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Conceptual Structures of QurʔĀnic SaʔAla ‘Ask’: An Analysis from Cognitive Linguistics 从认知语言学角度分析“问”的概念结构Ānic
Pub Date : 1900-01-01 DOI: 10.4314/%U.V23I1.%C
Hebm Gaballa
This project attempts to provide one cognitive, that is, schematic, network of all occurrences of the Qurʔānic saʔala "ask." The theoretical framework to argue for the proposed network is dual: to argue for a number of pragmatic functions that seem to underlie the choice of saʔala; and to make a strong case that these pragmatic functions motivate cognitive interpretation. The paper, which initially examines distinct interpretations of Qurʔānic saʔala that ensue from a contextual analysis of its occurrences, reveals these pragmatic functions: ṭalab "request," ʔistifsār "enquiry," muħāsaba "interrogation," ʔistifzāz "aggravation," ʔiṭmiʔnān "concern about well-being," tawbīx "reproach," tabkīt "rebuke," taqrīr "attestation" and duʕāʔ "prayer." Based on this pragmatic and other related syntactic evidence, it argues that "ask" cognitively frames, not two, but three central types of cognitively-based construal: information-seeking "ask," performative "ask" and interrogating "ask." The paper proposes some conceptual structures trigger some various utilizations of Qurʔānic "ask;" and argues that they all interlink into one schematic network that enables readers, translators and interpreters of the Holy Qurʔān to account, in a natural manner, for the verb's execution of these pragmatic functions. Finally, the findings and their theoretical implications are outlined. Keywords : Arabic linguistics, cognitive semantics, linguistic pragmatics & Qurʔānic interpretation & translation
这个项目试图提供一个认知,也就是,古兰经的所有出现的示意图,网络ānic sa阿拉“问”。支持这一网络的理论框架是双重的:一是支持一些语用功能,这些功能似乎是选择sa / ala的基础;并证明这些语用功能激发了认知解释。本文首先考察了对古兰经的不同解释,这些解释源于对其出现的语境分析,揭示了这些语用功能:ṭalab“请求”,“istifsār”询问,“muħāsaba”审讯,“istifzāz”愤怒,“iṭmi“nān”关心福祉,“tawb x”责备,“tabk t”责备,“taqr r”证明”和“du uh ā eh”祈祷。基于这种语用学和其他相关的句法证据,它认为“问”的认知框架,不是两种,而是三种核心类型的基于认知的解释:信息寻求的“问”,行为的“问”和询问的“问”。本文提出了一些概念结构触发了古兰经的一些不同的用途ānic“问”,并认为它们都相互联系成一个示意图网络,使读者,翻译和解释神圣的古兰经ān的译者,以一种自然的方式来解释动词执行这些语用功能。最后,概述了研究结果及其理论意义。关键词:阿拉伯语语言学;认知语义学;语言语用学
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引用次数: 0
Time and Chronology in Modern Novels: An Example of Woolf and Joyce 现代小说中的时间与年表:以伍尔夫和乔伊斯为例
Pub Date : 1900-01-01 DOI: 10.4314/MARANG.V19I1.42818
N. Maleki, N. Hooti, Majid Farahian
The concept of time, once easily defined, remains an abstract quality. The order in which we experience events has important implications for our interpretation of those events. Although events can be presented in a chronological and continuous sequence, skilled story tellers will often deviate from this. Heidegger (1927) acknowledged that da-sein as thrownbeing- in-the-world comes across time as a series of “nows”. The importance of this attitude towards time and the understanding of the content and thought of modern novels, depend on the understanding of the treatment of time. It is in this context that this article attempts to provide a brief survey of two modern novelists, Virginia Woolf and James Joyce who exploited the displacement feature of language to defamiliarize our conception of time and chronology.
时间的概念,曾经很容易定义,仍然是一个抽象的性质。我们经历事件的顺序对我们对这些事件的解释有着重要的影响。虽然事件可以按时间顺序和连续顺序呈现,但熟练的故事讲述者通常会偏离这一顺序。海德格尔(1927)承认,作为被抛入世界的“存在”的“存在”穿越了时间,成为一系列的“现在”。这种对时间的态度的重要性以及对现代小说内容和思想的理解,取决于对时间处理的理解。正是在这种背景下,本文试图对弗吉尼亚·伍尔夫和詹姆斯·乔伊斯这两位现代小说家进行简要的概述,他们利用语言的位移特征来陌生化我们的时间和年表概念。
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引用次数: 0
Styles and Levels of Acting in Zimbabwean Traditional Performances 津巴布韦传统表演的风格和水平
Pub Date : 1900-01-01 DOI: 10.4314/MARANG.V18I1.39330
F. Omoregie
In this paper, I intend to support Schechner's (1988: 197) argument that “to be in trance is not to be out of control,” and that in trance or possession the performer does exhibit elements of acting. Schechner mentions that two processes are identifiable in performance: the performer is either “subtracted” in a performance closely resembling the art of the shaman who acts in ecstasy or what Jerzy Grotowski calls the “holy actor,” or the performer is “added to” or “doubled”, according to Antonin Artaud, in the process of performing. This “doubled” actor is considered to be in trance, something Schechner likens to Constantin Stanislavski's “character actor”. In defining these two phenomena and other forms of acting, my intention in this paper is to prove that the whole of Africa is a gold mine of artistic performances. I intend to prove this by analyzing the acting styles and levels inZimbabwean traditional performances. In traditional Zimbabwean performances acting isrealized in different social functions and contexts. In the context of this paper, acting meansto feign, to simulate, to represent, to impersonate. (E.T. Kirby 1972 3) Defining acting andits qualities in the scope of this paper will achieve three things. First, I will identifyinstances where acting is realized. Secondly, I will show how Zimbabwean societies usethese defined/identified qualities in different contexts. Thirdly, I will judge the levels ofacting regarding their seriousness, commitment and functions. To achieve these aims, I willanalyze four categories of performances, storytelling, children's make-believe, rituals andceremonies. Keywords : acting, drama, performance, possession, trance, Zimbabwe MARANG Vol. 18 2008 pp. 121-136
在本文中,我打算支持Schechner(1988: 197)的观点,即“处于恍惚状态并不意味着失去控制”,并且在恍惚状态或占有状态下,表演者确实表现出表演的元素。Schechner提到表演中有两个可识别的过程:表演者要么在表演中被“减去”,这种表演非常类似于在狂喜中表演的萨满艺术,或者是Jerzy Grotowski所说的“神圣演员”,要么是表演者在表演过程中被“增加”或“加倍”,根据Antonin Artaud的说法。这个“双重”演员被认为处于恍惚状态,Schechner将其比作康斯坦丁·斯坦尼斯拉夫斯基的“角色演员”。在定义这两种现象和其他表演形式时,我在本文中的意图是证明整个非洲是艺术表演的金矿。我想通过分析津巴布韦传统表演的表演风格和水平来证明这一点。在传统的津巴布韦表演中,表演是在不同的社会功能和背景下实现的。在本文的语境中,表演意味着假装、模拟、代表、模仿。在本文的范围内定义表演及其品质将实现三件事。首先,我将指出实现行为的实例。其次,我将展示津巴布韦社会如何在不同的背景下使用这些定义/识别的品质。第三,我将根据他们的严肃性、承诺和职能来判断他们的水平。为了实现这些目标,我将分析四类表演,讲故事,儿童假装,仪式和仪式。关键词:表演,戏剧,表演,占有,恍惚,津巴布韦MARANG卷18 2008页121-136
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引用次数: 0
The John Henry Wars 约翰·亨利战争
Pub Date : 1900-01-01 DOI: 10.4314/MARANG.V17I1.39311
M. Berman
In this academically eclectic essay, I look at the complex role of oral literature in societythrough a case study of the famous American legend of John Henry. I am chiefly concernedwith (a) the multiple claims of the hero's origin, b) the conflicting opinions of folklorists, (c)the question of the legend's historicity, and finally, d) how all three areas intersect. In theend, I find that much is at stake in the answer to my initial question: Who was John Henry?Scholars have devoted their careers to this query. African Americans and labor unions,among other groups, have each claimed him as their representative. American cities havebuilt monuments to him, held festivals to celebrate his feats, and released postage stampswith his likeness, all with the intention of engraining the legend into the lore of theirparticular jurisdictions. Meanwhile, musicians and storytellers have grappled fiercely withacademics, the former accusing the latter of ruining the legend through endless analysis. Asthe title suggests, these ‘wars' over this national icon unearth the subtleties of the politicaleconomy of labor, the ironies of racial identity, and the intricate relationship betweenfolklore and fiction. Keywords :folklore, John Henry MARANG: Journal of Language and Literature Vol. 17 2007: pp. 71-82
在这篇学术上兼收并蓄的文章中,我通过对美国著名传奇人物约翰·亨利的案例研究来审视口头文学在社会中的复杂作用。我主要关心的是(a)关于英雄起源的多种说法,(b)民俗学家相互矛盾的观点,(c)传说的历史性问题,最后,d)这三个方面是如何交叉的。最后,我发现对我最初的问题的回答是至关重要的:约翰·亨利是谁?学者们致力于这个问题。非裔美国人和工会等团体都声称他是他们的代表。美国的城市为他建造了纪念碑,举办节日来庆祝他的功绩,并发行了印有他肖像的邮票,所有这些都是为了将这个传奇铭刻在他们特定辖区的人们的心中。与此同时,音乐家和讲故事的人与学者发生了激烈的争执,前者指责后者通过无休止的分析破坏了传奇。正如标题所示,这些关于这个国家象征的“战争”揭示了劳工政治经济的微妙之处,种族身份的讽刺,以及民间传说和小说之间错综复杂的关系。关键词:民俗学,约翰·亨利·马朗:《语言文学杂志》2007年第17卷,第71-82页
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引用次数: 0
In Their Fathers' House: Resistant Alterity and the Law of the Father in The Tempest, Othello and Titus Andronicus. 在他们父亲的家里:《暴风雨》、《奥赛罗》和《提图斯·安多尼克斯》中的反抗性改变和父亲的法律。
Pub Date : 1900-01-01 DOI: 10.4314/MARANG.V18I1.39331
P. Mwikisa
The paper offers a reading of Shakespeare's The Tempest, Othello and Titus Andronicus that sees the plays' black characters as diasporic protagonists seeking alternative constructions of difference from those that are demanded by the dominant white patriarchal culture. The paper deploys two fairly well-known strategies for non-canonical readings of canonical texts. Firstly, the apocryphal approach offers an account of the significance of the fact that details of the origins of the black characters in the plays seem suppressed. Secondly, drawing on postcolonial discourse of the body, the paper reads the characters themselves as texts or spaces in which conflicting discourses can be written and read. I argue that reading the plays this way helps us to understand the struggles of diasporic characters as they attempt to inscribe their presence in the dominant cultures of the West and also to see in their struggles reflections of the trajectory of texts from marginalized communities in the era of global multinational capitalism. Keywords : alterity, inter-racial sexual relations, culture, the father, diasporic, bodies, textuality. MARANG Vol. 18 2008 pp. 137-152
本文对莎士比亚的《暴风雨》、《奥赛罗》和《提图斯·安德洛尼克斯》进行了解读,认为这些戏剧中的黑人角色是流散的主角,他们寻求与主流白人父权文化所要求的不同的另类结构。本文部署了两种相当知名的非正典文本阅读策略。首先,伪经的方法提供了一个事实的重要性,即戏剧中黑人角色的起源细节似乎被压抑了。其次,借鉴后殖民时期的身体话语,本文将人物本身作为文本或空间来解读,在这些文本或空间中,相互冲突的话语可以被书写和阅读。我认为,以这种方式阅读戏剧有助于我们理解流散人物的斗争,因为他们试图将自己的存在铭刻在西方的主导文化中,也有助于我们从他们的斗争中看到全球跨国资本主义时代边缘化社区文本轨迹的反映。关键词:另类,跨种族性关系,文化,父亲,流散,身体,文本性。MARANG Vol. 18 2008 pp. 137-152
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引用次数: 1
Using two varieties in the ESL classroom 在ESL课堂上使用两种变体
Pub Date : 1900-01-01 DOI: 10.4314/MARANG.V17I1.39306
A. E. Arua
From data collected through the observation of 15 community junior and senior secondaryschools, and a survey of 43 English language teachers in the observed schools, the paperdescribes the conflict in the use of Botswana English and Standard British English in theEnglish language classrooms. The findings of the study reveal teachers' uncertaintyregarding the model of English to use in the classroom, students' fear and confusionregarding the varieties of English appropriate in various contexts and a hostile learningenvironment which makes students reluctant to engage in meaningful interaction inEnglish. It is necessary for policy makers to begin to think about the nature of the Englishbeing taught in schools. Teachers will need to acquire student management skills toimprove the environment in which English is acquired. Keywords : varieties of English, English language teaching MARANG: Journal of Language and Literature Vol. 17 2007: pp. 1-11
通过对15所社区初中和高中的观察,以及对43名被观察学校英语教师的调查,本文描述了博茨瓦纳英语和标准英式英语在英语课堂上使用的冲突。研究结果表明,教师对课堂英语使用模式的不确定性,学生对不同语境下的英语多样性的恐惧和困惑,以及一个充满敌意的学习环境,使学生不愿参与有意义的英语互动。政策制定者有必要开始思考学校教授英语的性质。教师需要掌握学生管理技能,以改善学习英语的环境。关键词:英语多样性;英语教学;《语言文学杂志》2007年第17卷第1-11页
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引用次数: 3
DEMOCRACY AND THE EDUCATION SYSTEM OF BOTSWANA: TOWARDS LINGUISTIC PLURALISM 博茨瓦纳的民主和教育制度:走向语言多元化
Pub Date : 1900-01-01 DOI: 10.4314/MARANG.V17I1.39309
K. Monaka
The importance of languages in education and in the other important sectors of human interaction and development does not seem to have been an issue in the definition and practice of democracy in Botswana. Although the country claims to be democratic and hosts over twenty five ethnic languages, it does not see the need to accord them official recognition, let alone introduce them in education even as evidence of giving its citizenry democratic (human) rights. Only English (the official language) and Setswana (the national language) are used in education and government business. In the education sector, these two languages are and have been used as the sole languages of school even in areas predominant with learners from non-Setswana or English speaking communities. Apart from disadvantaging learners educationally and creating problems related to cognitive development, this denies learners whose languages are unacceptable certain human rights. For these, the ideals of democracy appear rather lofty and superficial at best or irrelevant at worst. This paper examines this question of languages of education and how the ideals of democracy are made ineffective when it comes to educational provisions.
在博茨瓦纳民主的定义和实践中,语言在教育和人类相互作用和发展的其他重要部门中的重要性似乎并不是一个问题。尽管这个国家声称自己是民主国家,拥有超过25种少数民族语言,但它认为没有必要给予官方承认,更不用说在教育中引入这些语言,甚至作为给予公民民主(人权)权利的证据。在教育和政府事务中只使用英语(官方语言)和茨瓦纳语(国语)。在教育部门,这两种语文一直是学校的唯一语文,即使在以非塞茨瓦纳语或英语社区学生为主的地区也是如此。除了在教育上对学习者不利和造成与认知发展有关的问题外,这还剥夺了语言不可接受的学习者的某些人权。对这些人来说,民主理想往好里说显得相当崇高和肤浅,往坏里说则显得无关紧要。本文探讨了教育语言的问题,以及民主理想在教育规定方面是如何变得无效的。
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引用次数: 1
An Examination of the Strategies Used for Learning English as a Second Language by Senior Secondary School Students in Botswana 博茨瓦纳高中生英语作为第二语言学习策略研究
Pub Date : 1900-01-01 DOI: 10.4314/MARANG.V19I1.42823
Ab Chimbganda, Le Seru
This study examines the strategies used by speakers of English as a second language in Botswana’s senior secondary schools. The study was undertaken because many students in this country under-perform in their English Language final examinations at senior secondary school; and in order to establish the causes for their under-performance, the views of 150 randomly selected senior secondary school students were solicited through a questionnaire. The data were then analyzed using simple descriptive statistics. The results show that, although some students use facilitative strategies such as speaking and listening in English, using newly learned structures in real life situations, figuring out the meaning of something they do not understand and correcting their own mistakes, there are equally many students with shortcomings in the strategies they use for learning English, such as transferring structures from their first language to the second, giving up trying in the face of difficulties and being lowly motivated. To remedy the situation, it is suggested that teachers should frequently speak to individual students in order to establish the strategies they use for tackling different learning tasks, with a view to advising them on the use of appropriate strategies for various language skills. It is also suggested that the teaching approach and the English language syllabus be reviewed in order to meet the language needs of students in a technologically changing world.
本研究考察了以英语为第二语言的人在博茨瓦纳高中所使用的策略。之所以进行这项研究,是因为这个国家的许多学生在高中英语期末考试中表现不佳;为了确定他们表现不佳的原因,我们随机抽取了150名高中生进行问卷调查。然后使用简单的描述性统计对数据进行分析。结果表明,虽然一些学生使用英语口语和听力促进策略,在现实生活中使用新学的结构,弄清楚他们不理解的东西的意思和纠正自己的错误,但同样多的学生在他们使用的英语学习策略上存在不足,例如从第一语言到第二语言的结构迁移,在困难面前放弃尝试,积极性低下。为了改善这种情况,建议教师应经常与个别学生交谈,以建立他们处理不同学习任务的策略,并建议他们使用适当的策略来学习不同的语言技能。此外,还建议对教学方法和英语教学大纲进行审查,以满足学生在技术变化的世界中的语言需求。
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引用次数: 0
HAGGLING AS A SOCIOPRAGAMTIC STRATEGY IN SELECTED URBAN MARKETS: AN AMALGAM OF ENGLISH AND NIGERIAN LANGUAGES 在选定的城市市场中,讨价还价是一种社会实用策略:英语和尼日利亚语的混合体
Pub Date : 1900-01-01 DOI: 10.4314/MARANG.V24I0
M. Alo, T. Soneye
This study undertakes a socio-pragmatic investigation of haggling exchanges between vendors and their customers in three large open-air market locations in southwest Nigeria; one in Ibadan (Bodija market) and two in Lagos (Katangwa and Agege) metropolis respectively. Audio recordings of haggling exchanges between selected vendors and their prospective customers were analysed in order to identify and categorize various socio-pragmatic elements and functions in the encounters. The study employs Dell Hymes’ ethnography of communication and aspects of the pragmatic theory of Mey and Gricean Co-operative Maxims. Findings reveal that several languages come into contact with one another, including English, Yoruba, Pidgin, Igbo and Hausa in the market transactions in Lagos and Ibadan metropolis in Nigeria. Respondents employ various bargaining and pragmatic strategies which include greetings, humour, cajoling, flattery, pleading, swearing, abuse as well as code-switching and code-mixing. This study helps to establish some socio-pragmatic patterns in language use in contact situations in the Nigerian multilingual/ multicultural market contexts. It also shows the pragmatic use of Interrogatives, Declaratives, Exclamatives and Imperatives in bargaining interactions. Keywords: Socio-pragmatics, haggling, Nigerian languages, pragma-intonation
本研究对尼日利亚西南部三个大型露天市场的商贩和顾客之间的讨价还价进行了社会实用主义调查;一个在伊巴丹(博迪加市场),两个在拉各斯(加丹瓜和阿吉)大都市。对选定的卖主与其潜在顾客之间讨价还价的录音进行了分析,以便确定和分类这些接触中的各种社会实用因素和功能。本研究采用了戴尔•海姆斯的沟通民族志以及梅伊和格赖斯合作格言的语用理论。调查结果显示,在尼日利亚拉各斯和伊巴丹市的市场交易中,英语、约鲁巴语、皮钦语、伊博语和豪萨语等几种语言相互接触。受访者使用各种讨价还价和实用策略,包括问候、幽默、哄骗、奉承、恳求、咒骂、辱骂以及语码转换和语码混合。本研究有助于在尼日利亚多语言/多元文化市场背景下建立接触情境中语言使用的社会语用模式。研究还显示了疑问、陈述句、感叹句和祈使句在议价互动中的语用性。关键词:社会语用学,讨价还价,尼日利亚语,语用语调
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引用次数: 9
Dissident Writing: Home and Exile in Frank Chipasula’s Whispers in the Wings 持不同政见者写作:弗兰克·奇帕苏拉《翼中低语》中的家园与流亡
Pub Date : 1900-01-01 DOI: 10.4314/MARANG.V19I1.42817
R. Chirambo
Writers in Africa who have taken a critical view of their society have variously been designated as dissidents, traitors, or rebels by the political regimes. In most cases such writers have been forced into exile or placed in detention for their writing and their works banned in their countries. However, such writers have often only expressed the growing disillusionment characteristic of the post-independence African countries even in the recent democratic dispensation. Writers forced into exile have continued to write critical works about their countries besides taking stock of their new surroundings of exile. While postmodernism posits cosmopolitanism or nomadic existence as normal, where exile is home, this article argues that for Frank Chipasula exile could not become home because the local politics of former president for life and dictator in Malawi, Dr. H.K. Banda, and the Malawi Congress Party (MCP) haunted his exile. This forced Chipasula in his poetry to engage with Banda’s regime even from exile, resisting the tyranny with the terms of a guerrilla fighter hence his work could be called dissident writing. In his nomadic existence as an exile, Chipasula worries less about where he is than about his home country, Malawi. This article uses poems from his collection, Whispers in the Wings to examine the relationship between Chipasula as a poet in exile and his society in Malawi.
在非洲,对社会持批判态度的作家会被政权指定为持不同政见者、叛徒或反叛者。在大多数情况下,这些作家因其写作而被迫流亡或被拘留,其作品在其国家被禁。然而,这些作家往往只表达了独立后的非洲国家日益幻灭的特征,即使是在最近的民主制度下。被迫流亡的作家除了对流亡的新环境进行评估外,还继续撰写对自己国家的批评作品。虽然后现代主义认为世界主义或游牧生活是正常的,流亡是家,但本文认为,对弗兰克·奇帕苏拉来说,流亡不能成为家,因为马拉维前总统和独裁者h·k·班达博士和马拉维大会党(MCP)的地方政治困扰着他的流亡。这迫使奇帕苏拉在他的诗歌中与班达政权接触,甚至在流亡期间,以游击战士的方式抵抗暴政,因此他的作品可以被称为持不同政见者的写作。在他流亡的游牧生活中,奇帕苏拉更担心的是他的祖国马拉维,而不是他在哪里。这篇文章用他的诗集《翅膀里的低语》来检视奇帕苏拉作为流亡诗人与马拉维社会之间的关系。
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引用次数: 1
期刊
Marang: Journal of Language and Literature
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