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Martine Reid, Félicité de Genlis. La pédagogue des Lumières Martine Reid, Genlis的祝贺。启蒙运动的教师
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.54285
Elisa Biancardi
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引用次数: 0
Colette Fellous, Le petit foulard de Marguerite D. 科莱特·费罗斯,玛格丽特·D的小围巾。
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.54574
Michela Gardini
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引用次数: 0
Alain Cullière, L’“Hymne sur la justice de Metz” de Louis des Masures (1558). Texte et contexte 阿兰culliere,路易·德·马苏斯的《梅茨正义赞美诗》(1558)。文本和上下文
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.54050
Filippo Fassina
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引用次数: 0
«La Guirlande de Célimène»: les personnages du “Misanthrope” au miroir de la presse fin-de-siècle 《celimene的花环》:《厌世者》中的人物在晚期媒体的镜子中
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.53560
Nolwenn Pamart
La Guirlande de Célimène is a column published from June 19 to August 15, 1898 in a journal called “La Presse”. Jean de Tinan, Émile Métrot and Henri Vernot respectively play Célimène, Philinte and Alceste, the main characters of The Misanthrope. La Guirlande de Célimène belongs to the «epistolary fantasies», which are part of the experimental columns proposed by “La Presse”, during the revival of the daily newspaper, at the turn of the 1890s.With a humorous purpose, La Guirlande de Célimène relies on a constant gap between its prestigious original text and its subject matter, which is rooted both in political news and in current events. The references of the chronicle allow us to better understand Molière’s influence beyond the theatrical sphere, and in the very codified space of the newspaper column. In this way, La Guirlande de Célimène questions the transformations of a high-school culture in the new writing spaces offered by newspapers.
从1898年6月19日到8月15日在《La Presse》杂志上发表的一个专栏。让·德·提南、Émile姆·萨梅特和亨利·弗诺分别扮演《厌世者》中的主要角色——卡姆·萨梅特、菲利特和阿尔塞斯特。《La Guirlande de csamlim》属于“书信幻想”,这是《La Presse》在19世纪90年代初日报复兴期间提出的实验性专栏的一部分。带着幽默的目的,La Guirlande de csamlimines依赖于其享有盛誉的原始文本与主题之间的持续差距,其主题根植于政治新闻和时事。编年史的参考资料使我们能够更好地理解莫里埃尔在戏剧领域之外,在报纸专栏的编纂空间里的影响。通过这种方式,La Guirlande de csamlimine质疑高中文化在报纸提供的新写作空间中的转变。
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引用次数: 0
David D. Reitsam, La Querelle d’Homère dans la presse des Lumières. L’exemple du “Nouveau Mercure Galant“ 大卫·d·雷特萨姆,《启蒙出版社的荷马之争》。“新水银加兰特”的例子
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.54215
Marisa Ferrarini
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引用次数: 0
Honoré de Balzac, César Birotteau 奥诺雷-德-巴尔扎克、塞萨尔-比罗托
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.54354
Marco Stupazzoni
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引用次数: 0
Penser et (D)écrire l’illustration. Le rapport à l’image dans la littérature des xviiie et xixe siècle 思考和(D)写插图。十八、十九世纪文学中与形象的关系
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.54314
Lise Sabourin
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引用次数: 0
«Molière go home»: “Le Bourgeois gentleman” d’Antonine Maillet sur la scène littéraire québécoise et acadienne (1978) 《moliere回家》:安东尼·梅莱特在魁北克和阿卡迪亚文学界的《资产阶级绅士》(1978)
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.53625
Simona Munari
While adaptations of English and French classics multiply in Québec, «Molière go home», the student manifesto published in 1970 at the University of Sudbury, hints at a dramaturgy perceived as foreign, as opposed to the new French-Canadian creations. The Acadian author Antonine Maillet offers an original interpretation of such linguistic and cultural renewal in her Molière-inspired comedy Le Bourgeois gentleman, where she uncovers the linguistic uncertainty afflicting the minorities living in an evolving diglossic context. The satire of Anglomania becomes the subject of a scenic performance between imitation and parody; besides, it also suggests a reflection on the linguistic and cultural preservation exercised by Québec over the other Canadian francophone regions.
尽管英国和法国经典作品的改编在qusamubec层出不穷,但1970年在萨德伯里大学(University of Sudbury)发表的学生宣言《moli回家吧》(moli re go home)暗示了一种被视为外国的戏剧,与法国和加拿大的新创作相反。阿卡迪亚作家安东尼·梅莱(Antonine Maillet)在其受莫里安特雷启发的喜剧《布尔乔亚绅士》(Le Bourgeois gentleman)中,对这种语言和文化的更新进行了独到的诠释,她揭示了生活在不断发展的对话环境中的少数民族在语言上的不确定性。盎格鲁马尼亚的讽刺成为一种介于模仿和戏仿之间的情景表演的主题;此外,它还建议对魁萨伊对加拿大其他法语区所实行的语言和文化保护进行反思。
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引用次数: 0
Lisa Demets, French Literature in Mono- and Multilingual Social Contexts. The Production and Reception of French Literary Manuscripts in Thirteenth-Century Flanders 《单语言和多语言社会背景下的法国文学》。13世纪法兰德斯法国文学手稿的生产与接受
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.53665
Maria Colombo Timelli
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引用次数: 0
Émilie Picherot, La langue arabe dans l’Europe humaniste. 1500-1550 emilie Picherot,人文主义欧洲的阿拉伯语。1500-1550
3区 文学 0 LITERATURE, ROMANCE Pub Date : 2023-08-01 DOI: 10.4000/studifrancesi.54020
Maurizio Busca
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引用次数: 0
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