{"title":"Questions Raised by Australian A-frames","authors":"Samantha Johnson","doi":"10.1353/apo.2021.0017","DOIUrl":"https://doi.org/10.1353/apo.2021.0017","url":null,"abstract":"","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"33 1","pages":"107 - 108"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82062188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"What I Was Looking For","authors":"David Adès","doi":"10.1353/apo.2021.0045","DOIUrl":"https://doi.org/10.1353/apo.2021.0045","url":null,"abstract":"","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"130 1","pages":"264 - 264"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73311561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
J. Gildersleeve, Kate Cantrell, N. Prowse, Sharon A. Bickle, I. Bryce
Abstract:The name Christos Tsiolkas may as well be a synonym for "controversial." The term peppers most critical and popular articles about the writer's work, such that what Zuckerman terms Tsiolkas's "provocations" almost no longer bear comment. Yet for first-year students of Australian literature, such content may not be as commonplace as this discourse suggests. Indeed, the provocations of the Tsiolkas oeuvre, despite their affiliation with key genres and concerns of contemporary Australian literature, may prove too confronting or too overwhelming for the novice literary critic. This article maps a range of issues arising from the study of Tsiolkas's work in a first-year Australian literature course at a regional university in Australia. With a particular focus on what is perhaps the author's most controversial work, Dead Europe (2005), we consider why Tsiolkas's narratives can be so difficult for literary studies students and outline how the use of reflective practice offers a safe space for engaging with such "triggering" work.
{"title":"Tsiolkas in the Classroom: Confronting Our Discomfort","authors":"J. Gildersleeve, Kate Cantrell, N. Prowse, Sharon A. Bickle, I. Bryce","doi":"10.1353/apo.2021.0013","DOIUrl":"https://doi.org/10.1353/apo.2021.0013","url":null,"abstract":"Abstract:The name Christos Tsiolkas may as well be a synonym for \"controversial.\" The term peppers most critical and popular articles about the writer's work, such that what Zuckerman terms Tsiolkas's \"provocations\" almost no longer bear comment. Yet for first-year students of Australian literature, such content may not be as commonplace as this discourse suggests. Indeed, the provocations of the Tsiolkas oeuvre, despite their affiliation with key genres and concerns of contemporary Australian literature, may prove too confronting or too overwhelming for the novice literary critic. This article maps a range of issues arising from the study of Tsiolkas's work in a first-year Australian literature course at a regional university in Australia. With a particular focus on what is perhaps the author's most controversial work, Dead Europe (2005), we consider why Tsiolkas's narratives can be so difficult for literary studies students and outline how the use of reflective practice offers a safe space for engaging with such \"triggering\" work.","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"17 1","pages":"101 - 83"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80314430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Self-Portrait with Moreton Bay Figs: Melbourne. 26.9.2021 – Susan Fealy","authors":"Susan Fealy","doi":"10.1353/apo.2021.0022","DOIUrl":"https://doi.org/10.1353/apo.2021.0022","url":null,"abstract":"","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"5 1","pages":"114 - 114"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74912497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A vote of confidence in the future of Australian literary studies","authors":"G. Rodoreda","doi":"10.1353/apo.2021.0002","DOIUrl":"https://doi.org/10.1353/apo.2021.0002","url":null,"abstract":"","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"259 1","pages":"293 - 296"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74935902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Regional readers in Australia face real and ongoing challenges when it comes to obtaining the reading matter they truly desire. As scholars, we contend with the related difficulty of tracking and mapping historical reading life in the regions without access to records that are either absent or carefully protected. Navigating this territory, we seek in this article to provide a suggestive account of literary activities in a region much more associated with the hardships of agricultural labor than with reading. Our specific focus is on readers in the Mallee region of northwest Victoria and what we term the "literary infrastructures" made available to them over time, since the early years of colonization. These infrastructures that enable, promote, and support reading publics have offered a surprisingly diverse but also highly uneven access to books and reading cultures in the Mallee. Our study reveals the specificity of the Mallee as a site of institutional and community interest that mobilized specific visions and assumptions of what Mallee people need and want. We illuminate the ways in which external actors and organizations constructed an image of the Mallee as suffering, ravaged, and worthy of pity, leading to charity drives and mobile library services that sought to compensate for the lack of available reading materials. This article shows how readers were imagined, solicited, and serviced by literary infrastructures. Although the Mallee may not have identified as a literary community in the early twentieth century, it did regard itself as a reading community, albeit one shaped by isolation.
{"title":"Imagining Mallee Readers: Literary Infrastructures of a Regional Community","authors":"B. Magner, E. Potter","doi":"10.1353/apo.2021.0034","DOIUrl":"https://doi.org/10.1353/apo.2021.0034","url":null,"abstract":"Abstract:Regional readers in Australia face real and ongoing challenges when it comes to obtaining the reading matter they truly desire. As scholars, we contend with the related difficulty of tracking and mapping historical reading life in the regions without access to records that are either absent or carefully protected. Navigating this territory, we seek in this article to provide a suggestive account of literary activities in a region much more associated with the hardships of agricultural labor than with reading. Our specific focus is on readers in the Mallee region of northwest Victoria and what we term the \"literary infrastructures\" made available to them over time, since the early years of colonization. These infrastructures that enable, promote, and support reading publics have offered a surprisingly diverse but also highly uneven access to books and reading cultures in the Mallee. Our study reveals the specificity of the Mallee as a site of institutional and community interest that mobilized specific visions and assumptions of what Mallee people need and want. We illuminate the ways in which external actors and organizations constructed an image of the Mallee as suffering, ravaged, and worthy of pity, leading to charity drives and mobile library services that sought to compensate for the lack of available reading materials. This article shows how readers were imagined, solicited, and serviced by literary infrastructures. Although the Mallee may not have identified as a literary community in the early twentieth century, it did regard itself as a reading community, albeit one shaped by isolation.","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"116 1","pages":"233 - 250"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76908697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Listening in, reaching out","authors":"Michael J. Coplen","doi":"10.1353/apo.2021.0050","DOIUrl":"https://doi.org/10.1353/apo.2021.0050","url":null,"abstract":"","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"119 1","pages":"303 - 305"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78554633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"6.3.8 (37) (Darkin River, Fire Dam)","authors":"C. Noske","doi":"10.1353/apo.2021.0023","DOIUrl":"https://doi.org/10.1353/apo.2021.0023","url":null,"abstract":"","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"137 1","pages":"115 - 115"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86614423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:The movement of printers and their technologies and practices between Bass Strait and the Australian mainland was in clear evidence from the 1820s onward. New South Wales government printer George Howe's son George Terry began a press in northern Tasmania in early January 1825 to print The Tasmanian and The Port Dalrymple Advertiser. After twenty issues of The Tasmanian, George Terry relocated in late May to Hobart to contentiously start a joint venture as Tasmanian government printer with James Ross: The Hobart Town Gazette, allegedly pirated from Andrew Bent's newly unlicensed newspaper. Bent commenced his professional life in 1812 as assistant to George Clark, Tasmania's government printer; Bent succeeded Clarke in 1815 until 1825, after which he left Tasmania in 1839 to pursue new opportunities in Sydney. Within two months, Bent founded the newspaper Bent's News and New South Wales Advertiser. John Pascoe Fawkner, Victoria's first printer, commenced his printing career in 1828 in Launceston when he launched the Launceston Advertiser. He moved to Melbourne in 1835 and established the colony's first newspaper, the Melbourne Advertiser, on 1 January 1838. Fawkner maintained a significant voice in the colony after his departure from the industry in the 1840s, such as being elected a member of local council in 1845, participating in the separation of the Port Philip district from New South Wales, and publishing letters expressing his views on colonial life. This article therefore provides a twenty-first-century appraisal of the intra- and intercolonial connectedness of these peripatetic printers.
{"title":"Peripatetic Printers of Early Nineteenth-Century Australia: The Interconnected Stories of Howe, Bent, and Fawkner","authors":"J. Hargrave","doi":"10.1353/apo.2021.0033","DOIUrl":"https://doi.org/10.1353/apo.2021.0033","url":null,"abstract":"Abstract:The movement of printers and their technologies and practices between Bass Strait and the Australian mainland was in clear evidence from the 1820s onward. New South Wales government printer George Howe's son George Terry began a press in northern Tasmania in early January 1825 to print The Tasmanian and The Port Dalrymple Advertiser. After twenty issues of The Tasmanian, George Terry relocated in late May to Hobart to contentiously start a joint venture as Tasmanian government printer with James Ross: The Hobart Town Gazette, allegedly pirated from Andrew Bent's newly unlicensed newspaper. Bent commenced his professional life in 1812 as assistant to George Clark, Tasmania's government printer; Bent succeeded Clarke in 1815 until 1825, after which he left Tasmania in 1839 to pursue new opportunities in Sydney. Within two months, Bent founded the newspaper Bent's News and New South Wales Advertiser. John Pascoe Fawkner, Victoria's first printer, commenced his printing career in 1828 in Launceston when he launched the Launceston Advertiser. He moved to Melbourne in 1835 and established the colony's first newspaper, the Melbourne Advertiser, on 1 January 1838. Fawkner maintained a significant voice in the colony after his departure from the industry in the 1840s, such as being elected a member of local council in 1845, participating in the separation of the Port Philip district from New South Wales, and publishing letters expressing his views on colonial life. This article therefore provides a twenty-first-century appraisal of the intra- and intercolonial connectedness of these peripatetic printers.","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"25 1","pages":"216 - 232"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75558779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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