Pub Date : 2022-06-01DOI: 10.3138/jeunesse-14.1.01
Petra Fachinger
Abstract:In this article, I argue that Cree author David Alexander Robertson’s YA novel The Barren Grounds retells C.S. Lewis’s war trauma narrative The Lion, The Witch and the Wardrobe from a Cree perspective. The “war” addressed in The Barren Grounds is that of the violent acts of colonization that have disconnected several Indigenous generations from their ancestral cultures. The compulsion to reimagine this British classic story in a way that focuses on his own cultural background shows that there was something missing for Robertson in the source text: his Cree identity. Using as a framework Suzanne Methot’s approach to complex post-traumatic stress disorder (CPTSD), which results from repeated traumatic experiences over a prolonged period, I demonstrate that The Barren Grounds emphasizes the significance of cultural reclamation for the healing of intergenerational trauma, including trauma resulting from the foster care experience. The Indigenization of Lewis’s story recognizes children’s rights to an education that includes Indigenous children’s and YA literature and adopts nation-specific Indigenous knowledge as a framework for reading this literature.
{"title":"Healing Intergenerational Trauma through Cultural Reclamation in David Alexander Robertson’s Cree-Centric Retelling of The Lion, the Witch and the Wardrobe","authors":"Petra Fachinger","doi":"10.3138/jeunesse-14.1.01","DOIUrl":"https://doi.org/10.3138/jeunesse-14.1.01","url":null,"abstract":"Abstract:In this article, I argue that Cree author David Alexander Robertson’s YA novel The Barren Grounds retells C.S. Lewis’s war trauma narrative The Lion, The Witch and the Wardrobe from a Cree perspective. The “war” addressed in The Barren Grounds is that of the violent acts of colonization that have disconnected several Indigenous generations from their ancestral cultures. The compulsion to reimagine this British classic story in a way that focuses on his own cultural background shows that there was something missing for Robertson in the source text: his Cree identity. Using as a framework Suzanne Methot’s approach to complex post-traumatic stress disorder (CPTSD), which results from repeated traumatic experiences over a prolonged period, I demonstrate that The Barren Grounds emphasizes the significance of cultural reclamation for the healing of intergenerational trauma, including trauma resulting from the foster care experience. The Indigenization of Lewis’s story recognizes children’s rights to an education that includes Indigenous children’s and YA literature and adopts nation-specific Indigenous knowledge as a framework for reading this literature.","PeriodicalId":42169,"journal":{"name":"Jeunesse-Young People Texts Cultures","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45326457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.3138/jeunesse-14.1.04
Lara Saguisag
Abstract:Jewell Parker Rhodes’s Bayou Magic (2015), written in the wake of the 2010 BP oil spill, deliberates the special problem of talking to children about oil. How does one tackle the subject of oil when addressing young people? How are children enabled to participate in discourses on petroleum? The novel also reveals a dilemma: the resource that we associate with comfort and progress actually contaminates, wounds, and lays waste to natural and human ecosystems. Caught in the mucky conundrum of oil, Bayou Magic reveals the challenges of talking to children about oil and oil catastrophes. In striving to meet the expectation that children’s fiction should offer a hopeful, if not happy, ending, Bayou Magic resorts to a resolution that “contains” the oil spill but sidesteps the problem of our persisting dependence on oil. But the novel’s allusion to the African deity Mami Wata is significant, as the figure connects the oppression of Black peoples to the exploitation of natural resources. As such, the novel uses fantastical elements not to imply that only something magical or divine can save us from disaster; rather, it signals that projects of environmental justice require openness to and embrace of radically imaginative solutions.
{"title":"Blood in the Water: Jewell Parker Rhodes’s Bayou Magic as Children’s Petrofiction","authors":"Lara Saguisag","doi":"10.3138/jeunesse-14.1.04","DOIUrl":"https://doi.org/10.3138/jeunesse-14.1.04","url":null,"abstract":"Abstract:Jewell Parker Rhodes’s Bayou Magic (2015), written in the wake of the 2010 BP oil spill, deliberates the special problem of talking to children about oil. How does one tackle the subject of oil when addressing young people? How are children enabled to participate in discourses on petroleum? The novel also reveals a dilemma: the resource that we associate with comfort and progress actually contaminates, wounds, and lays waste to natural and human ecosystems. Caught in the mucky conundrum of oil, Bayou Magic reveals the challenges of talking to children about oil and oil catastrophes. In striving to meet the expectation that children’s fiction should offer a hopeful, if not happy, ending, Bayou Magic resorts to a resolution that “contains” the oil spill but sidesteps the problem of our persisting dependence on oil. But the novel’s allusion to the African deity Mami Wata is significant, as the figure connects the oppression of Black peoples to the exploitation of natural resources. As such, the novel uses fantastical elements not to imply that only something magical or divine can save us from disaster; rather, it signals that projects of environmental justice require openness to and embrace of radically imaginative solutions.","PeriodicalId":42169,"journal":{"name":"Jeunesse-Young People Texts Cultures","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48996297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.3138/jeunesse-14.1.122
H. F. Fitzsimmons Frey
{"title":"“True When No One Would Listen”: Scripts for Young Readers and Young Audiences","authors":"H. F. Fitzsimmons Frey","doi":"10.3138/jeunesse-14.1.122","DOIUrl":"https://doi.org/10.3138/jeunesse-14.1.122","url":null,"abstract":"","PeriodicalId":42169,"journal":{"name":"Jeunesse-Young People Texts Cultures","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42446405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.3138/jeunesse-14.01.03
Samuel Bidaud
Résumé:Cet article a pour but de rapprocher et d’analyser deux récits de l’écrivain brésilien José Mauro de Vasconcelos (1920–1984), à savoir Le palais japonais (O Palácio Japonês) et Le voilier de cristal (O Veleiro de cristal), publiés en 1969 et 1973 respectivement. Tout en soulignant la singularité de ces deux livres, nous montrons qu’ils partagent une même trame narrative et se font écho en ce qui concerne certains passages et descriptions. En outre, leurs personnages principaux se caractérisent par leur souffrance, à laquelle ils cherchent à échapper par leur imaginaire. Les deux récits peuvent enfin être lus comme des allégories religieuses, racontant l’histoire de deux êtres qui affrontent la mort et à qui des amis sont envoyés pour les aider dans ce passage. Alors que dans Le palais japonais le petit prince Tetsuo emprunte plusieurs traits à Jésus, dans Le voilier de cristal, c’est le tigre Gabriel qui fait référence à l’archange du même nom. Nous nous efforçons, par la comparaison de ces deux livres, de faire ressortir des éléments qui constituent le cœur de la poétique de Vasconcelos.Abstract:This article aims to compare and analyze two stories by Brazilian author José Mauro de Vasconcelos (1920–1984), The Japanese Palace (“O Palácio Japonês”) and The Crystal Sailboat (“O Veleiro de cristal”), published in 1969 and 1973 respectively. While highlighting the uniqueness of these two novels, we also show they share a common narrative framework and echo each other in terms of certain passages and descriptions. What’s more, their main characters are characterized by their suffering, which they try to escape through their imagination. Both tales can be read as religious allegories, telling the story of two people who face death and to whom friends are sent to ease their passing. In The Japanese Palace, Tetsuo the little prince shares many traits with Jesus, but in The Crystal Sailboat, it is Gabriel the tiger that references the archangel of the same name. We try, by comparing both novels, to bring to light the elements at the very heart of Vasconcelos’ poetry.
摘要:本文旨在比较和分析巴西作家jose Mauro de Vasconcelos(1920 - 1984)分别于1969年和1973年出版的《日本宫殿》(O palacio japonica)和《水晶帆船》(O Veleiro de cristal)的两个故事。在强调这两本书的独特性的同时，我们展示了它们共享的叙事框架，并在某些段落和描述中呼应了它们。此外，他们的主要人物的特点是他们的痛苦，他们试图通过他们的想象来逃避。这两个故事最终可以被解读为宗教寓言，讲述了两个面临死亡的人的故事，他们的朋友被派去帮助他们。虽然在日本皇宫小王子Tetsuo借用了耶稣的一些特质,在水晶的帆船,正是老虎Gabriel同名提到天使长。我们努力,通过比较这两本书构成要素的工作,体现Vasconcelos诗意的心脏。摘要:本文旨在比较和分析巴西作家jose Mauro de Vasconcelos(1920 - 1984)的两个故事，《日本宫殿》和《水晶帆船》，分别于1969年和1973年出版。While the uniqueness highlighting share of these two novels, we also show on a common in”:叙事框架和echo的朋友关于某些段落和描述。另外，他们的主要人物是他们的苦难，他们试图逃避他们的想象。这两个故事都是宗教的，讲的是两个人的故事，他们面对死亡，他们的朋友是谁，他们的朋友是谁，他们的朋友是谁，他们的朋友是谁。在日本的宫殿里，小王子Tetsuo和耶稣有很多相似之处，但在Crystal Sailboat中，它是tiger Gabriel，指的是同名的大天使。我们可以把这两种小说作比较，我们可以把这两种小说作比较，我们可以把这两种小说作比较，我们可以把这两种小说作比较，我们可以把这两种小说作比较，我们可以把这两种小说作比较，我们可以把这两种小说作比较。
{"title":"« C’est l’histoire d’un ange que tante Anna m’a racontée » : à propos du Palais japonais et du Voilier de cristal de José Mauro de Vasconcelos","authors":"Samuel Bidaud","doi":"10.3138/jeunesse-14.01.03","DOIUrl":"https://doi.org/10.3138/jeunesse-14.01.03","url":null,"abstract":"Résumé:Cet article a pour but de rapprocher et d’analyser deux récits de l’écrivain brésilien José Mauro de Vasconcelos (1920–1984), à savoir Le palais japonais (O Palácio Japonês) et Le voilier de cristal (O Veleiro de cristal), publiés en 1969 et 1973 respectivement. Tout en soulignant la singularité de ces deux livres, nous montrons qu’ils partagent une même trame narrative et se font écho en ce qui concerne certains passages et descriptions. En outre, leurs personnages principaux se caractérisent par leur souffrance, à laquelle ils cherchent à échapper par leur imaginaire. Les deux récits peuvent enfin être lus comme des allégories religieuses, racontant l’histoire de deux êtres qui affrontent la mort et à qui des amis sont envoyés pour les aider dans ce passage. Alors que dans Le palais japonais le petit prince Tetsuo emprunte plusieurs traits à Jésus, dans Le voilier de cristal, c’est le tigre Gabriel qui fait référence à l’archange du même nom. Nous nous efforçons, par la comparaison de ces deux livres, de faire ressortir des éléments qui constituent le cœur de la poétique de Vasconcelos.Abstract:This article aims to compare and analyze two stories by Brazilian author José Mauro de Vasconcelos (1920–1984), The Japanese Palace (“O Palácio Japonês”) and The Crystal Sailboat (“O Veleiro de cristal”), published in 1969 and 1973 respectively. While highlighting the uniqueness of these two novels, we also show they share a common narrative framework and echo each other in terms of certain passages and descriptions. What’s more, their main characters are characterized by their suffering, which they try to escape through their imagination. Both tales can be read as religious allegories, telling the story of two people who face death and to whom friends are sent to ease their passing. In The Japanese Palace, Tetsuo the little prince shares many traits with Jesus, but in The Crystal Sailboat, it is Gabriel the tiger that references the archangel of the same name. We try, by comparing both novels, to bring to light the elements at the very heart of Vasconcelos’ poetry.","PeriodicalId":42169,"journal":{"name":"Jeunesse-Young People Texts Cultures","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44394769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.3138/jeunesse-14.1.127
C. Fawcett
{"title":"“Us Weirdos Have to Stick Together”: The Owl House, Family, Diversity, and the Grotesque","authors":"C. Fawcett","doi":"10.3138/jeunesse-14.1.127","DOIUrl":"https://doi.org/10.3138/jeunesse-14.1.127","url":null,"abstract":"","PeriodicalId":42169,"journal":{"name":"Jeunesse-Young People Texts Cultures","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47495370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.3138/jeunesse-14.1.135
Siddharth Pandey
{"title":"Decoding Magic’s Cultural Roots","authors":"Siddharth Pandey","doi":"10.3138/jeunesse-14.1.135","DOIUrl":"https://doi.org/10.3138/jeunesse-14.1.135","url":null,"abstract":"","PeriodicalId":42169,"journal":{"name":"Jeunesse-Young People Texts Cultures","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48285822","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.3138/jeunesse.13.2.145
Ashley Hendricks
{"title":"Occupational Hazards: Contemporary Historical-Fantasies and the Labouring Bodies of Youth","authors":"Ashley Hendricks","doi":"10.3138/jeunesse.13.2.145","DOIUrl":"https://doi.org/10.3138/jeunesse.13.2.145","url":null,"abstract":"","PeriodicalId":42169,"journal":{"name":"Jeunesse-Young People Texts Cultures","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42573741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.3138/jeunesse.13.2.10
R. Friend, M. E. Patterson
Abstract:How are children remembered in public memory? Within most history museums, children are superficially represented in well-worn, overly simplistic tropes overwritten by adult nostalgia, romanticism, and sentimentalism. Rarely are the details of their lives—not to mention their ideas or perspectives—engaged in a substantive and nuanced way. This representation is especially true for racialized children and those from other historically marginalized groups. Children are often presented as examples of a generic type ("ten-year-old boy"), and overwhelmingly as historical victims. But curating traces of children's material and immaterial culture can offer insight into young people's understandings of cultural, political, and social matters—unique and valuable perspectives that deserve closer attention. This article explores the dominant narratives used to represent children as historical actors in the recently revamped Canadian History Hall at the Canadian Museum of History. Focusing on the possibilities and challenges of presenting children's perspectives, experiences, and voices, we take the new Canadian History Hall as a case study, and analyze both the narrative form and content of the many representations of children and childhood found in its three galleries.
{"title":"Echoes of Experience: Encountering Children and Childhood in the Canadian History Hall","authors":"R. Friend, M. E. Patterson","doi":"10.3138/jeunesse.13.2.10","DOIUrl":"https://doi.org/10.3138/jeunesse.13.2.10","url":null,"abstract":"Abstract:How are children remembered in public memory? Within most history museums, children are superficially represented in well-worn, overly simplistic tropes overwritten by adult nostalgia, romanticism, and sentimentalism. Rarely are the details of their lives—not to mention their ideas or perspectives—engaged in a substantive and nuanced way. This representation is especially true for racialized children and those from other historically marginalized groups. Children are often presented as examples of a generic type (\"ten-year-old boy\"), and overwhelmingly as historical victims. But curating traces of children's material and immaterial culture can offer insight into young people's understandings of cultural, political, and social matters—unique and valuable perspectives that deserve closer attention. This article explores the dominant narratives used to represent children as historical actors in the recently revamped Canadian History Hall at the Canadian Museum of History. Focusing on the possibilities and challenges of presenting children's perspectives, experiences, and voices, we take the new Canadian History Hall as a case study, and analyze both the narrative form and content of the many representations of children and childhood found in its three galleries.","PeriodicalId":42169,"journal":{"name":"Jeunesse-Young People Texts Cultures","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43793378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.3138/jeunesse.13.2.102
N. Mann
Abstract:Focusing on the work of the London Foundling Hospital between 1741 and the mid-1860s, this article will explore the significance of infanticide, futurity, and "fraud" in understanding the status and condition of the foundling and the complex history of the hospital. This article will build on other contemporary critical studies of the hospital but will highlight that within the context of the hospital and its work, loss, and preservation become inseparable and, at times, indistinguishable. Drawing on the concept of "hauntology" it will therefore emphasize both the role of infanticide and fraud in the hospital's history, and the conceptual figure of "living spectres" that are inextricably linked to that history.
{"title":"Infanticide and Spectral Survival at the London Foundling Hospital","authors":"N. Mann","doi":"10.3138/jeunesse.13.2.102","DOIUrl":"https://doi.org/10.3138/jeunesse.13.2.102","url":null,"abstract":"Abstract:Focusing on the work of the London Foundling Hospital between 1741 and the mid-1860s, this article will explore the significance of infanticide, futurity, and \"fraud\" in understanding the status and condition of the foundling and the complex history of the hospital. This article will build on other contemporary critical studies of the hospital but will highlight that within the context of the hospital and its work, loss, and preservation become inseparable and, at times, indistinguishable. Drawing on the concept of \"hauntology\" it will therefore emphasize both the role of infanticide and fraud in the hospital's history, and the conceptual figure of \"living spectres\" that are inextricably linked to that history.","PeriodicalId":42169,"journal":{"name":"Jeunesse-Young People Texts Cultures","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48705372","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.3138/jeunesse.13.2.38
E. Stańczyk
Abstract:This article explores the memory of nearly one thousand Polish child refugees who found safe haven in India during the Second World War. It discusses how from the 1970s onward, the former refugees attempted to sustain the memory of their exilic homeland, often with support from other memory actors in both Poland and India. Analyzing both personal testimonies and grassroots memory activism, this article investigates the intertwining of individual memory with wider memorial trends, such as vernacular, national, and transnational memory. By discussing the ways in which personal and familial memory of wartime childhood serve as a springboard for other commemorative initiatives, this article also examines how children and young people feature in public memory, both as memory actors and objects of commemoration. In doing so, not only do I ask broader questions about remembering children that are relevant to this special issue, but also provide a window into the vicissitudes of Polish politics of memory from the late 1940s to the present.
{"title":"Polish Refugee Children in India: Personal Memory, Grassroots Activism, and Transnational Commemorative Diplomacy","authors":"E. Stańczyk","doi":"10.3138/jeunesse.13.2.38","DOIUrl":"https://doi.org/10.3138/jeunesse.13.2.38","url":null,"abstract":"Abstract:This article explores the memory of nearly one thousand Polish child refugees who found safe haven in India during the Second World War. It discusses how from the 1970s onward, the former refugees attempted to sustain the memory of their exilic homeland, often with support from other memory actors in both Poland and India. Analyzing both personal testimonies and grassroots memory activism, this article investigates the intertwining of individual memory with wider memorial trends, such as vernacular, national, and transnational memory. By discussing the ways in which personal and familial memory of wartime childhood serve as a springboard for other commemorative initiatives, this article also examines how children and young people feature in public memory, both as memory actors and objects of commemoration. In doing so, not only do I ask broader questions about remembering children that are relevant to this special issue, but also provide a window into the vicissitudes of Polish politics of memory from the late 1940s to the present.","PeriodicalId":42169,"journal":{"name":"Jeunesse-Young People Texts Cultures","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43282915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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