Pub Date : 2022-09-21DOI: 10.31577/slovlit.2022.69.5.8
Joanna Goszczyńska
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Pub Date : 2022-09-21DOI: 10.31577/slovlit.2022.69.5.6
Matúš Mikšík
The article reads Miroslav Válek’s (1927 – 1991) poem “Večer [Evening]” published in the poet’s first collection of verse Dotyky ([Touches], 1959) as a deconstructive subversion of lyric tradition – of Ivan Krasko’s (1876 – 1958) symbolist model of the lyric and Edgar Allan Poe’s (1809 – 1849) “The Raven” (1845). The author argues that Válek subverts the tradition by the specific way he tackles the motifs of the night, rain, and raven known in the Slovak poetry mainly from the writing of Ivan Krasko and by the way the poet updates the lyric situation of Poe’s notoriously well-known poem and its central motif. Another aspect that gets subverted is the tragic-elegiac melancholic modality of the poem. The analysis notices the first line of the poem where the night setting is outlined, then moves on to the key image of rain “without melancholy” and the updated motif of the raven. Finally, it discusses the detachment of the speaker from what goes on in the poem – the speaker in the poem is different from the subject affected by emotions and moods modelled in the lines. The reading grasps Válek’s poem and sophisticated subversive deconstruction of the traditional model of symbolic poem concerned with romantic love.
{"title":"Válkov Havran. Báseň Miroslava Válka Večer ako subverzia tradičného symbolistického modelu lyriky","authors":"Matúš Mikšík","doi":"10.31577/slovlit.2022.69.5.6","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.5.6","url":null,"abstract":"The article reads Miroslav Válek’s (1927 – 1991) poem “Večer [Evening]” published in the poet’s first collection of verse Dotyky ([Touches], 1959) as a deconstructive subversion of lyric tradition – of Ivan Krasko’s (1876 – 1958) symbolist model of the lyric and Edgar Allan Poe’s (1809 – 1849) “The Raven” (1845). The author argues that Válek subverts the tradition by the specific way he tackles the motifs of the night, rain, and raven known in the Slovak poetry mainly from the writing of Ivan Krasko and by the way the poet updates the lyric situation of Poe’s notoriously well-known poem and its central motif. Another aspect that gets subverted is the tragic-elegiac melancholic modality of the poem. The analysis notices the first line of the poem where the night setting is outlined, then moves on to the key image of rain “without melancholy” and the updated motif of the raven. Finally, it discusses the detachment of the speaker from what goes on in the poem – the speaker in the poem is different from the subject affected by emotions and moods modelled in the lines. The reading grasps Válek’s poem and sophisticated subversive deconstruction of the traditional model of symbolic poem concerned with romantic love.","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-09-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43360398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-21DOI: 10.31577/slovlit.2022.69.4.5
Marta Fülöpová
The article tackles the portrayals of the gentry in the writing of Ján Kalinčiak (1822 – 1871) in the Hungarian cultural context. Literature written in Hungary had multiple ties with the gentry: the literary works frequently tackled the topic and many authors – and their readers – belonged to this social class. The article identifies the humorous Hungarian encyclopaedia Hungaria in parabolis (1804) authored by the Hungarian scholar Antal Szirmay (1747 – 1812) as the reference frame for the period portrayals of the gentry. The encyclopaedia synthesised auto-stereotypes of the Hungarian gentry. A comparison of Kalinčiak’s characteristics of Hungarian lower nobility with the one developed by Szirmay shows that the former’s portrayal of this social class as outlined through such issues as the image of the homeland, history, clothing, and customs was in coherence with the general image of the gentry in Hungary at that time. Kalinčiak also tackled the typical attributes of gentry’s speech (anecdotal expressions, humorous undertone, discussing legal disputes, the use of idioms). Kalinčiak’s novel Reštavrácia ([County elections], 1860) deals with the topic of county elections.
{"title":"Uhorské kontexty obrazu zemianstva v tvorbe Jána Kalinčiaka","authors":"Marta Fülöpová","doi":"10.31577/slovlit.2022.69.4.5","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.4.5","url":null,"abstract":"The article tackles the portrayals of the gentry in the writing of Ján Kalinčiak (1822 – 1871) in the Hungarian cultural context. Literature written in Hungary had multiple ties with the gentry: the literary works frequently tackled the topic and many authors – and their readers – belonged to this social class. The article identifies the humorous Hungarian encyclopaedia Hungaria in parabolis (1804) authored by the Hungarian scholar Antal Szirmay (1747 – 1812) as the reference frame for the period portrayals of the gentry. The encyclopaedia synthesised auto-stereotypes of the Hungarian gentry. A comparison of Kalinčiak’s characteristics of Hungarian lower nobility with the one developed by Szirmay shows that the former’s portrayal of this social class as outlined through such issues as the image of the homeland, history, clothing, and customs was in coherence with the general image of the gentry in Hungary at that time. Kalinčiak also tackled the typical attributes of gentry’s speech (anecdotal expressions, humorous undertone, discussing legal disputes, the use of idioms). Kalinčiak’s novel Reštavrácia ([County elections], 1860) deals with the topic of county elections.","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47942979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-21DOI: 10.31577/slovlit.2022.69.4.7
Ivan Halász, Gábor Schweitzer
Elections were a stable part of Hungarian political culture even before the eventful year of 1848. As such they were reflected in individual national literatures written in Hungary – especially in the Hungarian and Slovak ones. The novel by Ján Kalinčiak (1822 – 1871) Reštavrácia ([County elections], 1860) was thus not the only literary text that portrayed these events. In 1842, the popular Hungarian playwright Ignác Nagy (1810 – 1854) published a comedy under the same title. The novel by Ján Kalinčiak, despite the fact that it was published later, is much less political in its nature than Nagy’s play which in the context of county elections addressed such issues as the emancipation of women, the rights of Jews and the elimination of the political monopoly and tax advantages enjoyed by the gentry. Kalinčiak was primarily concerned with portraying a familial dispute between two gentry families in a fictitious county in northern Hungary. The dispute was resolved harmoniously and the national issues were addressed only marginally. Nevertheless, the novel and the play still have a lot in common. Besides the described social environment and the character of the main plot, these concern the frequent use of Latin expressions and dated language in general, the relatively realistic description of the events, frequent humorous motives, and the fact that the ending bears features of biedermeier style.
{"title":"Dve Reštavrácie z 19. storočia: Ján Kalinčiak a Ignác Nagy","authors":"Ivan Halász, Gábor Schweitzer","doi":"10.31577/slovlit.2022.69.4.7","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.4.7","url":null,"abstract":"Elections were a stable part of Hungarian political culture even before the eventful year of 1848. As such they were reflected in individual national literatures written in Hungary – especially in the Hungarian and Slovak ones. The novel by Ján Kalinčiak (1822 – 1871) Reštavrácia ([County elections], 1860) was thus not the only literary text that portrayed these events. In 1842, the popular Hungarian playwright Ignác Nagy (1810 – 1854) published a comedy under the same title. The novel by Ján Kalinčiak, despite the fact that it was published later, is much less political in its nature than Nagy’s play which in the context of county elections addressed such issues as the emancipation of women, the rights of Jews and the elimination of the political monopoly and tax advantages enjoyed by the gentry. Kalinčiak was primarily concerned with portraying a familial dispute between two gentry families in a fictitious county in northern Hungary. The dispute was resolved harmoniously and the national issues were addressed only marginally. Nevertheless, the novel and the play still have a lot in common. Besides the described social environment and the character of the main plot, these concern the frequent use of Latin expressions and dated language in general, the relatively realistic description of the events, frequent humorous motives, and the fact that the ending bears features of biedermeier style.","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48975995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-07-21DOI: 10.31577/slovlit.2022.69.4.4
Anikó Dušíková
The article aims at describing some of the particulars of the formation of national identities in the 19th century in the work of Ján Palárik (1822 – 1870) Inkognito ([Incognito], 1858) and Ján Kalinčiak (1822 – 1871) Reštavrácia ([County elections], 1860), Milkov hrob ([Milko’s grave], 1845/1846), and Knieža liptovské ([Prince of Liptov], 1852). The article analyses these works through the prism of Ján Chalupka’s (1791 – 1871) oeuvre which, with regards to identities, seeks a balance between national identities in the multilingual Hungary. Ján Palárik and Ján Kalinčiak strive for similar goals in these works. Key notions in this regard are future and progress which is connected with youth. Starting point in this respect is the self-reflective space of the fictitious town of Kocúrkovo as the space of a possible, projected change embodied in the character of the young teacher Svoboda. Attention is devoted to the hypothesised reasons underlying those attitudes that diverge from the notions established in (national) cultural memory (such as the problem of the relationship towards Hungarian literary tradition or interpretations of the past). The article mainly focuses on the elements reflecting the relationship towards the Hungarian context of the times. ORCID
{"title":"Špecifiká pri formovaní národných identít v literárnych dielach do roku 1867 (Transkultúrne a intertextuálne relácie: Ján Chalupka, Ján Kalinčiak a Ján Palárik)","authors":"Anikó Dušíková","doi":"10.31577/slovlit.2022.69.4.4","DOIUrl":"https://doi.org/10.31577/slovlit.2022.69.4.4","url":null,"abstract":"The article aims at describing some of the particulars of the formation of national identities in the 19th century in the work of Ján Palárik (1822 – 1870) Inkognito ([Incognito], 1858) and Ján Kalinčiak (1822 – 1871) Reštavrácia ([County elections], 1860), Milkov hrob ([Milko’s grave], 1845/1846), and Knieža liptovské ([Prince of Liptov], 1852). The article analyses these works through the prism of Ján Chalupka’s (1791 – 1871) oeuvre which, with regards to identities, seeks a balance between national identities in the multilingual Hungary. Ján Palárik and Ján Kalinčiak strive for similar goals in these works. Key notions in this regard are future and progress which is connected with youth. Starting point in this respect is the self-reflective space of the fictitious town of Kocúrkovo as the space of a possible, projected change embodied in the character of the young teacher Svoboda. Attention is devoted to the hypothesised reasons underlying those attitudes that diverge from the notions established in (national) cultural memory (such as the problem of the relationship towards Hungarian literary tradition or interpretations of the past). The article mainly focuses on the elements reflecting the relationship towards the Hungarian context of the times. ORCID","PeriodicalId":41971,"journal":{"name":"Slovenska Literatura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44806760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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