The editorial for issue 23.1 discusses the context for this special issue on John Marston's The Dutch Courtesan, guest edited by Helen Ostovich.
第23.1期的社论讨论了约翰·马斯顿的《荷兰宫廷》特刊的背景，该特刊由海伦·奥斯托维奇客座编辑。
{"title":"Editorial","authors":"Melinda J. Gough, E. Kelly","doi":"10.12745/et.23.1.4324","DOIUrl":"https://doi.org/10.12745/et.23.1.4324","url":null,"abstract":"The editorial for issue 23.1 discusses the context for this special issue on John Marston's The Dutch Courtesan, guest edited by Helen Ostovich.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46572258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This review considers Discoveries on the Early Modern Stage: Contexts and Conventions.
这篇综述考虑了早期现代阶段的发现:背景和惯例。
{"title":"Leslie Thomson. Discoveries on the Early Modern Stage: Contexts and Conventions. Cambridge: Cambridge University Press, 2018. Pp. 265.","authors":"Jess Hamlet","doi":"10.12745/et.23.1.4302","DOIUrl":"https://doi.org/10.12745/et.23.1.4302","url":null,"abstract":"This review considers Discoveries on the Early Modern Stage: Contexts and Conventions. ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41830438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This review considers Shakespeare and the Soliloquy in Early Modern English Drama.
本文考察了莎士比亚与早期现代英国戏剧中的独白。
{"title":"A.D. Cousins and Daniel Derrin, eds. Shakespeare and the Soliloquy in Early Modern English Drama. Cambridge: Cambridge University Press, 2018. Pp. 278.","authors":"J. Caldicott","doi":"10.12745/et.23.1.4306","DOIUrl":"https://doi.org/10.12745/et.23.1.4306","url":null,"abstract":"This review considers Shakespeare and the Soliloquy in Early Modern English Drama. ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46096443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This Early Theatre ‘Issues in Review’ explores concepts of ‘performance’ in late medieval and early modern England. Responding to current work on drama, festivity and spectatorship, and to the ongoing editorial project Records of Early English Drama (REED), essays address questions such as: what constitutes performance in pre-modern contexts? where, and in what types of texts, can evidence of medieval and early modern performance be located? and what can rethinking ideas of performance and sources do for critical understanding of medieval and early modern culture and drama? [Please note this Abstract and Title are for the whole 'Issues in Review'.]
{"title":"Introduction: Rethinking Performance in Early Modern England","authors":"Emily Mayne","doi":"10.12745/ET.23.2.4388","DOIUrl":"https://doi.org/10.12745/ET.23.2.4388","url":null,"abstract":"This Early Theatre ‘Issues in Review’ explores concepts of ‘performance’ in late medieval and early modern England. Responding to current work on drama, festivity and spectatorship, and to the ongoing editorial project Records of Early English Drama (REED), essays address questions such as: what constitutes performance in pre-modern contexts? where, and in what types of texts, can evidence of medieval and early modern performance be located? and what can rethinking ideas of performance and sources do for critical understanding of medieval and early modern culture and drama? [Please note this Abstract and Title are for the whole 'Issues in Review'.]","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66433818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The editorial for issue 22.2 announces our 2019 essay prizes (for work published in 2017 and 2018), offers a dedication to the late Stephen K. Wright and David Bevington, and announces founding editor Helen Ostovich's retirement as editor.
{"title":"Editorial","authors":"Melinda J. Gough, E. Kelly, Sarah Johnson","doi":"10.12745/et.22.2.4144","DOIUrl":"https://doi.org/10.12745/et.22.2.4144","url":null,"abstract":"The editorial for issue 22.2 announces our 2019 essay prizes (for work published in 2017 and 2018), offers a dedication to the late Stephen K. Wright and David Bevington, and announces founding editor Helen Ostovich's retirement as editor.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44607236","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This essay reviews seven recent volumes on the commedia dell'arte: Christopher B. Balme, Piermario Vescovo, and Daniele Vianello's edited volume Commedia dell’Arte in Context (2018); Judith Chaffee and Oliver Crick's edited The Routledge Companion to Commedia dell’Arte (2014); Erith Jaffe-Berg's Commedia dell’ Arte and the Mediterranean: Charting Journeys and Mapping ‘Others’ (2016); Andrea Fabiano's La Comedie-Italienne de Paris et Carlo Goldoni: De la commedia dell’arte a l’opera-comique, une dramaturgie de l'hybridation au XVIIIe siecle (2018); Emily Wilbourne's Seventeenth-Century Opera and the Sound of the Commedia dell’Arte (2016); Natalie Crohn Schmitt's Befriending the Commedia dell’arte of Flaminio Scala: The Comic Scenarios (2014); and Markus Kupferblum's Die geburt der neugier aus dem geist der revolution. Die commedia dell’arte als politisches volkstheater (2013).
本文回顾了《艺术百科全书》最近的七卷：Christopher B.Balme、Piermario Vescovo和Daniele Vianello编辑的《语境中的艺术百科全书》（2018）；朱迪斯·查菲（Judith Chaffee）和奥利弗·克里克（Oliver Crick）编辑的《Routledge Companion to Commedia dell‘Arte》（2014）；Erith Jaffe Berg的Commedia dell‘Arte and the Mediterranean：绘制旅程和绘制‘其他’地图（2016）；安德烈亚·法比亚诺（Andrea Fabiano）的《巴黎意大利喜剧》（La Comedie Italienne de Paris）和卡洛·戈尔多尼（Carlo Goldoni；艾米丽·威尔伯恩的《十七世纪歌剧与艺术之声》（2016）；Natalie Crohn Schmitt的《与弗拉米尼奥·斯卡拉的漫画结缘：漫画场景》（2014）；和Markus Kupferblum的《革命的精神力量》。大众剧院政治艺术媒体（2013）。
{"title":"What is Commedia dell’Arte Today? A Review Essay","authors":"P. Drábek","doi":"10.12745/et.22.2.4128","DOIUrl":"https://doi.org/10.12745/et.22.2.4128","url":null,"abstract":"This essay reviews seven recent volumes on the commedia dell'arte: Christopher B. Balme, Piermario Vescovo, and Daniele Vianello's edited volume Commedia dell’Arte in Context (2018); Judith Chaffee and Oliver Crick's edited The Routledge Companion to Commedia dell’Arte (2014); Erith Jaffe-Berg's Commedia dell’ Arte and the Mediterranean: Charting Journeys and Mapping ‘Others’ (2016); Andrea Fabiano's La Comedie-Italienne de Paris et Carlo Goldoni: De la commedia dell’arte a l’opera-comique, une dramaturgie de l'hybridation au XVIIIe siecle (2018); Emily Wilbourne's Seventeenth-Century Opera and the Sound of the Commedia dell’Arte (2016); Natalie Crohn Schmitt's Befriending the Commedia dell’arte of Flaminio Scala: The Comic Scenarios (2014); and Markus Kupferblum's Die geburt der neugier aus dem geist der revolution. Die commedia dell’arte als politisches volkstheater (2013).","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42833559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This review considers Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama.
这篇综述考虑了戏剧地理:浪漫、戏剧间性和早期现代地中海戏剧中的文化相遇。
{"title":"Laurence Publicover. Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama. Oxford: Oxford University Press, 2017. Pp. xiii, 204. Hardback £50.00. ISBN: 9780198806813.","authors":"Nandini Das","doi":"10.12745/ET.22.1.3939","DOIUrl":"https://doi.org/10.12745/ET.22.1.3939","url":null,"abstract":"This review considers Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49044045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This review considers Reading Drama in Tudor England.
本文考察英国都铎王朝时期的阅读戏剧。
{"title":"Tamara Atkin. Reading Drama in Tudor England. London & New York: Routledge, 2018. Pp. xxx, 239. Hardback USD $140.00. ISBN: 9781472476265.","authors":"Claire M. L. Bourne","doi":"10.12745/ET.22.1.3936","DOIUrl":"https://doi.org/10.12745/ET.22.1.3936","url":null,"abstract":"This review considers Reading Drama in Tudor England.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47269571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
E. Kelly, Melinda J. Gough, H. Ostovich, Sarah Johnson
The editorial for issue 22.1 acknowledges that Early Theatre has received a SSHRC Aid to Scholarly Journals grant; announces an Issues in Review section on disability and early modern drama planned for issue 22.2; thanks Peter Kirwan for serving as our Book Reviews editor since 2013; and declares that Georgina Lucas will become our new Book Reviews editor.
{"title":"Editorial","authors":"E. Kelly, Melinda J. Gough, H. Ostovich, Sarah Johnson","doi":"10.12745/et.22.1.3967","DOIUrl":"https://doi.org/10.12745/et.22.1.3967","url":null,"abstract":"The editorial for issue 22.1 acknowledges that Early Theatre has received a SSHRC Aid to Scholarly Journals grant; announces an Issues in Review section on disability and early modern drama planned for issue 22.2; thanks Peter Kirwan for serving as our Book Reviews editor since 2013; and declares that Georgina Lucas will become our new Book Reviews editor. ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45691209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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