{"title":"Veza Canetti zwischen Leben und Werk: Netzwerk-Biografie by Vreni AmslerVeza Canetti: Eine Biographie by Sophie ReyerVezas Wege: Ein biographischer Roman by Sophie Reyer (review)","authors":"J. Preece","doi":"10.1353/aus.2021.0020","DOIUrl":"https://doi.org/10.1353/aus.2021.0020","url":null,"abstract":"","PeriodicalId":41034,"journal":{"name":"Austrian Studies","volume":"29 1","pages":"175 - 179"},"PeriodicalIF":0.0,"publicationDate":"2022-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46419477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-01-21DOI: 10.5699/austrianstudies.29.2021.0086
Range
Abstract:The 2014 horror film Ich seh, ich seh [Goodnight Mommy], directed by Severin Fiala and Veronika Franz, employs a range of uncanny archetypes, from the mother as bandaged mummy to the doubling of the twin sons. Set in a rural landscape suffused with religion and death, it presents the unsettling of a domestic environment and unspoken questions about guilt and the past. This article analyses the film through the work of key theorists such as Freud, Rank and Jentsch, putting it also into the wider context of Austrian post-war history. Ultimately the film blurs the distinction between fiction and reality, questioning whether what is seen can be believed.
{"title":"Austrian Heimat-Horror in Twenty-First-Century Film: Ich seh, ich seh (2014)","authors":"Range","doi":"10.5699/austrianstudies.29.2021.0086","DOIUrl":"https://doi.org/10.5699/austrianstudies.29.2021.0086","url":null,"abstract":"Abstract:The 2014 horror film Ich seh, ich seh [Goodnight Mommy], directed by Severin Fiala and Veronika Franz, employs a range of uncanny archetypes, from the mother as bandaged mummy to the doubling of the twin sons. Set in a rural landscape suffused with religion and death, it presents the unsettling of a domestic environment and unspoken questions about guilt and the past. This article analyses the film through the work of key theorists such as Freud, Rank and Jentsch, putting it also into the wider context of Austrian post-war history. Ultimately the film blurs the distinction between fiction and reality, questioning whether what is seen can be believed.","PeriodicalId":41034,"journal":{"name":"Austrian Studies","volume":"29 1","pages":"101 - 86"},"PeriodicalIF":0.0,"publicationDate":"2022-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44174623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Robert Musil and the Question of Science: Ethics, Aesthetics, and the Problem of the Two Cultures by Tim Mehigan (review)","authors":"Graham Bartram","doi":"10.1353/aus.2021.0006","DOIUrl":"https://doi.org/10.1353/aus.2021.0006","url":null,"abstract":"","PeriodicalId":41034,"journal":{"name":"Austrian Studies","volume":"29 1","pages":"182 - 184"},"PeriodicalIF":0.0,"publicationDate":"2022-01-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48476667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Richard Schaukal in Netzwerken und Feldern der literarischen Moderne by Cornelius Mitterer (review)","authors":"Florian Krobb","doi":"10.1353/aus.2020.0006","DOIUrl":"https://doi.org/10.1353/aus.2020.0006","url":null,"abstract":"","PeriodicalId":41034,"journal":{"name":"Austrian Studies","volume":"28 1","pages":"216 - 218"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48108569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:The endless debate about the 'Austrian' quality of Austrian literature is here reduced to some of its illustrative names, since names are themselves brief illustrations of geographical, social and cultural contexts. Hence literary naming is a criterion of difference. In theory, the name is considered completely arbitrary, yet also as a 'significant' part of the personality; the literary code, of course, endows it with deeper meaning. Seen historically, literary names can affirm or criticize dynastic, national or religious conceptions. For satire, 'speaking' names are particularly rewarding. As 'real' names, they can refer directly to contemporary figures. Intertextually, literary names establish links to great predecessors and anticipate the abolition of the onomastic division between the sexes. Die endlose Debatte um das 'Österreichische' der österreichischen Literatur soll hier auf einige ihrer beispielhafte Namen gekürzt werden — insofern, als Namen selbst exemplarische Kürzel geographischer, sozialer und kultureller Kontexte sind; die literarische Namensgebung ist daher ein Differenzkriterium. Theoretisch gilt der Name einerseits als völlig arbiträr, andererseits als 'bedeutender' Teil der Persönlichkeit; der literarische Code verleiht ihm selbstverständlich tieferen Sinn. In historischer Hinsicht affirmieren oder kritisieren literarische Namen dynastische, nationale oder religiöse Konzepte. Satirisch ergiebig sind die 'sprechenden' Namen, die als 'reale' auch ganz unmittelbar zeitgenössische Träger bezeichnen können. Intertextuell knüpfen literarische Namen an Figuren großer Vorgänger an und heben projektiv auch die namentliche Geschlechtertrennung auf.
{"title":"A Field Guide to Names in Literature: Notes on Austrian Onomastics","authors":"Konstanze Fliedl","doi":"10.1353/aus.2007.0024","DOIUrl":"https://doi.org/10.1353/aus.2007.0024","url":null,"abstract":"Abstract:The endless debate about the 'Austrian' quality of Austrian literature is here reduced to some of its illustrative names, since names are themselves brief illustrations of geographical, social and cultural contexts. Hence literary naming is a criterion of difference. In theory, the name is considered completely arbitrary, yet also as a 'significant' part of the personality; the literary code, of course, endows it with deeper meaning. Seen historically, literary names can affirm or criticize dynastic, national or religious conceptions. For satire, 'speaking' names are particularly rewarding. As 'real' names, they can refer directly to contemporary figures. Intertextually, literary names establish links to great predecessors and anticipate the abolition of the onomastic division between the sexes. Die endlose Debatte um das 'Österreichische' der österreichischen Literatur soll hier auf einige ihrer beispielhafte Namen gekürzt werden — insofern, als Namen selbst exemplarische Kürzel geographischer, sozialer und kultureller Kontexte sind; die literarische Namensgebung ist daher ein Differenzkriterium. Theoretisch gilt der Name einerseits als völlig arbiträr, andererseits als 'bedeutender' Teil der Persönlichkeit; der literarische Code verleiht ihm selbstverständlich tieferen Sinn. In historischer Hinsicht affirmieren oder kritisieren literarische Namen dynastische, nationale oder religiöse Konzepte. Satirisch ergiebig sind die 'sprechenden' Namen, die als 'reale' auch ganz unmittelbar zeitgenössische Träger bezeichnen können. Intertextuell knüpfen literarische Namen an Figuren großer Vorgänger an und heben projektiv auch die namentliche Geschlechtertrennung auf.","PeriodicalId":41034,"journal":{"name":"Austrian Studies","volume":"15 1","pages":"155 - 168"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45354043","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:This article surveys the multi-faceted career of Max Pirker (1886-1931), who made it his life's work to promote stronger cultural ties between Vienna and Austria's Alpine provinces, especially his native Carinthia. Greatly influenced by Josef Nadler's ethnographic approach to literature, he not only made a significant contribution to Viennese theatre history but also enjoyed productive friendships with Hugo von Hofmannsthal and his circle and with key members of the Carinthian cultural elite. After playing an important propagandist role during the Carinthian 'Resistance Struggle' (1918-19), Pirker increasingly rejected the Austrian state in the 1920s and embraced German nationalist rhetoric, but without turning against Vienna in the process. Dieser Artikel untersucht die facettenreiche berufliche Laufbahn Max Pirkers (1886-1931), der es sich zur Lebensaufgabe machte, stärkere Kulturverbindungen zwischen Wien und den österreichischen Alpenländern, insbesondere mit seinem Heimatland Kärnten, zu fördern. Von der ethnographisch fundierten Literaturgeschichte Josef Nadlers stark beeinflusst leistete er Wichtiges als Fachmann für die Wiener Theatergeschichte und pflegte dabei freundschaftliche Beziehungen sowohl zum Hofmannsthal-Kreis als auch zur kulturellen Elite Kärntens. Nachdem er sich zur Zeit des Kärntner Abwehrkampfs (1918-19) als Propagandist profilierte, verlor Pirker in den darauffolgenden Jahren zunehmend das Vertrauen in den österreichischen Staat und eignete sich eine deutsch-nationale Grenzland-Rhetorik an, ohne aber Wien dadurch herabetzen zu wollen.
摘要:本文回顾了马克斯·皮尔克(1886-1931)的职业生涯，他毕生致力于促进维也纳与奥地利阿尔卑斯省份之间的文化联系，尤其是他的家乡克恩顿州。他深受约瑟夫·纳德勒的民族志文学方法的影响，不仅对维也纳戏剧史做出了重大贡献，而且与雨果·冯·霍夫曼斯塔尔及其圈子以及卡林西亚文化精英的主要成员建立了富有成效的友谊。在Carinthian“抵抗斗争”(1918- 1919)期间扮演了重要的宣传角色后，皮尔克在20世纪20年代越来越拒绝奥地利国家，并接受了德国民族主义的言论，但在此过程中没有转向反对维也纳。(1886-1931)， der es sich zur Lebensaufgabe machte, stärkere kulturververindungen zwischen Wien and den österreichischen Alpenländern, insbesondere mit seinem Heimatland Kärnten, zu fördern。民族志基金会资助约瑟夫·纳德勒斯(Josef Nadlers)为维也纳戏剧基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国戏剧基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国文学基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助德国文化基金会资助。《纳粹德国时代》(1918- 1919)和《纳粹德国时代》(1918- 1919)都是宣传家，《纳粹德国时代》(1918- 1919)和《纳粹德国时代》(1918- 1919)都是德国人，《纳粹德国》和《纳粹德国》都是德国人，《纳粹德国》和《纳粹德国》。
{"title":"Mediating between Vienna and the Alps: The Journalist, Librarian and Theatre Historian Max Pirker","authors":"J. Beniston","doi":"10.1353/aus.2010.0009","DOIUrl":"https://doi.org/10.1353/aus.2010.0009","url":null,"abstract":"Abstract:This article surveys the multi-faceted career of Max Pirker (1886-1931), who made it his life's work to promote stronger cultural ties between Vienna and Austria's Alpine provinces, especially his native Carinthia. Greatly influenced by Josef Nadler's ethnographic approach to literature, he not only made a significant contribution to Viennese theatre history but also enjoyed productive friendships with Hugo von Hofmannsthal and his circle and with key members of the Carinthian cultural elite. After playing an important propagandist role during the Carinthian 'Resistance Struggle' (1918-19), Pirker increasingly rejected the Austrian state in the 1920s and embraced German nationalist rhetoric, but without turning against Vienna in the process. Dieser Artikel untersucht die facettenreiche berufliche Laufbahn Max Pirkers (1886-1931), der es sich zur Lebensaufgabe machte, stärkere Kulturverbindungen zwischen Wien und den österreichischen Alpenländern, insbesondere mit seinem Heimatland Kärnten, zu fördern. Von der ethnographisch fundierten Literaturgeschichte Josef Nadlers stark beeinflusst leistete er Wichtiges als Fachmann für die Wiener Theatergeschichte und pflegte dabei freundschaftliche Beziehungen sowohl zum Hofmannsthal-Kreis als auch zur kulturellen Elite Kärntens. Nachdem er sich zur Zeit des Kärntner Abwehrkampfs (1918-19) als Propagandist profilierte, verlor Pirker in den darauffolgenden Jahren zunehmend das Vertrauen in den österreichischen Staat und eignete sich eine deutsch-nationale Grenzland-Rhetorik an, ohne aber Wien dadurch herabetzen zu wollen.","PeriodicalId":41034,"journal":{"name":"Austrian Studies","volume":"18 1","pages":"15 - 38"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43972785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Drawing on material in the newly published supplementary volumes (2007) of the Nestroy edition (HKA), the article argues that scepticism towards scholarship and advances in knowledge cannot be reduced to a biographical explanation (Nestroy's education and family background), nor to the traditional opposition between 'popular' theatre and high culture: he followed with scepticism press reports of technological progress and of scholarly controversy, and his characters are aware of the limitations of knowledge, but Vincenz's scorn for study in "Die beiden Herrn Söhne" is an extreme case. In general his satire shows respect for learning and for culture, while testing them against ideals of truth and authenticity. Nestroys Werk weist eine Reihe von Beispielen der Skepsis gegenüber Forschung und Wissenschaft auf, die sich weder mit biographischen Faktoren wie seiner Herkunft aus dem Bildungsbürgertum noch mit dem Gegensatz zwischen 'Volkstheater' und Hochkultur erklären läßt. Wie aus den 2007 erschienenen Nachtragsbänden zur Nestroy-HKA hervorgeht, verfolgte er Presseberichte über technologische Fortschritte und wissenschaftliche Kontroversen mit Skepsis, und seine Figuren sind sich der Grenzen des Wissens bewußt. Vincenz in "Die beiden Herrn Söhne" verspottet zwar Studium und Gelehrtheit, im allgemeinen ist aber in Nestroys Werk Respekt vor Bildung und Kultur erkennbar, wobei der Satiriker an beide den bewährten Maßstab von Wahrheit und Authentizität anlegt.
{"title":"Dialect Satire and High Culture: Nestroy on Science and Scholarship","authors":"W. Yates","doi":"10.1353/aus.2007.0001","DOIUrl":"https://doi.org/10.1353/aus.2007.0001","url":null,"abstract":"Abstract:Drawing on material in the newly published supplementary volumes (2007) of the Nestroy edition (HKA), the article argues that scepticism towards scholarship and advances in knowledge cannot be reduced to a biographical explanation (Nestroy's education and family background), nor to the traditional opposition between 'popular' theatre and high culture: he followed with scepticism press reports of technological progress and of scholarly controversy, and his characters are aware of the limitations of knowledge, but Vincenz's scorn for study in \"Die beiden Herrn Söhne\" is an extreme case. In general his satire shows respect for learning and for culture, while testing them against ideals of truth and authenticity. Nestroys Werk weist eine Reihe von Beispielen der Skepsis gegenüber Forschung und Wissenschaft auf, die sich weder mit biographischen Faktoren wie seiner Herkunft aus dem Bildungsbürgertum noch mit dem Gegensatz zwischen 'Volkstheater' und Hochkultur erklären läßt. Wie aus den 2007 erschienenen Nachtragsbänden zur Nestroy-HKA hervorgeht, verfolgte er Presseberichte über technologische Fortschritte und wissenschaftliche Kontroversen mit Skepsis, und seine Figuren sind sich der Grenzen des Wissens bewußt. Vincenz in \"Die beiden Herrn Söhne\" verspottet zwar Studium und Gelehrtheit, im allgemeinen ist aber in Nestroys Werk Respekt vor Bildung und Kultur erkennbar, wobei der Satiriker an beide den bewährten Maßstab von Wahrheit und Authentizität anlegt.","PeriodicalId":41034,"journal":{"name":"Austrian Studies","volume":"15 1","pages":"41 - 52"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44222736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Paul Celans Ãbersetzungspoetik. Entwicklungslinien in seinen Ãbertragungen französischer Lyrik. (Untersuchungen zur deutschen Literaturgeschichte 128) by Florence Pennone (review)","authors":"Charlotte Ryland","doi":"10.1353/aus.2008.0006","DOIUrl":"https://doi.org/10.1353/aus.2008.0006","url":null,"abstract":"","PeriodicalId":41034,"journal":{"name":"Austrian Studies","volume":"16 1","pages":"224 - 226"},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43386034","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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