The main objective of this study is to analyse the environment and the processes of university galleries and their exhibition spaces, primarily on the territory of the Czech Republic and Slovakia. The historical development of university galleries and their role in society are briefly introduced. An important part of this research paper deals with the definition and typology of university galleries, followed by an analysis of their role and a discussion on the aspect of audience and public engagement. The study draws on research conducted by the author in the years 2016–2020 predominantly in the Czech Republic and Slovakia, described in detail in her doctoral thesis. The methodology of the research is mainly based on semi-structured interviews and study visits of the various institutions in question. The research paper brings forth the subject of university galleries and their role in the advancement of the academic cultural environment.
{"title":"Typology and Audience Engagement of University Galleries","authors":"E. Gartnerová","doi":"10.46284/MKD.2021.9.1.7","DOIUrl":"https://doi.org/10.46284/MKD.2021.9.1.7","url":null,"abstract":"The main objective of this study is to analyse the environment and the processes of university galleries and their exhibition spaces, primarily on the territory of the Czech Republic and Slovakia. The historical development of university galleries and their role in society are briefly introduced. An important part of this research paper deals with the definition and typology of university galleries, followed by an analysis of their role and a discussion on the aspect of audience and public engagement. The study draws on research conducted by the author in the years 2016–2020 predominantly in the Czech Republic and Slovakia, described in detail in her doctoral thesis. The methodology of the research is mainly based on semi-structured interviews and study visits of the various institutions in question. The research paper brings forth the subject of university galleries and their role in the advancement of the academic cultural environment.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":"9 1","pages":"119-134"},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70479372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The shrine constituting the centre of spirituality was inseparable from the religious life of the Ukrainian people. The deportations of Ukrainians from the south-east of Poland in 1944–1947 exposed their churches to intentional and unintentional devastation. The communist authorities aimed to erase the traces of Ukrainian people in that area therefore they were not interested in preserving the abandoned Greek Catholic shrines. What is more, they even encouraged their demolition. One way to save them was allowing them to be taken over by the Roman Catholic Church. However, it often involved a change to their interior décor. The best solution was allowing them to be taken over by the Orthodox Catholic Church, or transferring them to open-air museums as museum objects.
{"title":"Greek Catholic and Orthodox shrines in the Polish People’s Republic as examples of destroying and saving the cultural heritage of the frontier","authors":"R. Drozd","doi":"10.46284/mkd.2021.9.4.6","DOIUrl":"https://doi.org/10.46284/mkd.2021.9.4.6","url":null,"abstract":"The shrine constituting the centre of spirituality was inseparable from the religious life of the Ukrainian people. The deportations of Ukrainians from the south-east of Poland in 1944–1947 exposed their churches to intentional and unintentional devastation. The communist authorities aimed to erase the traces of Ukrainian people in that area therefore they were not interested in preserving the abandoned Greek Catholic shrines. What is more, they even encouraged their demolition. One way to save them was allowing them to be taken over by the Roman Catholic Church. However, it often involved a change to their interior décor. The best solution was allowing them to be taken over by the Orthodox Catholic Church, or transferring them to open-air museums as museum objects.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70480199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A large number of studies within the social sciences have been devoted to the relationship between cultural heritage and cultural/ heritage tourism development in recent years and even decades. This area of study has been an object of interest for numerous disciplines, from economics, geography, sociology and history, to ethnology, sociocultural anthropology, museology and cultural studies. The study aims to present selected theories on cultural heritage and heritage tourism based on recent theoretical concepts, and to reflect their implementation within a particular national and regional context based on a case study of the Banská Bystrica Self-Governing Region, Slovakia.
{"title":"Cultural heritage as a means of heritage tourism development","authors":"A. Bitušíková","doi":"10.46284/MKD.2021.9.1.5","DOIUrl":"https://doi.org/10.46284/MKD.2021.9.1.5","url":null,"abstract":"A large number of studies within the social sciences have been devoted to the relationship between cultural heritage and cultural/ heritage tourism development in recent years and even decades. This area of study has been an object of interest for numerous disciplines, from economics, geography, sociology and history, to ethnology, sociocultural anthropology, museology and cultural studies. The study aims to present selected theories on cultural heritage and heritage tourism based on recent theoretical concepts, and to reflect their implementation within a particular national and regional context based on a case study of the Banská Bystrica Self-Governing Region, Slovakia.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":"9 1","pages":"81-95"},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70478679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article focuses on how the demand for social and political meanings, generated by nation-building processes and competence between nationalisms in Central Europe, has determined the protection and heritagisation of vernacular architecture. The problem has been analysed using the example of the wooden churches in Upper Silesia—the region contested by Germany and Poland. These monuments gained unprecedented importance as they were believed to testify to ancient architectural traditions and were used to prove the Germanic or Slavic roots of regional culture. The article reveals the evolution of churches’ meanings and the ways they have affected the monument protection and functioning of open-air museums.
{"title":"Heritagising the Vernacular in a Central European Borderland: Wooden Churches and Open-Air Museums in Upper Silesia","authors":"Jerzy Gorzelik","doi":"10.46284/MKD.2021.9.1.4","DOIUrl":"https://doi.org/10.46284/MKD.2021.9.1.4","url":null,"abstract":"This article focuses on how the demand for social and political meanings, generated by nation-building processes and competence between nationalisms in Central Europe, has determined the protection and heritagisation of vernacular architecture. The problem has been analysed using the example of the wooden churches in Upper Silesia—the region contested by Germany and Poland. These monuments gained unprecedented importance as they were believed to testify to ancient architectural traditions and were used to prove the Germanic or Slavic roots of regional culture. The article reveals the evolution of churches’ meanings and the ways they have affected the monument protection and functioning of open-air museums.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":"9 1","pages":"63-79"},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70479116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Karolina Zimna-Kawecka, Dominika Kuśnierz-Krupa, Michael P. Krupa
This article analyses the urban heritage protection and spatial development policies of two model historical urban centres in Poland, whose spatial layout has been erased: medieval Świecie nad Wisłą (the Pomeranian region) and Renaissance Krasiczyn (the Subcarpathian region). Their urban layouts had a significant compositional factor (a town and castle complex in axial plan). The second element important in terms of landscape protection and spatial planning is their history: at the end of the eighteenth century and during the nineteenth century they had to be relocated. The analysis covers the spatial form during the period of their founding, the reasons for transformation, their present-day state of preservation, and the current spatial conservation and development policy. General conservation conclusions have also been formulated.
本文分析了波兰两个空间布局被抹去的典型历史城市中心的城市遗产保护和空间发展政策:中世纪Świecie nad Wisłą(波美拉尼亚地区)和文艺复兴时期Krasiczyn(下喀尔巴阡地区)。他们的城市布局具有显著的组成因素(轴向规划的城镇和城堡综合体)。在景观保护和空间规划方面，第二个重要因素是它们的历史:在18世纪末和19世纪，它们不得不重新安置。分析了其形成时期的空间形态、转变的原因、目前的保护状况以及当前的空间保护和发展政策。一般的守恒结论也已形成。
{"title":"Heritage of (non-)existing cities – on the Polish examples of medieval Świecie and Renaissance Krasiczyn","authors":"Karolina Zimna-Kawecka, Dominika Kuśnierz-Krupa, Michael P. Krupa","doi":"10.46284/mkd.2021.9.3.4","DOIUrl":"https://doi.org/10.46284/mkd.2021.9.3.4","url":null,"abstract":"This article analyses the urban heritage protection and spatial development policies of two model historical urban centres in Poland, whose spatial layout has been erased: medieval Świecie nad Wisłą (the Pomeranian region) and Renaissance Krasiczyn (the Subcarpathian region). Their urban layouts had a significant compositional factor (a town and castle complex in axial plan). The second element important in terms of landscape protection and spatial planning is their history: at the end of the eighteenth century and during the nineteenth century they had to be relocated. The analysis covers the spatial form during the period of their founding, the reasons for transformation, their present-day state of preservation, and the current spatial conservation and development policy. General conservation conclusions have also been formulated.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":"102 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70479782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article seeks to contribute to the current debate on the new definition of the “museum” – a debate which led to turmoil at the 2019 ICOM General Assembly in Kyoto. With reference to the case study of the Museum of the Second World War in Gdansk (MSWW), it analyses the new and very successful genre of the narrative museum, a genre which arguably fulfils the core elements of the definition currently being discussed by ICOM. In this regard, it brings into focus the paramount importance of community involvement in creating and managing narrative museums – an aspect that has been virtually absent in the academic and media debates over the nature of the MSWW and its programme. By pointing out the fragility of the foundations for such participation, based solely on trust between communities, the museum, and state authorities, this article calls for and provides guidance for an academic and institutional redefinition of the narrative museum and the institution of a museum in general.
{"title":"On Defining the Participatory Museum: The Case of the Museum of the Second World War in Gdansk","authors":"E. Manikowska, A. Jakubowski","doi":"10.46284/mkd.2021.9.4.3","DOIUrl":"https://doi.org/10.46284/mkd.2021.9.4.3","url":null,"abstract":"This article seeks to contribute to the current debate on the new definition of the “museum” – a debate which led to turmoil at the 2019 ICOM General Assembly in Kyoto. With reference to the case study of the Museum of the Second World War in Gdansk (MSWW), it analyses the new and very successful genre of the narrative museum, a genre which arguably fulfils the core elements of the definition currently being discussed by ICOM. In this regard, it brings into focus the paramount importance of community involvement in creating and managing narrative museums – an aspect that has been virtually absent in the academic and media debates over the nature of the MSWW and its programme. By pointing out the fragility of the foundations for such participation, based solely on trust between communities, the museum, and state authorities, this article calls for and provides guidance for an academic and institutional redefinition of the narrative museum and the institution of a museum in general.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70480077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper elaborates on the Acquisition Fund for Contemporary Art established in 2017 in the Czech Republic by the Ministry of Culture. Paradoxically, this fund is perceived both positively and negatively by various institutions. On the positive side, from the year 2017 to 2019, the fund has allocated 41,257,888 CZK (1,517,753 EUR) for the purchase of 287 artworks by 29 institutions. On the negative side, only 29 out of 218 eligible institutions have applied for support from the fund during the three years of the fund’s existence. This low application rate is attributed partly to the time consuming and complicated administration of the application for support, and partly to apprehension from some institutions regarding the likelihood of the actual realisation of the receipt of financial support. In turn, due to this low application rate, the institutions that have applied have had a high probability of receiving funding. The paper sheds new light on the lack of financing for acquisition in art institutions and opens the question of the effectiveness of the Acquisition Fund in the Czech Republic.
{"title":"Acquisition Fund: An unrecognised treasure within the cultural policy of the Czech Republic","authors":"Lucia Horňáková, Marek Prokůpek","doi":"10.46284/MKD.2021.9.2.3","DOIUrl":"https://doi.org/10.46284/MKD.2021.9.2.3","url":null,"abstract":"The paper elaborates on the Acquisition Fund for Contemporary Art established in 2017 in the Czech Republic by the Ministry of Culture. Paradoxically, this fund is perceived both positively and negatively by various institutions. On the positive side, from the year 2017 to 2019, the fund has allocated 41,257,888 CZK (1,517,753 EUR) for the purchase of 287 artworks by 29 institutions. On the negative side, only 29 out of 218 eligible institutions have applied for support from the fund during the three years of the fund’s existence. This low application rate is attributed partly to the time consuming and complicated administration of the application for support, and partly to apprehension from some institutions regarding the likelihood of the actual realisation of the receipt of financial support. In turn, due to this low application rate, the institutions that have applied have had a high probability of receiving funding. The paper sheds new light on the lack of financing for acquisition in art institutions and opens the question of the effectiveness of the Acquisition Fund in the Czech Republic.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":"9 1","pages":"45-59"},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70479290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper focuses on traditional transport as a form of cultural heritage in Central Europe, looking at the modes of transport that are still viable today as a part of people’s lives and livelihoods, as well as strategies to ensure their survival. The importance of preserving the original purpose of traditional transport modes, as well as their acquisition of new functions in the modern era, are examined in the context of the sustainability and viability of cultural heritage. The article also highlights crucial role of promoting the visibility of cultural phenomena to the public in encouraging their protection and ongoing sustainability. It also draws attention to some less positive examples of how forms of traditional transport are currently presented, examining approaches that may lead to the alteration of traditions and the construction of distorted images of cultural heritage. In the conclusion, I propose distinguishing between forms of traditional transport that continue to maintain people’s livelihoods or generate entertainment, and forms which are merely reconstructions of traditional phenomena, intended only as imitations to recall the past
{"title":"Cultural Heritage Viability: An Example of Traditional Transport in Central Europe","authors":"A. Smrčka","doi":"10.46284/MKD.2021.9.2.2","DOIUrl":"https://doi.org/10.46284/MKD.2021.9.2.2","url":null,"abstract":"This paper focuses on traditional transport as a form of cultural heritage in Central Europe, looking at the modes of transport that are still viable today as a part of people’s lives and livelihoods, as well as strategies to ensure their survival. The importance of preserving the original purpose of traditional transport modes, as well as their acquisition of new functions in the modern era, are examined in the context of the sustainability and viability of cultural heritage. The article also highlights crucial role of promoting the visibility of cultural phenomena to the public in encouraging their protection and ongoing sustainability. It also draws attention to some less positive examples of how forms of traditional transport are currently presented, examining approaches that may lead to the alteration of traditions and the construction of distorted images of cultural heritage. In the conclusion, I propose distinguishing between forms of traditional transport that continue to maintain people’s livelihoods or generate entertainment, and forms which are merely reconstructions of traditional phenomena, intended only as imitations to recall the past","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":"9 1","pages":"27-44"},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70479447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Church of the Holy Trinity, was emotionally charged, controversial and, in the end, very sad. The Rectory’s architecture and construction reflected both the needs of its various owners, and many of the dramatic events that had affected the city throughout its history. Despite repeated damage by fire, the faith community always found the strength and energy to restore the building and bring it back to life. Up until 1989, the Rectory was an integral part of the community’s spiritual life, and even after then, its upper storey continued to serve as the Church’s pastoral centre and a meeting place for Christian youth activities, while the ground floor housed the city’s Tourist Information Board and a popular restaurant. The Rectory was declared a national cultural monument in 2008, just as a developer was taking an interest in the site on which it stood. At this point, the local Church authorities decided it was not worthy of salvation and swiftly lodged an appeal against the decision to protect it, downplaying the building’s historical and architectural value, suggesting that since its original Late Medieval/ Early Modern features had been lost to fire 1678, the current building, reconstructed in 1777, was of no significant value. While a decision on the appeal was still pending, the Rectory was demolished, in the middle of Saturday night, July 12, 2008. The ground on which it stood was completely excavated within a week, allowing no possibility of recovery archaeological research. Eventually, a shopping centre was built over the place it once stood. This article discusses the controversial processes that led to the building’s abrupt demolition, and explores the failure to bring charges against those responsible for its destruction, which took place contrary to the Monuments Act.
{"title":"The Story of the Old Rectory in Žilina","authors":"Miloš Dudáš","doi":"10.46284/MKD.2021.9.1.6","DOIUrl":"https://doi.org/10.46284/MKD.2021.9.1.6","url":null,"abstract":"Church of the Holy Trinity, was emotionally charged, controversial and, in the end, very sad. The Rectory’s architecture and construction reflected both the needs of its various owners, and many of the dramatic events that had affected the city throughout its history. Despite repeated damage by fire, the faith community always found the strength and energy to restore the building and bring it back to life. Up until 1989, the Rectory was an integral part of the community’s spiritual life, and even after then, its upper storey continued to serve as the Church’s pastoral centre and a meeting place for Christian youth activities, while the ground floor housed the city’s Tourist Information Board and a popular restaurant. The Rectory was declared a national cultural monument in 2008, just as a developer was taking an interest in the site on which it stood. At this point, the local Church authorities decided it was not worthy of salvation and swiftly lodged an appeal against the decision to protect it, downplaying the building’s historical and architectural value, suggesting that since its original Late Medieval/ Early Modern features had been lost to fire 1678, the current building, reconstructed in 1777, was of no significant value. While a decision on the appeal was still pending, the Rectory was demolished, in the middle of Saturday night, July 12, 2008. The ground on which it stood was completely excavated within a week, allowing no possibility of recovery archaeological research. Eventually, a shopping centre was built over the place it once stood. This article discusses the controversial processes that led to the building’s abrupt demolition, and explores the failure to bring charges against those responsible for its destruction, which took place contrary to the Monuments Act.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":"9 1","pages":"97-118"},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70479305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Culture is one of the main tools for developing regions and reducing regional disparities. It is a significant job creator; it participates in social cohesion representing a catalyst for economic growth. In practice, when boosting the potential of cultural and creative industries, we encounter an insufficiently developed approach to evaluating the initial conditions for the allocation of financial resources for its development. This paper’s objective is to identify, map, and analyse spatial concentration of cultural institutions in Slovakia. The intention of the analysis was the identification of regions and districts with the potential for full use of cultural capital as a tool for sustainable regional development as well as the setting of cultural policy. The cluster analysis pointed out significant differences in the representation of cultural institutions in individual regions and districts of Slovakia. The regions with the most desirable results (e.g., Bratislava, Trnava, or Nitra) have some common characteristics linked to the local context, such as historical development, good infrastructure, concentration of educational institutions. The results also confirmed the assumption that within the regions, cultural institutions will be concentrated in larger district cities, specifically in the case of Bratislava even inside the city. From the cluster analysis it is possible to observe a “belt of districts” of Southern, Central, and Eastern Slovakia, which do not have sufficient cultural infrastructure. Since the process of shaping the supportive policy for cultural industries is now ongoing in Slovakia, we consider mapping the situation as one of the key elements in the policy-making process.
{"title":"Spatial Distribution Model for Targeting the Support for Cultural Institutions’ Development: A Case Study of Slovakia","authors":"Kristína Baculáková, Martin Grešš","doi":"10.46284/mkd.2021.9.3.5","DOIUrl":"https://doi.org/10.46284/mkd.2021.9.3.5","url":null,"abstract":"Culture is one of the main tools for developing regions and reducing regional disparities. It is a significant job creator; it participates in social cohesion representing a catalyst for economic growth. In practice, when boosting the potential of cultural and creative industries, we encounter an insufficiently developed approach to evaluating the initial conditions for the allocation of financial resources for its development. This paper’s objective is to identify, map, and analyse spatial concentration of cultural institutions in Slovakia. The intention of the analysis was the identification of regions and districts with the potential for full use of cultural capital as a tool for sustainable regional development as well as the setting of cultural policy. The cluster analysis pointed out significant differences in the representation of cultural institutions in individual regions and districts of Slovakia. The regions with the most desirable results (e.g., Bratislava, Trnava, or Nitra) have some common characteristics linked to the local context, such as historical development, good infrastructure, concentration of educational institutions. The results also confirmed the assumption that within the regions, cultural institutions will be concentrated in larger district cities, specifically in the case of Bratislava even inside the city. From the cluster analysis it is possible to observe a “belt of districts” of Southern, Central, and Eastern Slovakia, which do not have sufficient cultural infrastructure. Since the process of shaping the supportive policy for cultural industries is now ongoing in Slovakia, we consider mapping the situation as one of the key elements in the policy-making process.","PeriodicalId":41312,"journal":{"name":"Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70479890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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