Pub Date : 2022-12-15DOI: 10.31577/slovlit.2022.69.6.6
Erika Brtáňová
The poet, author, and Protestant priest Bohuslav Tablic (1769 – 1732) only published seven occasional speeches from his sermon writings. As he explained, this was due to the lowered interest of the readers in religious literature as such. Sermons that were published strongly aimed at forming the readers’ values and opinions with respect to general religious issues. Influenced by Enlightenment rationalism, Tablic focused on moral norms in his sermons. He saw the solution to the critical state of his own Evan-gelical Church of the Augsburg Confession and the loose morals of its members in a deepening of the confessional awareness of the community. He believed in a strong (supernatural) motivation of religion towards moral purity and sought the benefits of religion in spiritual unity of the society, its effective working, and quality social relations. He saw religion as a significant educational and culture-forming phenomenon. The country’s progress in Tablic’s view was to be based on active participation of morally mature and educated citizens on the religious and public life. In his sermons, like in his other writings, he is a moderate enlightened thinker and author.
{"title":"Hodnotové aspekty kázňovej prózy Bohuslava Tablica","authors":"Erika Brtáňová","doi":"10.31577/slovlit.2022.69.6.6","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.6.6","url":null,"abstract":"The poet, author, and Protestant priest Bohuslav Tablic (1769 – 1732) only published seven occasional speeches from his sermon writings. As he explained, this was due to the lowered interest of the readers in religious literature as such. Sermons that were published strongly aimed at forming the readers’ values and opinions with respect to general religious issues. Influenced by Enlightenment rationalism, Tablic focused on moral norms in his sermons. He saw the solution to the critical state of his own Evan-gelical Church of the Augsburg Confession and the loose morals of its members in a deepening of the confessional awareness of the community. He believed in a strong (supernatural) motivation of religion towards moral purity and sought the benefits of religion in spiritual unity of the society, its effective working, and quality social relations. He saw religion as a significant educational and culture-forming phenomenon. The country’s progress in Tablic’s view was to be based on active participation of morally mature and educated citizens on the religious and public life. In his sermons, like in his other writings, he is a moderate enlightened thinker and author.","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":"64 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70013277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-15DOI: 10.31577/slovlit.2022.69.6.7
Katarína žeňuchová
{"title":"Kázňová tvorba Jonáša Záborského a stratégie boja proti poverčivosti kresťanov","authors":"Katarína žeňuchová","doi":"10.31577/slovlit.2022.69.6.7","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.6.7","url":null,"abstract":"","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43962523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-12-15DOI: 10.31577/slovlit.2022.69.6.4
Ingrid Papp
{"title":"Autorský subjekt v dielach Štefana Pilárika","authors":"Ingrid Papp","doi":"10.31577/slovlit.2022.69.6.4","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.6.4","url":null,"abstract":"","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41648393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-21DOI: 10.31577/slovlit.2022.69.5.1
Ivana Hostová
The article discusses the diversity of understanding about the category of poetry at the backdrop of the tension between substantial definitions of poetry (and the lyric) and functional and sociological approaches to literature. After addressing the limitations of Jonathan Culler’s construction of the identity of the lyric, it summarises Miroslav Červenka’s views on what constitutes poetry in an era when metre, rhyme, and other formal elements are no longer operative with regards to defining poetry. Subsequently, it provides a short discussion of sociological approaches to the study of literature in the context of other social phenomena (Pierre Bourdieu, Bruno Latour) and lists a few cases which demonstrate the way literary fame was evidently consciously created by actors and groups in the literary field (Walt Whitman, Thomas Stearns Eliot, Emily Dickinson). In the final sections, the article briefly mentions several similar examples from post-1989 Slovak poetry, addresses the ways in which modern and contemporary poetry crosses various boundaries, and introduces the articles included in this special issue of Slovenská literatúra .
{"title":"Na hraniciach poézie","authors":"Ivana Hostová","doi":"10.31577/slovlit.2022.69.5.1","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.5.1","url":null,"abstract":"The article discusses the diversity of understanding about the category of poetry at the backdrop of the tension between substantial definitions of poetry (and the lyric) and functional and sociological approaches to literature. After addressing the limitations of Jonathan Culler’s construction of the identity of the lyric, it summarises Miroslav Červenka’s views on what constitutes poetry in an era when metre, rhyme, and other formal elements are no longer operative with regards to defining poetry. Subsequently, it provides a short discussion of sociological approaches to the study of literature in the context of other social phenomena (Pierre Bourdieu, Bruno Latour) and lists a few cases which demonstrate the way literary fame was evidently consciously created by actors and groups in the literary field (Walt Whitman, Thomas Stearns Eliot, Emily Dickinson). In the final sections, the article briefly mentions several similar examples from post-1989 Slovak poetry, addresses the ways in which modern and contemporary poetry crosses various boundaries, and introduces the articles included in this special issue of Slovenská literatúra .","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43559113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-21DOI: 10.31577/slovlit.2022.69.5.7
V. Suchý
Early poems of Ján Ondruš (1932 – 2000) published in literary magazines in the late 1950s contain fragments of imagery that can be grasped through the notion of still life and also of what can be thought of as “pre-still-life situations”. Literary still life built from words, lines, and images can also be understood as a staging of an eternally repeating event – a celebration or a feast –, as a renewed vivification of the inanimate nature, a setting in motion of a still image, adding sound to the mute visual artefact or also as a defiance of the chaos, entropy, and transience. The poem “Sobota [Saturday]” (1956) for which the motif of bread is central, offers suitable material for the tackling of the modelling of space in the poetry of Ján Ondruš. In the poet’s staging of the process of baking bread, the event becomes a magnificent secret rite in which elements of fire and earth meet in archetypal and monumental fashion. Moreover, the text can be said to contain a poem in a poem (“Hľaďme, chlieb [Behold, bread]”). The result of an ordinary activity of baking bread is presented as an outcome of a magic process. The procedure, in sharp contrast with most poems by the same author that tend to slow down phenomena and events, unwinds in front of the reader as a quick retrospective.
{"title":"Zátišie s chlebom v básni Jána Ondruša Sobota","authors":"V. Suchý","doi":"10.31577/slovlit.2022.69.5.7","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.5.7","url":null,"abstract":"Early poems of Ján Ondruš (1932 – 2000) published in literary magazines in the late 1950s contain fragments of imagery that can be grasped through the notion of still life and also of what can be thought of as “pre-still-life situations”. Literary still life built from words, lines, and images can also be understood as a staging of an eternally repeating event – a celebration or a feast –, as a renewed vivification of the inanimate nature, a setting in motion of a still image, adding sound to the mute visual artefact or also as a defiance of the chaos, entropy, and transience. The poem “Sobota [Saturday]” (1956) for which the motif of bread is central, offers suitable material for the tackling of the modelling of space in the poetry of Ján Ondruš. In the poet’s staging of the process of baking bread, the event becomes a magnificent secret rite in which elements of fire and earth meet in archetypal and monumental fashion. Moreover, the text can be said to contain a poem in a poem (“Hľaďme, chlieb [Behold, bread]”). The result of an ordinary activity of baking bread is presented as an outcome of a magic process. The procedure, in sharp contrast with most poems by the same author that tend to slow down phenomena and events, unwinds in front of the reader as a quick retrospective.","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43295150","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-21DOI: 10.31577/slovlit.2022.69.5.10
Viliam Nádaskay
{"title":"Hrabčáková, Katarína: Semiopoetický aspekt básnickej identity. K problematike feminínnosti v súčasnej slovenskej poézii","authors":"Viliam Nádaskay","doi":"10.31577/slovlit.2022.69.5.10","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.5.10","url":null,"abstract":"","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45381788","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-21DOI: 10.31577/slovlit.2022.69.5.3
Viliam Nádaskay
{"title":"Pomníková poézia. Poznámky k možnému typu príležitostnej lyriky v povojnovej literatúre","authors":"Viliam Nádaskay","doi":"10.31577/slovlit.2022.69.5.3","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.5.3","url":null,"abstract":"","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44981965","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-09-21DOI: 10.31577/slovlit.2022.69.5.5
Karel Piorecký, Zuzana Husárová
{"title":"Na hranicích umění, kreativity a mýtu. K problematice prezentačních strategií syntetických textových médií","authors":"Karel Piorecký, Zuzana Husárová","doi":"10.31577/slovlit.2022.69.5.5","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.5.5","url":null,"abstract":"","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45338898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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