Pub Date : 2022-01-28DOI: 10.1108/978-1-80071-535-620221002
S. Hogan
{"title":"A Brief Summary of the History and Development of Photography","authors":"S. Hogan","doi":"10.1108/978-1-80071-535-620221002","DOIUrl":"https://doi.org/10.1108/978-1-80071-535-620221002","url":null,"abstract":"","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":"101 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85388474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-28DOI: 10.1108/978-1-80071-535-620221004
S. Hogan
{"title":"Photographic Practice for Health and Wellbeing","authors":"S. Hogan","doi":"10.1108/978-1-80071-535-620221004","DOIUrl":"https://doi.org/10.1108/978-1-80071-535-620221004","url":null,"abstract":"","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90065728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-28DOI: 10.1108/978-1-80071-535-620221006
S. Hogan
{"title":"An Introduction to Re-enactment Phototherapy","authors":"S. Hogan","doi":"10.1108/978-1-80071-535-620221006","DOIUrl":"https://doi.org/10.1108/978-1-80071-535-620221006","url":null,"abstract":"","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78048118","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-28DOI: 10.1108/978-1-80071-535-620221003
S. Hogan
{"title":"How are Photographs Distinctive?","authors":"S. Hogan","doi":"10.1108/978-1-80071-535-620221003","DOIUrl":"https://doi.org/10.1108/978-1-80071-535-620221003","url":null,"abstract":"","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":"6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83510183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Borrowing Timothy Morton’s notion of hyperobject, this article explores questions of network and scale in generative adversarial networks (GAN) images. In this context, the term network refers to the omnipresence of algorithmic images today and their significant impact on our lives. Such images are massively distributed in time and space beyond any sensible human-scale. Scale, in this context, denotes the relations between different operational layers of algorithmic images, such as the pictorial layer in contrast to the data layer. An algorithmic image is simultaneously a visual image, a symbol, a data point and part of a mass visual milieu. Its meaning is thus polymorphic and can, arguably, never be exhausted. The article explores these terms through analysis of the website www.thispersondoesnotexist.com.
{"title":"One face, millions of faces: Computer vision as hyperobject","authors":"Sheung Yiu","doi":"10.1386/pop_00048_1","DOIUrl":"https://doi.org/10.1386/pop_00048_1","url":null,"abstract":"Borrowing Timothy Morton’s notion of hyperobject, this article explores questions of network and scale in generative adversarial networks (GAN) images. In this context, the term network refers to the omnipresence of algorithmic images today and their significant impact on our lives. Such images are massively distributed in time and space beyond any sensible human-scale. Scale, in this context, denotes the relations between different operational layers of algorithmic images, such as the pictorial layer in contrast to the data layer. An algorithmic image is simultaneously a visual image, a symbol, a data point and part of a mass visual milieu. Its meaning is thus polymorphic and can, arguably, never be exhausted. The article explores these terms through analysis of the website www.thispersondoesnotexist.com.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48801992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Photography after Capitalism, Ben Burbridge (2020)","authors":"Dan Commons","doi":"10.1386/pop_00054_5","DOIUrl":"https://doi.org/10.1386/pop_00054_5","url":null,"abstract":"Review of: Photography after Capitalism, Ben Burbridge (2020)\u0000 London: Goldsmiths Press, 240 pp.,\u0000 ISBN 978-1-91268-599-8, h/bk, £34.00","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44369743","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Andrew Fisher, A. Hennig, B. Behr, Danny Rubinstein, Martin Charvát, Peter Szendy, Tomáš Dvořák
This roundtable discussion is based on an online symposium – The Promise of Photography: Scale, Measure and Proportion in a Conflicted Visual Milieu – which took place on 17 September 2021. Since its inception, photography has promised to set things to scale, to grant them measure and proportion, a series of promises that have also entailed moments of irrationality or conflict that persist in and continue to shape the era of global networked digital imaging technologies. The symposium started out from the diagnosis that, whilst photography continues to promise an ordered, proportionate and measured world in which things can be set to their proper scale, it also acts in many ways as an agent of dismeasure, disproportion and the unscalable. In light of this, the roundtable discussion presented here examines a range of different meanings that scale, measure and proportion have accrued in the photographic context and sets out to explore conceptual frameworks and research methodologies through which the current situation might be understood.
{"title":"The promise of photography: Scale, measure and proportion in a conflicted visual milieu","authors":"Andrew Fisher, A. Hennig, B. Behr, Danny Rubinstein, Martin Charvát, Peter Szendy, Tomáš Dvořák","doi":"10.1386/pop_00047_1","DOIUrl":"https://doi.org/10.1386/pop_00047_1","url":null,"abstract":"This roundtable discussion is based on an online symposium – The Promise of Photography: Scale, Measure and Proportion in a Conflicted Visual Milieu – which took place on 17 September 2021. Since its inception, photography has promised to set things to scale, to grant them measure and proportion, a series of promises that have also entailed moments of irrationality or conflict that persist in and continue to shape the era of global networked digital imaging technologies. The symposium started out from the diagnosis that, whilst photography continues to promise an ordered, proportionate and measured world in which things can be set to their proper scale, it also acts in many ways as an agent of dismeasure, disproportion and the unscalable. In light of this, the roundtable discussion presented here examines a range of different meanings that scale, measure and proportion have accrued in the photographic context and sets out to explore conceptual frameworks and research methodologies through which the current situation might be understood.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45886426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Can we deploy creative practices to critically address the fatal interlocking of global surveillance technologies, neo-colonial expansionism, environmental degradation and the lethal threat of drone warfare? Throughout the following conversation, Shona Illingworth and Anthony Downey examine these and other questions in relation to the recent publication of Topologies of Air (Sternberg Press and The Power Plant, 2022). Edited by Downey, the book includes discussion and documentation of two major bodies of work by Illingworth, including Topologies of Air (2021) and Lesions in the Landscape (2015), alongside an extended series of essays that analyse the psychological and environmental impact of military, industrial and corporate transformations of airspace and outer space. Employing interdisciplinary research and collaborative processes, Illingworth’s practice, as detailed in the discussion below, uses creative methodologies to visualize and interrogate this proliferating exploitation of airspace. The conversation between Illingworth and Downey also outlines the work of the Airspace Tribunal, an ongoing series of public hearings that brings together diverse disciplines, methodologies, knowledge and lived experiences to propose a new human right that will counter the colonization of the sky and, in time, protect individuals, communities and ecologies from ever-increasing threats from above.
我们能否运用创造性的实践来批判性地解决全球监控技术、新殖民主义扩张主义、环境退化和无人机战争的致命威胁之间的致命连锁关系?在接下来的对话中，Shona Illingworth和Anthony Downey根据最近出版的《空气拓扑》(Sternberg Press and the Power Plant, 2022)研究了这些问题和其他问题。这本书由唐尼编辑，包括对伊林沃思两项主要工作的讨论和记录，包括《空气拓扑》(2021年)和《景观中的病变》(2015年)，以及一系列扩展的文章，分析了空域和外层空间的军事、工业和企业转型对心理和环境的影响。采用跨学科的研究和合作的过程，伊林沃思的实践，如下面的讨论中详细介绍，使用创造性的方法来可视化和质疑这种激增的空域利用。Illingworth和Downey之间的对话还概述了空域法庭的工作，这是一系列正在进行的公开听证会，汇集了不同的学科，方法，知识和生活经验，提出一种新的人权，以对抗天空的殖民化，并及时保护个人，社区和生态免受日益增长的威胁。
{"title":"Topologies of Air and the Airspace Tribunal: Shona Illingworth and Anthony Downey","authors":"S. Illingworth, A. Downey","doi":"10.1386/pop_00046_7","DOIUrl":"https://doi.org/10.1386/pop_00046_7","url":null,"abstract":"Can we deploy creative practices to critically address the fatal interlocking of global surveillance technologies, neo-colonial expansionism, environmental degradation and the lethal threat of drone warfare? Throughout the following conversation, Shona Illingworth and Anthony Downey examine these and other questions in relation to the recent publication of Topologies of Air (Sternberg Press and The Power Plant, 2022). Edited by Downey, the book includes discussion and documentation of two major bodies of work by Illingworth, including Topologies of Air (2021) and Lesions in the Landscape (2015), alongside an extended series of essays that analyse the psychological and environmental impact of military, industrial and corporate transformations of airspace and outer space. Employing interdisciplinary research and collaborative processes, Illingworth’s practice, as detailed in the discussion below, uses creative methodologies to visualize and interrogate this proliferating exploitation of airspace. The conversation between Illingworth and Downey also outlines the work of the Airspace Tribunal, an ongoing series of public hearings that brings together diverse disciplines, methodologies, knowledge and lived experiences to propose a new human right that will counter the colonization of the sky and, in time, protect individuals, communities and ecologies from ever-increasing threats from above.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41578942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In three-dimensional (3D) computer graphics, photography is treated not as the final product but as data to be extracted, information to be mapped onto and raw material to augment 3D models. Texture maps, normal maps and bump maps, created from photographic data, describe the reflectance properties of an object in a virtual scene. They give instructions to the render engine to calculate the correct pixel value, generating a near imperceptibly natural scene for the human eye. Computer graphics utilizes a network of images taken from different perspectives and at different scales to achieve photorealism. The project investigates one of many algorithmic visual systems that act as a backbone of virtual reality and gaming.
{"title":"Excerpts from Everything Is a Projection (2020–present): Digital photography and 3D photogrammetry","authors":"Sheung Yiu","doi":"10.1386/pop_00055_7","DOIUrl":"https://doi.org/10.1386/pop_00055_7","url":null,"abstract":"In three-dimensional (3D) computer graphics, photography is treated not as the final product but as data to be extracted, information to be mapped onto and raw material to augment 3D models. Texture maps, normal maps and bump maps, created from photographic data, describe the reflectance properties of an object in a virtual scene. They give instructions to the render engine to calculate the correct pixel value, generating a near imperceptibly natural scene for the human eye. Computer graphics utilizes a network of images taken from different perspectives and at different scales to achieve photorealism. The project investigates one of many algorithmic visual systems that act as a backbone of virtual reality and gaming.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49090185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of: Investigative Aesthetics: Conflicts and Commons in the Politics of Truth, Matthew Fuller and Eyal Weizman (2021) London: Verso, 272 pp., ISBN 978-1-78873-908-5, p/bk, £14.99
{"title":"Investigative Aesthetics: Conflicts and Commons in the Politics of Truth, Matthew Fuller and Eyal Weizman (2021)","authors":"Thomas Watson","doi":"10.1386/pop_00052_5","DOIUrl":"https://doi.org/10.1386/pop_00052_5","url":null,"abstract":"Review of: Investigative Aesthetics: Conflicts and Commons in the Politics of Truth, Matthew Fuller and Eyal Weizman (2021)\u0000 London: Verso, 272 pp.,\u0000 ISBN 978-1-78873-908-5, p/bk, £14.99","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41744724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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