{"title":"Violinist Otto Rosbroj (1894-1962) i njegova uloga u počecima jazza u Zagrebu","authors":"Aldo Foško","doi":"10.21857/9E31LH4EJM","DOIUrl":"https://doi.org/10.21857/9E31LH4EJM","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68480684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper develops an aspect of my doctoral thesis which focuses on the German reception of Giuseppe Verdi’s Messa da Requiem. It analyzes the critique and commentary in German newspapers and music journals from the period of the fi rst performances in Austria, Germany and Switz erland (1874–78) and outlines two ways of working with a corpus of heterogeneous texts by mostly unknown authors: Metadata analysis helps to distinguish the diff erent scopes of music journals and newspapers, and a »horizontal reading« approach based on viewing the context of individual semantic entities in parallel gives insight into the spectrum of the reception in all sources together.
{"title":"Approaches to the German Reception of Verdi’s Messa da Requiem through Metadata Analysis and Horizontal Reading","authors":"Torsten Roeder","doi":"10.21857/Y26KEC37K9","DOIUrl":"https://doi.org/10.21857/Y26KEC37K9","url":null,"abstract":"This paper develops an aspect of my doctoral thesis which focuses on the German reception of Giuseppe Verdi’s Messa da Requiem. It analyzes the critique and commentary in German newspapers and music journals from the period of the fi rst performances in Austria, Germany and Switz erland (1874–78) and outlines two ways of working with a corpus of heterogeneous texts by mostly unknown authors: Metadata analysis helps to distinguish the diff erent scopes of music journals and newspapers, and a »horizontal reading« approach based on viewing the context of individual semantic entities in parallel gives insight into the spectrum of the reception in all sources together.","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68486906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"\"U boj, u boj!\" - uz 75 godina djelovanja Zbora Hrvatske radiotelevizije - prve četiri sezone (1941-1945)","authors":"Tatjana Čunko","doi":"10.21857/MZVKPTX4D9","DOIUrl":"https://doi.org/10.21857/MZVKPTX4D9","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68486235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Europeana Sounds is a project co-funded by the European Commission within the ICT Policy Support Programme as part of the Competitiveness and Innovation Framework Programme. The project aimed to enhance the total amount of the sound contents available through Europeana. Currently, more than 600,000 audio items and more than 300,000 audio-related contents have been aggregated thanks to the activities carried out by Europeana Sounds. The project has achieved other important objectives such as the enrichment of the metadata related to the digital objects, the realisation of a set of Policy Recommendations, the launch of the fi rst thematic channel of Europeana entirely devoted to the music named Europeana Music and a Radio that makes 200,000 music tracks available online. Europeana Sounds will continue to pursuit its objectives through the Task force established within the International Association of Sound and Audiovisual Archives (IASA).
{"title":"Opening the sound archives of Europe: The Europeana sounds project","authors":"Elisa Sciotti","doi":"10.21857/mnlqgc0qky","DOIUrl":"https://doi.org/10.21857/mnlqgc0qky","url":null,"abstract":"Europeana Sounds is a project co-funded by the European Commission within the ICT Policy Support Programme as part of the Competitiveness and Innovation Framework Programme. The project aimed to enhance the total amount of the sound contents available through Europeana. Currently, more than 600,000 audio items and more than 300,000 audio-related contents have been aggregated thanks to the activities carried out by Europeana Sounds. The project has achieved other important objectives such as the enrichment of the metadata related to the digital objects, the realisation of a set of Policy Recommendations, the launch of the fi rst thematic channel of Europeana entirely devoted to the music named Europeana Music and a Radio that makes 200,000 music tracks available online. Europeana Sounds will continue to pursuit its objectives through the Task force established within the International Association of Sound and Audiovisual Archives (IASA).","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68483992","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In this paper authors report on a new project based around a 14th-century source, the Burns Antiphoner. In this project they focus on integrating and delivering images, metadata, and recorded audio and video to provide an indepth look at the contents and experience of this particular source. Using high-resolution web-based image display technologies, they provide users with the ability to view small details on the page images, while integration with data collected in the CANTUS database provides a detailed view of the musical contents of each image, including liturgical function. A novel in-browser search system based on Lunr.js provides users with full-text and fi eld-based search capabilities. Finally, authors explore the possibility of using Music Encoding Initiative (MEI) standards to encode and render the musical incipits, providing a valuable and open data source for publication and re-use.
{"title":"The Burns Antiphoner: A Project Report","authors":"Anna Kijas, Michael Noone","doi":"10.21857/Y54JOFPO0M","DOIUrl":"https://doi.org/10.21857/Y54JOFPO0M","url":null,"abstract":"In this paper authors report on a new project based around a 14th-century source, the Burns Antiphoner. In this project they focus on integrating and delivering images, metadata, and recorded audio and video to provide an indepth look at the contents and experience of this particular source. Using high-resolution web-based image display technologies, they provide users with the ability to view small details on the page images, while integration with data collected in the CANTUS database provides a detailed view of the musical contents of each image, including liturgical function. A novel in-browser search system based on Lunr.js provides users with full-text and fi eld-based search capabilities. Finally, authors explore the possibility of using Music Encoding Initiative (MEI) standards to encode and render the musical incipits, providing a valuable and open data source for publication and re-use.","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68488405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
How does one make sense of the rapidly growing array of resources for musicologists online? In part, the answer depends on what specifi c interests are topical in the local environment. User needs vary widely. This contribution examines some organization issues in large repositories that available without cost in Europe and North America. Obstacles to fi nding sites with relevant material are many and generally parallel those familiar from using physical libraries.
{"title":"A topography and taxonomy of digital musicology","authors":"E. Selfridge-Field","doi":"10.21857/YQ32OH4E79","DOIUrl":"https://doi.org/10.21857/YQ32OH4E79","url":null,"abstract":"How does one make sense of the rapidly growing array of resources for musicologists online? In part, the answer depends on what specifi c interests are topical in the local environment. User needs vary widely. This contribution examines some organization issues in large repositories that available without cost in Europe and North America. Obstacles to fi nding sites with relevant material are many and generally parallel those familiar from using physical libraries.","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68493663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The rich artistic heritage of the Island of Hvar is widely known and represented in various types of publications, mostly as a refl ection of the vivid literary, dramatic and visual arts which have been produced there continuously since the Middle Ages. However, the outlines of its cultural history, and consequently the cultural memory of its inhabitants, commonly disregards the aspect of art music – with authorship, fi xed in musical notation, that generally implies the principles of Western-European music theory, aesthetics and performing practice – that used to be cultivated, primarily in urban island communities of Hvar and Stari Grad. One of the reasons for this disregard can be defi nitely found in the lack of fundamental research on musical sources kept in church, private and public archives of Hvar and Stari Grad, which served as a stimulus to further discoveries of archival musical materials that could refl ect their former musical life. Therefore, in order to throw light on particular segments of local music history and discover music that was cultivated among church circles, noblemen and citizens, I had to start practically from the beginning: discover, systematize and list preserved musical materi-
{"title":"Art Music on the Island of Hvar from the 17th Century until the Beginning of the 20th Century","authors":"M. Milošević","doi":"10.21857/Y6ZOLBR08M","DOIUrl":"https://doi.org/10.21857/Y6ZOLBR08M","url":null,"abstract":"The rich artistic heritage of the Island of Hvar is widely known and represented in various types of publications, mostly as a refl ection of the vivid literary, dramatic and visual arts which have been produced there continuously since the Middle Ages. However, the outlines of its cultural history, and consequently the cultural memory of its inhabitants, commonly disregards the aspect of art music – with authorship, fi xed in musical notation, that generally implies the principles of Western-European music theory, aesthetics and performing practice – that used to be cultivated, primarily in urban island communities of Hvar and Stari Grad. One of the reasons for this disregard can be defi nitely found in the lack of fundamental research on musical sources kept in church, private and public archives of Hvar and Stari Grad, which served as a stimulus to further discoveries of archival musical materials that could refl ect their former musical life. Therefore, in order to throw light on particular segments of local music history and discover music that was cultivated among church circles, noblemen and citizens, I had to start practically from the beginning: discover, systematize and list preserved musical materi-","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68489319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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