Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.54539
Fabio Scotto
{"title":"Oscar Vladislas de Lubicz-Milosz, Ars Magna","authors":"Fabio Scotto","doi":"10.4000/studifrancesi.54539","DOIUrl":"https://doi.org/10.4000/studifrancesi.54539","url":null,"abstract":"","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53695
Maria Colombo Timelli
{"title":"Jean Wirth, Art et image au Moyen Âge","authors":"Maria Colombo Timelli","doi":"10.4000/studifrancesi.53695","DOIUrl":"https://doi.org/10.4000/studifrancesi.53695","url":null,"abstract":"","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53595
Julia Gros de Gasquet
In 1978, Antoine Vitez, founder of the Théâtre des Quartiers d’Ivry in 1971 and at the time professor at the Conservatoire National d’Art Dramatique de Paris, presented four plays by Molière at the Festival d’Avignon (L’École des Femmes, Le Tartuffe, Dom Juan, Le Misanthrope) with the same cast and on the same set. This landmark show is remembered as “The Four Molière”. Gwenaël Morin took up the idea in 2014 and staged these four plays with the same actors and in a single set. He was then director of the Point du Jour theatre in Lyon, known in France for having conceived and defended the permanent theatre in Aubervilliers in the Paris suburbs, which is both a political space in the heart of sensitive and disadvantaged neighbourhoods and a laboratory for theatrical work. The article will attempt to show the similarities and differences between a creation that was controversial at the time and its reactivation, which was well received. What happened in the relationship to the repertoire, to the public and to the traditions of play, between these two moments of French theatrical life?
1978年，安东尼·维茨(Antoine Vitez)在阿维尼翁戏剧节(Festival d ' avignon)上，用同样的演员和布景，在当时的巴黎国立戏剧艺术学院(Conservatoire National d ' art theatque de Paris)担任教授，同时也是th Quartiers d ' ivry剧团的创始人，展示了莫丽康蒂尔的四部戏剧(L ' École des Femmes, Le Tartuffe, Dom Juan, Le Misanthrope)。这场具有里程碑意义的演出被称为“四个moli”。Gwenaël Morin在2014年萌生了这个想法，用同样的演员在一个场景中上演了这四部戏剧。他当时是里昂的日点剧院(Point du Jour)的导演，该剧院在法国以构思和维护巴黎郊区奥贝维利埃(Aubervilliers)的永久剧院而闻名，该剧院既是敏感和弱势社区中心的政治空间，也是戏剧作品的实验室。这篇文章将试图展示一个在当时备受争议的创作与它的重新激活之间的异同。在法国戏剧生活的这两个时刻之间，与剧目，与公众，与戏剧传统的关系发生了什么?
{"title":"Re-prendre les quatre Molière de Vitez (1978): le geste de Gwenaël Morin en 2014, entre rupture et filiation","authors":"Julia Gros de Gasquet","doi":"10.4000/studifrancesi.53595","DOIUrl":"https://doi.org/10.4000/studifrancesi.53595","url":null,"abstract":"In 1978, Antoine Vitez, founder of the Théâtre des Quartiers d’Ivry in 1971 and at the time professor at the Conservatoire National d’Art Dramatique de Paris, presented four plays by Molière at the Festival d’Avignon (L’École des Femmes, Le Tartuffe, Dom Juan, Le Misanthrope) with the same cast and on the same set. This landmark show is remembered as “The Four Molière”. Gwenaël Morin took up the idea in 2014 and staged these four plays with the same actors and in a single set. He was then director of the Point du Jour theatre in Lyon, known in France for having conceived and defended the permanent theatre in Aubervilliers in the Paris suburbs, which is both a political space in the heart of sensitive and disadvantaged neighbourhoods and a laboratory for theatrical work. The article will attempt to show the similarities and differences between a creation that was controversial at the time and its reactivation, which was well received. What happened in the relationship to the repertoire, to the public and to the traditions of play, between these two moments of French theatrical life?","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53555
Francesco Fiorentino
In the aftermath of the Battle of Sedan, Molière was elected declared patron and consoler of the defeated homeland. In the conference at the Odéon-Théâtre, Ferdinand Brunetière initiated a debate about the interpretation of Molière’s comedies, in particular about Tartuffe and L’École des femmes. The controversy between catholic and laic critics is vivid even though there is an ideological consonance between the participating critics.
色当战役结束后，莫里埃尔被选为被击败的祖国的赞助人和安慰者。在奥德赛-萨姆萨姆会议上，费迪南德·布鲁内蒂特发起了一场关于莫里特喜剧的解释的辩论，特别是关于塔尔图夫和École des femmes。尽管参与批评的人在意识形态上是一致的，但天主教批评家和世俗批评家之间的争论是生动的。
{"title":"Molière Troisième République. Le cas Brunetière","authors":"Francesco Fiorentino","doi":"10.4000/studifrancesi.53555","DOIUrl":"https://doi.org/10.4000/studifrancesi.53555","url":null,"abstract":"In the aftermath of the Battle of Sedan, Molière was elected declared patron and consoler of the defeated homeland. In the conference at the Odéon-Théâtre, Ferdinand Brunetière initiated a debate about the interpretation of Molière’s comedies, in particular about Tartuffe and L’École des femmes. The controversy between catholic and laic critics is vivid even though there is an ideological consonance between the participating critics.","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053400","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53545
Luca Badini Confalonieri
After a short introduction on the relationship between the two writers, the study focuses on three references which indicate how Molière was also employed in the philosophical reflection of Manzoni. The allusion to the Tartuffe, which we encounter in the Twenty-Fifth Chapter of The Betrothed, allows us to understand how, through the portrait of donna Prassede, Manzoni touched a key point, precious to Nicole and Bossuet, and proposed most recently by La Mennais, which is about the limitations and passionate distortions that even the believers (for which Manzoni means the catholic ones in particular) are not immune to. The mention of the Mariage forcé, which emerges from the long letter to Cousin of 1829-1830, serves, on the other hand, a role in Manzoni’s criticism of the excessive concessions to the skepticism by Descartes and Cousin, where he opposes to their false reasoning the force of common sense embodied by Sganarello. The citation of the Femmes savantes, contained in the draft of a letter of February 1832 to Edmond de Cazalès, is used, finally, to expose the anti-religious attitude of the Eighteenth-Century philosophy, from the perspective of a much higher and more inclusive concept of reason, like the one proposed by the “Christian Philosophy” of La Mennais.
{"title":"Manzoni e Molière. Tre occorrenze","authors":"Luca Badini Confalonieri","doi":"10.4000/studifrancesi.53545","DOIUrl":"https://doi.org/10.4000/studifrancesi.53545","url":null,"abstract":"After a short introduction on the relationship between the two writers, the study focuses on three references which indicate how Molière was also employed in the philosophical reflection of Manzoni. The allusion to the Tartuffe, which we encounter in the Twenty-Fifth Chapter of The Betrothed, allows us to understand how, through the portrait of donna Prassede, Manzoni touched a key point, precious to Nicole and Bossuet, and proposed most recently by La Mennais, which is about the limitations and passionate distortions that even the believers (for which Manzoni means the catholic ones in particular) are not immune to. The mention of the Mariage forcé, which emerges from the long letter to Cousin of 1829-1830, serves, on the other hand, a role in Manzoni’s criticism of the excessive concessions to the skepticism by Descartes and Cousin, where he opposes to their false reasoning the force of common sense embodied by Sganarello. The citation of the Femmes savantes, contained in the draft of a letter of February 1832 to Edmond de Cazalès, is used, finally, to expose the anti-religious attitude of the Eighteenth-Century philosophy, from the perspective of a much higher and more inclusive concept of reason, like the one proposed by the “Christian Philosophy” of La Mennais.","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053604","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53615
Paola Ranzini
This study focuses on some stagings of Molière’s plays in Italy, between the 1990s and the 2020s. It aim to verify how the translations used, already published or specially prepared to the theatrical performance, affect, if they do not already contain, the interpretation offered by the scene. It is thus highlighted a polarity between the tradition founded by Cesare Garboli’s Molière’s Theatre translations that, with its interpretation of Molière as a classic of the twentieth century but lived three centuries before, influences the staging of several generations of directors, from the 1970s to today, and several others attempts to impose a new interpretation of the classic author, which, through the different languages of the scene, binds it to present time, often in a violent way.
{"title":"Misantropi in parrucca o dongiovanneschi: appunti su alcune versioni sceniche italiane di pièces di Molière","authors":"Paola Ranzini","doi":"10.4000/studifrancesi.53615","DOIUrl":"https://doi.org/10.4000/studifrancesi.53615","url":null,"abstract":"This study focuses on some stagings of Molière’s plays in Italy, between the 1990s and the 2020s. It aim to verify how the translations used, already published or specially prepared to the theatrical performance, affect, if they do not already contain, the interpretation offered by the scene. It is thus highlighted a polarity between the tradition founded by Cesare Garboli’s Molière’s Theatre translations that, with its interpretation of Molière as a classic of the twentieth century but lived three centuries before, influences the staging of several generations of directors, from the 1970s to today, and several others attempts to impose a new interpretation of the classic author, which, through the different languages of the scene, binds it to present time, often in a violent way.","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.53880
Maria Colombo Timelli
{"title":"Adeline Desbois-Ientile, Géraldine Veysseyre, Aux sources de la phrase française: continuité et évolution au","authors":"Maria Colombo Timelli","doi":"10.4000/studifrancesi.53880","DOIUrl":"https://doi.org/10.4000/studifrancesi.53880","url":null,"abstract":"","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-01DOI: 10.4000/studifrancesi.54604
Emanuela Cacchioli
{"title":"Lire et donner à lire les littératures francophones. Outils critiques et stratégies éditoriales, dir. Véronique Corinus et Mireille Hilsum","authors":"Emanuela Cacchioli","doi":"10.4000/studifrancesi.54604","DOIUrl":"https://doi.org/10.4000/studifrancesi.54604","url":null,"abstract":"","PeriodicalId":41340,"journal":{"name":"STUDI FRANCESI","volume":"277 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135053626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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