Pub Date : 2022-09-12DOI: 10.1080/20507828.2022.2106535
S. Puddu
Abstract The principle of “normalization” in penology maintains that the life of people in captivity should resemble as far as possible the positive aspects of “normal” life in free society. To critically understand how the theories and practices of normalization impact our discourses about space within and beyond detention institutions, this essay considers the “prison house,” a genre that includes a range of homely, small-scale carceral facilities. The “prison house” attempts to normalize life, often through a process of “home-ification.” In doing so, it sublimates the notion of privacy – in its double modern connotation, as defined by Robin Evans, of solitude and domesticity – and re-introduces collectiveness as a choreographed practice hailed as a tool for reform and as guarantor of a daily social order. This article asks: does the “prison house” mimic or anticipate how free people live together in the residential architecture of the city?
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Pub Date : 2022-09-02DOI: 10.1080/20507828.2022.2104523
Mattie Reynolds
Abstract London’s affluent neighborhoods are often reported as places where employers infringe migrant domestic workers’ rights. Much has been written on both the wealthy’s influence on cities and on domestic workers’ lack of rights, yet few have connected these literatures. In this article, I explore one of the UK’s most expensive addresses, Eaton Square, through contemporary and historical planning documents, to unearth a legacy of segregation masked by tactics to avoid public scrutiny. Through interviewing staff at Kalayaan, a charity that supports and advocates for domestic workers, and analyzing their survey data, I find that explicit segregation is being replaced by boundary erasure, with workers sleeping in communal areas and family members’ bedrooms, with little or no access to the city outside. The article questions the conflation of the physical house and social home that is regularly assumed, and argues for domestic workers’ human right to privacy to be enabled, rather than restricted, by spatial and legislative means.
{"title":"Downstairs, Upstairs: The Division of Domestic Space Between Domestic Workers and Super-Rich Employers in London","authors":"Mattie Reynolds","doi":"10.1080/20507828.2022.2104523","DOIUrl":"https://doi.org/10.1080/20507828.2022.2104523","url":null,"abstract":"Abstract London’s affluent neighborhoods are often reported as places where employers infringe migrant domestic workers’ rights. Much has been written on both the wealthy’s influence on cities and on domestic workers’ lack of rights, yet few have connected these literatures. In this article, I explore one of the UK’s most expensive addresses, Eaton Square, through contemporary and historical planning documents, to unearth a legacy of segregation masked by tactics to avoid public scrutiny. Through interviewing staff at Kalayaan, a charity that supports and advocates for domestic workers, and analyzing their survey data, I find that explicit segregation is being replaced by boundary erasure, with workers sleeping in communal areas and family members’ bedrooms, with little or no access to the city outside. The article questions the conflation of the physical house and social home that is regularly assumed, and argues for domestic workers’ human right to privacy to be enabled, rather than restricted, by spatial and legislative means.","PeriodicalId":42146,"journal":{"name":"Architecture and Culture","volume":"1 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42946376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-08-10DOI: 10.1080/20507828.2022.2093603
Heidi Svenningsen Kajita
Abstract Architectural archives of large-scale housing projects are usually ordered with construction in mind, but can they also function in support of the social in housing? This article reveals how particular notions of inhabitation were inscribed in documents used in the design processes of a post-World War II housing estate, the Byker Redevelopment in Newcastle upon Tyne, UK (1968-83). From their site office, Ralph Erskine’s Arkitektkontor AB experimented with communicative processes with residents, some of which were kept on record and stored. Scribbles on furnished drawings point to particular imaginaries involving sometimes just one household; residents’ voices are noted in lists, in a local newspaper and in evaluative reports. Re-activating the office archive ethnographically, I stitch together episodic accounts from these scant scraps. The aim is not an all-embracing representation of historical events, but instead the possibility to attend to small truths of the social – urgent minor matters – in mainstream housing futures.
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Pub Date : 2022-04-03DOI: 10.1080/20507828.2022.2062658
Charles Drożyński
Abstract This article analyzes the formation of a conceptual persona in a narrative which some architects use in the design process. It focuses on a description of such a persona borrowed from Gilles Deleuze and Félix Guattari’s What is Philosophy? It presents the work of three architects who explore how this persona can express a corporeal, public and emotional presence; elaborating on relations which extend beyond the design task and engage with their cultural context. The task all three were given is to design a glory hole that links divided lovers. The actuality of this configuration asks the inhabitants to imagine the presence of the other much like the architects would in the design process. The research is novel allowing architects to truly indulge in exploring the presence of sexual desire and longing in public space.
{"title":"Holes in Architecture: A Queer Eye on a Design Method","authors":"Charles Drożyński","doi":"10.1080/20507828.2022.2062658","DOIUrl":"https://doi.org/10.1080/20507828.2022.2062658","url":null,"abstract":"Abstract This article analyzes the formation of a conceptual persona in a narrative which some architects use in the design process. It focuses on a description of such a persona borrowed from Gilles Deleuze and Félix Guattari’s What is Philosophy? It presents the work of three architects who explore how this persona can express a corporeal, public and emotional presence; elaborating on relations which extend beyond the design task and engage with their cultural context. The task all three were given is to design a glory hole that links divided lovers. The actuality of this configuration asks the inhabitants to imagine the presence of the other much like the architects would in the design process. The research is novel allowing architects to truly indulge in exploring the presence of sexual desire and longing in public space.","PeriodicalId":42146,"journal":{"name":"Architecture and Culture","volume":"10 1","pages":"285 - 303"},"PeriodicalIF":0.8,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43976684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/20507828.2022.2046395
André Patrão
Abstract For over half a century, the works of Michel Foucault have famously exerted tremendous influence upon practicing architects and theoreticians alike. But what of the role architecture played for the French philosopher, who rarely addressed architecture exclusively or primarily as a topic in itself? The following pages assemble a coherent outline of Foucault’s understanding and utilization of architecture, based on his fragmented dealings with and remarks on the subject in what may be considered his three most well-known writings among architectural audiences: a lecture to architects, “Of Other Spaces” (1967); an interview for an architecture magazine, “Space, Knowledge, and Power” (1982); and a book that rendered an old architectural typology famous, Discipline and Punish: the Birth of the Prison (1975).
半个多世纪以来，米歇尔·福柯的作品对实践中的建筑师和理论家都产生了巨大的影响。但是对于这位法国哲学家来说，建筑又扮演了怎样的角色呢?他很少把建筑作为一个单独或主要的话题来讨论。以下几页汇集了福柯对建筑的理解和利用的连贯大纲，基于他在建筑学观众中可能被认为是他最著名的三篇作品中对这个主题的零碎处理和评论:对建筑师的演讲，“其他空间”(1967);建筑杂志《空间、知识和力量》(Space, Knowledge, and Power, 1982)的采访;1975年出版的《纪律与惩罚:监狱的诞生》(Discipline and punishment: the Birth of the Prison)一书使一种古老的建筑类型学闻名于世。
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Pub Date : 2022-04-03DOI: 10.1080/20507828.2022.2057009
N. Kumari
Abstract This piece is a creative intervention in the trope of research article writing. This ‘Poetic Dispatch’ is a response to be sent to the readers of this scholarly journal. It transgresses and extends the limit of its readership and genre by employing the ode form of poetic expression. It stresses Doreen Massey’s proposition that space is an incomplete event, always in becoming. The author takes the liberty of transitioning between voices; changing places as observer and observed, cataloguing and producing the space simultaneously. The photographs assert authentic presences. Situated in a students’ park in an Indian university campus, this text uses what Jacques Derrida calls the absence of the center to refer to the reader’s equal power to produce and ascribe meaning to the space. This students’ park acts like a Derridaean heterotopia where there is the coexistence of various orders of local and global without the prevalence of any.
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Pub Date : 2022-04-03DOI: 10.1080/20507828.2022.2059908
G. Themistokleous
Abstract In the age of “control societies” there is a need to re-situate understandings of the face in architecture. Historical readings of the face in architecture remain rooted in an anthropomorphism that fails to consider current forms of “simulated surveillance” and the emerging non-human visualities that ensue from such a surveillance apparatus. The article considers the change from disciplinary surveillance, as observed in the Larkin Building, to today’s simulated surveillance. Referring to readings of the face by Gilles Deleuze, Félix Guattari, and Mark Cousins, the article traces alternative readings of facial codification. Toward this end, the “Eyes of the City” exhibition (2020) and the media installation, the diplorasis, are used to consider affective readings of the face that enable yet-to-be determined relations between human and non-human visualities. The aim of this article is to speculate on reversing the one-way visual control of space and the ensuing overdetermined architectural programming of the human.
在“控制社会”的时代，有必要重新定位对建筑面孔的理解。历史上对建筑面孔的解读仍然植根于拟人论，没有考虑到当前形式的“模拟监视”，以及从这种监视设备中产生的非人类视觉。本文考虑了从在拉金大楼观察到的纪律监视到今天的模拟监视的变化。参考Gilles Deleuze, f lix Guattari和Mark Cousins对面部的解读，文章追踪了面部编码的其他解读。为此，“城市之眼”展览(2020年)和媒体装置“diplorasis”被用来考虑对面部的情感解读，从而实现人类与非人类视觉之间尚未确定的关系。本文的目的是推测如何扭转对空间的单向视觉控制以及随之而来的人类过度确定的建筑规划。
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Pub Date : 2022-04-03DOI: 10.1080/20507828.2022.2052425
Simon Weir, G. Harman
Abstract This dialogue between Simon Weir and Graham Harman took place in 2021 discussing different ontologies and their consequences in the architectural design studio. Object-oriented ontology classifies three distinct kinds of access to objects. Two are forms of knowledge called undermining and overmining, which amount to false claims of direct access. The other is allusion, an indirect form of access we find most often in esthetics. These three kinds of access offer three distinct modes of discussion and analysis of architectural objects, and two potential problems for discourse in the design studio: aestheticizing knowledge and trying to make knowledge from esthetics.
{"title":"Object-Oriented Ontology in the Design Studio: A Dialogue Between Simon Weir and Graham Harman Across Architecture and Philosophy","authors":"Simon Weir, G. Harman","doi":"10.1080/20507828.2022.2052425","DOIUrl":"https://doi.org/10.1080/20507828.2022.2052425","url":null,"abstract":"Abstract This dialogue between Simon Weir and Graham Harman took place in 2021 discussing different ontologies and their consequences in the architectural design studio. Object-oriented ontology classifies three distinct kinds of access to objects. Two are forms of knowledge called undermining and overmining, which amount to false claims of direct access. The other is allusion, an indirect form of access we find most often in esthetics. These three kinds of access offer three distinct modes of discussion and analysis of architectural objects, and two potential problems for discourse in the design studio: aestheticizing knowledge and trying to make knowledge from esthetics.","PeriodicalId":42146,"journal":{"name":"Architecture and Culture","volume":"10 1","pages":"226 - 242"},"PeriodicalIF":0.8,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47098876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/20507828.2022.2062694
Dorothee Leesing
Abstract Nintendo’s first handheld game console was the Game&Watch. It was a major success in Japan, the United States, France and Germany. This article demonstrates how novel urban infrastructures such as the high-rise occupied the central game drive of early handheld gaming in the Game&Watch. Specifically, Japan and Germany display a coming to terms post WWII in regard to their national identity, economy and infrastructure. The nature of the Game&Watch as one of the first consoles with realistic game environments, as well as being handheld, emphasized the vagabondism of the postwar era in both its material setup and the visual display of the game environment.
{"title":"The Boss Fight Game Environment: The High-Rise in Early Handheld Gaming","authors":"Dorothee Leesing","doi":"10.1080/20507828.2022.2062694","DOIUrl":"https://doi.org/10.1080/20507828.2022.2062694","url":null,"abstract":"Abstract Nintendo’s first handheld game console was the Game&Watch. It was a major success in Japan, the United States, France and Germany. This article demonstrates how novel urban infrastructures such as the high-rise occupied the central game drive of early handheld gaming in the Game&Watch. Specifically, Japan and Germany display a coming to terms post WWII in regard to their national identity, economy and infrastructure. The nature of the Game&Watch as one of the first consoles with realistic game environments, as well as being handheld, emphasized the vagabondism of the postwar era in both its material setup and the visual display of the game environment.","PeriodicalId":42146,"journal":{"name":"Architecture and Culture","volume":"10 1","pages":"326 - 337"},"PeriodicalIF":0.8,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42161907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-04-03DOI: 10.1080/20507828.2021.1925845
Albert Brenchat-Aguilar
Abstract In 1933, the construction of two twin bungalows, designed by Berthold Lubetkin, began on a site adjacent to Whipsnade Zoo. From their inception, they have been differently appreciated by architects and historians for their formal, technical, functional, material and environmental conditions. This article reappraises these buildings from broader multiple contexts involving human and non-human actors that have been part of their ecology, prioritizing categories of human wellbeing, pleasure and entertainment, and animal and environmental welfare. Moving through the page and the terrain as spaces for critical analysis of the built environment, I consider the multiple plots – either a piece of ground, a site, a plan or the scheme of a written work – that constitute various valid frames for understanding Whipsnade bungalows. For this purpose, I reconstruct a methodological approximation to architectural criticism from feminist and cybernetic literature on “patterns” – conceived as flows of interconnection enabling associations and analogies.
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