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Heart Sutra Revisited 重访心经
IF 0.3 3区 哲学 Q2 Arts and Humanities
Buddhist Studies Review
Pub Date : 2023-03-16 DOI: 10.1558/bsrv.25433
Jayarava Attwood
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引用次数: 0
Burning Still 燃烧还
IF 0.3 3区 哲学 Q2 Arts and Humanities
Buddhist Studies Review
Pub Date : 2023-03-16 DOI: 10.1558/bsrv.25437
Akiko Walley
Using an eighth-century copy of the 60-fascicle Flower Ornament Sutra as a case study, this article examines the transformation of a Buddhist scripture into an aesthetic object in early modern Japan. On the 14th day of the second month, 1667, a fire decimated Nigatsudo at Todaiji (Nara prefecture) along with most of the sacred objects within. Clerics salvaged partially burnt scrolls of an eighth-century Flower Ornament Sutra done in silver ink on indigo-dyed paper. The scrolls were restored ten years later, but by the first half of the eighteenth century, part of the set left the temple and began circulating in the art market as collectable calligraphy fragments, later known as the “Nigatsudo burnt sutra” (Nigatsudo yakegyo). This study traces the curious shift in the attribution of Nigatsudo yakegyo’s calligrapher that took place in the eighteenth century to consider how the burn marks impacted the transformation of this scripture from a devotional text into a collectable artefact. I argue that the curious switch in attribution occurred adhering to the popular imagination of the calligraphers, as well as the distinct role certain fragments played within the early-modern calligraphy collecting culture.
本文以八世纪的60卷《花饰经》为例，考察了近代早期日本佛教经典向审美对象的转变。1667年2月14日，东大寺奈良县新冢堂发生火灾，神社内大部分圣物被烧毁。神职人员抢救了一部用银墨在靛蓝纸上绘制的八世纪花饰经部分烧毁的卷轴。这些卷轴在十年后被修复，但到了18世纪上半叶，部分卷轴离开了寺庙，开始作为可收藏的书法碎片在艺术市场上流通，后来被称为“新冢堂烧经”(新冢堂yakegyo)。本研究追溯了十八世纪发生的新冢屋屋书法家归属的奇怪转变，以考虑焚烧痕迹如何影响这一经文从宗教文本转变为可收藏的人工制品。我认为，这种归属上的奇怪转变，既与书法家的普遍想象有关，也与某些碎片在早期现代书法收藏文化中所起的独特作用有关。
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引用次数: 0
Shinra Myojin and Buddhist Networks of the East Asian “Mediterranean” by Sujung Kim 《真罗妙真与东亚“地中海”佛教网络》，作者:金素贞
IF 0.3 3区 哲学 Q2 Arts and Humanities
Buddhist Studies Review
Pub Date : 2023-03-16 DOI: 10.1558/bsrv.25427
Richard D. Mcbride II
Shinra Myojin and Buddhist Networks of the East Asian “Mediterranean” by Sujung Kim. University of Hawai’i Press, 2020. 194pp. Hb. $80.00, ISBN-13: 9780824877996; Pb. $28.00, ISBN-13: 9780824888442.
《真罗妙真与东亚“地中海”佛教网络》，作者:金素贞。夏威夷大学出版社，2020年。194页。Hb。$80.00, isbn-13: 9780824877996;Pb。$28.00, isbn-13: 9780824888442。
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引用次数: 0
A Critique of Western Buddhism: Ruins of the Buddhist Real, by Glenn Wallis 《西方佛教批判:佛教真实的废墟》，格伦·沃利斯著
IF 0.3 3区 哲学 Q2 Arts and Humanities
Buddhist Studies Review
Pub Date : 2023-03-16 DOI: 10.1558/bsrv.25432
Jonathan C. Gold
A Critique of Western Buddhism: Ruins of the Buddhist Real, by Glenn Wallis. Bloomsbury Publishing, 2019. 232 pp., Hb. £90.00, ISBN-13: 9781474283557; Pb. £26.99, ISBN-13: 9781350155213.
《西方佛教批判：佛教真实的废墟》，格伦·沃利斯著。布鲁姆斯伯里出版社，2019年。232页，Hb。90.00英镑，13亿英镑：9781474283557；Pb。26.99英镑，13亿英镑：9781350515213。
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引用次数: 0
Re–Assessing the Authorship of the Heike Nokyo Ganmon 对《黑夜行》作者身份的再评价
IF 0.3 3区 哲学 Q2 Arts and Humanities
Buddhist Studies Review
Pub Date : 2023-03-16 DOI: 10.1558/bsrv.25434
Michael E. Jamentz
This article demonstrates that Fujiwara no Toshinori composed the text of the National Treasure Heike nokyo ganmon, which has usually been attributed to Taira no Kiyomori. First, the article establishes that Toshinori was a prolific author of the ganmon genre, which required skill in composing elaborate parallel prose and a profound knowledge of Buddhist doctrine and Chinese history. It then documents the existence of many, overlooked works written by Toshinori and reveals that certain passages found in them match passages in the Heike nokyo ganmon, thus proving Toshinori’s authorship. It focuses in conclusion on Toshinori’s role in producing a picture scroll for the imperial court, a task precisely analogous to that carried out by his brother, the monk Joken, and suggests that Toshinori and his family may have been responsible for a good deal of the art created in the milieu of the retired emperor Goshirakawa.
本文论证了通常被认为是平拉不清森所作的国宝《平池野京文》的文本是藤原野信所作。首先，这篇文章确立了toshiori是一位多产的体裁作家，这种体裁需要精心创作平行散文的技巧，以及对佛教教义和中国历史的深刻了解。然后，它记录了许多被忽视的toshiori所写的作品的存在，并揭示了其中发现的某些段落与平池nokyo ganmon中的段落相匹配，从而证明了toshiori的作者身份。在结语中，它集中讨论了俊典在为宫廷制作画卷中的作用，这一任务与他的兄弟和尚约ken所做的任务完全相似，并表明俊典和他的家人可能对退休的高白川天皇环境中创作的大量艺术负有责任。
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引用次数: 0
Sutra-copy Fragments in Calligraphy Albums 书法画册藏经碎片
IF 0.3 3区 哲学 Q2 Arts and Humanities
Buddhist Studies Review
Pub Date : 2023-03-16 DOI: 10.1558/bsrv.25435
E. Kamens
In the early-modern Japanese genre of calligraphy albums called tekagami, fragments of copies of sutras are an outstanding presence, but that presence raises questions about their provenance, condition, status, and significance within such settings. This article delves into these and other questions, with a focus on a set of examples in Tekagamijo, an album in the collection of the Beinecke Rare Book and Manuscripts Library, Yale University. The author suggests that sutra-copy fragments (J. shakyogire) have undergone a transformation or ontological shift that replaces their original sacred character with a new, contextually constructed significance that can best be understood through comprehension of the attitudes of the album’s compilers toward their materials and their task.
在现代日本早期的书法画册“tekagami”中，佛经副本的碎片是一种杰出的存在，但这种存在引发了人们对其出处、状况、地位和在这种环境中的意义的质疑。本文深入探讨了这些问题和其他问题，重点介绍了耶鲁大学贝内克珍本和手稿图书馆收藏的《Tekagamijo》中的一组例子。作者认为，经抄碎片（J.shakyogire）已经经历了一次转变或本体论的转变，用一种新的、情境构建的意义取代了它们最初的神圣特征，这种意义可以通过理解专辑编纂者对材料和任务的态度来最好地理解。
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引用次数: 0
The Gilded Buddha: the Traditional Art of the Newar Metal Casters in Nepal by Alex R. Furger 《镀金佛像：尼泊尔纽瓦金属铸造者的传统艺术》，亚历克斯·R·弗格著
IF 0.3 3区 哲学 Q2 Arts and Humanities
Buddhist Studies Review
Pub Date : 2023-03-16 DOI: 10.1558/bsrv.25431
Christian Luczanits
The Gilded Buddha: the Traditional Art of the Newar Metal Casters in Nepal by Alex R. Furger. Librum, 2017. 328pp., 551 illus. Hb. CHF/EUR 85. ISBN-13: 9783906897066.
《镀金佛像：尼泊尔纽瓦金属铸造者的传统艺术》，亚历克斯·R·弗格著。Librum，2017。328页。，551插图。Hb。CHF/EUR 85。ISBN-13:9783906897066。
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引用次数: 0
Challenges in farmed insect welfare: Beyond the question of sentience. 养殖昆虫福利面临的挑战：超越知觉问题。
IF 1.2 3区 哲学 Q2 Arts and Humanities
Buddhist Studies Review
Pub Date : 2023-01-26 eCollection Date: 2023-01-01 DOI: 10.1017/awf.2022.5
Meghan Barrett, Bob Fischer

The global Insects as Food and Feed (IAFF) industry currently farms over a trillion individual insects a year and is growing rapidly. Intensive animal production systems are known to cause a range of negative affective states in livestock; given the potential scale of the IAFF industry, it is urgent to consider the welfare of the industry's insect livestock. The majority of the literature on farmed insect welfare has focused on: (i) establishing that insect welfare ought to be of concern; or (ii) extending vertebrate welfare frameworks to insects. However, there are many overlooked challenges to studying insect welfare and applying that knowledge in IAFF industry contexts. Here, we briefly review five of these challenges. We end with practical recommendations for the future study of insect welfare.

目前，全球昆虫作为食品和饲料（IAFF）产业每年养殖超过一万亿只昆虫，而且还在迅速增长。众所周知，集约化动物生产系统会对家畜造成一系列负面影响；鉴于昆虫产业的潜在规模，迫切需要考虑该产业中昆虫家畜的福利问题。有关养殖昆虫福利的大部分文献都集中在：(i) 确定昆虫福利应该受到关注；或 (ii) 将脊椎动物福利框架扩展到昆虫。然而，在研究昆虫福利并将相关知识应用于国际家畜饲养业方面，存在许多被忽视的挑战。在此，我们简要回顾了其中五项挑战。最后，我们将为未来的昆虫福利研究提出切实可行的建议。
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引用次数: 0
David Seyfort Ruegg David Seyfort Ruegg
IF 0.3 3区 哲学 Q2 Arts and Humanities
Buddhist Studies Review
Pub Date : 2022-09-06 DOI: 10.1558/bsrv.23733
J. Westerhoff
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引用次数: 0
Listening to the Theragatha 听Theragatha
IF 0.3 3区 哲学 Q2 Arts and Humanities
Buddhist Studies Review
Pub Date : 2022-09-06 DOI: 10.1558/bsrv.20059
Kam Wai Erich Tam
In the study of Pali metres, abundant research has been conducted on the establishment of rules and taxonomy, and scanning of unscanned verses. In comparison, the stylistic aspects of metres have been somewhat neglected. When the audiences listen to verses with their ears only set for metrical rules but not also the interplay of various rhythmic patterns, they fail to fully capture the aesthetic beauty and the very philosophical messages embedded in them. Taking the verses in the Dasanipata of the Theragatha as examples, this article focuses on the stylistic interplay of rhythmic uniformity and change in the expression of core messages in a Pali poem. It aims to unveil the poets’ strategies in the use of various types of metres and prosodic elements (opening, trimetre break, caesura and cadence) to create the narrative style of each poem and draw the audiences’ attention to the Buddha’s key teachings in the verses.
在巴利文的研究中，对规则和分类的建立以及未经扫描的诗句的扫描进行了大量的研究。相比之下，米的文体方面被忽略了。当观众用耳朵听诗歌时，他们的耳朵只设置了韵律规则，而没有设置各种节奏模式的相互作用，他们无法充分捕捉到审美美和嵌入其中的哲学信息。本文以《上座本》中的诗句为例，着重探讨巴利语诗歌中核心信息表达的节奏一致性和变化之间的风格相互作用。它旨在揭示诗人在使用各种韵律和韵律元素（开场、三分音符、停顿和抑扬顿挫）来创造每首诗的叙事风格方面的策略，并吸引观众注意诗歌中佛陀的主要教义。
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引用次数: 0
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