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‘There’s no music on a dead planet’: The role of Green Music Australia in climate change activism “死亡的星球上没有音乐”:澳大利亚绿色音乐在气候变化行动主义中的作用
IF 0.2 Q3 Arts and Humanities Pub Date : 2021-06-23 DOI: 10.1558/prbt.40329
Julie Rickwood
The article focuses on how popular music, environmental activism and climate change blend in the work of Green Music Australia through its projects and the networks it establishes within the music industry. The article describes a contextual background; broadly explores the links between popular music, environmental activism and climate change; and considers the notion of collective action. It concentrates on Green Music Australia by investigating the framing of its political and cultural imperative for climate activism. The article concludes with a reflection that includes the Global Climate Strike.
这篇文章的重点是流行音乐、环境行动主义和气候变化如何通过其项目及其在音乐行业内建立的网络融入澳大利亚绿色音乐的工作中。文章描述了一个语境背景;广泛探讨流行音乐、环保行动主义和气候变化之间的联系;并考虑集体行动的概念。它通过调查气候行动主义的政治和文化必要性的框架,专注于澳大利亚绿色音乐。文章最后对全球气候罢工进行了反思。
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引用次数: 0
‘Nonagon infinity opens the door!’: Formation of a cross-album concept through motivic interrelation in the music of King Gizzard and the Lizard Wizard “Nonagon无穷大开门!”:从吉萨国王和蜥蜴巫师音乐的动机相互关系看跨专辑概念的形成
IF 0.2 Q3 Arts and Humanities Pub Date : 2020-07-03 DOI: 10.1558/prbt.38104
Paul Ballam-Cross
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引用次数: 1
Toby Martin. 2015. Yodelling Boundary Riders: Country Music in Australia since the 1920s. 托比·马丁,2015。约德尔边界骑手:20世纪20年代以来澳大利亚的乡村音乐。
IF 0.2 Q3 Arts and Humanities Pub Date : 2020-07-03 DOI: 10.1558/prbt.39570
Natalie Rhook
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引用次数: 0
Is this the real life? Is this just fantasy? Rocketman (2019) and Bohemian Rhapsody (2018) 这是真实的生活吗?这只是幻想吗?《火箭人》(2019)和《波西米亚狂想曲》(2018)
IF 0.2 Q3 Arts and Humanities Pub Date : 2020-07-03 DOI: 10.1558/prbt.39752
A. Blair
In this RIFF article, the author provides a contextual discussion of two widely publicized music biopics, Rocketman (2019) about Elton John, and Bohemian Rhapsody (2018) about Queen. The films portray the life and careers of similarly canonized popular music artists and, through a blending of nostalgia and escapism, each film invokes popular music as a vehicle for personal transformation. Alison Blair explores how these films apply different storytelling devices to offer historical and contemporary insights into the broader intersection between popular music and sexual politics.
在这篇RIFF文章中,作者对两部广为宣传的音乐传记片——关于埃尔顿·约翰的《火箭人》(2019)和关于皇后乐队的《波西米亚狂想曲》(2018)进行了语境讨论。这些电影描绘了同样被奉为经典的流行音乐艺术家的生活和事业,通过怀旧和逃避现实的融合,每部电影都将流行音乐作为个人转变的工具。艾莉森·布莱尔探讨了这些电影如何运用不同的叙事手段,为流行音乐和性政治之间更广泛的交集提供历史和当代的见解。
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引用次数: 0
Editorial introduction 编辑介绍
IF 0.2 Q3 Arts and Humanities Pub Date : 2020-07-03 DOI: 10.1558/prbt.41812
S. Brunt, Oli Wilson
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引用次数: 0
Matt Brennan. 2017. When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock. 马特·布伦南,2017。当流派碰撞:垮节奏,滚石,以及爵士和摇滚之间的斗争。
IF 0.2 Q3 Arts and Humanities Pub Date : 2020-07-03 DOI: 10.1558/prbt.41813
Brent Keogh
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引用次数: 0
Not given lightly: Chris Knox, nationalism, whiteness and punk/indie discourse in Aoteraroa/New Zealand 不轻易给出:克里斯·诺克斯,民族主义,白人和朋克/独立话语在Aoteraroa/新西兰
IF 0.2 Q3 Arts and Humanities Pub Date : 2020-07-03 DOI: 10.1558/prbt.39470
M. Bannister
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引用次数: 0
Experiences and perceptions of gender in the Australian music industry 澳大利亚音乐行业的性别经历和观念
IF 0.2 Q3 Arts and Humanities Pub Date : 2020-07-03 DOI: 10.1558/prbt.39800
Hannah Mary Fairlamb, B. Fileborn
This article reports results from an online survey (n=207) about experiences and perceptions of gender from those working in the Australian music industry. Taking a feminist approach, theory on gender and hegemonic masculinity is used to discuss power in a gendered context in this industry. Literature shows women and girls experience a range of difficulties in the music industry worldwide, such as negative assumptions about their skill levels. The small body of research on gender and the Australian music industry has discussed topics such as the forgetting of women in Australian popular music history. Results reported in this article show that women’s worst experiences most often related to sexual violence or unwanted sexual advances; and men’s most often related to money. Findings contribute to the field by providing gendered analysis of self-reported data in an under-researched industry.
本文报告了一项在线调查(n=207)的结果,该调查是关于在澳大利亚音乐行业工作的人对性别的经历和看法。本文从女性主义的角度出发,运用性别和男性霸权的理论来探讨这个行业在性别语境下的权力。文献显示,在世界范围内,女性和女孩在音乐行业经历了一系列困难,比如对她们技能水平的负面假设。关于性别和澳大利亚音乐产业的小型研究机构讨论了诸如澳大利亚流行音乐史上女性被遗忘之类的话题。本文报告的结果表明,女性最糟糕的经历通常与性暴力或不受欢迎的性挑逗有关;而男性最常与金钱有关。研究结果通过在一个研究不足的行业中对自我报告数据进行性别分析,为该领域做出了贡献。
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引用次数: 1
Richard Elliott. 2015. The Late Voice: Time, Age and Experience in Popular Music. 理查德·埃利奥特。2015年,《已故的声音:流行音乐中的时间、年龄和经验》。
IF 0.2 Q3 Arts and Humanities Pub Date : 2020-07-03 DOI: 10.1558/prbt.39569
Anna Szemere
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引用次数: 0
Editorial introduction 编辑介绍
IF 0.2 Q3 Arts and Humanities Pub Date : 2019-10-14 DOI: 10.1558/prbt.39950
S. Brunt, Oli Wilson
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引用次数: 0
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Perfect Beat
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