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Pacific Coast Philology最新文献

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Mutiny on the Sofa: Historical Patterns of Patriarchy and Family Structure in American Science Fiction, 1945–2018 沙发上的叛变:1945-2018年美国科幻小说中父权制和家庭结构的历史模式
Pub Date : 2019-01-08 DOI: 10.5325/PACICOASPHIL.53.2.0308
J. Axelrod
Abstract:In the aftermath of World War II, American science fiction frequently turned to the trope of the autonomous nuclear family homesteading the cosmos in their own little space ship. This particular depiction of family reflects an ideology of frontier nostalgia, but it also almost inevitably conflates fatherly patriarchal authority with the strictures of naval discipline, providing an unsettling note of authoritarian tyranny in a genre intended to reinforce ideologies of “togetherness” and the comfortable “natural” order of familial authority. Analyses of Robert Heinlein’s The Rolling Stones, TV series Lost in Space and Star Trek, Becky Chambers’s The Long Way to a Small, Angry Planet, Disney’s Miles from Tomorrowland, and the graphic novel series Saga trace the decline of the “retrospective utopian” patriarchal family model and counterbalance it with the emergence of new, more flexible family authority structures appropriate to the twenty-first century.
摘要:第二次世界大战结束后,美国科幻小说经常转向自主核家庭在自己的小宇宙飞船上定居宇宙的比喻。这种对家庭的特殊描绘反映了一种边疆怀旧的意识形态,但它也几乎不可避免地将父亲般的父权权威与海军纪律的严格混为一谈,提供了一种专制暴政的令人不安的音符,这种风格旨在强化“团结”的意识形态和舒适的“自然”家庭权威秩序。罗伯特·海因莱因(Robert Heinlein)的《滚石》(The Rolling Stones)、电视剧《迷失在太空》(Lost in Space)和《星际迷航》(Star Trek)、贝基·钱伯斯(Becky Chambers,适合二十一世纪的更灵活的家庭权力结构。
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引用次数: 4
Introduction: The Metafamily 引言:元家族
Pub Date : 2019-01-08 DOI: 10.5325/PACICOASPHIL.53.2.0145
Craig Svonkin, S. Axelrod
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引用次数: 3
Street Families and Wild Boys: A Collage for William S. Burroughs 街头家庭和野男孩:威廉·s·巴勒斯的拼贴画
Pub Date : 2019-01-08 DOI: 10.5325/PACICOASPHIL.53.2.0335
Joseph T. Thomas
Abstract:This article uses William S. Burroughs’s novel The Wild Boys: A Book of the Dead as a mechanism for understanding contemporary constructions of the child. Placing Burroughs’s novel in conversation with Lee Edelman’s No Future: Queer Theory and the Death Drive, the article explores how Burroughs’s conception of the child (as suggested in The Wild Boys) offers a provocatively powerful alternative to Edelman’s “Child,” the latter lashed forever to “reproductive futurity” whereas the former radically resists it and the conservative, homophobic status quo it serves to perpetuate. There’s also some stuff about actual children, living on the streets or otherwise.
摘要:本文以威廉·S·巴勒斯的小说《狂野男孩:死亡之书》作为理解当代儿童结构的机制。这篇文章将巴勒斯的小说与李·艾德尔曼的《没有未来:酷儿理论与死亡驱动》进行了对话,探讨了巴勒斯对孩子的概念(如《狂野男孩》中所建议的)如何为埃德尔曼的《孩子》提供了一个挑衅性的强大替代品,后者永远坚持“生殖未来”,它使恐同的现状得以延续。还有一些关于真实孩子的东西,生活在街头或其他地方。
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引用次数: 0
Beyond the Domestic Sphere: Desire, Intimacy, and Other Feelings in Collections of Queer Testimonios 超越家庭领域:欲望、亲密关系和其他感觉
Pub Date : 2019-01-08 DOI: 10.5325/PACICOASPHIL.53.2.0255
Edward Chamberlain
Abstract:Abstract: In this article, the author explores how the testimonios (or testimonial writing) of queer Spanish speakers across the Americas have attested to the social complexities embedded in alternative and dominant formulations of familial experiences. This project likewise considers how collections of queer testimonios from the early 2000s have the effect of decentering and reconfiguring the conventional family sphere in ways that benefit vulnerable populations. Instead of maintaining dominant familial paradigms, editors and participants involved in such collections (re)conceptualize familial experiences by breaking domestic silences around queer desires.
摘要:在这篇文章中,作者探讨了美洲各地说西班牙语的酷儿的证词(或证词写作)如何证明了家庭经验的替代和主导公式中嵌入的社会复杂性。这个项目同样考虑了从21世纪初开始收集的酷儿证词如何以有利于弱势群体的方式分散和重新配置传统家庭领域的影响。与维持主流的家庭模式不同,这些收藏的编辑和参与者通过打破家庭对酷儿欲望的沉默,(重新)概念化了家庭体验。
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引用次数: 0
“A Fellow Feeling for Lads”: Civil War Nursing and Queer Family-Making in Louisa May Alcott’s Hospital Sketches “对小伙子们的感觉”:路易莎·梅·奥尔科特的医院速写中的内战护理和同性恋家庭
Pub Date : 2019-01-08 DOI: 10.5325/PACICOASPHIL.53.2.0182
Kaitlyn Smith
Abstract:This article argues that the Civil War hospital was the site at which the heteronormative American family was challenged by the writing and practice of queer nurses such as Walt Whitman and Louisa May Alcott. Like Whitman’s, Alcott’s Civil War writing establishes a process of queer family-making that has room for both sincere affection and erotic desire. In Hospital Sketches, Alcott’s heroine Tribulation rejects the patriarchal nuclear family and figures herself as a member of a functional and fulfilling queer household—she becomes a soldier, nurse, mother, sister, lover, and protector to her patients. After her identity-affirming work outside of oppressive family structures, Tribulation’s sickness and early discharge from service are described as physical and psychic war wounds, and the end of Alcott’s story depicts Tribulation as a wounded soldier in the fight for non-normative families.
摘要:本文认为,美国南北战争时期的医院是异性恋家庭受到沃尔特·惠特曼和路易莎·梅·奥尔科特等酷儿护士的写作和实践挑战的场所。和惠特曼一样,奥尔科特的内战写作也建立了一个酷儿家庭建构的过程,为真诚的感情和情欲提供了空间。在《医院小品》中,奥尔科特饰演的女主人公“苦难”拒绝了父权核心家庭,把自己塑造成一个功能强大、令人满意的酷儿家庭的一员——她成为了病人的士兵、护士、母亲、姐妹、爱人和保护者。在她在压迫性家庭结构之外的身份确认工作之后,Tribulation的疾病和早期退伍被描述为身体和精神上的战争创伤,Alcott故事的结尾将Tribulation描绘成一个为非规范家庭而战的受伤士兵。
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引用次数: 1
“Felons, Not Families”: U.S. Immigration Policies and the Construction of an American Underclass “重罪而非家庭”:美国移民政策与美国下层社会的构建
Pub Date : 2019-01-08 DOI: 10.5325/PACICOASPHIL.53.2.0155
Kathryn Stevenson
Abstract:Amid the recent rescinding of DACA and DAPA, this article examines two competing discursive constructions of undocumented immigrants: as “families,” a move that coincides with efforts to offer more inclusive immigration reform; or as “felons,” a move that coincides with efforts to offer more exclusive immigration reforms. In examining these binary depictions of undocumented immigrant populations, this article argues that the deployment of the figure of the felon or criminal to describe immigrants casts immigration as a criminal anomaly and contributes to more punishing immigration policies, troubling kinship trends, and the criminalization of undocumented populations and Latinos more generally.
摘要:在最近废除DACA和DAPA的过程中,本文考察了无证移民的两种相互竞争的话语结构:作为“家庭”,这一举措与提供更具包容性的移民改革的努力不谋而合;或者被称为“重罪犯”,此举与提供更具排他性的移民改革的努力不谋而合。在研究这些对无证移民人口的二元描述时,本文认为,使用重罪犯或罪犯的形象来描述移民将移民视为一种犯罪反常现象,并有助于更严厉的移民政策、令人不安的亲属关系趋势,以及更普遍地将无证人口和拉丁裔定罪。
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引用次数: 0
Fürstenfelde and Unterleuten 贵族和贵族
Pub Date : 2019-01-01 DOI: 10.5325/pacicoasphil.54.2.0135
Olivia Albiero
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引用次数: 0
Editor’s Note Editor’s音符
Pub Date : 2019-01-01 DOI: 10.5325/pacicoasphil.54.2.0113
Gogröf
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引用次数: 0
Editor’s Note Editor’s音符
Pub Date : 2019-01-01 DOI: 10.5325/pacicoasphil.54.1.0001
Burwick, Sperber
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引用次数: 0
En-Visioning Travel in Oceania 大洋洲的视觉旅行
Pub Date : 2019-01-01 DOI: 10.5325/pacicoasphil.54.2.0322
S. Orr, Kealani R. Cook, Florence Johnny Frisbie, Gemma Cubero del Barrio
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引用次数: 0
期刊
Pacific Coast Philology
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