{"title":"Review: Roger D. Sell, Anthony W. Johnson, and Helen Wilcox (eds), Community-Making in Early Stuart Theatres: Stage and Audience .","authors":"Mark Bayer","doi":"10.12745/et.21.1.3513","DOIUrl":"https://doi.org/10.12745/et.21.1.3513","url":null,"abstract":"This review considers Roger D. Sell, Anthony W. Johnson, and Helen Wilcox (eds), Community-Making in Early Stuart Theatres: Stage and Audience (2017).","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42846537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: David B. Goldstein and Julia Reinhard Lupton (eds), Shakespeare and Hospitality: Ethics, Politics, and Exchange .","authors":"S. O’Malley","doi":"10.12745/et.21.1.3523","DOIUrl":"https://doi.org/10.12745/et.21.1.3523","url":null,"abstract":"This review considers David B. Goldstein and Julia Reinhard Lupton (eds), Shakespeare and Hospitality: Ethics, Politics, and Exchange (2016).","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41431543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Richard Preiss and Deanne Williams (eds), Childhood, Education and the Stage in Early Modern England .","authors":"H. McCarthy","doi":"10.12745/et.21.1.3519","DOIUrl":"https://doi.org/10.12745/et.21.1.3519","url":null,"abstract":"","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43638697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Bill Barclay and David Lindley (eds), Shakespeare, Music and Performance .","authors":"Jennifer Moss Waghorn","doi":"10.12745/et.21.1.3527","DOIUrl":"https://doi.org/10.12745/et.21.1.3527","url":null,"abstract":"","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49141453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Barbara Ravelhofer (ed), James Shirley and Early Modern Theatre: New Critical Perspectives .","authors":"Catherine Clifford","doi":"10.12745/et.21.1.3514","DOIUrl":"https://doi.org/10.12745/et.21.1.3514","url":null,"abstract":"This review considers Barbara Ravelhofer (ed.), James Shirley and Early Modern Theatre: New Critical Perspectives (2017).","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43138443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Jonathan Walker, Site Unscene: The Offstage in English Renaissance Drama .","authors":"E. Isaacson","doi":"10.12745/et.21.1.3517","DOIUrl":"https://doi.org/10.12745/et.21.1.3517","url":null,"abstract":"","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47421520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Evelyn Tribble, Early Modern Actors & Shakespeare’s Theatre: Thinking with the Body .","authors":"Paul Menzer","doi":"10.12745/et.21.1.3520","DOIUrl":"https://doi.org/10.12745/et.21.1.3520","url":null,"abstract":"","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42171398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This review considers Jeffrey S. Doty's Shakespeare, Popularity, and the Public Sphere (2017).
这篇评论考虑了杰弗里·s·多蒂的《莎士比亚、人气和公共领域》(2017)。
{"title":"Review: Jeffrey S. Doty, Shakespeare, Popularity, and the Public Sphere .","authors":"Emma Smith","doi":"10.12745/et.21.1.3525","DOIUrl":"https://doi.org/10.12745/et.21.1.3525","url":null,"abstract":"This review considers Jeffrey S. Doty's Shakespeare, Popularity, and the Public Sphere (2017).","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48289768","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Review: Gary Watt, Shakespeare’s Acts of Will: Law, Testament and the Properties of Performance .","authors":"S. Mukherji","doi":"10.12745/et.21.1.3521","DOIUrl":"https://doi.org/10.12745/et.21.1.3521","url":null,"abstract":"","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44844108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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