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“Cahiers Voltaire” 21 "伏尔泰文集 21
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.54225
Debora Sicco
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引用次数: 0
Élodie Lecuppre-Desjardin, Une simple agitation de surface? Événement et festival de neige à Arras à l’hiver 1434–1435 elodie Lecuppre-Desjardin,只是表面上的骚动?1434 - 1435年冬季阿拉斯的活动和雪节
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.53910
Maria Colombo Timelli
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引用次数: 0
Marco Maulu, La plus ancienne version en langue romane de la légende apocryphe néronienne 马可·莫卢,尼禄传说中最古老的罗马版本
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.53815
Maria Colombo Timelli
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引用次数: 0
Molière sur les scènes russes: un répertoire et sa réception (1745-1845)1 moliere在俄罗斯舞台上:剧目及其接受(1745-1845
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.53530
Alexeï Evstratov
As an epitome of a transnational theatrical culture, the figure of Molière raises many questions at the crossroads of cultural theory and history, in connection with the notions of authorship, authenticity of the work, national theatre, etc. This contribution proposes a reflection on these questions from a geographically specific and chronologically broad perspective, that of the Russian imperial capitals between the first documented performance of a play by Molière in 1745 and the 1840s. The particularity of the Molière figure lies in the fact that it accompanies the institutionalisation of public performances from the beginning of their importation to the Russian court during the eighteenth century. The Molière reference is also constitutive of the theatrical life of the first 19th century examined in this article.
作为跨国戏剧文化的一个缩影,莫里埃尔这个人物在文化理论和历史的十字路口提出了许多问题,涉及作者身份、作品真实性、国家戏剧等概念。这篇文章从地理上和时间上的角度对这些问题进行了反思,即从1745年莫里第一次有记录的戏剧演出到19世纪40年代之间的俄罗斯帝国首都。moli的特殊之处在于,从18世纪公开表演进入俄罗斯宫廷开始,它就伴随着公开表演的制度化。莫里埃尔的参考也是构成的第一个19世纪的戏剧生活在这篇文章中审查。
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引用次数: 0
Marek Thue Kretschmer, L’Adam paradisiaque, l’Adam pécheur et l’Adam pèlerin: essai d’interprétation de l’“Ovide moralisé” XI Marek Thue Kretschmer,天堂的亚当,罪恶的亚当和朝圣的亚当:对“道德的奥维德”的解读
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.53750
Maria Colombo Timelli
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引用次数: 0
Alexandre Goderniaux, La plume d’Henri III. La contribution de Jacques Davy Du Perron à la harangue d’ouverture des États généraux de Blois (16 octobre 1588) 亚历山大·戈达尔索,亨利三世的笔。雅克·戴维·杜·佩隆对布洛瓦州将军开幕词的贡献(1588年10月16日)
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.54090
Filippo Fassina
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引用次数: 0
Hannah Morcos, Compilation as Palimpsest. Tracing Origins of the “Histoire ancienne jusqu’à César” in the 汉娜·莫科斯,《作为重写的汇编》。中国“古代史”的起源溯源
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.53805
Maria Colombo Timelli
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引用次数: 0
Matthieu Marchal, Loyauté et trahison dans la mise en prose bourguignonne de “Florence de Rome” 马蒂厄·马查尔,《罗马的佛罗伦萨》勃艮第散文中的忠诚与背叛
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.53940
Maria Colombo Timelli
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引用次数: 0
Théophile Gautier, Œuvres complètes. Critique théâtrale, tome XVI theophile戈蒂埃,全集。戏剧评论家,第16卷
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.54439
Lise Sabourin
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引用次数: 0
Michèle Sajous D’Oria, La Participation dramatique. Spectacle et espace théâtral (1730-1830) michele Sajous d ' oria,戏剧参与。表演和戏剧空间(1730-1830)
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.54270
Ilaria Lepore
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引用次数: 0
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