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Antipodes-A Global Journal of Australian/New Zealand Literature最新文献

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Watching
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-09-08 DOI: 10.1353/apo.2022.a906039
Andrew Lansdown
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引用次数: 1
Without a safety net 没有安全网
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-09-08 DOI: 10.1353/apo.2022.a906049
Peter Bakowski
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引用次数: 0
At Tunnel Beach 隧道泳滩
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-09-08 DOI: 10.1353/apo.2022.a906050
Brent Cantwell
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引用次数: 0
From Brest… Indigenous Environmental Practices as Responses to Pollution 来自布雷斯特…土著环境实践作为对污染的反应
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-09-08 DOI: 10.1353/apo.2022.a906057
Laura Singeot
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引用次数: 0
From Chicago… AAALS 2022 Conference 来自芝加哥…AAALS 2022会议
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-09-08 DOI: 10.1353/apo.2022.a906056
Brenda Machosky
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引用次数: 0
But how did the hole get there? 但是这个洞是怎么来的呢?
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-09-08 DOI: 10.1353/apo.2022.a906041
Heather Taylor-Johnson
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引用次数: 0
Light sings 轻唱
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-09-08 DOI: 10.1353/apo.2022.a906044
Lidija Šimkutė
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引用次数: 0
Climate Fiction and Disability: Enabled Futures in James Bradley's Clade (2015) 气候小说与残疾:詹姆斯·布拉德利的未来(2015)
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-09-08 DOI: 10.1353/apo.2022.a906037
G. Rodoreda
Abstract:James Bradley's futuristic novel Clade (2015) is not chiefly a story about human disability. It is a novel about climate crisis set across the course of the twenty-first century. But midway through the novel, we are introduced to a seven-year-old boy, Noah, who becomes a key character in the second half of the narrative. Noah is on the spectrum. Autistics decry their portrayal in fiction as aliens, as outsiders, as harbingers of disease and disorder, as beings without agency. As we get to know Noah as a boy, through his teenage years, and later on as an astronomer, his autism is neither denied nor made the defining characteristic of his personhood. Noah is given voice, perspective, and centrality as a rounded character, emerging as someone well suited to a future world reshaped by environmental crises and new social relations. He is not pathologized but socialized across the course of the novel into a world of family, friends, and work. Like his biblical namesake, Noah becomes a survivor in the new environmental and social spaces of the latter part of the twenty-first century.
摘要:詹姆斯·布拉德利(James Bradley)的未来主义小说《进化》(Clade, 2015)并不是一个主要关于人类残疾的故事。这是一部关于21世纪气候危机的小说。但在小说的中间部分,我们看到了一个七岁的男孩,诺亚,他成为了故事后半段的关键人物。诺亚有这种症状。自闭症患者谴责他们在小说中被描绘成外星人、局外人、疾病和紊乱的先兆、没有能动性的人。当我们了解诺亚的时候,从他的少年时代,到后来成为一名天文学家,他的自闭症既没有被否认,也没有被认为是他人格的决定性特征。诺亚作为一个圆润的人物,被赋予了声音、视角和中心地位,成为一个非常适合未来世界的人,这个世界被环境危机和新的社会关系所重塑。他没有被病态化,而是在小说的整个过程中融入了家庭、朋友和工作的世界。就像圣经中同名的诺亚一样,诺亚在21世纪后半叶的新环境和社会空间中成为了幸存者。
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引用次数: 0
Daisy & Woolf by Michelle Cahill (review) 米歇尔·卡希尔《黛西与伍尔夫》(书评)
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-09-08 DOI: 10.1353/apo.2022.a906066
Matthew Hooton
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引用次数: 0
Wording Mute Posthumanism in Alexis Wright's The Swan Book 亚历克西斯·赖特《天鹅之书》中沉默的后人文主义的措辞
0 LITERATURE, AFRICAN, AUSTRALIAN, CANADIAN Pub Date : 2023-09-08 DOI: 10.1353/apo.2022.a906038
Iva Polak
Abstract:Alexis Wright's critically acclaimed third novel, The Swan Book (2013), has been analyzed profusely by scholars around the world. No matter how manifold these interpretative nets may be, they always refer to the character Oblivion Ethyl(ene), aka Oblivia. What is particularly telling in that regard is that Oblivia as the novel's protagonist and focalizer is a speechless child. As the article shows, Wright's so-called total novel constructs Oblivia and the virus in her brain as the novel's narrator(s), enabling her to fill her speechless world with words and meaning. Hence, as a mute narrator, Oblivia becomes one of the most unreliable but equally one of the most honest, life-affirming storytellers in contemporary fiction. The universe of her unspoken words reveals Oblivia's ability to communicate with the nonhuman and other-than-human, offering readers who are receptive a story about what it means to be posthuman in a world that defies posthumanism.
摘要:亚历克西斯·赖特的第三部小说《天鹅之书》(2013)广受好评,受到世界各地学者的广泛分析。不管这些解释网有多复杂,它们总是指的是遗忘乙基(ene),也就是遗忘。在这方面特别能说明问题的是,作为小说的主角和焦点的湮没者是一个不会说话的孩子。正如文章所示,赖特所谓的整体小说在她的大脑中构建了遗忘和病毒作为小说的叙述者,使她能够用语言和意义填满她无言的世界。因此,作为一个沉默的叙述者,湮没成为当代小说中最不可靠但同样也是最诚实、最肯定生命的故事讲述者之一。湮没的话语揭示了湮没者与非人类和非人类交流的能力,为那些乐于接受的读者讲述了在一个反抗后人类主义的世界里成为后人类意味着什么。
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引用次数: 0
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Antipodes-A Global Journal of Australian/New Zealand Literature
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