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Mitologias Hoy-Revista de Pensamiento Critica y Estudios Literarios Latinoamericanos最新文献

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Until the Stars Line up. Spaces, Bodies and Technology in Claudia Aboaf's Trilogy 直到星星排成一行。克劳迪娅·阿芙三部曲中的空间、身体和技术
IF 0.1 Q3 Arts and Humanities Pub Date : 2020-12-27 DOI: 10.5565/rev/mitologias.747
María Laura Pérez Gras
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引用次数: 1
Trilce City and Trilcean Citizenships? 三清城市和三清公民身份?
IF 0.1 Q3 Arts and Humanities Pub Date : 2020-12-27 DOI: 10.5565/rev/mitologias.684
Pedro Granados Agüero
Ciudad Trilce (2009), de Christian Vera Ossina (La Paz, Bolivia, 1976), constitueix un cub magic, una proposta intensament antiliteraria i arduament manual que resulta, almenys en aparenca, en un comic o artefacte posthuma. Tot i aixo, Ciudad Trilce tambe es una novel·la mes al voltant de la vida o obra de Cesar Vallejo. En aquest sentit, cal preguntar-se pel seu llinatge; quina es la lectura de Trilce (1922) subjacent a la seva construccio; quina la nocio de les humanitats que hi predomina; en que consisteix, comparada amb les altres, la seva aportacio o novetat, i a quin tipus de lectors i futurs ciutadans estaria apel·lant.
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引用次数: 0
The Early Breakdown of the Modern Anthropos?: The Evil Demon and the Little Automaton Francine as Cartesian Cogito´s Wounds. Pos-thuman Speculations in Andres Vaccari´s La pasión de Descartes 现代人类的早期崩溃?邪恶的恶魔和小自动机弗朗辛作为笛卡尔的自我意识的伤口。安德烈斯·瓦卡里的《pasión笛卡儿》中的后人类思辨
IF 0.1 Q3 Arts and Humanities Pub Date : 2020-12-27 DOI: 10.5565/rev/mitologias.717
Belisario Zalazar
In the following text we will undertake a posthuman reading (Braidotti, 2015) of Andrés Vaccari ́s novel La pasión de Descartes. The story of the relationship between Descartes and the automaton Francine means a questioning of the nodal concepts of modern Western philosophy such as the “subject”, the “immaterial soul” and its secular substitute, the “consciousness”, and the very notion of “life”. Figures as the automaton Francine and its posmodern heirs, like the cyborg (Haraway), or in our 21st century the fembot Sophia, developed by Hanson Robotics, enter, from the beginning and with the Cartesian metaphysic, in the narrative of modernization, either to destabilize or to reinforce the powers of the anthropos as the main regulator of the global becoming by the Western form of life. We will dedicate these pages to go over through a scene of this story, the one of the modern subject, nowadays crossed by the announcement of many “ends” announces and too many post(humanism/human/biological/natural).
在下一篇文章中,我们将对安德里萨斯·瓦卡里的小说《pasión de笛卡儿》进行一次后人类的阅读(布雷多蒂,2015)。笛卡尔与自动机弗朗辛之间的故事意味着对现代西方哲学中节点概念的质疑,如“主体”、“非物质灵魂”及其世俗替代品、“意识”以及“生命”的概念。作为弗朗辛自动机及其后现代继承者的人物,如半机械人(哈拉威),或在我们21世纪由汉森机器人公司开发的女机器人索菲亚,从一开始就与笛卡尔形而上学一起进入现代化叙事,要么破坏,要么加强人类的力量,作为西方生活形式的全球发展的主要调节器。我们将用这些篇幅来回顾这个故事的一个场景,一个现代主题,如今被许多“目的”的宣布和太多的后(人文主义/人类/生物/自然)所交叉。
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引用次数: 0
Introducción 导言
IF 0.1 Q3 Arts and Humanities Pub Date : 2020-12-27 DOI: 10.5565/rev/mitologias.772
Macarena Areco Morales, Fernando Moreno Turner
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引用次数: 0
Beyond Water and Fire. Dystopias and Intertextuality References in Juan Buscamares by Félix Vega 水与火的彼岸。《胡安·布斯卡马雷斯》中的反乌托邦与互文性参考
IF 0.1 Q3 Arts and Humanities Pub Date : 2020-12-27 DOI: 10.5565/rev/mitologias.744
D. García-Reyes, Marta Fernández Ruiz
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引用次数: 0
Fantasy as the Midwife in History: Marcelo Figueras’s El rey de los espinos 作为历史助产士的幻想:马塞洛·菲格拉斯的《埃斯皮诺斯的国王》
IF 0.1 Q3 Arts and Humanities Pub Date : 2020-12-27 DOI: 10.5565/rev/mitologias.715
María José Punte
The novel El rey de los espinos (2014) by Argentine writer Marcelo Figueras is set in a constellation of thresholds that offers a figure like that of the kaleidoscope. Defined as an “adventure novel” by its author, though a tributary of both the fantastic genre and science fiction, it draws readers into a series of adventures in which stories and aesthetics from the comic strip intersect with an X-ray of the contemporary world. From the configuration of unexpected heroes, the novel opposes a social utopia to a present that we daily experience as dystopian.
阿根廷作家马塞洛·菲格拉斯(Marcelo Figueras)的小说《埃尔雷·德洛斯·埃斯皮诺斯》(El rey de los espinos, 2014)以一连串的门槛为背景,提供了一个像万花筒一样的形象。作者将其定义为“冒险小说”,虽然它是奇幻小说和科幻小说的支流,但它吸引了读者进入一系列的冒险,其中连环漫画的故事和美学与当代世界的x射线相交。从意想不到的英雄的配置,小说反对一个社会乌托邦的现在,我们日常经验的反乌托邦。
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引用次数: 0
From Anodyne to Excess. A Reading of the Novel Conspiración en el país de Tata Batata by Ezequiel Martínez Estrada 从痛苦到过度。埃泽奎尔·马丁内斯·埃斯特拉达(Ezequiel Martínez Estrada)阅读塔塔·巴塔塔(Tata Batata)国家的小说阴谋
IF 0.1 Q3 Arts and Humanities Pub Date : 2020-12-27 DOI: 10.5565/rev/mitologias.707
María Lourdes Gasillón
La novela inconclusa Conspiracion en el pais de Tata Batata (2014) de Ezequiel Martinez Estrada presenta puntos de conexion entre si, como la aparicion de ciertos personajes y temas que atraviesan los microrrelatos. Entre ellos, destaca una epidemia de tina que comenzo en un barrio indigente y una nina de alli que vende productos para sobrevivir. Ambas escenas son moldeadas por determinados recursos (ironia e hiperbole) que invierten el sentido negativo de la tina, la pedofilia y la explotacion infantil. Asi, la expansion de la peste y la pobreza forman parte de una “normalidad” sin cuestionamientos, porque dejan de provocar temor, asombro o reprobacion entre los personajes.
埃泽奎尔·马丁内斯·埃斯特拉达(Ezequiel Martinez Estrada)的小说《塔塔·巴塔塔(Tata Batata)之国未完成的阴谋》(2014年)展示了它们之间的联系点,例如某些人物的出现和贯穿微观关系的主题。其中,最突出的是一场始于贫困社区的蒂娜流行病和一名来自那里的女孩,她出售产品以生存。这两个场景都是由某些资源(讽刺和双曲线)塑造的,这些资源逆转了浴缸、恋童癖和剥削儿童的负面意义。因此,瘟疫和贫困的蔓延毫无疑问地成为“常态”的一部分,因为它们不再在角色中引起恐惧、惊讶或谴责。
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引用次数: 0
“The Dead Don’t Die nor Go Away” “死人不死也不走”
IF 0.1 Q3 Arts and Humanities Pub Date : 2020-06-22 DOI: 10.5565/rev/mitologias.693
Paola Mancosu
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引用次数: 2
Septiembre, zona de desastre: graphic testimony of the earthquake of Mexico in 1985 9月,灾难区:1985年墨西哥地震的生动见证
IF 0.1 Q3 Arts and Humanities Pub Date : 2019-12-30 DOI: 10.5565/rev/mitologias.650
Elsie Mitchelle Ortega Avila
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引用次数: 0
Representations of narcoculture in Narcos: Mexico 《毒枭:墨西哥》中毒品文化的表现
IF 0.1 Q3 Arts and Humanities Pub Date : 2019-12-30 DOI: 10.5565/rev/mitologias.637
América Tonantzin Becerra Romero
el document exposa una analisi de contingut a les representacions incloses a la narcoserie Narcos: Mexico , un documental dramatitzat que exposa l'origen del narcotrafic actual. Es van identificar tres grans representacions: el trafic de drogues com empresa il·legal, les pugnes pel poder i la riquesa, i la imbricacio de la vida i la mort. Es va concloure que els creadors tracten d'exposar la complicitat del govern en la consolidacio del crim organitzat a Mexic, i justificar una major ingerencia del govern nord-america en les politiques nacionals contra el narcotrafic; per a aixo, recorren a la dramatitzacio per tal d'abordar aquests temes mitjancant la ficcio i aconseguir major audiencia.
该文件对《墨西哥毒品法》的内容进行了分析,这是一部戏剧性的纪录片,展示了当前毒品的起源。确定了三个伟大的代表:贩毒是一项合法的事业,武器换取权力和财富,以及侵吞生命和死亡。结论是,创作者试图揭露政府在巩固墨西哥有组织犯罪方面的同谋行为,并为美国政府对国家毒品政策的更大干预辩护;为此,他们用戏剧化的手法通过小说来解决这些问题,并获得更多的观众。
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引用次数: 0
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