Pub Date : 2019-07-03DOI: 10.1080/08145857.2019.1703488
D. Collins
Commissioned in 1722 for the Holy Week services at the Dresden Hofkapelle, Zelenka’s Miserere in D minor (ZWV 56) demonstrates virtuosic handling of a wide range of contrapuntal techniques. Zelenka...
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Pub Date : 2019-07-03DOI: 10.1080/08145857.2019.1696161
D. Irving
{"title":"The Continuing Necessity of Primary Archival Research: A Personal Reflection","authors":"D. Irving","doi":"10.1080/08145857.2019.1696161","DOIUrl":"https://doi.org/10.1080/08145857.2019.1696161","url":null,"abstract":"","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1696161","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44563083","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-03DOI: 10.1080/08145857.2019.1696163
S. Owens
In 1752, the soprano Maria Dorothea Wendling (nee Spurni) and her husband, the celebrated flautist Johann Baptist Wendling, were both engaged as musicians at the Mannheim court of Elector Carl Theo...
{"title":"Fourth-Class Wine from Bietigheim? Employment Conditions for Lutenist Maria Dorothea St. Pierre and Waldhornist Franz Anton Spurni at the Württemberg Court, c.1719–1736","authors":"S. Owens","doi":"10.1080/08145857.2019.1696163","DOIUrl":"https://doi.org/10.1080/08145857.2019.1696163","url":null,"abstract":"In 1752, the soprano Maria Dorothea Wendling (nee Spurni) and her husband, the celebrated flautist Johann Baptist Wendling, were both engaged as musicians at the Mannheim court of Elector Carl Theo...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1696163","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46924951","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-03DOI: 10.1080/08145857.2019.1703474
B. Reul
This article investigates how the two musically most active courts in Anhalt, Kothen and Zerbst, shared human and musical resources during the first half of the eighteenth century. Emphasis will be...
{"title":"Sharing Resources: J.F. Fasch, J.S. Bach and Princely Funeral Music at the Courts of Anhalt-Zerbst and Anhalt-Köthen","authors":"B. Reul","doi":"10.1080/08145857.2019.1703474","DOIUrl":"https://doi.org/10.1080/08145857.2019.1703474","url":null,"abstract":"This article investigates how the two musically most active courts in Anhalt, Kothen and Zerbst, shared human and musical resources during the first half of the eighteenth century. Emphasis will be...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1703474","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44164729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-03DOI: 10.1080/08145857.2019.1696160
J. Ágústsson
When the newly wed princely couple Friedrich August and Maria Josepha made their public entry into the Saxon capital on 2 September 1719, the Dresden Jesuits described it as ‘an absolutely golden d...
{"title":"The Musical Entries in the Dresden Account Books of Saxon Electress and Polish Queen Maria Josepha, 1720–1757","authors":"J. Ágústsson","doi":"10.1080/08145857.2019.1696160","DOIUrl":"https://doi.org/10.1080/08145857.2019.1696160","url":null,"abstract":"When the newly wed princely couple Friedrich August and Maria Josepha made their public entry into the Saxon capital on 2 September 1719, the Dresden Jesuits described it as ‘an absolutely golden d...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1696160","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42694393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-03DOI: 10.1080/08145857.2019.1699003
Andrew Frampton
A set of miscellaneous eighteenth-century manuscripts held in the music collection of the Sachsische Landesbibliothek – Staats- und Universitatsbibliothek Dresden (SLUB) has recently yielded severa...
{"title":"Zelenka, Palestrina and the Art of Arrangement: A New Manuscript Fragment","authors":"Andrew Frampton","doi":"10.1080/08145857.2019.1699003","DOIUrl":"https://doi.org/10.1080/08145857.2019.1699003","url":null,"abstract":"A set of miscellaneous eighteenth-century manuscripts held in the music collection of the Sachsische Landesbibliothek – Staats- und Universitatsbibliothek Dresden (SLUB) has recently yielded severa...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1699003","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47390619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-03DOI: 10.1080/08145857.2019.1696159
M. Maul
The origins of Johann Sebastian Bach’s B minor Mass have long been a matter of great interest in Bach research. The questions surrounding the work concern not only its final form of 1749 but also i...
{"title":"The Kyrie of Bach’s B Minor Mass: Music for the 1733 Leipzig Erbhuldigung? Translated by Susanne Haring","authors":"M. Maul","doi":"10.1080/08145857.2019.1696159","DOIUrl":"https://doi.org/10.1080/08145857.2019.1696159","url":null,"abstract":"The origins of Johann Sebastian Bach’s B minor Mass have long been a matter of great interest in Bach research. The questions surrounding the work concern not only its final form of 1749 but also i...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1696159","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43094865","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-07-03DOI: 10.1080/08145857.2019.1696165
F. Kiernan
The enormous shifts in Europe’s political landscape in the early twentieth century accompanied a reconstruction of the identity of Dresden-based Bohemian composer Jan Dismas Zelenka (1679–1745) and...
{"title":"Zdeněk Gintl’s O starých českých muzikantech (1946) and the Reconstruction of Jan Dismas Zelenka’s Identity in Early Twentieth-Century Prague","authors":"F. Kiernan","doi":"10.1080/08145857.2019.1696165","DOIUrl":"https://doi.org/10.1080/08145857.2019.1696165","url":null,"abstract":"The enormous shifts in Europe’s political landscape in the early twentieth century accompanied a reconstruction of the identity of Dresden-based Bohemian composer Jan Dismas Zelenka (1679–1745) and...","PeriodicalId":41713,"journal":{"name":"Musicology Australia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/08145857.2019.1696165","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43770413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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