{"title":"Krešimir Kovačević kao leksikograf s posebnim osvrtom na njegov urednički i autorski prinos u Leksikonu jugoslavenske muzike (Zagreb 1984)","authors":"M. Pintar","doi":"10.21857/yl4okfl409","DOIUrl":"https://doi.org/10.21857/yl4okfl409","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44367932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Prioriteti vezani uz zaštitu povijesnih i spomeničkih orgulja u Hrvatskoj","authors":"Emin Armano","doi":"10.21857/yrvgqtk0p9","DOIUrl":"https://doi.org/10.21857/yrvgqtk0p9","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48454841","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Augustin Kažotić, biskup zagrebački, sakralna glazba i liturgijsko pjevanje","authors":"Stanislav Tuksar","doi":"10.21857/ygjwrcj07y","DOIUrl":"https://doi.org/10.21857/ygjwrcj07y","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48200585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fra Petar Knežević i orguljska misa: o izvedbenom aspektu cantus fractus misnih ordinarija iz Kneževićevih kantuala","authors":"Hrvoje Beban","doi":"10.21857/y54jofp37m","DOIUrl":"https://doi.org/10.21857/y54jofp37m","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47954347","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Iz ostavštine dubrovačke crkve „Domino“ s poglavitim obzirom na franjevački antifonarij iz 15. stoljeća i kasnije glazbene izvore","authors":"Hana Breko Kustura, Rozana Vojvoda","doi":"10.21857/mnlqgc0oly","DOIUrl":"https://doi.org/10.21857/mnlqgc0oly","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49658111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hrvatski glazbeni časopisi 1903-1945. kao glazbenohistoriografski izvori","authors":"Sanja Majer-Bobetko","doi":"10.21857/yk3jwhx139","DOIUrl":"https://doi.org/10.21857/yk3jwhx139","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41505633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ususret osnivanju zagrebačke nacionalne opere (1870): izvedbe Suppéovih opereta i njihova recepcija","authors":"Vjera Katalinić","doi":"10.21857/m8vqrtzkg9","DOIUrl":"https://doi.org/10.21857/m8vqrtzkg9","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45720156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oscar Hammerstein II (1895-1960), with various collaborators, addressed issues of race and intersectional oppression (here defi ned as multiple features that can contribute to oppression either socially or individually, and can include factors such as race, age, gender, and social class) in many of his works. This essay investigates such representations in Show Boat (1927, music by Jerome Kern), The New Moon (1928, music by Sigmund Romberg), Sunny River (1941, music by Romberg), Oklahoma! (1943, music by Richard Rodgers), and Carousel (1945, music by Rodgers) as well as selected twenty-fi rst century revivals of Oklahoma! and Carousel. In each show, white hegemony is the norm, and characters of color, if they appear, represent some sort of diff erence that is made subservient to the white norm. In selected modern revivals, multicultural casting bri ngs such issues, including negative stereotypes, to the fore and allows for new insights into issues of race and intersectional oppression.
奥斯卡·哈默斯坦二世(1895-1960)与许多合作者在他的许多作品中讨论了种族和交叉压迫问题(这里定义为可能导致社会或个人压迫的多重特征，可以包括种族、年龄、性别和社会阶级等因素)。本文研究了《Show Boat》(1927年，杰罗姆·科恩的音乐)、《The New Moon》(1928年，西格蒙德·隆伯格的音乐)、《Sunny River》(1941年，隆伯格的音乐)、《Oklahoma!》(1943年，理查德·罗杰斯的音乐)和旋转木马(1945年，罗杰斯的音乐)以及精选的21世纪俄克拉何马州的复兴!和旋转木马。在每一部电视剧中，白人霸权都是常态，有色人种的角色，如果出现，就代表了某种屈从于白人常态的差异。在特定的现代复兴中，多元文化的铸造将这些问题，包括负面的刻板印象，带到了突出位置，并允许对种族和交叉压迫问题有新的见解。
{"title":"Oscar Hammerstein II and the Performativity of Race and Intersectional Oppression in American Musicals from Show Boat (1927) to Carousel (1945)","authors":"W. Everett","doi":"10.21857/mwo1vcjk1y","DOIUrl":"https://doi.org/10.21857/mwo1vcjk1y","url":null,"abstract":"Oscar Hammerstein II (1895-1960), with various collaborators, addressed issues of race and intersectional oppression (here defi ned as multiple features that can contribute to oppression either socially or individually, and can include factors such as race, age, gender, and social class) in many of his works. This essay investigates such representations in Show Boat (1927, music by Jerome Kern), The New Moon (1928, music by Sigmund Romberg), Sunny River (1941, music by Romberg), Oklahoma! (1943, music by Richard Rodgers), and Carousel (1945, music by Rodgers) as well as selected twenty-fi rst century revivals of Oklahoma! and Carousel. In each show, white hegemony is the norm, and characters of color, if they appear, represent some sort of diff erence that is made subservient to the white norm. In selected modern revivals, multicultural casting bri ngs such issues, including negative stereotypes, to the fore and allows for new insights into issues of race and intersectional oppression.","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43903892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tragovi mitologizacije u operi i/ili tragom mitologizacije opere. Nikola Šubić Zrinjski Ivana pl. Zajca","authors":"Rozina Palić-Jelavić","doi":"10.21857/90836cwo2y","DOIUrl":"https://doi.org/10.21857/90836cwo2y","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42445346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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