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Elliott, Richard. 2013. Nina Simone . Icons of Pop Music series. Sheffield: Equinox Publishing. ISBN 978-184553-988-7 (pbk). 168 pp 理查德·艾略特,2013。尼娜·西蒙。流行音乐的图标系列。谢菲尔德:Equinox Publishing。ISBN 978-184553-988-7。168页
IF 0.2 Q3 Arts and Humanities Pub Date : 2015-11-27 DOI: 10.1558/prbt.v16i1-2.29134
D. Hughes
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引用次数: 0
Music review: In a State of Flux: An Experimental Music Gallery , 18 September 2015. Creators: Chris Tonkin and Ashley Smith, with the UWA Young Artists 音乐评论:在一个变化的状态:一个实验音乐画廊,2015年9月18日。创作者:克里斯·托金和阿什利·史密斯,与西澳大学青年艺术家
IF 0.2 Q3 Arts and Humanities Pub Date : 2015-11-27 DOI: 10.1558/PRBT.V16I1-2.28974
Patricia Alessi
This review critically analyses the 7pm, 18 September 2015 UWA School of Music's State of Flux Concert, with students offering 38 simultaneous, innovative performances. Curated by Asst/Prof Chris Tonkin and Lecturer Ashley Smith, this Friday evening performance was the encore to the highly successful Thursday Lunchtime Concert held on 10 September 2015 through the School of Music’s main building, the Eileen Joyce Studio and the outdoor areas surrounding the School and Library.
这篇评论批判性地分析了2015年9月18日晚上7点西澳大学音乐学院的“变化状态”音乐会,学生们同时提供了38场创新的表演。由助理教授Chris Tonkin和讲师Ashley Smith策划,这个周五晚上的演出是2015年9月10日在音乐学院主楼Eileen Joyce工作室以及学校和图书馆周围的户外区域举行的非常成功的周四午餐音乐会的安可。
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引用次数: 0
An interview with Rev. Dennis Kamakahi: “Ka Manu” and conversations with the past Dennis Kamakahi牧师的访谈:“Ka Manu”和与过去的对话
IF 0.2 Q3 Arts and Humanities Pub Date : 2015-11-22 DOI: 10.1558/PRBT.V16I1-2.29125
Joseph Keola Donaghy
0 0 1 141 807 University of Hawai'i at Hilo 6 1 947 14.0 Normal 0 false false false EN-US JA X-NONE Normal 0 false false false EN-US JA X-NONE In this Riff article, Keola Donaghy interviews the now late Rev. Dennis David Kahekilimamaoikalanikeha Kamakahi (b.1953-d.2014), one of the most renowned and beloved Hawaiian composers and performers of the late twentieth and early twenty-first centuries. This interview was originally arranged to discuss and examine elements and characteristics of mele (Hawaiian language poetic or song compositions). Over the course of their discussion, however, we learn about the important process of knowledge transmission from his elder mentors (composers who were native speakers of Hawaiian) to Kamakahi, particularly in relation to the nineteeth century composition “Ka Manu”. Today, Hawaiian composers look to the past for knowledge, inspiration, and models from which they can create their own compositions. This interview with Kamakahi reveals insights into an otherwise undisclosed Hawaiian musical ‘past’, concerning his mentors and the central character of the mele .
在这篇Riff文章中,Keola Donaghy采访了已故的Rev. Dennis David Kahekilimamaoikalanikeha Kamakahi(生于1953年至2014年),他是20世纪末和21世纪初最著名、最受欢迎的夏威夷作曲家和表演者之一。这次采访原本是为了讨论和研究mele(夏威夷语诗歌或歌曲作品)的元素和特征。然而,在他们的讨论过程中,我们了解了他的前辈导师(以夏威夷语为母语的作曲家)向卡马卡希传授知识的重要过程,特别是与19世纪作曲“Ka Manu”有关的知识。今天,夏威夷作曲家向过去寻求知识、灵感和模式,从中创作自己的作品。这次对Kamakahi的采访揭示了他对夏威夷音乐“过去”的见解,以及他的导师和这场混战的中心人物。
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引用次数: 0
Liner notes: An exploration of local print music journalism in Perth’s indie pop/rock music industry Liner笔记:珀斯独立流行/摇滚音乐产业对当地印刷音乐新闻的探索
IF 0.2 Q3 Arts and Humanities Pub Date : 2015-11-17 DOI: 10.1558/PRBT.V16I1-2.23973
C. Ballico
This article explores the role of free editorial coverage of local contemporary music in localized print media. The discussion here centres on activity which occurs in Perth, Western Australia, with a particular focus on the coverage of indie pop/rock music in three publications. The analysis presented here draws upon semi structured research interviews undertaken with editors of Drum Media Perth, X-Press Magazine and The West Australian. As this article argues, local print music media plays a key role in the promotion of local music activity as a cohesive ‘scene’ and industry to local audiences while also making a contribution to broader national music and media culture. In turn, this article also briefly comments upon recent debates about the climate of music journalism in Australia, as well as developments in this sector, such as the uptake of digital outlets.
本文探讨了本地印刷媒体对本地当代音乐的免费编辑报道的作用。这里的讨论集中于发生在西澳大利亚州珀斯的活动,特别关注三个出版物对独立流行/摇滚音乐的报道。本文的分析基于对Drum Media Perth、X-Press Magazine和The West Australian的编辑进行的半结构化研究访谈。正如本文所论述的那样,当地的平面音乐媒体在促进当地音乐活动方面发挥着关键作用,作为当地观众的凝聚力“场景”和产业,同时也为更广泛的民族音乐和媒体文化做出了贡献。反过来,本文也简要评论了最近关于澳大利亚音乐新闻气候的辩论,以及该领域的发展,例如数字渠道的吸收。
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引用次数: 1
Allen, Tony, with Michael Veal. 2013. Tony Allen: An Autobiography of the Master Drummer of Afrobeat . Durham, NC and London: Duke University Press. ISBN 978- 0-8223-5577-9 (pbk). 199 pp 托尼·艾伦和迈克尔·威尔2013。托尼·艾伦:非洲节拍乐队鼓手大师自传。达勒姆,北卡罗来纳州和伦敦:杜克大学出版社。ISBN 978- 0-8223-5577-9 (pbk)。199页
IF 0.2 Q3 Arts and Humanities Pub Date : 2015-11-11 DOI: 10.1558/prbt.v16i1-2.28230
K. Windress
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引用次数: 0
Gelly, Dave. 2014. An Unholy Row: Jazz in Britain and its Audience 1945–1960 . Sheffield: Equinox. ISBN 978-1-84553-712-8 (hbk). 167 pp 大卫·盖利,2014。《邪恶之行:1945-1960年英国爵士乐及其听众》谢菲尔德:Equinox。ISBN 978-1-84553-712-8 (hbk)。167页
IF 0.2 Q3 Arts and Humanities Pub Date : 2015-11-11 DOI: 10.1558/PRBT.V16I1-2.27669
Aleisha Ward
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引用次数: 0
Stahl, Matt. 2013. Unfree Masters: Recording Artists and the Politics of Work . Durham, NC and London: Duke University Press. ISBN 978-0-82235-343-0 (pbk). 296 pp. 马特·斯塔尔,2013。不自由的大师:录音艺术家和工作的政治。达勒姆,北卡罗来纳州和伦敦:杜克大学出版社。ISBN 978-0-82235-343-0 (pbk)。296页。
IF 0.2 Q3 Arts and Humanities Pub Date : 2015-11-11 DOI: 10.1558/prbt.v16i1-2.27736
Natalie Lewandowski
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引用次数: 0
Bennett, Andy, and Steve Waksman, eds. 2015. The SAGE Handbook of Popular Music . London: SAGE. ISBN 978-1-4462-1085-7 (hbk). 647 pp 安迪·班尼特和史蒂夫·瓦克斯曼编。2015. SAGE流行音乐手册。伦敦:圣人。ISBN 978-1-4462-1085-7 (hbk)。647页
IF 0.2 Q3 Arts and Humanities Pub Date : 2015-11-11 DOI: 10.1558/PRBT.V16I1-2.28403
Åse Ottosson
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引用次数: 0
All the girls in town: The missing women of Australian rock, cultural memory and coverage of the death of Chrissy Amphlett 镇上所有的女孩:失踪的澳大利亚摇滚女性,文化记忆和对克里西·安菲利特之死的报道
IF 0.2 Q3 Arts and Humanities Pub Date : 2015-10-07 DOI: 10.1558/PRBT.V15I2.18363
C. Strong
This article will use the cultural and media materials produced around the death of Chrissy Amphlett as a way of interrogating the fact that surprisingly few resources exist that document or commemorate the contribution of women to the rock music scene in Australia. As Amphlett is unusual in being a woman who has, even before her death, claimed a place in the Australian rock canon, examining materials that are designed to construct her legacy upon her passing will provide examples of how women in Australian rock are discussed. It will be demonstrated that Amphlett's gender is central to these discussions, and that she is used to both obscure the contributions of other women performers and to deny a need for women musicians to even be an object of discussion at all. These findings will be analysed using Aleida Assmann's concepts of functional and storage memory, and it will be argued that the lack of information that we have about past female rockers makes it harder for women in Australia to see this field as one they can participate in, and also makes the retention of memories about currently successful women musicians less likely.
本文将使用围绕Chrissy Amphlett去世而产生的文化和媒体材料,作为一种质疑事实的方式,即令人惊讶的是,很少有资源存在,记录或纪念女性对澳大利亚摇滚乐现场的贡献。Amphlett是一个不寻常的女性,甚至在她去世之前,就在澳大利亚摇滚经典中占有一席之地,研究旨在构建她的遗产的材料将为如何讨论澳大利亚摇滚中的女性提供例子。我们将证明,安菲利特的性别是这些讨论的核心,她被用来掩盖其他女性表演者的贡献,并否认女性音乐家甚至根本不需要成为讨论的对象。这些发现将使用Aleida Assmann的功能记忆和存储记忆的概念进行分析,并且会认为,我们对过去的女性摇滚歌手缺乏信息使得澳大利亚女性更难将这一领域视为她们可以参与的领域,并且也使得对当前成功的女性音乐家的记忆不太可能保留。
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引用次数: 10
An interview with Tiki Taane: Expressing cultural heritage and identity through music 对Tiki Taane的采访:通过音乐表达文化遗产和身份
IF 0.2 Q3 Arts and Humanities Pub Date : 2015-10-07 DOI: 10.1558/PRBT.V15I2.21064
Oli Wilson
In this Riff article, Oli Wilson engages in a discussion with Tiki Taane, who is one of New Zealand's most successful and celebrated musicians. The interview explores and outlines the fluidity of contemporary musical representations of Māori culture and identity in Taane's music, and provides new perspectives on popular music’s capacity to express indigeneity in a New Zealand context.
在这篇Riff的文章中,奥利·威尔逊与新西兰最成功、最著名的音乐家之一提基·塔恩进行了讨论。采访探讨并概述了Taane音乐中Māori文化和身份的当代音乐表现的流动性,并提供了在新西兰背景下流行音乐表达本土能力的新视角。
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引用次数: 1
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Perfect Beat
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