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El “magisterio negativo del arte”. Alfonso Reyes, exégeta de Amado Nervo (1913-1941) “艺术的否定权威”。阿方索·雷耶斯,阿马多·纳尔沃的诠释者(1913-1941)
Q4 Arts and Humanities Pub Date : 2020-06-17 DOI: 10.19130/iifl.ap.2020.41.2.0004
Leonardo Martínez Carrizales
Este artículo explora los ensayos que Alfonso Reyes recopiló en el volumen Tránsito de Amado Nervo (1937). El eje del estudio radica en la crítica y la reproducción que Reyes llevó a cabo a propósito del discurso hegemónico sobre Nervo en el horizonte cultural afectado por la inusitada popularidad del poeta. Reyes se centró en la sustancia biográfica que hizo posible el discurso alrededor de la “sinceridad” del poeta y la austeridad estilística de su aparato verbal. Este texto plantea que la oscilación del juicio de Reyes obedecía a la índole filológica de su mentalidad literaria, que no podía ofrecer continuidad histórica a la doctrina abrazada por Nervo hacia el periodo definitivo de su trayectoria, consistente en la identificación de vida humana y poesía.
本文探讨了阿方索·雷耶斯在《阿马多·纳尔沃的运输》(1937)一书中收集的文章。这项研究的重点是雷耶斯在文化视野中对纳沃的霸权话语的批评和复制,这受到了诗人不寻常的流行的影响。雷耶斯专注于传记的实质,使围绕诗人的“真诚”和他的语言器具的风格简朴的话语成为可能。这篇文章认为,雷耶斯的审判的摇摆是由于他的文学心态的语言学性质,这不能提供历史连续性的学说,Nervo所接受的,在他的职业生涯的最后时期,包括人类生活和诗歌的认同。
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引用次数: 0
Narratives of Future and Survival 未来与生存的叙事
Q4 Arts and Humanities Pub Date : 2020-06-17 DOI: 10.19130/iifl.ap.2020.41.2.
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引用次数: 0
Wiedergelesen
Q4 Arts and Humanities Pub Date : 2020-02-21 DOI: 10.30965/25890530-05001008
Jan-Dirk Müller
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引用次数: 1
Post Colonialist Features of Lorraine Hansberry’s Les Blancs From the Viewpoint of Henry Louis Gates 从亨利·路易斯·盖茨的视角看洛林·汉斯伯里的《白衬衫》的后殖民主义特征
Q4 Arts and Humanities Pub Date : 2019-11-22 DOI: 10.19130/iifl.ap.2020.1.868
M. Farahani, F. Amjad, M. Hanif, Tahereh Rezaei
Henry Louis Gates has taken Saussure’s term “signifying” and redefined it as a linguistic wordplay which postpones the delivery of meaning and believes in “double-voicedness”, this means to speak both the language of the dominant culture and that of the subordinated one. He also asserts “double-voicedness” as the epitome of “Signifyin (g)”. This paper intends to apply the notions of “Double-voicedness” and “Signifyin (g)” on the manuscript of Les Blancs, written by Lorraine Hansberry, and highlights the anti-colonial aspects of the play.
亨利·路易斯·盖茨采纳了索绪尔的“所指”一词,并将其重新定义为一种语言上的文字游戏,它推迟了意义的传递,相信“双重声音”,这意味着既说主导文化的语言,也说从属文化的语言。他还主张“双重声音”是“意义(g)”的缩影。本文拟将“双重声音”和“意义(g)”的概念应用于洛林·汉斯伯里的《白色》手稿,并突出戏剧的反殖民方面。
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引用次数: 0
Mímesis hermética. Sobre la legibilidad del Material de los sueños 严密的模仿。论梦材料的可读性
Q4 Arts and Humanities Pub Date : 2019-11-22 DOI: 10.19130/iifl.ap.2020.1.865
Rodrigo García de la Sienra
En este ensayo se aborda el problema de inteligibilidad que plantean los tres relatos redactados por Jose Revueltas durante su encierro en Lecumberri despues de la represion del movimiento estudiantil de 1968 y que fueron recogidos en el volumen Material de los suenos : “Hegel y yo”, “El reojo del yo” y “Ezequiel o la matanza de los inocentes”. Despues de revisar algunos importantes trabajos criticos en donde se tematiza el caracter hermetico de dichos textos, el articulo sugiere una contextualizacion conceptual basada en la relectura de algunos pasajes teorico-politicos del propio Revueltas, asi como de otros pensadores, y traza una linea de inteligibilidad mediante la descripcion del funcionamiento de esa mimesis hermetica.
这篇文章讨论了何塞·雷维塔斯在1968年学生运动镇压后在勒昆贝里被监禁期间写的三个故事所提出的可理解性问题,这些故事被收录在《梦想》的材料卷中:“黑格尔和我”,“我的背影”和“以西结或屠杀无辜者”。在回顾了一些重要的批评作品,这些作品以这些文本的密封性为主题后,文章在重新阅读起义本身和其他思想家的一些理论政治段落的基础上,提出了一种概念背景化,并通过描述这种密封模仿的运作情况来划定可理解性的界限。
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引用次数: 0
Sobre Los días terrenales [Zhdánov, Pascal, la filosofía y una “Literatura de extravío”] 关于尘世的日子[日达诺夫,帕斯卡,哲学和“迷失的文学”]
Q4 Arts and Humanities Pub Date : 2019-11-22 DOI: 10.19130/iifl.ap.2020.1.864
A. Esquivel
This article recues the enormous discussion about the novel Los dias terrenales , by Jose Revueltas in the plane of philosophical interpretation. A reading of Los dias terrenales is proposed through the proper instruments of philosophy in its dialectical dimension, through which the significant cast of philosophical problems that Revueltas summons with the construction of a great existential and human mural can be addressed. For this purpose, the ghost of Andrei Zhdanov y Blaise Pascal are invoked: their ideas regarding art, life, the absolute, political or moral commitment and, finally, the human condition guide the complexity of an author in his being both a communist writer and a communist who writes.
本文从哲学解释的角度对雷韦尔塔斯的小说《天堂》进行了广泛的讨论。在辩证的维度上,通过适当的哲学工具来解读《人间天堂》,通过这种方式,Revueltas在构建一幅伟大的存在主义和人类壁画时所召唤的重要哲学问题可以得到解决。为此,安德烈·日达诺夫和布雷斯·帕斯卡的灵魂被唤起:他们关于艺术、生活、绝对、政治或道德承诺,以及最后,人类状况的思想,指导着作家既是共产主义作家又是共产主义作家的复杂性。
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引用次数: 0
El Paraíso, el paisaje y la lejanía en América de Kafka 卡夫卡的《美国的天堂、风景和遥远》
Q4 Arts and Humanities Pub Date : 2019-11-22 DOI: 10.19130/iifl.ap.2020.1.870
Juan Vadillo
In this article we discuss Franz Kafka’s novel America from three main topics: paradise, landscape, and distance. We intend to point out how paradise and the earthly world are present throughout its plot in a parallel form. The landscape descriptions offer a view to paradise, but we inevitably go back to the earthly world. It is a contrastive dialogue between paradise and tragedy, where women represent a door to paradise and a banishment from paradise at the same time.
本文主要从天堂、风景和远方三个方面来探讨卡夫卡的小说《美国》。我们打算指出天堂和世俗是如何以平行的形式出现在整个情节中的。景观描述提供了天堂的景色,但我们不可避免地要回到世俗。这是一场天堂与悲剧的对比对话,女性同时代表着天堂之门和天堂的放逐。
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引用次数: 0
Presentación del Thema: Revueltas 主题介绍:Revueltas
Q4 Arts and Humanities Pub Date : 2019-11-22 DOI: 10.19130/iifl.ap.2020.1.863
A. Esquivel
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引用次数: 0
Bolívar Echeverría: traductor de Walter Benjamin 玻利瓦尔·埃切韦里亚:沃尔特·本杰明的翻译
Q4 Arts and Humanities Pub Date : 2019-11-22 DOI: 10.19130/iifl.ap.2020.1.867
Álvaro Campuzano Arteta
Este articulo analiza la labor de Bolivar Echeverria como traductor al espanol de la obra de Walter Benjamin, entendiendo la traduccion como forma de actualizacion y al traductor como quien traslada el texto a un contexto aparentemente ajeno y explota asi sus potencialidades dentro de una nueva realidad sociocultural. Echeverria establece un dialogo con Benjamin desde el contexto latinoamericano con el fin de romper concepciones del lenguaje que lo limiten a valores instrumentales, reafirmando su papel como matriz historica, no esencialista, de identidad colectiva e individual.
本文分析了玻利瓦尔·埃切韦里亚作为沃尔特·本杰明作品西班牙语翻译的工作,将翻译理解为一种更新形式,将文本转移到看似陌生的背景中,从而在新的社会文化现实中挖掘其潜力。埃切韦里亚从拉丁美洲的背景下与本杰明建立了对话,以打破将他限制在工具价值观范围内的语言概念,重申他作为历史、非本质主义、集体和个人身份矩阵的作用。
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引用次数: 2
Cicerón, Vitruvio, Daniele Barbaro y Andrea Palladio: el proceso creativo clásico de la inventio-dispositio y el concepto de disegno del Renacimiento italiano 西塞罗、维特鲁威、丹尼尔·巴巴罗和安德里亚·帕拉第奥:意大利文艺复兴时期发明性格和设计概念的经典创作过程
Q4 Arts and Humanities Pub Date : 2019-11-22 DOI: 10.19130/iifl.ap.2020.1.869
Gabriela Solís Rebolledo, Juan Ignacio del Cueto Ruiz-Funes
The purpose of this research is to elaborate on the problem of the humanist concept of disegno in Italian Renaissance architectural theory, particularly on its interpretation by Andrea Palladio and his theoretical references, emphasizing on projective methodology. The starting point of the analysis lies in the analogy established in antiquity between the creative processes of the forma in Cicero’s discourse and Vitruvius’ architectural forma . The study lays out the importance of classical rhetoric and architecture as the knowledge in which the principles of architectural projects in the Cinquecento were built upon.
本研究的目的是阐述意大利文艺复兴建筑理论中的人文主义概念disegno问题,特别是安德烈亚·帕拉迪奥及其理论参考对其的解释,强调投射方法论。分析的出发点在于西塞罗话语中形式的创造过程与维特鲁威的建筑形式在古代建立的类比。这项研究阐述了古典修辞学和建筑学的重要性,因为它们是建立在中世纪建筑项目原则的基础上的。
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引用次数: 1
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Acta Poetica
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