Using an eighth-century copy of the 60-fascicle Flower Ornament Sutra as a case study, this article examines the transformation of a Buddhist scripture into an aesthetic object in early modern Japan. On the 14th day of the second month, 1667, a fire decimated Nigatsudo at Todaiji (Nara prefecture) along with most of the sacred objects within. Clerics salvaged partially burnt scrolls of an eighth-century Flower Ornament Sutra done in silver ink on indigo-dyed paper. The scrolls were restored ten years later, but by the first half of the eighteenth century, part of the set left the temple and began circulating in the art market as collectable calligraphy fragments, later known as the “Nigatsudo burnt sutra” (Nigatsudo yakegyo). This study traces the curious shift in the attribution of Nigatsudo yakegyo’s calligrapher that took place in the eighteenth century to consider how the burn marks impacted the transformation of this scripture from a devotional text into a collectable artefact. I argue that the curious switch in attribution occurred adhering to the popular imagination of the calligraphers, as well as the distinct role certain fragments played within the early-modern calligraphy collecting culture.
{"title":"Burning Still","authors":"Akiko Walley","doi":"10.1558/bsrv.25437","DOIUrl":"https://doi.org/10.1558/bsrv.25437","url":null,"abstract":"Using an eighth-century copy of the 60-fascicle Flower Ornament Sutra as a case study, this article examines the transformation of a Buddhist scripture into an aesthetic object in early modern Japan. On the 14th day of the second month, 1667, a fire decimated Nigatsudo at Todaiji (Nara prefecture) along with most of the sacred objects within. Clerics salvaged partially burnt scrolls of an eighth-century Flower Ornament Sutra done in silver ink on indigo-dyed paper. The scrolls were restored ten years later, but by the first half of the eighteenth century, part of the set left the temple and began circulating in the art market as collectable calligraphy fragments, later known as the “Nigatsudo burnt sutra” (Nigatsudo yakegyo). This study traces the curious shift in the attribution of Nigatsudo yakegyo’s calligrapher that took place in the eighteenth century to consider how the burn marks impacted the transformation of this scripture from a devotional text into a collectable artefact. I argue that the curious switch in attribution occurred adhering to the popular imagination of the calligraphers, as well as the distinct role certain fragments played within the early-modern calligraphy collecting culture.","PeriodicalId":41430,"journal":{"name":"Buddhist Studies Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46909654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Shinra Myojin and Buddhist Networks of the East Asian “Mediterranean” by Sujung Kim. University of Hawai’i Press, 2020. 194pp. Hb. $80.00, ISBN-13: 9780824877996; Pb. $28.00, ISBN-13: 9780824888442.
{"title":"Shinra Myojin and Buddhist Networks of the East Asian “Mediterranean” by Sujung Kim","authors":"Richard D. Mcbride II","doi":"10.1558/bsrv.25427","DOIUrl":"https://doi.org/10.1558/bsrv.25427","url":null,"abstract":"Shinra Myojin and Buddhist Networks of the East Asian “Mediterranean” by Sujung Kim. University of Hawai’i Press, 2020. 194pp. Hb. $80.00, ISBN-13: 9780824877996; Pb. $28.00, ISBN-13: 9780824888442.","PeriodicalId":41430,"journal":{"name":"Buddhist Studies Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41321147","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
A Critique of Western Buddhism: Ruins of the Buddhist Real, by Glenn Wallis. Bloomsbury Publishing, 2019. 232 pp., Hb. £90.00, ISBN-13: 9781474283557; Pb. £26.99, ISBN-13: 9781350155213.
{"title":"A Critique of Western Buddhism: Ruins of the Buddhist Real, by Glenn Wallis","authors":"Jonathan C. Gold","doi":"10.1558/bsrv.25432","DOIUrl":"https://doi.org/10.1558/bsrv.25432","url":null,"abstract":"A Critique of Western Buddhism: Ruins of the Buddhist Real, by Glenn Wallis. Bloomsbury Publishing, 2019. 232 pp., Hb. £90.00, ISBN-13: 9781474283557; Pb. £26.99, ISBN-13: 9781350155213.","PeriodicalId":41430,"journal":{"name":"Buddhist Studies Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48137538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article demonstrates that Fujiwara no Toshinori composed the text of the National Treasure Heike nokyo ganmon, which has usually been attributed to Taira no Kiyomori. First, the article establishes that Toshinori was a prolific author of the ganmon genre, which required skill in composing elaborate parallel prose and a profound knowledge of Buddhist doctrine and Chinese history. It then documents the existence of many, overlooked works written by Toshinori and reveals that certain passages found in them match passages in the Heike nokyo ganmon, thus proving Toshinori’s authorship. It focuses in conclusion on Toshinori’s role in producing a picture scroll for the imperial court, a task precisely analogous to that carried out by his brother, the monk Joken, and suggests that Toshinori and his family may have been responsible for a good deal of the art created in the milieu of the retired emperor Goshirakawa.
{"title":"Re–Assessing the Authorship of the Heike Nokyo Ganmon","authors":"Michael E. Jamentz","doi":"10.1558/bsrv.25434","DOIUrl":"https://doi.org/10.1558/bsrv.25434","url":null,"abstract":"This article demonstrates that Fujiwara no Toshinori composed the text of the National Treasure Heike nokyo ganmon, which has usually been attributed to Taira no Kiyomori. First, the article establishes that Toshinori was a prolific author of the ganmon genre, which required skill in composing elaborate parallel prose and a profound knowledge of Buddhist doctrine and Chinese history. It then documents the existence of many, overlooked works written by Toshinori and reveals that certain passages found in them match passages in the Heike nokyo ganmon, thus proving Toshinori’s authorship. It focuses in conclusion on Toshinori’s role in producing a picture scroll for the imperial court, a task precisely analogous to that carried out by his brother, the monk Joken, and suggests that Toshinori and his family may have been responsible for a good deal of the art created in the milieu of the retired emperor Goshirakawa.","PeriodicalId":41430,"journal":{"name":"Buddhist Studies Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44196718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the early-modern Japanese genre of calligraphy albums called tekagami, fragments of copies of sutras are an outstanding presence, but that presence raises questions about their provenance, condition, status, and significance within such settings. This article delves into these and other questions, with a focus on a set of examples in Tekagamijo, an album in the collection of the Beinecke Rare Book and Manuscripts Library, Yale University. The author suggests that sutra-copy fragments (J. shakyogire) have undergone a transformation or ontological shift that replaces their original sacred character with a new, contextually constructed significance that can best be understood through comprehension of the attitudes of the album’s compilers toward their materials and their task.
{"title":"Sutra-copy Fragments in Calligraphy Albums","authors":"E. Kamens","doi":"10.1558/bsrv.25435","DOIUrl":"https://doi.org/10.1558/bsrv.25435","url":null,"abstract":"In the early-modern Japanese genre of calligraphy albums called tekagami, fragments of copies of sutras are an outstanding presence, but that presence raises questions about their provenance, condition, status, and significance within such settings. This article delves into these and other questions, with a focus on a set of examples in Tekagamijo, an album in the collection of the Beinecke Rare Book and Manuscripts Library, Yale University. The author suggests that sutra-copy fragments (J. shakyogire) have undergone a transformation or ontological shift that replaces their original sacred character with a new, contextually constructed significance that can best be understood through comprehension of the attitudes of the album’s compilers toward their materials and their task.","PeriodicalId":41430,"journal":{"name":"Buddhist Studies Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48157272","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Gilded Buddha: the Traditional Art of the Newar Metal Casters in Nepal by Alex R. Furger. Librum, 2017. 328pp., 551 illus. Hb. CHF/EUR 85. ISBN-13: 9783906897066.
{"title":"The Gilded Buddha: the Traditional Art of the Newar Metal Casters in Nepal by Alex R. Furger","authors":"Christian Luczanits","doi":"10.1558/bsrv.25431","DOIUrl":"https://doi.org/10.1558/bsrv.25431","url":null,"abstract":"The Gilded Buddha: the Traditional Art of the Newar Metal Casters in Nepal by Alex R. Furger. Librum, 2017. 328pp., 551 illus. Hb. CHF/EUR 85. ISBN-13: 9783906897066.","PeriodicalId":41430,"journal":{"name":"Buddhist Studies Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2023-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45508183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In the study of Pali metres, abundant research has been conducted on the establishment of rules and taxonomy, and scanning of unscanned verses. In comparison, the stylistic aspects of metres have been somewhat neglected. When the audiences listen to verses with their ears only set for metrical rules but not also the interplay of various rhythmic patterns, they fail to fully capture the aesthetic beauty and the very philosophical messages embedded in them. Taking the verses in the Dasanipata of the Theragatha as examples, this article focuses on the stylistic interplay of rhythmic uniformity and change in the expression of core messages in a Pali poem. It aims to unveil the poets’ strategies in the use of various types of metres and prosodic elements (opening, trimetre break, caesura and cadence) to create the narrative style of each poem and draw the audiences’ attention to the Buddha’s key teachings in the verses.
{"title":"Listening to the Theragatha","authors":"Kam Wai Erich Tam","doi":"10.1558/bsrv.20059","DOIUrl":"https://doi.org/10.1558/bsrv.20059","url":null,"abstract":"In the study of Pali metres, abundant research has been conducted on the establishment of rules and taxonomy, and scanning of unscanned verses. In comparison, the stylistic aspects of metres have been somewhat neglected. When the audiences listen to verses with their ears only set for metrical rules but not also the interplay of various rhythmic patterns, they fail to fully capture the aesthetic beauty and the very philosophical messages embedded in them. Taking the verses in the Dasanipata of the Theragatha as examples, this article focuses on the stylistic interplay of rhythmic uniformity and change in the expression of core messages in a Pali poem. It aims to unveil the poets’ strategies in the use of various types of metres and prosodic elements (opening, trimetre break, caesura and cadence) to create the narrative style of each poem and draw the audiences’ attention to the Buddha’s key teachings in the verses.","PeriodicalId":41430,"journal":{"name":"Buddhist Studies Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43806394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Buddhism after Mao: Negotiations, Continuities, and Reinventions, edited by Ji Zhe, Gareth Fisher, and André Laliberté. University of Hawai’i Press, 2019. 355pp. Hb. $84.00, ISBN-13: 9780824877347; Pb. $28.00, ISBN-13: 9780824888343.
{"title":"Buddhism after Mao: Negotiations, Continuities, and Reinventions, edited by Ji Zhe, Gareth Fisher, and André Laliberté.","authors":"Amandine Péronnet","doi":"10.1558/bsrv.23619","DOIUrl":"https://doi.org/10.1558/bsrv.23619","url":null,"abstract":"Buddhism after Mao: Negotiations, Continuities, and Reinventions, edited by Ji Zhe, Gareth Fisher, and André Laliberté. University of Hawai’i Press, 2019. 355pp. Hb. $84.00, ISBN-13: 9780824877347; Pb. $28.00, ISBN-13: 9780824888343.","PeriodicalId":41430,"journal":{"name":"Buddhist Studies Review","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49095716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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