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Pauwke Berkers and Julian Schaap. 2018. Gender Inequality in Metal Music Production 波克·伯克和朱利安·沙普，2018。金属音乐制作中的性别不平等
IF 0.2 Q3 Arts and Humanities
Perfect Beat
Pub Date : 2019-10-11 DOI: 10.1558/prbt.37160
Catherine Hoad
Pauwke Berkers and Julian Schaap. 2018. Gender Inequality in Metal Music Production. London: Emerald Books. ISBN 978-1-78714-675-4 (pbk). 176 pp.
鲍克·伯克斯和朱利安·沙普。2018.金属音乐制作中的性别不平等。伦敦：翡翠书店。ISBN 978-1-78714-675-4（pbk）。176页。
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引用次数: 0
Shelton Waldrep. 2016. Future Nostalgia: Performing David Bowie Shelton Waldrep。2016年，《未来怀旧：表演大卫·鲍伊》
IF 0.2 Q3 Arts and Humanities
Perfect Beat
Pub Date : 2019-10-11 DOI: 10.1558/prbt.38114
A. Blair
Shelton Waldrep. 2016. Future Nostalgia: Performing David Bowie. New York and London: Bloomsbury Academic. ISBN 978-1-50132-522-9 (pbk). 219 pp.
谢尔顿·沃尔德雷普，2016。未来怀旧:大卫·鲍伊表演。纽约和伦敦:布卢姆斯伯里学院。ISBN 978-1-50132-522-9。219页。
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引用次数: 0
Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s 潮起潮落:20世纪80 - 90年代珀斯流行音乐中的女性音乐家
IF 0.2 Q3 Arts and Humanities
Perfect Beat
Pub Date : 2019-10-11 DOI: 10.1558/prbt.38592
Laura Glitsos
This article calls for a recognition of women’s roles in contributing to the Perth popular music scene during the 1980s and 1990s. The research thus functions as a balance to the already established literature which explores Perth popular music around this period more broadly. The research herein indicates a surge in women’s musicianship following on from the relatively low levels of women’s participation in the late 1960s to early 1970s. It has also been noted in popular music studies literature that women in music are generally written out of dominant narratives. Thus, this research functions to redress some of those gaps. Through a mixed-methods approach comprising semi-structured interviews and literature review, it is revealed that women faced unique challenges for inaugurating community and securing careers in the Perth industry during the 1980s and 1990s. The greatest surge in participation occurs the mid- to late 1990s.
这篇文章呼吁承认女性在20世纪80年代和90年代为珀斯流行音乐界做出的贡献。因此，这项研究起到了平衡已有文献的作用，这些文献更广泛地探索了这一时期的珀斯流行音乐。本文的研究表明，从20世纪60年代末到70年代初，女性参与率相对较低，此后女性音乐才能激增。在流行音乐研究文献中也注意到，音乐中的女性通常是在主导叙事之外创作的。因此，这项研究有助于弥补其中的一些空白。通过包括半结构化访谈和文献综述在内的混合方法，研究表明，在20世纪80年代和90年代，女性在开创社区和确保珀斯行业职业发展方面面临着独特的挑战。参与人数激增幅度最大的是20世纪90年代中后期。
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引用次数: 2
Rationales in flux: Charting transcultural Polynesian music-making processes 流变中的基本原理:绘制跨文化波利尼西亚音乐制作过程
IF 0.2 Q3 Arts and Humanities
Perfect Beat
Pub Date : 2019-10-11 DOI: 10.1558/prbt.36237
Andrew Faleatua
This article explores how Pacific artists’ notions of cultural authenticity, identity and perceived audience expectation play out in the composition of new transcultural music (i.e. music displaying an amalgamation of both traditional Pacific and contemporary popular music influences). It is grounded in ethnographic fieldwork undertaken in Sydney, Australia over a period of two years. Its central aim is to balance a field of inquiry in which transcultural Pacific music is frequently interpreted as an expression of identity via retrospective musical analysis and reflection. In contrast to these prevailing trends, this article builds a case for real-time investigation into how artists engage and negotiate ideas about cultural authenticity, identity and perceived audience expectation when generating new transcultural works.
本文探讨了太平洋艺术家对文化真实性、身份认同和观众期望的概念如何在新的跨文化音乐创作中发挥作用（即融合了传统太平洋和当代流行音乐影响的音乐）。它以在澳大利亚悉尼进行的为期两年的民族志实地调查为基础。其核心目的是通过回顾性音乐分析和反思，平衡跨文化太平洋音乐经常被解释为身份表达的研究领域。与这些流行趋势相反，本文构建了一个实时调查案例，以了解艺术家在创作新的跨文化作品时如何参与和协商关于文化真实性、身份和感知观众期望的想法。
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引用次数: 1
From punk to platforms: The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’ 从朋克到平台:《快进》杂志和墨尔本DIY“卡带文化”中用户生成内容的未来回响
IF 0.2 Q3 Arts and Humanities
Perfect Beat
Pub Date : 2019-10-11 DOI: 10.1558/prbt.38003
Jared Davis
In this article I examine Melbourne’s Fast Forward cassette magazine (1980–1982), in order to develop a new theoretical analysis on the significance of cassette tape technology with regard to ‘do-it-yourself’ (‘DIY’) music cultures and neoliberal consumption. Fast Forward was a magazine in the form of a cassette tape, the brainchild of Melbourne music enthusiasts Bruce Milne, Andrew Maine and Michael Trudgeon. It featured new music, audio interviews as well as discussion somewhat like a recorded radio programme. The magazine was a significant proponent of the decentralized, international ‘cassette culture’ that developed in independent music during the 1980s. Recent literature regarding the digital economy considers how rather than mass producing and selling cultural content such as records, major entertainment companies today increasingly sell access to platforms through which content is shared, via subscription or through advertising. I argue that cassette culture offered an early pre-digital instance of this new paradigm shift of consumption, with Melbourne’s Fast Forward cassette magazine being a globally influential proponent of this new attitude towards music media’s participatory potential.
在这篇文章中，我研究了墨尔本的Fast Forward盒式磁带杂志(1980-1982)，以便对盒式磁带技术在“自己做”(“DIY”)音乐文化和新自由主义消费方面的意义进行新的理论分析。《快进》是一本盒式磁带形式的杂志，是墨尔本音乐爱好者布鲁斯·米尔恩、安德鲁·梅因和迈克尔·特鲁金的创意。它以新音乐、音频访谈和讨论为特色，有点像录制的广播节目。该杂志是20世纪80年代在独立音乐中发展起来的分散的国际“卡带文化”的重要支持者。最近关于数字经济的文献认为，如今主要的娱乐公司越来越多地通过订阅或广告的方式出售内容共享平台的访问权，而不是大规模生产和销售唱片等文化内容。我认为盒式磁带文化提供了这种新的消费模式转变的早期数字实例，墨尔本的《快速前进》盒式磁带杂志是这种对音乐媒体参与潜力的新态度的全球影响力支持者。
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引用次数: 0
Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes Shane Homan、Martin Cloonan和Jennifer Cattermole。2016年，流行音乐产业与国家：政策说明
IF 0.2 Q3 Arts and Humanities
Perfect Beat
Pub Date : 2019-10-11 DOI: 10.1558/prbt.39347
Emma-Jayne Reekie
Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes. New York: Routledge. ISBN 978-0-415 82451-4 (hbk). 249 pp.
Shane Homan、Martin Cloonan和Jennifer Cattermole。2016年，流行音乐产业与国家：政策说明。纽约：劳特利奇。ISBN 978-0-415 82451-4（hbk）。249页。
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引用次数: 0
An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology 本·格雷森访谈：从数字采样和挪用到混音和技术的可供性
IF 0.2 Q3 Arts and Humanities
Perfect Beat
Pub Date : 2019-07-10 DOI: 10.1558/prbt.36226
Gene Shill
In this Riff article, Gene Shill speaks to Australian musician Ben Grayson, the founding member of The Bamboos and internationally acclaimed session keyboardist and electronic music producer. The conversation covers crate digging, sampling, ownership, authorship, musicianship, approaches to creating electronic music and how the affordances of technology assist the creative process.
在这篇Riff文章中，Gene Shill采访了澳大利亚音乐家Ben Grayson，他是the bamboo的创始成员，也是国际知名的会话键盘手和电子音乐制作人。对话涵盖板条箱挖掘，采样，所有权，作者，音乐，方法来创造电子音乐和技术的支持如何协助创作过程。
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引用次数: 0
Pharmacogenomic considerations for medications in the perioperative setting. 围手术期用药的药物基因组学考虑因素。
IF 2.1 Q3 Arts and Humanities
Perfect Beat
Pub Date : 2019-07-01 DOI: 10.2217/pgs-2019-0040
Ellie H Jhun, Jeffrey L Apfelbaum, David M Dickerson, Sajid Shahul, Randall Knoebel, Keith Danahey, Mark J Ratain, Peter H O'Donnell

Several high-profile examples of adverse outcomes from medications used in the perioperative setting are well known (e.g., malignant hyperthermia, prolonged apnea, respiratory depression, inadequate analgesia), leading to an increased understanding of genetic susceptibilities underlying these risks. Pharmacogenomic information is increasingly being utilized in certain areas of medicine. Despite this, routine preoperative genetic screening to inform medication risk is not yet standard practice. In this review, we assess the current readiness of pharmacogenomic information for clinical consideration for several common perioperative medications, including description of key pharmacogenes, pharmacokinetic implications and potential clinical outcomes. The goal is to highlight medications for which emerging or considerable pharmacogenomic information exists and identify areas for future potential research.

围术期用药导致不良后果的几个广为人知的例子（如恶性高热、长时间呼吸暂停、呼吸抑制、镇痛不足），使人们对这些风险背后的遗传易感性有了更多的了解。药物基因组学信息正越来越多地应用于某些医学领域。尽管如此，为了解用药风险而进行的常规术前基因筛查尚未成为标准做法。在这篇综述中，我们评估了目前药物基因组学信息在几种常见围手术期用药临床考虑方面的准备情况，包括关键药物基因、药代动力学影响和潜在临床结果的描述。我们的目的是强调新出现或存在大量药物基因组学信息的药物，并确定未来可能开展研究的领域。
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引用次数: 0
Michael E. Veal and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies Michael E. Veal和E. Tammy Kim主编。2016. 朋克民族志:艺术家和学者聆听崇高的频率
IF 0.2 Q3 Arts and Humanities
Perfect Beat
Pub Date : 2018-12-17 DOI: 10.1558/PRBT.37461
N. Zuberi
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引用次数: 0
Åse Ottosson. 2016. Making Aboriginal Men and Music in Central Australia Åse Ottosson, 2016。在澳大利亚中部制作土著人和音乐
IF 0.2 Q3 Arts and Humanities
Perfect Beat
Pub Date : 2018-12-17 DOI: 10.1558/PRBT.37462
H. Johnson
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引用次数: 0
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