{"title":"Musikverein u Zagrebu i njegova škola u prijelomnoj godini 1860.","authors":"Sara Ries","doi":"10.21857/ydkx2cr0w9","DOIUrl":"https://doi.org/10.21857/ydkx2cr0w9","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42699931","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Zbirka glazbenih rukopisa iz settecenta u Zavičajnom muzeju Poreštine","authors":"Ivana Paula Gortan-Carlin, Lucija Konfic","doi":"10.21857/yvjrdcq23y","DOIUrl":"https://doi.org/10.21857/yvjrdcq23y","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42214427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pulsko razdoblje Franza Lehára (1894-1896)","authors":"Lada Duraković, Marijan Marković","doi":"10.21857/mzvkptznn9","DOIUrl":"https://doi.org/10.21857/mzvkptznn9","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43045908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The ethnic territories of Croatia and Slovenia have always been transitional geographic zones that were open to various kinds of cultural and musical migrations and meetings of various musical traditions. One of the most important groups of immigrant musicians was the Bohemians that appeared in Croatia and Slovenia towards the end of the eighteenth century. From the beginning of the nineteenth century until the 1920s, about ninety musicians (violinists) originating from Bohemia were active as violin teachers, orchestra members (concertmasters and conductors), and military music directors that signifi cantly shaped musical life in several cities and towns in Croatia and Slovenia. The most important group of these was the Prague violinists (violin alumni of the Prague Conservatory), whose representatives Václav Huml and Jan Šlais were the founders of the Zagreb and Ljubljana violin schools, respectively.
{"title":"The Influx of Bohemian Violinists to Slovenia and Croatia up to the 1920s","authors":"Maruša Zupančič","doi":"10.21857/9e31lhn1dm","DOIUrl":"https://doi.org/10.21857/9e31lhn1dm","url":null,"abstract":"The ethnic territories of Croatia and Slovenia have always been transitional geographic zones that were open to various kinds of cultural and musical migrations and meetings of various musical traditions. One of the most important groups of immigrant musicians was the Bohemians that appeared in Croatia and Slovenia towards the end of the eighteenth century. From the beginning of the nineteenth century until the 1920s, about ninety musicians (violinists) originating from Bohemia were active as violin teachers, orchestra members (concertmasters and conductors), and military music directors that signifi cantly shaped musical life in several cities and towns in Croatia and Slovenia. The most important group of these was the Prague violinists (violin alumni of the Prague Conservatory), whose representatives Václav Huml and Jan Šlais were the founders of the Zagreb and Ljubljana violin schools, respectively.","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48290756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Glazbeni instrumenti iz fundusa dvora Veliki Tabor","authors":"Vilena Vrbanić","doi":"10.21857/y54jofpe8m","DOIUrl":"https://doi.org/10.21857/y54jofpe8m","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68488300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Giuseppe Michele Stratico (Zadar, July 31st, 1728 – Sanguinett o, January 31st, 1783), Tartini’s student in violin and composition, dealt also with music theory. He started to form his thought in this area already within Tartini’s school, infl uenced by his teacher but also by Francescantonio Vallott i, another important fi gure of the 18th-century Paduan musical milieu, which afterwards resulted in the development of his own ideas on the subject. In the area of music theory Stratico wrote three treatises, all preserved as manuscripts in Biblioteca Marciana in Venice (Ms. It. Cl. IV, 341 [=5294], 342 [=5347], 343 [=5348]):
{"title":"Giuseppe Michele Stratico’s treatises on music between theory and practice: Edition and commentary","authors":"Lucija Konfic","doi":"10.21857/YRVGQTK659","DOIUrl":"https://doi.org/10.21857/YRVGQTK659","url":null,"abstract":"Giuseppe Michele Stratico (Zadar, July 31st, 1728 – Sanguinett o, January 31st, 1783), Tartini’s student in violin and composition, dealt also with music theory. He started to form his thought in this area already within Tartini’s school, infl uenced by his teacher but also by Francescantonio Vallott i, another important fi gure of the 18th-century Paduan musical milieu, which afterwards resulted in the development of his own ideas on the subject. In the area of music theory Stratico wrote three treatises, all preserved as manuscripts in Biblioteca Marciana in Venice (Ms. It. Cl. IV, 341 [=5294], 342 [=5347], 343 [=5348]):","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68494810","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ratnice i žrtve – ženski likovi u hrvatskim nacionalno-povijesnim operama","authors":"Petra Babić","doi":"10.21857/yvjrdcqo5y","DOIUrl":"https://doi.org/10.21857/yvjrdcqo5y","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68495305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper aims to shed light on the issues surrounding the management of opera in Istria and Dalmatia from 1861 to 1918. The public and private subsidies received by eastern Adriatic theatres are discussed as well as the proposals of opera seasons and the negotiations by impresari as described in their lett ers. The tracking of the routes taken by artists and the shipping of sceneries, stage costumes and scores are also mentioned.
{"title":"The Management of Opera in Istria and Dalmatia (1861-1918): A Preliminary Survey","authors":"Cristina Scuderi","doi":"10.21857/94kl4cxdlm","DOIUrl":"https://doi.org/10.21857/94kl4cxdlm","url":null,"abstract":"This paper aims to shed light on the issues surrounding the management of opera in Istria and Dalmatia from 1861 to 1918. The public and private subsidies received by eastern Adriatic theatres are discussed as well as the proposals of opera seasons and the negotiations by impresari as described in their lett ers. The tracking of the routes taken by artists and the shipping of sceneries, stage costumes and scores are also mentioned.","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68480317","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Pjevači i pjevačice u okviru Zadarske filharmonije – prilog istraživanju zadarske glazbene prošlosti u drugoj polovini 19. stoljeća","authors":"Katica Burić Ćenan","doi":"10.21857/Y26KEC3KG9","DOIUrl":"https://doi.org/10.21857/Y26KEC3KG9","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68486863","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
京公网安备 11010802042870号
京ICP备2023020795号-1
扫码关注我们
求助内容：
应助结果提醒方式：