This review considers Derek Dunne's Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice (2016).
这篇评论考虑了德里克·邓恩的莎士比亚，复仇悲剧和早期现代法律：报复性正义（2016）。
{"title":"Review: Derek Dunne, Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice .","authors":"Jessica Apolloni","doi":"10.12745/et.21.1.3512","DOIUrl":"https://doi.org/10.12745/et.21.1.3512","url":null,"abstract":"This review considers Derek Dunne's Shakespeare, Revenge Tragedy and Early Modern Law: Vindictive Justice (2016).","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42288088","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This review considers Alexandra Johnston's The City and the Parish: Drama in York and Beyond (2017).
这篇评论考虑了亚历山德拉·约翰斯顿的《城市与教区:约克郡及其他地区的戏剧》(2017)。
{"title":"Review: Alexandra Johnston, The City and the Parish: Drama in York and Beyond .","authors":"K. Normington","doi":"10.12745/et.21.1.3522","DOIUrl":"https://doi.org/10.12745/et.21.1.3522","url":null,"abstract":"This review considers Alexandra Johnston's The City and the Parish: Drama in York and Beyond (2017).","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41610858","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review of Julie Ackroyd, Child Actors on the London Stage, Circa 1600: Their Education, Recruitment and Theatrical Success","authors":"Edel Lamb","doi":"10.12745/et.21.1.3518","DOIUrl":"https://doi.org/10.12745/et.21.1.3518","url":null,"abstract":"","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44265260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This review article looks at four recent publications on Shakespeare and emotion, exploring recent developments in the field and considering how recent scholars have responded to work by Gail Kern Paster and others. It argues that although the current ‘affective turn’ has in some ways moved away from its medical humanities roots and even at times away from the body, many of these studies can be seen as continuations rather than correctives to her work.
{"title":"Affective Inheritances: A Review Essay","authors":"Lesel Dawson, Eric Langley","doi":"10.12745/ET.20.1.3160","DOIUrl":"https://doi.org/10.12745/ET.20.1.3160","url":null,"abstract":"This review article looks at four recent publications on Shakespeare and emotion, exploring recent developments in the field and considering how recent scholars have responded to work by Gail Kern Paster and others. It argues that although the current ‘affective turn’ has in some ways moved away from its medical humanities roots and even at times away from the body, many of these studies can be seen as continuations rather than correctives to her work.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44570601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Doing Kyd reads Thomas Kyd's The Spanish Tragedy, the box-office and print success of its time, as the play that established the revenge genre in England and served as a 'pattern and precedent' for the golden generation of early modern playwrights, from Marlowe and Shakespeare to Middleton, Webster and Ford. Interdisciplinary in approach and accessible in style, this collection is crucial in two respects: firstly, it has a wide spectrum, addressing readers with interests in the play from its early impact as the first sixteenth-century revenge tragedy, to its afterlife in print, on the stage, in screen adaptation and bibliographical studies. Secondly, the collection appears at a time when Kyd and his play are back in the spotlight, through renewed critical interest, several new stage productions between 2009 and 2013, and its firm presence in higher-education curriculum for English and drama.
{"title":"Doing Kyd: Essays on The Spanish Tragedy","authors":"Nicoleta Cinpoȩs","doi":"10.12745/ET.20.1.3170","DOIUrl":"https://doi.org/10.12745/ET.20.1.3170","url":null,"abstract":"Doing Kyd reads Thomas Kyd's The Spanish Tragedy, the box-office and print success of its time, as the play that established the revenge genre in England and served as a 'pattern and precedent' for the golden generation of early modern playwrights, from Marlowe and Shakespeare to Middleton, Webster and Ford. Interdisciplinary in approach and accessible in style, this collection is crucial in two respects: firstly, it has a wide spectrum, addressing readers with interests in the play from its early impact as the first sixteenth-century revenge tragedy, to its afterlife in print, on the stage, in screen adaptation and bibliographical studies. Secondly, the collection appears at a time when Kyd and his play are back in the spotlight, through renewed critical interest, several new stage productions between 2009 and 2013, and its firm presence in higher-education curriculum for English and drama.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47299448","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This review considers Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations .
这篇综述探讨了早期现代英国文学中的男女变装：性别、表演和酷儿关系。
{"title":"Simone Chess. Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations . New York: Routledge, 2016. Pp xi, 196.","authors":"J. Panek","doi":"10.12745/ET.20.1.3171","DOIUrl":"https://doi.org/10.12745/ET.20.1.3171","url":null,"abstract":"This review considers Male-to-Female Crossdressing in Early Modern English Literature: Gender, Performance, and Queer Relations .","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42808472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Allison P. Hobgood. Passionate Playgoing in Early Modern England . Cambridge: Cambridge University Press, 2014. Pp x, 236.","authors":"Katharine Goodland","doi":"10.12745/et.20.1.3167","DOIUrl":"https://doi.org/10.12745/et.20.1.3167","url":null,"abstract":"","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41543292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jerry Brotton. This Orient Isle: Elizabethan England and the Islamic World . London: Allen Lane, 2016. Pp xv, 358.","authors":"Richard Cave","doi":"10.12745/ET.20.1.3164","DOIUrl":"https://doi.org/10.12745/ET.20.1.3164","url":null,"abstract":"","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48133188","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This review considers The Elizabethan Country House Entertainment: Print, Performance, and Gender .
这篇评论考虑了伊丽莎白时代的乡村别墅娱乐：印刷、表演和性别。
{"title":"Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender . Cambridge: Cambridge University Press, 2016. Pp 256.","authors":"Wendy L. Wall","doi":"10.12745/ET.20.1.3175","DOIUrl":"https://doi.org/10.12745/ET.20.1.3175","url":null,"abstract":"This review considers The Elizabethan Country House Entertainment: Print, Performance, and Gender .","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44904648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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