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Tamara Atkin and Laura Estill, eds. Early British Drama in Manuscript. Turnhout: Brepols, 2019. British Manuscripts 1. Pp. xvi, 376. Tamara Atkin和Laura Estill主编,《早期英国戏剧手稿》。Turnhout:Brepols,2019。英国手稿1。第xvi页,376页。
IF 0.1 0 THEATER Pub Date : 2020-06-30 DOI: 10.12745/et.23.1.4298
Brett Greatley‐Hirsch
This review considers Early British Drama in Manuscript.
本文对《手稿》中的早期英国戏剧进行了考察。
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引用次数: 0
Harry Newman. Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama. New York: Routledge, 2019. Pp. xviii, 199. 哈利纽曼。令人印象深刻的莎士比亚:身份,权威和莎士比亚戏剧的印记。纽约:劳特利奇出版社,2019。第18页,199。
IF 0.1 0 THEATER Pub Date : 2020-06-30 DOI: 10.12745/et.23.1.4304
C. McEachern
This review considers Impressive Shakespeare: Identity, Authority and the Imprint in Shakespearean Drama.
这篇评论讨论了令人印象深刻的莎士比亚:身份、权威和莎士比亚戏剧的印记。
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引用次数: 0
Leslie Thomson. Discoveries on the Early Modern Stage: Contexts and Conventions. Cambridge: Cambridge University Press, 2018. Pp. 265. 莱斯利·汤姆森。早期现代阶段的发现:语境与习俗。剑桥:剑桥大学出版社,2018。265页。
IF 0.1 0 THEATER Pub Date : 2020-06-30 DOI: 10.12745/et.23.1.4302
Jess Hamlet
This review considers Discoveries on the Early Modern Stage: Contexts and Conventions. 
这篇综述考虑了早期现代阶段的发现:背景和惯例。
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引用次数: 0
A.D. Cousins and Daniel Derrin, eds. Shakespeare and the Soliloquy in Early Modern English Drama. Cambridge: Cambridge University Press, 2018. Pp. 278. A.考辛斯和丹尼尔·德林主编,《莎士比亚与早期现代英国戏剧中的独奏》。剑桥:剑桥大学出版社,2018。第278页。
IF 0.1 0 THEATER Pub Date : 2020-06-30 DOI: 10.12745/et.23.1.4306
J. Caldicott
This review considers Shakespeare and the Soliloquy in Early Modern English Drama. 
本文考察了莎士比亚与早期现代英国戏剧中的独白。
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引用次数: 0
Introduction: Rethinking Performance in Early Modern England 导论:对近代早期英国表演的再思考
IF 0.1 0 THEATER Pub Date : 2020-01-01 DOI: 10.12745/ET.23.2.4388
Emily Mayne
This Early Theatre ‘Issues in Review’ explores concepts of ‘performance’ in late medieval and early modern England. Responding to current work on drama, festivity and spectatorship, and to the ongoing editorial project Records of Early English Drama (REED), essays address questions such as: what constitutes performance in pre-modern contexts? where, and in what types of texts, can evidence of medieval and early modern performance be located? and what can rethinking ideas of performance and sources do for critical understanding of medieval and early modern culture and drama? [Please note this Abstract and Title are for the whole 'Issues in Review'.]
这本早期戏剧的“回顾中的问题”探讨了中世纪晚期和近代早期英格兰的“表演”概念。针对当前关于戏剧、节日和观众的工作,以及正在进行的编辑项目“早期英国戏剧记录”(REED),文章提出了以下问题:在前现代背景下,什么构成了表演?中世纪和早期现代表演的证据可以在哪里,在什么类型的文本中找到?重新思考表演和来源的观念对批判性地理解中世纪和早期现代文化和戏剧有什么帮助?[请注意,此摘要和标题适用于整个“审查中的问题”。]
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引用次数: 0
Editorial 社论
IF 0.1 0 THEATER Pub Date : 2019-12-28 DOI: 10.12745/et.22.2.4144
Melinda J. Gough, E. Kelly, Sarah Johnson
The editorial for issue 22.2 announces our 2019 essay prizes (for work published in 2017 and 2018), offers a dedication to the late Stephen K. Wright and David Bevington, and announces founding editor Helen Ostovich's retirement as editor.
第22.2期的社论宣布了我们2019年的论文奖(适用于2017年和2018年出版的作品),向已故的斯蒂芬·k·赖特和大卫·贝文顿致敬,并宣布创始编辑海伦·奥斯托维奇退休。
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引用次数: 0
What is Commedia dell’Arte Today? A Review Essay 什么是《今日艺术》?评论文章
IF 0.1 0 THEATER Pub Date : 2019-12-28 DOI: 10.12745/et.22.2.4128
P. Drábek
This essay reviews seven recent volumes on the commedia dell'arte: Christopher B. Balme, Piermario Vescovo, and Daniele Vianello's edited volume Commedia dell’Arte in Context (2018); Judith Chaffee and Oliver Crick's edited The Routledge Companion to Commedia dell’Arte (2014); Erith Jaffe-Berg's Commedia dell’ Arte and the Mediterranean: Charting Journeys and Mapping ‘Others’ (2016); Andrea Fabiano's La Comedie-Italienne de Paris et Carlo Goldoni: De la commedia dell’arte a l’opera-comique, une dramaturgie de l'hybridation au XVIIIe siecle (2018); Emily Wilbourne's Seventeenth-Century Opera and the Sound of the Commedia dell’Arte (2016); Natalie Crohn Schmitt's Befriending the Commedia dell’arte of Flaminio Scala: The Comic Scenarios (2014); and Markus Kupferblum's Die geburt der neugier aus dem geist der revolution. Die commedia dell’arte als politisches volkstheater (2013).
本文回顾了《艺术百科全书》最近的七卷:Christopher B.Balme、Piermario Vescovo和Daniele Vianello编辑的《语境中的艺术百科全书》(2018);朱迪斯·查菲(Judith Chaffee)和奥利弗·克里克(Oliver Crick)编辑的《Routledge Companion to Commedia dell‘Arte》(2014);Erith Jaffe Berg的Commedia dell‘Arte and the Mediterranean:绘制旅程和绘制‘其他’地图(2016);安德烈亚·法比亚诺(Andrea Fabiano)的《巴黎意大利喜剧》(La Comedie Italienne de Paris)和卡洛·戈尔多尼(Carlo Goldoni;艾米丽·威尔伯恩的《十七世纪歌剧与艺术之声》(2016);Natalie Crohn Schmitt的《与弗拉米尼奥·斯卡拉的漫画结缘:漫画场景》(2014);和Markus Kupferblum的《革命的精神力量》。大众剧院政治艺术媒体(2013)。
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引用次数: 0
Relationship between Atrial Tissue Remodeling and ECG Features in Atrial Fibrillation. 心房颤动中心房组织重塑与心电图特征之间的关系
IF 2.4 0 THEATER Pub Date : 2019-08-01 Epub Date: 2019-07-25 DOI: 10.1007/s11596-019-2071-x
Li-Ya Rao, Yi Mao, Kun Huang, Yu-Shu Li, Yan-Wen Shu

The difference in the atrial organizational structure between patients with atrial fibrillation (AF) and those with sinus rhythm was investigated. In order to analyze the rationality in explaining the electrocardiogram (ECG) characteristics of AF with statistics data or tissue remodeling model, and the logical relationship between the hypothesis of pulmonary veins (PV) muscle sleeves and that of multi wavelets in mechanism of AF, we examined the expression of collagen volume fraction of type I (CVF-I) with picrosirius red staining, connexin 40 (Cx40) by immunohistochemistry, and intercalated disc (ID) using transmission electron microscope in atrial tissue. The results showed that there was significant difference in the expression of CVF-I (t=3.827, P<0.01), Cx40 (t=4.21, P<0.01), and groups of the ID that keeping the electrical transmission and atrial electrical coupling synchronization (t=15.116, P<0.001), but no significant difference was found in total IDs (t=0.611, P=0.543) between patients with AF and those with sinus rhythm. The quantitative differences in the tissue remodeling could not explain the ECG characteristics of AF. The number of normal IDs and abnormal distribution are the structural basis to trigger and maintain atrial electrical remodeling, and induce and maintain AF. Such histological reconstruction supports the hypothesis of multi wavelets and can also explain ECG features.

研究了心房颤动(房颤)患者与窦性心律患者心房组织结构的差异。为了分析用统计学数据或组织重塑模型解释房颤心电图特征的合理性,以及肺静脉肌袖假说与房颤机制中多波假说之间的逻辑关系,我们研究了心房组织中皮色红染色的Ⅰ型胶原体积分数(CVF-Ⅰ)、免疫组化的连接蛋白40(Cx40)和透射电镜的闰盘(ID)的表达。结果显示,心房组织中 CVF-I 的表达存在显著差异(t=3.827,P<0.05)。
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引用次数: 1
Laurence Publicover. Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama. Oxford: Oxford University Press, 2017. Pp. xiii, 204. Hardback £50.00. ISBN: 9780198806813. Laurence Publicover。戏剧地理:早期现代地中海戏剧中的浪漫、热带风暴和文化邂逅。牛津:牛津大学出版社,2017年。第xiii页,204。精装版50.00英镑。ISBN:9780198806813。
IF 0.1 0 THEATER Pub Date : 2019-06-04 DOI: 10.12745/ET.22.1.3939
Nandini Das
This review considers Dramatic Geography: Romance, Intertheatricality, and Cultural Encounter in Early Modern Mediterranean Drama.
这篇综述考虑了戏剧地理:浪漫、戏剧间性和早期现代地中海戏剧中的文化相遇。
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引用次数: 0
Tamara Atkin. Reading Drama in Tudor England. London & New York: Routledge, 2018. Pp. xxx, 239. Hardback USD $140.00. ISBN: 9781472476265. 塔玛拉特金。英国都铎王朝时期的戏剧阅读。伦敦和纽约:劳特利奇出版社,2018。第xxx页,239页。精装本140.00美元。ISBN: 9781472476265。
IF 0.1 0 THEATER Pub Date : 2019-06-04 DOI: 10.12745/ET.22.1.3936
Claire M. L. Bourne
This review considers Reading Drama in Tudor England.
本文考察英国都铎王朝时期的阅读戏剧。
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引用次数: 0
期刊
Early Theatre
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