{"title":"Introduction: Social Hour for Australia's Scholars of Book History and Publishing Studies","authors":"P. Henningsgaard","doi":"10.1353/apo.2021.0028","DOIUrl":"https://doi.org/10.1353/apo.2021.0028","url":null,"abstract":"","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"1 1","pages":"121 - 123"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90619874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mabo: Landmark and paradox","authors":"Rhonda Evans","doi":"10.1353/apo.2021.0052","DOIUrl":"https://doi.org/10.1353/apo.2021.0052","url":null,"abstract":"","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"101 1","pages":"291 - 293"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85953448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:Currently there is no clear and comprehensive way to measure the "diversity" of literature in the Australian public sphere. After outlining and analyzing the current measures in use—such as proxies, industry-wide studies, and activist-led counts—this article proposes the expansion of metadata in order to provide richer data for the publishing industry and researchers into the sector. By improving the use of subject codes, increasing the scope and number of terms used in keywords, and strengthening the use of descriptions and biographies, metadata can serve as an elegant solution to the publishing industry's abiding lack of data. If this is done in an ethically sound way, using examples of data protocols and practices already in existence in Australia (e.g., to uphold Indigenous data sovereignty), publisher-supplied metadata can improve the ability of publishing houses and researchers to move the needle on the range, variety, and volume of voices in Australia's bibliosphere.
{"title":"Measuring \"Diversity\" in Australian Publishing: An Overview and a Proposal","authors":"Jodie Lea Martire","doi":"10.1353/apo.2021.0031","DOIUrl":"https://doi.org/10.1353/apo.2021.0031","url":null,"abstract":"Abstract:Currently there is no clear and comprehensive way to measure the \"diversity\" of literature in the Australian public sphere. After outlining and analyzing the current measures in use—such as proxies, industry-wide studies, and activist-led counts—this article proposes the expansion of metadata in order to provide richer data for the publishing industry and researchers into the sector. By improving the use of subject codes, increasing the scope and number of terms used in keywords, and strengthening the use of descriptions and biographies, metadata can serve as an elegant solution to the publishing industry's abiding lack of data. If this is done in an ethically sound way, using examples of data protocols and practices already in existence in Australia (e.g., to uphold Indigenous data sovereignty), publisher-supplied metadata can improve the ability of publishing houses and researchers to move the needle on the range, variety, and volume of voices in Australia's bibliosphere.","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"34 1","pages":"163 - 188"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81034385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Which story to tell?","authors":"Richard Carr","doi":"10.1353/apo.2021.0049","DOIUrl":"https://doi.org/10.1353/apo.2021.0049","url":null,"abstract":"","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"26 1","pages":"296 - 298"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77172465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Abstract:From 1996 to 2002, the renowned Australian novelist Christos Tsiolkas worked collaboratively with the Melbourne playwrights Andrew Bovell, Patricia Cornelius, and Melissa Reeves and the musician Irine Vela to write Who's Afraid of the Working Class? (1998) and Fever (2002) for the Melbourne Workers Theatre. While Tsiolkas's prose work is the subject of extensive study, these collaborative and highly successful plays are largely ignored, despite their undisputed influence on the subsequent Australian theatrical canon and the light they shed on his broader oeuvre. In this article, we posit that these two theatrical works draw on Tsiolkas's political rage to deliberately challenge Australians' perceptions of class warfare by problematizing political ideology through the exploration of race and religion. A historical context of Australian playwriting is provided and positions Tsiolkas as a key contributor in bringing queer and immigrant experiences from the margin to the center of Australian stages. Tsiolkas's key contributions to both theatrical works are discussed in detail, and the implicit calls for revolution in the plays are put in the larger context of his career and its political and social preoccupations, including the themes of his later, more commercial works. The authors' arguments are framed in notions of Tsiolkas provocatively calling for a revolution within Australian national identity.
{"title":"Class, Rage, and Staging the Revolution: Tsiolkas's Theater","authors":"David Burton, J. Gildersleeve, Kathryn Kelly","doi":"10.1353/apo.2021.0011","DOIUrl":"https://doi.org/10.1353/apo.2021.0011","url":null,"abstract":"Abstract:From 1996 to 2002, the renowned Australian novelist Christos Tsiolkas worked collaboratively with the Melbourne playwrights Andrew Bovell, Patricia Cornelius, and Melissa Reeves and the musician Irine Vela to write Who's Afraid of the Working Class? (1998) and Fever (2002) for the Melbourne Workers Theatre. While Tsiolkas's prose work is the subject of extensive study, these collaborative and highly successful plays are largely ignored, despite their undisputed influence on the subsequent Australian theatrical canon and the light they shed on his broader oeuvre. In this article, we posit that these two theatrical works draw on Tsiolkas's political rage to deliberately challenge Australians' perceptions of class warfare by problematizing political ideology through the exploration of race and religion. A historical context of Australian playwriting is provided and positions Tsiolkas as a key contributor in bringing queer and immigrant experiences from the margin to the center of Australian stages. Tsiolkas's key contributions to both theatrical works are discussed in detail, and the implicit calls for revolution in the plays are put in the larger context of his career and its political and social preoccupations, including the themes of his later, more commercial works. The authors' arguments are framed in notions of Tsiolkas provocatively calling for a revolution within Australian national identity.","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"86 1","pages":"53 - 65"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80836781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"my father types me a note and in it writes \"for the reasons given\" rather than actually using the word depression","authors":"Paula Harris","doi":"10.1353/apo.2021.0039","DOIUrl":"https://doi.org/10.1353/apo.2021.0039","url":null,"abstract":"","PeriodicalId":41595,"journal":{"name":"Antipodes-A Global Journal of Australian/New Zealand Literature","volume":"30 1","pages":"256 - 256"},"PeriodicalIF":0.0,"publicationDate":"2023-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75329725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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