Pub Date : 2024-01-24DOI: 10.1080/08145857.2023.2287304
Duncan Stuart Warren Reid
Published in Musicology Australia (Ahead of Print, 2024)
发表于《澳大利亚音乐学》（2024 年提前出版）
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Pub Date : 2023-11-30DOI: 10.1080/08145857.2023.2232964
Adèle Commins
Irish-born composer Charles Villiers Stanford (1852–1924) has received both acclaim and criticism for his integration of Irish folk melodies in his compositions and for his role in publishing colle...
{"title":"‘Take Her Out and Air Her’: Irish Dances as Arranged by Stanford and Grainger","authors":"Adèle Commins","doi":"10.1080/08145857.2023.2232964","DOIUrl":"https://doi.org/10.1080/08145857.2023.2232964","url":null,"abstract":"Irish-born composer Charles Villiers Stanford (1852–1924) has received both acclaim and criticism for his integration of Irish folk melodies in his compositions and for his role in publishing colle...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":"100 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138542177","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-30DOI: 10.1080/08145857.2023.2281008
Rhoderick McNeill
Published in Musicology Australia (Ahead of Print, 2023)
发表于《澳大利亚音乐学》(2023年出版前)
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Pub Date : 2023-11-23DOI: 10.1080/08145857.2023.2270236
Jeanell Carrigan
Published in Musicology Australia (Ahead of Print, 2023)
发表于《澳大利亚音乐学》(2023年出版前)
{"title":"Destiny: The Extraordinary Career of Pianist Eileen Joyce","authors":"Jeanell Carrigan","doi":"10.1080/08145857.2023.2270236","DOIUrl":"https://doi.org/10.1080/08145857.2023.2270236","url":null,"abstract":"Published in Musicology Australia (Ahead of Print, 2023)","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":"876 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138530017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-22DOI: 10.1080/08145857.2023.2268423
Sophie Fuller
Published in Musicology Australia (Ahead of Print, 2023)
发表于《澳大利亚音乐学》(2023年出版前)
{"title":"Quartet: how four women changed the musical world","authors":"Sophie Fuller","doi":"10.1080/08145857.2023.2268423","DOIUrl":"https://doi.org/10.1080/08145857.2023.2268423","url":null,"abstract":"Published in Musicology Australia (Ahead of Print, 2023)","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":"39 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138509461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-20DOI: 10.1080/08145857.2023.2270270
Brigitta Scarfe, Amy Budrikis, Clint Bracknell
The COVID-19 pandemic and subsequent social isolation measures had a profound impact on communities worldwide. In regional and remote Western Australia, the use of online platforms has become incre...
{"title":"‘Keep the Music Going’: How the Isolation Tour 2020 Maintained Community and Cultural Connectedness during the 2020 COVID-19 Lockdown in Western Australia","authors":"Brigitta Scarfe, Amy Budrikis, Clint Bracknell","doi":"10.1080/08145857.2023.2270270","DOIUrl":"https://doi.org/10.1080/08145857.2023.2270270","url":null,"abstract":"The COVID-19 pandemic and subsequent social isolation measures had a profound impact on communities worldwide. In regional and remote Western Australia, the use of online platforms has become incre...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138530018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-13DOI: 10.1080/08145857.2023.2271696
Rhoderick McNeill
Click to increase image sizeClick to decrease image size Notes1 As related in Meredith and Harris (Citation2007, 187–200, 256–57, 458).2 Williamson’s pre-1981 scores were largely represented by mainstream music publisher Josef Weinberger. The composer’s partner Simon Campion (now deceased) handled later works through his own Campion Music business. When researching Williamson’s later symphonies, I struggled to get any response from Campion Music and there was no active website. Proper publisher representation and public archive access may, in future, assist prospective Williamson researchers.3 The composer’s subsequent intention to edit the score to enable one large orchestra to perform it was never realized, but such a digitally engraved performing edition is feasible and should be prioritized. I have consulted the complete autograph score that belonged to conductor Paul McDermott (1916–1985), which is located in Rare Music, Special Collections, University of Melbourne, Australia (UniM Bail Music RB, MS WILL 4).4 Although not orchestral, Philpott could have referenced David Lumsdaine’s piano work Kelly Ground (1967), which clearly illustrates aspects of the Kelly story, or George Dreyfus’s Ned Kelly Ballads (1964).5 Williamson’s contributions to the 1988 Bicentenary celebrations bring to mind the large corpus of major works that were commissioned and performed throughout Australia for that event, but then largely set aside. It is time for a volume which examines this important body of music and how it represented that important 1988 landmark.Additional informationNotes on contributorsRhoderick McNeillRhoderick McNeill is an honorary professor in the School of Creative Arts, University of Southern Queensland, Australia. He has written four books, including The Australian Symphony from Federation to 1960 (Ashgate, 2014), The Music of Carl Vine (Wildbird, 2017), and The Symphony in Australia 1960–2020 (Routledge, 2023).
点击增大图片尺寸点击减小图片尺寸注1 Meredith and Harris (Citation2007, 187 - 200,256 - 57,458)的相关研究威廉姆森1981年以前的乐谱主要由主流音乐出版商约瑟夫·温伯格(Josef Weinberger)出版。作曲家的合作伙伴西蒙·坎皮恩(现已去世)通过他自己的坎皮恩音乐公司处理后期作品。在研究威廉姆森后期的交响曲时，我很难从Campion Music得到任何回应，而且没有活跃的网站。适当的出版商代表和公共档案访问可能会在未来帮助未来的威廉姆森研究人员作曲家后来想要编辑乐谱以使一个大型管弦乐队能够演奏它的意图从未实现，但这种数字雕刻的演奏版本是可行的，应该优先考虑。我查阅了位于澳大利亚墨尔本大学稀有音乐，特别收藏(UniM Bail Music RB, MS WILL 4)的指挥家保罗·麦克德莫特(Paul McDermott, 1916-1985)的完整签名乐谱虽然不是管弦乐作品，但Philpott可以参考David Lumsdaine的钢琴作品Kelly Ground(1967)，它清楚地说明了Kelly故事的各个方面，或者George Dreyfus的Ned Kelly Ballads (1964)威廉姆森对1988年200周年庆典的贡献让人想起了澳大利亚为该活动委托和演出的大量重要作品，但后来大部分都被搁置了。现在是时候出一本书来研究这一重要的音乐流派，以及它是如何代表1988年的重要里程碑的。作者简介:rhoderick McNeill是澳大利亚南昆士兰大学创意艺术学院的名誉教授。他写了四本书，包括《澳大利亚交响乐团从联邦到1960》(阿什盖特出版社，2014)、《卡尔·瓦恩的音乐》(Wildbird出版社，2017)和《澳大利亚交响乐团1960 - 2020》(劳特利奇出版社，2023)。
{"title":"Composing Australia: Nostalgia and National Identity in the Music of Malcolm Williamson <b>Composing Australia: Nostalgia and National Identity in the Music of Malcolm Williamson</b> , by Carolyn Philpott, Melbourne, Lyrebird Press, 2018, xx + 228 pp., ISBN-978-0-73403-788-6 (paperback), ISBN-978-0-73403-789-3 (e-book: pdf), ISSN 1325 5266","authors":"Rhoderick McNeill","doi":"10.1080/08145857.2023.2271696","DOIUrl":"https://doi.org/10.1080/08145857.2023.2271696","url":null,"abstract":"Click to increase image sizeClick to decrease image size Notes1 As related in Meredith and Harris (Citation2007, 187–200, 256–57, 458).2 Williamson’s pre-1981 scores were largely represented by mainstream music publisher Josef Weinberger. The composer’s partner Simon Campion (now deceased) handled later works through his own Campion Music business. When researching Williamson’s later symphonies, I struggled to get any response from Campion Music and there was no active website. Proper publisher representation and public archive access may, in future, assist prospective Williamson researchers.3 The composer’s subsequent intention to edit the score to enable one large orchestra to perform it was never realized, but such a digitally engraved performing edition is feasible and should be prioritized. I have consulted the complete autograph score that belonged to conductor Paul McDermott (1916–1985), which is located in Rare Music, Special Collections, University of Melbourne, Australia (UniM Bail Music RB, MS WILL 4).4 Although not orchestral, Philpott could have referenced David Lumsdaine’s piano work Kelly Ground (1967), which clearly illustrates aspects of the Kelly story, or George Dreyfus’s Ned Kelly Ballads (1964).5 Williamson’s contributions to the 1988 Bicentenary celebrations bring to mind the large corpus of major works that were commissioned and performed throughout Australia for that event, but then largely set aside. It is time for a volume which examines this important body of music and how it represented that important 1988 landmark.Additional informationNotes on contributorsRhoderick McNeillRhoderick McNeill is an honorary professor in the School of Creative Arts, University of Southern Queensland, Australia. He has written four books, including The Australian Symphony from Federation to 1960 (Ashgate, 2014), The Music of Carl Vine (Wildbird, 2017), and The Symphony in Australia 1960–2020 (Routledge, 2023).","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":"59 11","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136348431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-26DOI: 10.1080/08145857.2023.2268757
Paul Watt
Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsPaul WattPaul Watt is an Adjunct Professor of Musicology at The University of Adelaide, Australia and Director of Research at The Busking Project, Berlin, Germany. He works on nineteenth-century music, street music, and musical biography, as well as literary, medical, religious, and intellectual history. Watt is the author of a range of publications including three monographs: Ernest Newman: A Critical Biography (The Boydell Press, 2017), The Regulation and Reform of Music Criticism in Nineteenth-Century England (Taylor & Francis, 2018), and Music, Morality and Social Reform in Nineteenth-Century Britain (The Boydell Press, 2023). He is currently writing a history of Gregorian chant in Australia. E-mail: paul.watt@adelaide.edu.au
点击放大图片点击缩小图片附加信息撰稿人paul Watt paul Watt是澳大利亚阿德莱德大学音乐学的兼职教授，也是德国柏林街头表演项目的研究主任。他的研究领域包括19世纪音乐、街头音乐、音乐传记，以及文学、医学、宗教和思想史。瓦特是一系列出版物的作者，包括三个专著:欧内斯特·纽曼:一个关键的传记(博伊德尔出版社，2017年)，十九世纪英国音乐批评的规则和改革(泰勒和弗朗西斯，2018年)，以及十九世纪英国的音乐，道德和社会改革(博伊德尔出版社，2023年)。他目前正在撰写澳大利亚格里高利圣咏的历史。电子邮件:paul.watt@adelaide.edu.au
{"title":"Music in the West Country: Social and Cultural History Across an English Region <b>Music in the West Country: Social and Cultural History Across an English Region</b> , by Stephen Banfield, Woodbridge, The Boydell Press, 2018, 456 pp., ISBN-978-1-78327-273-0 (hardback), ISBN-978-1-78744-195-8 (ebook)","authors":"Paul Watt","doi":"10.1080/08145857.2023.2268757","DOIUrl":"https://doi.org/10.1080/08145857.2023.2268757","url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsPaul WattPaul Watt is an Adjunct Professor of Musicology at The University of Adelaide, Australia and Director of Research at The Busking Project, Berlin, Germany. He works on nineteenth-century music, street music, and musical biography, as well as literary, medical, religious, and intellectual history. Watt is the author of a range of publications including three monographs: Ernest Newman: A Critical Biography (The Boydell Press, 2017), The Regulation and Reform of Music Criticism in Nineteenth-Century England (Taylor & Francis, 2018), and Music, Morality and Social Reform in Nineteenth-Century Britain (The Boydell Press, 2023). He is currently writing a history of Gregorian chant in Australia. E-mail: paul.watt@adelaide.edu.au","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":"60 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136381925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-10-16DOI: 10.1080/08145857.2023.2255409
Stephen Rumph
Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsStephen RumphStephen Rumph is Professor and Chair of Music History at the University of Washington. His publications include Mozart and Enlightenment Semiotics (University of California Press, 2011), The Fauré Song Cycles: Poetry and Music, 1861–1921 (University of California Press, 2020), and Fauré Studies (Cambridge University Press, 2021), co-edited with Carlo Caballero. He is currently editing The Cambridge Companion to French Art Song. He also sings professionally as a lyric tenor, appearing regularly in opera and concert.
{"title":"French art song: history of a new music, 1870–1914,French Art Song: History of a New Music, 1870–1914, by Emily Kilpatrick, Rochester, University of Rochester Press, 2022, xxi, 445 pp., ISBN-13: 9781648250545","authors":"Stephen Rumph","doi":"10.1080/08145857.2023.2255409","DOIUrl":"https://doi.org/10.1080/08145857.2023.2255409","url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsStephen RumphStephen Rumph is Professor and Chair of Music History at the University of Washington. His publications include Mozart and Enlightenment Semiotics (University of California Press, 2011), The Fauré Song Cycles: Poetry and Music, 1861–1921 (University of California Press, 2020), and Fauré Studies (Cambridge University Press, 2021), co-edited with Carlo Caballero. He is currently editing The Cambridge Companion to French Art Song. He also sings professionally as a lyric tenor, appearing regularly in opera and concert.","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136113678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-08-16DOI: 10.1080/08145857.2023.2223352
Federico Favali
{"title":"Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siècle Tonality. Oxford Studies in Music Theory","authors":"Federico Favali","doi":"10.1080/08145857.2023.2223352","DOIUrl":"https://doi.org/10.1080/08145857.2023.2223352","url":null,"abstract":"","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-08-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45817717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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