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Heidegger’s Existential Ontology and Its Reconstruction in Soviet and Post-Soviet Russia 海德格尔的存在本体论及其在苏联和后苏联时期的重建
IF 0.1 4区 哲学 Q4 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/10611967.2022.2033048
M. Bykova
Heidegger is one of the most original and important thinkers in the history of Western philosophy, but his philosophical project is difficult to grasp and appreciate. Formulating his quest as the revival of the question of Being that he believes has been ignored since the time of Aristotle, he brings to the fore the fundamental significance of ontology. Yet he remains critical of traditional ontological inquiry. In particular, he opposes Cartesian ontology, i.e., ontology of “thingness” that answers the question of Being in terms of beings, and in doing so conceals the truth of Being. Heidegger demonstrates that while ontological issues played a certain role in the history of philosophy, all previous philosophy was concerned with beings or things in their being. However, Being is not a thing, but that which “transcends” things, “the transcendens pure and simple.” This “transcendens” could be open only through the authentic experience of “Being-in -the world” that Heidegger frames as the analytic of Dasein understood as human existence in respect to its temporal and historical character. Heidegger’s unique contribution to philosophy begins with his identification of the human being’s existential-experiential situation with the ontological position itself. Saying that “Dasein is ontically distinctive in that it is ontological,” he points out that the condition of experiencing-existing is precisely that of rendering the Being (ὄν) of entities explicit or intelligible in thought and speech (λόγος), and is thus most basically the condition of a being concerned with Being. Thus, the question of onto-logy, literally the meaning of Being, is implicated in the very Being of the being who inquires after it. According to Heidegger, the prevailing Western consensus on ontology rests on the Cartesian cogito ergo sum. However central to philosophy as a whole, the question of what it means to “be” was never quite considered. Heidegger criticizes thinkers who regard humans as detached from the world around them, mere observers of objects from which they are independent. Instead, he
海德格尔是西方哲学史上最具原创性、最重要的思想家之一,但他的哲学工程却难以把握和欣赏。他认为,自亚里士多德时代以来,存在的问题一直被忽视,他把本体论的基本意义提了出来。然而,他仍然对传统的本体论研究持批评态度。他特别反对笛卡尔的本体论,即用存在来回答存在问题的“物性”本体论,这种本体论掩盖了存在的真理。海德格尔论证了虽然本体论问题在哲学史上发挥了一定的作用,但以往的哲学都是关注存在或事物的存在。然而,存在不是一件东西,而是“超越”事物的东西,“超越纯粹而简单的东西”。这种“超越”只能通过“在世界中存在”的真实经验来打开,海德格尔将此定义为对在此的分析,并将其理解为人类存在的时间和历史特征。海德格尔对哲学的独特贡献始于他将人的存在经验情境与本体论立场本身等同起来。他说:“此在是本体论的,所以它在本体论上是有区别的。”他指出,经验存在的条件恰恰是使实体的存在在思想和言语中显化或可理解的条件(λ γος),因此最基本的是与存在有关的存在的条件。因此,本体论的问题,即存在的意义,就包含在追问存在的存在本身中。在海德格尔看来,西方主流的本体论共识是建立在笛卡尔的“我思故我和”的基础上的。尽管“存在”是整个哲学的核心问题,但它的意义从未被充分考虑过。海德格尔批评那些认为人类与周围的世界是分离的,仅仅是他们独立的对象的观察者的思想家。相反,他
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引用次数: 0
Heidegger, Arendt, and the Destruction of Thought: From the Black Notebooks to The Life of the Mind? 海德格尔、阿伦特与思想的毁灭:从《黑色笔记》到《心灵生活》?
IF 0.1 4区 哲学 Q4 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/10611967.2021.1973316
Alexei G. Zhavoronkov
ABSTRACT This article is devoted to the issue of Martin Heidegger’s influence on Hannah Arendt as an offshoot of the debates over the Black Notebooks and Heidegger’s attitude toward National Socialism. It centers on a critical analysis of the main arguments of French historian of philosophy Emmanuel Faye, who asserted that Arendt’s views on National Socialism underwent a significant transformation under the influence of Heidegger’s philosophy. I demonstrate the counterproductiveness of Faye’s attempts to apply the most radical arguments from the Heidegger debate to analysis of Arendt’s texts and to inscribe this approach into the broader context of the discussion on race and racism in the works of “classical” philosophers. In the course of my analysis, I also discuss the impact of Faye’s work on contemporary Russian reception of Heidegger’s philosophy and the place his research occupies in contemporary Arendt studies.
本文致力于探讨马丁·海德格尔对汉娜·阿伦特的影响,这是关于《黑色笔记本》和海德格尔对国家社会主义态度争论的一个分支。本文主要对法国哲学史家伊曼纽尔·法耶的主要论点进行了批判性分析,他断言阿伦特的国家社会主义观在海德格尔哲学的影响下发生了重大转变。我展示了费耶试图将海德格尔辩论中最激进的论点应用于分析阿伦特的文本,并将这种方法纳入“古典”哲学家作品中关于种族和种族主义的讨论的更广泛的背景下,这是适得其反的。在我的分析过程中,我还讨论了费耶的工作对当代俄罗斯人接受海德格尔哲学的影响,以及他的研究在当代阿伦特研究中的地位。
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引用次数: 0
Eine Knabe, der träumt, or: Intoxicated by Power 一个梦想的男孩,或者:被权力所陶醉
IF 0.1 4区 哲学 Q4 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/10611967.2021.1973317
Vladimir V. Mironov, Dagmar Mironowa
ABSTRACT This article analyzes the issues associated with the publication of Martin Heidegger’s Black Notebooks. We attempt to explain the very publication of this document as a kind of experiment the philosopher conducted on himself and his future readers. It represents a unique form of “deferred” thought that brings us the content of a bygone era, albeit necessarily refracted through contemporary perception. What ensures the integrity of this experiment is, on the one hand, the physical “absence of the author,” who cannot himself influence assessments of his text and actions, and on the other hand, a simultaneous “return of the author,” since his opinion must be taken into account. This thus serves as a kind of refutation of the postmodern “death of the author,” as his thoughts must be taken into account even in the case of his physical absence. We also investigate the problem of the philosopher’s ideological “intoxication” with the ideas of the National Socialist revolution, as manifested in his activities as a philosopher-ideologist while serving as Rector at the University of Freiburg. We analyze a number of the philosopher’s speeches in that regard and touch on the question of his responsibility for the ideas he “cast” into the world.
摘要本文分析了与海德格尔《黑色笔记》出版有关的问题。我们试图将这份文件的出版解释为哲学家对自己和未来读者进行的一种实验。它代表了一种独特的“递延”思想形式,它给我们带来了过去时代的内容,尽管必然通过当代的感知来折射。一方面,确保这项实验完整性的是“作者的身体缺席”,他自己不能影响对其文本和行为的评估,另一方面,同时“作者的回归”,因为必须考虑到他的意见。因此,这是对后现代“作者之死”的一种反驳,因为即使在他身体不在的情况下,也必须考虑到他的思想。我们还调查了哲学家对国家社会主义革命思想的意识形态“陶醉”问题,这表现在他担任弗赖堡大学校长期间作为哲学家和思想家的活动中。我们分析了这位哲学家在这方面的一些演讲,并谈到了他对自己“灌输”到世界上的思想的责任问题。
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引用次数: 0
In Memory of a Colleague: Vladimir Vasilyevich Mironov (1953–2020) 纪念一位同事:弗拉基米尔·瓦西里耶维奇·米罗诺夫(1953-2020)
IF 0.1 4区 哲学 Q4 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/10611967.2021.2023310
M. Bykova
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引用次数: 0
In Memory of a Mentor, Colleague, and Friend: Nelly Vasilyevna Motroshilova (1934 – 2021) 纪念一位导师、同事和朋友:内莉·瓦西里耶夫娜·莫特希洛娃(1934 - 2021)
IF 0.1 4区 哲学 Q4 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/10611967.2021.2023311
M. Bykova
The philosopher, Nelly Vasilyevna Motroshilova, belonged to the generation of Russian intellectuals and cultural figures known as the Sixtiers (shestidesiatniki), the beginning of whose professional careers coincided with the official course of the Destalinization of Soviet society and whose ideals and civic position became associated with striving for a humanistic renewal of public life. As a philosopher, both by training and vocation, she was instrumental in the awakening of Russian philosophy from its dogmatic Marxist slumber and its creative revitalization in the late Soviet period. Her work on German idealism, with a special focus on Kant and Hegel, as well as her incisive examination of Husserl’s phenomenology, is what made her not only an esteemed professor but also one of the most influential historians of philosophy, widely known in both Russia and abroad. This work, rightfully cherished, contributed greatly to the development of philosophy in Russia. Her research over the course of her more-than-six-decade career, in addition to German classic and contemporary philosophy and phenomenology, included Russian philosophy of the Silver Age and of the Soviet period, philosophical sociology, social epistemology, as well as issues of contemporary civilizational progress. She was keenly interested in the antinomies of European unification, the processes which influence the development of values that make up European identity, the specifics of the formation of the contemporary concept of civil society, and the prospects for the social and economic progress of Russia. She warned of the danger of exaggerating the uniqueness of Russian philosophical thought and its consideration outside the context of the development of Western European philosophy. Confident that, despite the specificity of Russian philosophy, it has formed and developed as an integral part of world philosophical culture, she put at the center of her research not the question of differences and oppositions, but rather the investigation of the organic relationship of the
这位哲学家,Nelly Vasilyevna Motroshilova,属于被称为“60层”(shestidesiatniki)的一代俄罗斯知识分子和文化人物,他们职业生涯的开始与苏联社会的非波兰化的官方进程相吻合,他们的理想和公民地位与争取公共生活的人文主义更新联系在一起。作为一名哲学家,无论是训练还是职业,她在唤醒俄罗斯哲学从教条的马克思主义沉睡和苏联后期的创造性复兴中发挥了重要作用。她对德国唯心主义的研究,特别是对康德和黑格尔的研究,以及对胡塞尔现象学的深刻研究,使她不仅成为一位受人尊敬的教授,而且是最有影响力的哲学史学家之一,在俄罗斯和国外都广为人知。这部著作为俄国哲学的发展做出了巨大贡献,理应受到重视。在她60多年的职业生涯中,除了德国古典和当代哲学和现象学之外,她的研究还包括白银时代和苏联时期的俄罗斯哲学、哲学社会学、社会认识论,以及当代文明进步的问题。她对欧洲统一的矛盾、影响构成欧洲认同的价值观发展的过程、当代公民社会概念形成的具体情况以及俄罗斯社会和经济进步的前景非常感兴趣。她警告说,夸大俄罗斯哲学思想的独特性及其在西欧哲学发展背景之外的考虑是危险的。她相信,尽管俄罗斯哲学具有特殊性,但它已经形成并发展成为世界哲学文化的一个组成部分,她的研究中心不是差异和对立的问题,而是对世界哲学文化的有机关系的研究
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引用次数: 0
Back to Martin Heidegger’s Black Notebooks 回到马丁·海德格尔的《黑色笔记
IF 0.1 4区 哲学 Q4 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/10611967.2021.1973314
N. Motroshilova
ABSTRACT This article analyzes a number of personal and philosophical aspects of the debate over Heidegger’s Black Notebooks and his anti-Semitism. The first part of the article focuses on the personal features that influenced Heidegger’s social activities, as well as his statements on politics and culture. These features are then illustrated by examples of radical, stereotypical characterizations of “national essences” in the Black Notebooks. The final part of the article focuses on the role of the Black Notebooks in the context of Heidegger’s philosophical development, primarily the causes and consequences of his turn toward a new philosophy of Being. The contemporary debates on the Black Notebooks rightly point to the extreme biasedness of Heidegger’s statements formulated there, which is used as a justification for attempts to discredit his previous work and ideas. My core thesis is that while the views Heidegger expresses in the Black Notebooks undoubtedly deserve harsh criticism, they should not serve as a basis for contemporary scholars to reject the significance of Heidegger’s entire legacy.
摘要本文分析了关于海德格尔《黑色笔记》及其反犹太主义的争论的一些个人和哲学方面。文章的第一部分着重论述了影响海德格尔社会活动的个人特征,以及他对政治和文化的论述。这些特征随后通过黑人笔记中对“民族本质”的激进、刻板的描述来说明。文章的最后一部分着重论述了黑笔记在海德格尔哲学发展中的作用,主要是他转向新存在哲学的原因和后果。当代关于《黑色笔记》的辩论正确地指出了海德格尔在那里表述的极端偏见,这被用来为试图诋毁他以前的作品和思想辩护。我的核心论点是,尽管海德格尔在《黑色笔记》中表达的观点无疑值得严厉批评,但它们不应成为当代学者拒绝接受海德格尔整个遗产意义的基础。
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引用次数: 0
Letter from Vladimir V. Mironov to Aleksandr V. Mikhailovsky 弗拉基米尔·米罗诺夫给亚历山大·米哈伊洛夫斯基的信
IF 0.1 4区 哲学 Q4 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/10611967.2021.1973319
Vladimir V. Mironov
My dear Aleksandr! I have finally found some quiet time for a slow and attentive read of your article “The Beginning of the Black Notebooks.” I very much liked the article, especially for your truly independent position on Heidegger’s difficult-tounderstand philosophy. Given your previous article on the features of Russian reception of Heidegger’s philosophy, I would like to start by providing a few explanations here, particularly of our own position. We have repeatedly highlighted the very point that comes up in your latest article, that Heidegger does not simply address the future, but does so in a deliberately enigmatic fashion, such that “the intended audience will understand.” In our second article (which I promised to give you a hard copy of), we once again draw attention to this and note that his position is more honest and consistent than that of many of those in postwar Germany who began engaging in “ideological selfpurification.” The case with Jaspers is likewise not so simple, as he is no “crystal-clear” figure in this regard. At some point we more or less suggested that he played a kind of trickster role in the Heidegger situation before stepping aside. But this is a separate issue. At the same time, we have repeatedly stipulated that we are not interested in Heidegger’s position as such but in assessing situations where philosophers find themselves aligning with the power structure. And this has clearly remained a relevant issue for our own time. The example of Heidegger is highly instructive here, since it shows that even the greatest of thinkers, however much he may sequester himself inside his own philosophical reflections, can still be used as a means. And, naturally, this has no effect on the greatness of his philosophical thought nor the ideas he developed. Another issue is that, given the way the world works, no matter how much we may distance ourselves from superficial readers, they will always exist and can pick and choose whichever of our arguments suits them. The Black
我亲爱的亚历山大!我终于找到了一些安静的时间,慢慢地、专心地阅读你的文章《黑色笔记本的开端》。我非常喜欢这篇文章,尤其是你对海德格尔难以理解的哲学的真正独立的立场。鉴于你之前关于俄罗斯接受海德格尔哲学的特点的文章,我想首先在这里提供一些解释,特别是我们自己的立场。我们在你的最新文章中反复强调了这一点,即海德格尔并不是简单地谈论未来,而是以一种刻意神秘的方式这样做,这样“目标受众就会理解”。在我们的第二篇文章中(我承诺会给你一份硬拷贝),我们再次提请注意这一点,并注意到他的立场比战后德国许多开始从事“意识形态自我净化”的人更为诚实和一致。雅斯贝尔斯的情况同样不那么简单,因为他在这方面不是一个“清晰”的人物。在某种程度上,我们或多或少地认为他在离开之前在海德格尔的处境中扮演了一种骗子的角色。但这是一个单独的问题。与此同时,我们一再规定,我们对海德格尔的立场不感兴趣,而是对哲学家发现自己与权力结构一致的情况进行评估。这显然仍然是我们这个时代的一个相关问题。海德格尔的例子在这里很有启发性,因为它表明,即使是最伟大的思想家,无论他如何将自己封闭在自己的哲学思考中,仍然可以作为一种手段。当然,这对他的哲学思想的伟大和他发展的思想都没有影响。另一个问题是,考虑到世界的运作方式,无论我们与肤浅的读者保持多大的距离,他们都会一直存在,并且可以选择我们的论点中适合他们的。The Black
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引用次数: 0
Some Features of Russian Reception of Martin Heidegger in Relation to Debates Over His Black Notebooks 从海德格尔黑色笔记之争看其接受俄罗斯的一些特点
IF 0.1 4区 哲学 Q4 Arts and Humanities Pub Date : 2021-05-04 DOI: 10.1080/10611967.2021.1973315
Aleksandr V. Mikhailovsky
ABSTRACT This article focuses on the Russian image of Heidegger as a thinker of Being, as a conservative critic of late modernity, and as a “post” philosopher. On the one hand, special interest in Heidegger’s theory of deconstruction developed in Russia under French postmodernism’s influence on late Soviet and post-Soviet philosophy. On the other hand, reception of Heidegger’s critique of European nihilism, total domination, and scientific technology contributed significantly to interest in issues related to the political implications of philosophy. The author sees the unique features of Heidegger’s Russian reception in its rejection of the rigid distinction between Heidegger’s “core” philosophy and the “incidental” circumstances associated with his political activities in the 1930s. The current debates over his Black Notebooks demonstrate not only the existence of an independent language of description and analysis in Russia’s philosophical milieu, but also an original tendency toward a holistic consideration of Heidegger’s thought. In addition to reviews of his Black Notebooks by Nelly V. Motroshilova, Vladimir V. Mironov, and Dagmar Mironowa in the pages of Voprosy filosofii, the author discusses the earlier works of Nelly V. Motroshilova, Vladimir V. Bibikhin, Arseny V. Gulyga, Valery A. Podoroga, and Aleksandr G. Dugin.
摘要本文着重探讨了海德格尔作为存在论思想家、晚期现代性保守主义批评家和“后”哲学家的俄罗斯形象。一方面,在法国后现代主义对后苏联和后苏联哲学的影响下,俄罗斯对海德格尔的解构理论产生了浓厚的兴趣。另一方面,接受海德格尔对欧洲虚无主义、全面统治和科学技术的批判,极大地促进了人们对哲学政治含义相关问题的兴趣。作者认为,海德格尔接受俄罗斯的独特之处在于,它拒绝将海德格尔的“核心”哲学与他在20世纪30年代的政治活动中的“偶然”环境严格区分开来。当前关于他的《黑色笔记》的争论不仅表明了在俄罗斯哲学环境中存在着一种独立的描述和分析语言,而且还表明了对海德格尔思想进行整体思考的原始倾向。除了在Voprosy filosofii的页面上对Nelly V.Motroshilova、Vladimir V.Mironov和Dagmar Mironowa的《黑色笔记》的评论外,作者还讨论了Nelly V.Motroshilova、Vladim V.Bibikhin、Arseny V.Gulyga、Valery A.Podoroga和Aleksandr G.Dugin的早期作品。
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引用次数: 0
Mandelstam’s Poetry and Artistic–Philosophical Intuitions of Russian Culture 曼德尔斯坦的诗歌与艺术——俄罗斯文化的哲学直觉
IF 0.1 4区 哲学 Q4 Arts and Humanities Pub Date : 2021-03-04 DOI: 10.1080/10611967.2021.1928938
O. Zhukova
ABSTRACT This article analyzes the artistic experience of Osip E. Mandelstam (1891–1938) in the context of the aesthetic and ideological transformations of Russian and European culture during the first half of the twentieth century and of the philosophical inquiries of that period. Overcoming the programmatic multitudes of modernist aesthetics, Mandelstam draws his own artistic ideas and images from those aesthetics while also opposing postclassical culture in the form of the artistic avant-garde. Relying on his own poetic and intellectual intuition, which he explicated and formalized theoretically in his essays and works of criticism, he asserts an authorly, reflective style of modern poetry that anticipated the post-nonclassical artistic culture characteristic of the late twentieth and early twenty-first centuries.
本文从20世纪上半叶俄罗斯和欧洲文化的审美和意识形态转变以及该时期的哲学探究的背景下,分析了奥西普·曼德尔施塔姆(1891-1938)的艺术经历。曼德尔施塔姆克服了现代主义美学的纲领性,从这些美学中汲取了自己的艺术思想和形象,同时也以艺术前卫的形式反对后古典文化。依靠他自己的诗歌和智力直觉,他在他的论文和批评作品中从理论上解释和形式化,他主张一种作者式的,反思式的现代诗歌风格,这种风格预示了20世纪末和21世纪初的后非古典艺术文化特征。
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引用次数: 0
“For the World’s Complexity”: Intellectual “Condensing of Reality” in O. Mandelstam’s Works “为了世界的复杂性”:曼德尔斯坦作品中的知识分子“现实的浓缩”
IF 0.1 4区 哲学 Q4 Arts and Humanities Pub Date : 2021-03-04 DOI: 10.1080/10611967.2021.1928946
I. Kondakov, Liliya B. Brusilovskaya
ABSTRACT This article focuses on the theoretical foundations of Osip Mandelstam’s semantic poetics, its cultural–philosophical richness, and its aesthetic novelty. The principal features of Mandelstam’s poetic world are its metaphorical and associative complexity and persistent struggle with metaphysical “emptiness.” Guided by Yu. Tynianov’s law that verse structure should be tight and unified, the poet achieves an exceptional “condensing” of his poetic texts, using this for his particular creative strategies aimed at enhancing the polysemy of the word, expanding its cultural–historical context, achieving semantic uncertainty, and combining philosophical “connectedness” with associative “disconnectedness.” These strategies include a reliance on semantic clusters, which involve “bunches” of contradictory meanings, chains of binary and ternary deep structures of text, and a dramatic combination of binarity and ternarity. Mandelstam’s creation of a “moiré” texture in his poetic texts contributes to the deepening of their tragic outlook of confusion and hopelessness, which corresponds to the realities of the Stalin era and the impending Great Terror.
本文主要探讨曼德尔施塔姆语义诗学的理论基础、文化哲学的丰富性和美学的新颖性。曼德尔施塔姆诗歌世界的主要特征是其隐喻和联想的复杂性,以及与形而上的“空虚”的持续斗争。由余指导。根据泰尼亚诺夫的诗歌结构应紧密统一的原则,诗人实现了对诗歌文本的一种特殊的“浓缩”,并将其用于其独特的创作策略,旨在增强词的多义性,扩大其文化历史语境,实现语义的不确定性,并将哲学上的“联系”与联想上的“分离”结合起来。这些策略包括对语义集群的依赖,语义集群涉及矛盾意义的“束”,文本的二元和三元深层结构链,以及二元和三元的戏剧性组合。曼德尔施塔姆在他的诗歌文本中创造了一种“悲剧性”的纹理,有助于加深他们困惑和绝望的悲剧性观点,这与斯大林时代和即将到来的大恐怖的现实相对应。
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引用次数: 0
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