍文学,1871-1918:当代社会的历史视角》克莱尔·克拉克《英国侦探小说1891-1901:福尔摩斯的继承者
IF 0.3 Q3 Arts and Humanities Pub Date : 2022-07-01 DOI: 10.3366/vic.2022.0459
Katherine Voyles
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引用次数: 0
期刊
Victoriographies-A Journal of Nineteenth-Century Writing 1790-1914
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