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Disasters in Japan: LIASE-Funded On-site Experiential Learning Courses Exploring the Science, Social Impact, and Culture of Disaster 日本的灾难:liase资助的现场体验式学习课程,探索灾难的科学、社会影响和文化
IF 0.1 Pub Date : 2019-12-31 DOI: 10.16995/ane.302
A. Bates
This article describes two interdisciplinary summer experiential learning courses focused on disasters in Japan, both partially funded through LIASE (Luce Initiative on Asian Studies and the Environment). The first course was titled “Seismic Japan” and was centered on earthquakes through Japan’s history culminating in the 2011 disaster. The second, “Meltdowns and Waves,” was a comparative look at the Three-Mile Island meltdown incident, the Fukushima Daiichi nuclear disaster, Hurricane Sandy, and the 2011 tsunami. Both courses provided a unique interdisciplinary learning experience for our students, one that explored the science behind earthquakes, tsunamis, and nuclear accidents as well as the impacts of these disasters on Japanese society and culture.
本文介绍了两门以日本灾害为重点的跨学科暑期体验式学习课程,这两门课程均由卢斯亚洲研究与环境倡议(LIASE)部分资助。第一门课程的题目是“地震日本”,主要讲述日本历史上的地震,最终导致2011年的灾难。第二篇题为《熔毁与海啸》(meltdown and Waves),对比了三里岛(Three-Mile Island)核泄漏事件、福岛第一核电站(Fukushima Daiichi)核灾难、飓风桑迪(Hurricane Sandy)和2011年的海啸。这两门课程都为学生提供了独特的跨学科学习体验,探索了地震、海啸和核事故背后的科学,以及这些灾难对日本社会和文化的影响。
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引用次数: 0
Connecting Performance and Performing Connection: How the Performing Arts Can Usefully Engage an International and Interdisciplinary Cohort in Pedagogy and Research 连接表演和表演连接:表演艺术如何有效地参与国际和跨学科的教学和研究
IF 0.1 Pub Date : 2019-12-31 DOI: 10.16995/ane.310
A. Harley
This article draws upon my experiences from the last several years (2014–2017) of leading collaborative performing arts projects with students and faculty from US liberal arts colleges and Asian partner institutions. Herein, I describe how the performing arts, like other forms of embodied learning, can usefully function to convene students and faculty who operate in different disciplines and languages.   The performing arts could be more central to and useful in education about and engagement with environmental issues by enlisting embodied learning, memory skills, transdisciplinarity, social networks, emotion, and liminal spaces of imaginative vision. The performing arts offer powerful tools for constructing international and interdisciplinary collaborations and exchanges. Applied voice study in the liberal arts context also offers help in lowering language barriers in intercultural exchanges. Included are brief descriptions of performing arts projects which helped cement collaborative relationships in past projects. An epilogue follows, describing how development of a performance can also be a form of cultural research in and of itself, using Augusto Boal’s (1985) model of ‘participatory action research.’
本文借鉴了我过去几年(2014-2017)与美国文理学院和亚洲合作机构的学生和教师领导合作表演艺术项目的经验。在这里,我描述了表演艺术,像其他形式的具体化学习一样,如何有效地召集不同学科和语言的学生和教师。通过运用具体的学习、记忆技能、跨学科、社会网络、情感和想象力的有限空间,表演艺术可以在环境问题的教育和参与中发挥更大的作用。表演艺术为建立国际和跨学科的合作与交流提供了强有力的工具。文科背景下的应用语音学习也有助于减少跨文化交流中的语言障碍。包括表演艺术项目的简要介绍,这些项目有助于巩固过去项目中的合作关系。接下来是结语,使用奥古斯托·波尔(Augusto Boal, 1985)的“参与式行动研究”模型,描述了表演的发展如何本身也可以成为一种文化研究形式。
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引用次数: 0
Greening Atomic Bomb Survivor Trees: Ecological Literacy and ENGOs as LIASE Institutional Partners 绿化原子弹幸存者树:生态素养和engo作为LIASE的机构合作伙伴
IF 0.1 Pub Date : 2019-12-31 DOI: 10.16995/ane.315
Ann Sherif
This article considers Oberlin College’s collaboration with an environmental non-governmental organization (ENGO) in Japan, centering on projects designed to strengthen ecological literacy in the college curriculum, and in the community outreach component of a LIASE implementation grant. The NGO, Green Legacy Hiroshima, exists to “safeguard and spread worldwide the seeds and saplings of Hiroshima’s A-bomb survivor trees” (被爆樹木, hibaku jumoku in Japanese). Trees, however, tell only so much of their own stories. Oberlin’s LIASE team developed course units, community outreach initiatives, and supplementary materials in order to encourage knowledge about the social, historical, and ecological aspects of the environmental issues that trees face in wartime and the nuclear age. Curricular and community engagement distinguishes the Green Legacy Project from token tree planting.
本文考虑了奥柏林学院与日本的一个环境非政府组织(ENGO)的合作,重点是旨在加强大学课程中的生态素养的项目,以及LIASE实施赠款的社区外展部分。这个名为“广岛绿色遗产”的非政府组织旨在“保护广岛原子弹幸存者的种子和树苗,并将其传播到世界各地”。然而,树木只能讲述它们自己的故事。Oberlin的LIASE团队开发了课程单元、社区推广活动和补充材料,以鼓励人们了解树木在战时和核时代面临的环境问题的社会、历史和生态方面。课程和社区参与将绿色遗产项目与象征性植树区分开来。
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引用次数: 0
Contemplative Teaching and Learning: Opportunities for Asian Studies 冥想教与学:亚洲研究的机会
IF 0.1 Pub Date : 2019-06-19 DOI: 10.16995/ANE.291
J. Simmer-Brown
Keynote Address, 2018 ASIANetwork Conference Contemplative education is a contemporary movement in higher education that builds upon the epistemological work of cognitive scientists in conversation with contemplative traditions of Asia, integrating critical subjectivity into the classroom. This article traces the development of this movement, identifying key innovators who are from the field of Asian Studies, and outlining the theoretical basis of first-person inquiry in learning. Sample findings of meditation science support the impact of these innovations, showing why contemplative pedagogy is beneficial for students. In addition, the author surveys pedagogies for introducing mindfulness, contemplation, and compassion practices into the curriculum in rudimentary and more complex ways, giving examples of best practices for the undergraduate professor. A bibliography of additional readings and sources is included, for further information.
冥想教育是高等教育中的一项当代运动,它建立在认知科学家与亚洲冥想传统对话的认识论工作的基础上,将批判性主体性融入课堂。本文追溯了这一运动的发展,确定了来自亚洲研究领域的主要创新者,并概述了学习中第一人称探究的理论基础。冥想科学的样本发现支持这些创新的影响,表明为什么冥想教学法对学生有益。此外,作者调查了以基本和更复杂的方式将正念、沉思和同情实践引入课程的教学法,并为本科教授提供了最佳实践的例子。额外的阅读和来源的参考书目,包括进一步的信息。
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引用次数: 1
Medieval Khmer Society: The Life and Times of Jayavarman VII (ca. 1120–1218) 中世纪高棉社会:阇耶跋摩七世的生平和时代(约1120-1218)
IF 0.1 Pub Date : 2019-06-19 DOI: 10.16995/ANE.280
Paul K Nietupski
Jayavarman VII (ca. 1120–1218) is one of the best known Cambodian “Angkor” leaders, in part because he was able to unite the numerous small, fragmented Khmer Cambodian and Cham kingdoms of the day. He ruled his consolidated Khmer kingdom from 1181–1218, bringing the decentralized Khmer and Cham states together through political and military alliances. Religion, especially India-derived Brahmanism, or “Hinduism,” Mahāyāna Buddhism, and local Cambodian religion, was a key component of Khmer society. Over time different Khmer rulers endorsed one or more of the religious systems to their own advantage. Jayavarman VII was especially committed to Mahāyāna Buddhism, evidenced by the remarkable extent of his support for Buddhist monuments, and attested in many hundreds of Sanskrit inscriptions. This essay tells the story of Jayavarman VII, a political and military leader who used Indian religious visions and prototypes as models to build a remarkable cultural edifice.
阇耶跋摩七世(约1120-1218)是最著名的柬埔寨“吴哥”领导人之一,部分原因是他能够统一当时众多小而分散的高棉柬埔寨和占族王国。从1181年到1218年,他统治着统一的高棉王国,通过政治和军事联盟将分散的高棉和占族国家结合在一起。宗教,尤其是源自印度的婆罗门教,或“印度教”,Mahāyāna佛教和当地的柬埔寨宗教,是高棉社会的重要组成部分。随着时间的推移,不同的高棉统治者为了自己的利益而认可了一种或多种宗教制度。阇耶跋摩七世特别致力于Mahāyāna佛教,他对佛教纪念碑的显著支持程度证明了这一点,并在数百个梵文碑文中得到证明。这篇文章讲述了耶跋摩七世的故事,他是一位政治和军事领袖,他用印度的宗教愿景和原型作为模型,建造了一座非凡的文化大厦。
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引用次数: 1
(In)visible Bodies: Re-Theorizing the Consumption of Bodies Through Divine Possession in Post-War Sri Lanka 可见的身体:通过神圣占有在战后斯里兰卡对身体消费的重新理论化
IF 0.1 Pub Date : 2019-06-19 DOI: 10.16995/ANE.287
Olivia Dure
This paper examines the ritual of divine possession in post-war Sri Lanka, specifically looking to how the act of divine possession involves a powerful articulation of women’s bodily agency. Drawing from historical sources such as colonial era journals, legislation, chronicles, political speeches, and news coverage, as well as my own field work, I trace how women’s bodies are often depicted as sites of the nation and are forcefully consumed, through constructions of gendered norms, forms of labor, and legislation for the continuance of that nation. I posit that divine possession engages in a (re)consumption of women’s bodies that works to counter the violence of the nation/state by making community trauma legible on the body itself.
本文考察了战后斯里兰卡神圣占有的仪式,特别关注神圣占有的行为如何涉及女性身体代理的强大表达。从殖民时代的期刊、立法、编年史、政治演讲和新闻报道等历史资料以及我自己的实地工作中,我追踪了女性的身体如何经常被描绘成国家的场所,并通过性别规范的构建、劳动形式和国家延续的立法被强行消耗。我认为,神的占有参与了对女性身体的(再)消费,通过使社区创伤在身体本身上清晰可见,来对抗民族/国家的暴力。
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引用次数: 1
Challenging Hegemony, Building Bridges: Pedagogical Tools to Mediate Campus Polarization 挑战霸权,搭建桥梁:调解校园两极分化的教学工具
IF 0.1 Pub Date : 2019-06-19 DOI: 10.16995/ANE.292
Bidisha Biswas
This article is a summary of my keynote address to the ASIANetwork Conference in April 2018.
这篇文章是我在2018年4月亚洲网络会议上的主题演讲的总结。
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引用次数: 0
Teaching Classical Chinese Poetry through Reception Studies 通过接受学进行中国古典诗歌教学
IF 0.1 Pub Date : 2019-06-19 DOI: 10.16995/ANE.241
Yue Zhang
This paper discusses the contribution reception studies can make to the pedagogy of Chinese poetry. It introduces the major theoretical concepts of reception studies, and then demonstrates how those concepts can be applied in and incorporated into courses on Chinese poetry, using examples of “poetry of fields and garden” and “poems on history” drawn from the author’s own experience teaching courses in Chinese poetry in the U.S. and Canada. Finally, it provides a selected bibliography of works on reception studies, translations of Chinese poetry, and scholarship which uses reception studies to research Chinese poetry and culture. Teaching classical Chinese poetry through reception studies helps students better understand the way the significance of Chinese poetry changes over time. It also aids students to further develop their critical thinking and analytical writing skills as they work to compare the reception of certain poems or poets in different periods.
本文论述了接受研究对中国诗歌教育学的贡献。首先介绍了接受学的主要理论概念,然后以作者在美国和加拿大教授中国诗歌课程的亲身经历为例,以“田园诗”和“历史诗”为例,说明如何将这些概念应用到中国诗歌课程中。最后,它提供了一个关于接受研究、中国诗歌翻译和利用接受研究研究中国诗歌和文化的学术著作的精选书目。通过接受学来教授中国古典诗歌,可以帮助学生更好地理解中国诗歌的意义是如何随着时间的推移而变化的。它还帮助学生进一步发展他们的批判性思维和分析性写作技能,因为他们的工作比较某些诗歌或诗人在不同时期的接受。
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引用次数: 5
“Never Abandon, Never Give Up”: Soldiers Sortie as a New Red Classic of the Reform Era 《永不放弃,永不放弃》:作为改革时代红色新经典的《战士出击》
IF 0.1 Pub Date : 2019-06-19 DOI: 10.16995/ANE.176
Zhen Zhang
At the height of the socialist era, China produced decidedly influential revolutionary subjects, generating a legacy that is a source of vibrant cultural production in the reform era. This article explains the success of the popular TV drama series Soldiers Sortie (Shibing tuji, 2007) by contextualizing its reworking of core social values through re-fashioning socialist heroic subjects. This revision conjoins the collectivism of a socialist past with the individualism of a capitalist economy in order to promote a new Chinese identity. This adaptation of Chinese personhood keeps the revolutionary spirit alive by erasing historical specificity in order to develop group and individual identity without neglecting the reality of incomplete revolution and uneven development in China.
在社会主义时代的鼎盛时期,中国产生了具有决定性影响力的革命题材,创造了一种遗产,成为改革开放时代充满活力的文化生产的源泉。本文通过对社会主义英雄题材的重新塑造,来阐释当红电视剧《士兵突击》(《石兵土记》,2007)对核心社会价值观的重新塑造。这种修正将过去社会主义的集体主义与资本主义经济的个人主义结合起来,以促进一种新的中国人身份。这种对中国人人格的适应,在不忽视中国革命不完全和发展不平衡的现实的前提下,通过抹去历史特殊性,发展群体和个人的身份,保持革命精神的活力。
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引用次数: 0
The Chinese Poster Project: EALC Pedagogy and Digital Media 中国海报项目:EALC教学法与数字媒体
IF 0.1 Pub Date : 2018-12-21 DOI: 10.16995/ANE.271
Anna-Alexandra Fodde-Reguer, Shiamin Kwa
How do we make historical documents feel alive? As a faculty member and a research librarian, we frequently encounter tension between remote archival sources and our students’ contemporary lives. By creating a web archive, we can make rare objects available to a wide audience while encouraging these audiences to look at them closely and creatively. We have collaborated on creating a digital archive of a small group of rare Chinese political posters from the Republican Era (1912–1949) in the Haverford Quaker & Special Collections. We are including students in all aspects of the process, from development to the implementation of a webpage. This article details the background of the project, the digital communication skills learned by the investigators and student researchers in constructing a webpage featuring these posters, and some plans for the continued use of these posters and the webpage as blended learning resources for the classroom.
我们如何让历史文献充满活力?作为一名教职员工和研究馆员,我们经常遇到远程档案资源与学生当代生活之间的紧张关系。通过创建一个网络档案,我们可以让更广泛的受众获得稀有物品,同时鼓励这些受众仔细地、创造性地观察它们。我们合作创建了一个数字档案,其中包括一小部分来自共和时代(1912-1949)的罕见中国政治海报,收录在哈弗福德贵格会与特别收藏中。我们在包括学生在内的各个环节的过程中,从开发到实现一个网页。本文详细介绍了该项目的背景,调查人员和学生研究人员在构建以这些海报为特色的网页时所学到的数字沟通技巧,以及继续使用这些海报和网页作为课堂混合学习资源的一些计划。
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引用次数: 0
期刊
ASIANetwork Exchange-A Journal for Asian Studies in the Liberal Arts
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