Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53540
Vincenzo De Santis
In his Cours de littérature générale, Lemercier elaborates twenty-three rules for the creation of comic plays and demonstrates their effectiveness by analysing Tartuffe, presented as the “perfect comedy”. For Lemercier, Tartuffe is not only the highest expression of the genre: it is above all a «picture, which represents in deep, indelible strokes, a universal illness of the human heart» (Cours). Already the author in 1795 of a Tartuffe révolutionnaire, he proposed a tragic re-elaboration composed under the Empire, printed in 1820 and performed at the Odéon in 1830, his tragedy Clovis, which Lemercier defines as a “tragic Tartuffe”.Starting from the above-mentioned plays, which show a different use of the Molière intertext, I intend to analyse the avatars of Tartuffe in Lemercier’s theatre and their relationship to the evolution of French drama. My attention will focus on the political meanings that the author attributes to his rewritings in the changing context of French institutions of the time, as well as on the experiences of contamination of dramatic genres operated by the playwright throughout his career and of which his relationship to Tartuffe offers significant examples.
Lemercier在他的《Cours de littsamatrature gsamnsamrale》中阐述了喜剧创作的23条规则，并通过分析被认为是“完美喜剧”的Tartuffe，证明了这些规则的有效性。对于Lemercier来说，Tartuffe不仅是这一类型的最高表达:它首先是“一幅画，它代表了深刻的，不可磨灭的中风，人类心脏的普遍疾病”(Cours)。1795年，他已经是《塔尔图夫革命》的作者，他提议在帝国统治时期重新创作一部悲剧，于1820年印刷，并于1830年在奥斯威辛剧院演出，这是他的悲剧《克洛维》，莱梅西埃将其定义为“塔尔图夫悲剧”。从上面提到的对moli互文的不同运用的戏剧开始，我打算分析莱默西埃戏剧中塔尔图夫的化身及其与法国戏剧演变的关系。我的注意力将集中在作者在当时法国制度变化的背景下赋予他的重写的政治意义，以及剧作家在其整个职业生涯中所操作的戏剧类型的污染经历，他与塔尔图夫的关系提供了重要的例子。
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Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.54799
Josefa Terribilini
This paper examines the shared conceptions and current uses of Molière in Western Switzerland (or “Suisse romande”). It aims not only to analyze the reception of his theatre in a French-speaking theatrical field, but also to describe the way in which artists themselves conceive the heritage of this “héros national français”. Based on a series of interviews conducted in the spring of 2021 with seventeen directors based in the region, the contribution first shows that their interest with this playwright mainly lies in the “playfulness” that his theatre allows on stage, beyond any memorial or political question. By looking at some of their recent productions, it then examines how a large number of directors are inspired by the farcical and Italian heritages transmitted by his work in order to anchor their artistic research on the side of theatricality, or even a form of metatheatricality.
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Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.54704
Roberto Ferraroni
{"title":"Évelyne Trouillot, Les jumelles de la rue Nicolas","authors":"Roberto Ferraroni","doi":"10.4000/studifrancesi.54704","DOIUrl":"https://doi.org/10.4000/studifrancesi.54704","url":null,"abstract":"","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53720
Piero Andrea Martina
{"title":"Cristina Dusio, La Bataille Loquifer. Studio e edizione critica","authors":"Piero Andrea Martina","doi":"10.4000/studifrancesi.53720","DOIUrl":"https://doi.org/10.4000/studifrancesi.53720","url":null,"abstract":"","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053623","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.54564
Giorgia Testa
{"title":"Louis Aragon, Les Adieux et autres poèmes","authors":"Giorgia Testa","doi":"10.4000/studifrancesi.54564","DOIUrl":"https://doi.org/10.4000/studifrancesi.54564","url":null,"abstract":"","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135054637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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