Pub Date : 2022-12-09DOI: 10.1017/s1479409822000465
Marijana Kokanović Marković
The aim of this study is to describe the emergence of court and bourgeois salons in the nineteenth-century Principality of Serbia, in the context of the socio-historical circumstances and geopolitical background. A selection of examples of salon gatherings organized in Belgrade from the 1830s to the 1870s show the emergence of a new cultural identity through the coexistence and merging of different cultural models: Western European, Ottoman and Serbian. Starting with the first salons, organized in the 1830s in the home of Tomanija and Jevrem Obrenović, salon gatherings will be viewed through the prism of selected court and bourgeois salons. Special attention is paid to salons in which only women took part. In the period of the construction of the modern Serbian state, these salon gatherings contributed to the emancipation of women and their step from the private to the public sphere of society. In order to more comprehensively understand the role and significance of salon, the multi-layered salon practices are observed, with a focus on (1) analysis of the symbolism of interior decoration and clothing and of the social status of salon guests; (2) a reconstruction of the atmosphere through details of refreshments (food and drink), specific decorations of individual salons and dances performed; (3) analysis of the artistic and intellectual content: music, literature, poetry and science.
{"title":"Salons in Belgrade in the Nineteenth Century: The Coexistence of Different Cultural Models","authors":"Marijana Kokanović Marković","doi":"10.1017/s1479409822000465","DOIUrl":"https://doi.org/10.1017/s1479409822000465","url":null,"abstract":"The aim of this study is to describe the emergence of court and bourgeois salons in the nineteenth-century Principality of Serbia, in the context of the socio-historical circumstances and geopolitical background. A selection of examples of salon gatherings organized in Belgrade from the 1830s to the 1870s show the emergence of a new cultural identity through the coexistence and merging of different cultural models: Western European, Ottoman and Serbian. Starting with the first salons, organized in the 1830s in the home of Tomanija and Jevrem Obrenović, salon gatherings will be viewed through the prism of selected court and bourgeois salons. Special attention is paid to salons in which only women took part. In the period of the construction of the modern Serbian state, these salon gatherings contributed to the emancipation of women and their step from the private to the public sphere of society. In order to more comprehensively understand the role and significance of salon, the multi-layered salon practices are observed, with a focus on (1) analysis of the symbolism of interior decoration and clothing and of the social status of salon guests; (2) a reconstruction of the atmosphere through details of refreshments (food and drink), specific decorations of individual salons and dances performed; (3) analysis of the artistic and intellectual content: music, literature, poetry and science.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42348813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.1017/s1479409822000556
{"title":"Notes on Article Contributors","authors":"","doi":"10.1017/s1479409822000556","DOIUrl":"https://doi.org/10.1017/s1479409822000556","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"19 1","pages":"401 - 402"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47627276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.1017/s1479409822000544
{"title":"NCM volume 19 issue 3 Cover and Front matter","authors":"","doi":"10.1017/s1479409822000544","DOIUrl":"https://doi.org/10.1017/s1479409822000544","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"19 1","pages":"f1 - f4"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45525920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-01DOI: 10.1017/s1479409822000568
{"title":"NCM volume 19 issue 3 Cover and Back matter","authors":"","doi":"10.1017/s1479409822000568","DOIUrl":"https://doi.org/10.1017/s1479409822000568","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"19 1","pages":"b1 - b4"},"PeriodicalIF":0.3,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44890412","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-09DOI: 10.1017/S1479409822000477
Edward Klorman
This illuminating release is the brainchild of violinist-musicologist Katharina Uhde, who has established herself in recent years as an avid and multifaceted advocate of Joseph Joachim (1831–1907), the Austro-Hungarian violinist and composer. Among her contributions to date are an excellent scholarly monograph on Joachim’s music, an international conference, updates to Joachim’s works list in Grove Music Online, and a scholarly/performance edition of two recently rediscovered compositions for violin and orchestra: Joachim’s Fantasy on Hungarian Themes (1848–50) and his Fantasy on Irish Themes (1852). The two fantasies receive their world-premiere recordings on the present album, whose programme is completed with two shorter Joachim compositions, both of lyrical character: (1) the Romance, op. 2 no. 1 (c. 1849, performed in a c. 1900 arrangement with orchestral accompaniment) and (2) theNotturno, op. 12 (1858). All tracks feature Uhde as violin soloist, performing with the Polish Radio Orchestra Warsaw led by Dennis Friesen-Carper. Since the fantasies were nearly lost to history, the story of their recent rediscoverywarrants recounting here. In 1943, at the height ofWorldWar II, the bulk of the collection of the Berlin Staatliche Akademische Hochschule für Musik was hastily
这部启发性的作品是小提琴家音乐学家Katharina Uhde的创意，她近年来成为奥匈小提琴家和作曲家Joseph Joachim（1831–1907）的狂热和多方面倡导者。迄今为止，她的贡献包括一本关于约阿希姆音乐的优秀学术专著、一次国际会议、Grove music Online上对约阿希姆的作品列表的更新，以及两首最近重新发现的小提琴和管弦乐队作品的学术/表演版：约阿希姆的《匈牙利主题幻想曲》（1848-50）和《爱尔兰主题幻想曲（1852）》。这两个幻想在本专辑中获得了他们的全球首演录音，该专辑的节目以两首较短的约阿希姆作品完成，这两首作品都具有抒情性：（1）《罗曼史》，作品2 no.1（约1849年，在约1900年的管弦乐伴奏下进行编曲）和（2）《诺图诺》，作品12（1858年）。所有曲目都由乌德担任小提琴独奏家，与丹尼斯·弗里森·卡珀领导的波兰华沙广播乐团合作演出。由于这些幻想几乎消失在历史中，他们最近重新发现的故事在这里重新讲述。1943年，在第二次世界大战最激烈的时候，柏林美术馆的大部分藏品被匆忙收藏
{"title":"CD Review","authors":"Edward Klorman","doi":"10.1017/S1479409822000477","DOIUrl":"https://doi.org/10.1017/S1479409822000477","url":null,"abstract":"This illuminating release is the brainchild of violinist-musicologist Katharina Uhde, who has established herself in recent years as an avid and multifaceted advocate of Joseph Joachim (1831–1907), the Austro-Hungarian violinist and composer. Among her contributions to date are an excellent scholarly monograph on Joachim’s music, an international conference, updates to Joachim’s works list in Grove Music Online, and a scholarly/performance edition of two recently rediscovered compositions for violin and orchestra: Joachim’s Fantasy on Hungarian Themes (1848–50) and his Fantasy on Irish Themes (1852). The two fantasies receive their world-premiere recordings on the present album, whose programme is completed with two shorter Joachim compositions, both of lyrical character: (1) the Romance, op. 2 no. 1 (c. 1849, performed in a c. 1900 arrangement with orchestral accompaniment) and (2) theNotturno, op. 12 (1858). All tracks feature Uhde as violin soloist, performing with the Polish Radio Orchestra Warsaw led by Dennis Friesen-Carper. Since the fantasies were nearly lost to history, the story of their recent rediscoverywarrants recounting here. In 1943, at the height ofWorldWar II, the bulk of the collection of the Berlin Staatliche Akademische Hochschule für Musik was hastily","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"20 1","pages":"443 - 447"},"PeriodicalIF":0.3,"publicationDate":"2022-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44006886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-11-02DOI: 10.1017/S1479409822000453
Heeseung Lee
{"title":"Erica Buurman, The Viennese Ballroom in the Age of Beethoven (Cambridge: Cambridge University Press, 2022). xiv + 193 pp. £75.00.","authors":"Heeseung Lee","doi":"10.1017/S1479409822000453","DOIUrl":"https://doi.org/10.1017/S1479409822000453","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"20 1","pages":"433 - 437"},"PeriodicalIF":0.3,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47075014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-21DOI: 10.1017/s1479409822000416
Jennifer Ronyak
{"title":"David Kennerley, Sounding Feminine: Women's Voices in British Musical Culture, 1780–1850 (Oxford: Oxford University Press, 2020). xii + 220 pp. £47.99.","authors":"Jennifer Ronyak","doi":"10.1017/s1479409822000416","DOIUrl":"https://doi.org/10.1017/s1479409822000416","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"20 1","pages":"227 - 230"},"PeriodicalIF":0.3,"publicationDate":"2022-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44351058","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-10-19DOI: 10.1017/s1479409822000404
Allan Badley
{"title":"Philipp Jakob Riotte, Clarinet Concerto in C Minor, Op. 36, edited by Martin Harlow. Recent Researches in the Music of the Classic Era (Middleton, WI: A-R Editions, 2016). Full Score, C104, xv + 103 pp. USD145.00.","authors":"Allan Badley","doi":"10.1017/s1479409822000404","DOIUrl":"https://doi.org/10.1017/s1479409822000404","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"20 1","pages":"231 - 233"},"PeriodicalIF":0.3,"publicationDate":"2022-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47486013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-27DOI: 10.1017/s1479409822000301
J. Davies
{"title":"Clara Schumann, Drei Romanzen für Violine und Klavier, Three Romances for Violin and Piano, Op. 22, ed. Jacqueline Ross (Basel: Bärenreiter-Verlag, 2021), ix + 27 pp. € 19.95.","authors":"J. Davies","doi":"10.1017/s1479409822000301","DOIUrl":"https://doi.org/10.1017/s1479409822000301","url":null,"abstract":"","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":" ","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46424448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-26DOI: 10.1017/S1479409822000246
Elizabeth Morgan
During the two years of the Mexican–American War (1846–48) and in its immediate aftermath, American composers and publishers produced numerous pieces on topics related to the conflict. Many of these were written for solo piano or voice with keyboard accompaniment and marketed as popular entertainment to amateur musicians performing in the home. This repertoire comprises lament songs, battle pieces and patriotic songs and dances. Works include musical depictions of violent and tragic scenes, but most pieces are in major keys, featuring lyrical melodies and upbeat dance rhythms – the typical fare of parlour music of the period.
{"title":"Music-Making as Witness in the Mexican–American War: Testimony, Embodiment and Trauma","authors":"Elizabeth Morgan","doi":"10.1017/S1479409822000246","DOIUrl":"https://doi.org/10.1017/S1479409822000246","url":null,"abstract":"During the two years of the Mexican–American War (1846–48) and in its immediate aftermath, American composers and publishers produced numerous pieces on topics related to the conflict. Many of these were written for solo piano or voice with keyboard accompaniment and marketed as popular entertainment to amateur musicians performing in the home. This repertoire comprises lament songs, battle pieces and patriotic songs and dances. Works include musical depictions of violent and tragic scenes, but most pieces are in major keys, featuring lyrical melodies and upbeat dance rhythms – the typical fare of parlour music of the period.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":"20 1","pages":"33 - 60"},"PeriodicalIF":0.3,"publicationDate":"2022-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41380796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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