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Review: Katherine Steele Brokaw, Staging Harmony: Music and Religious Change in Late Medieval and Early Modern English Drama . 评论:凯瑟琳·斯蒂尔·布罗考,《舞台和谐:中世纪晚期和现代早期英国戏剧中的音乐和宗教变化》。
IF 0.1 0 THEATER Pub Date : 2018-04-03 DOI: 10.12745/et.21.1.3526
M. Vinter
This review considers Katherine Steele Brokaw's Staging Harmony: Music and Religious Change in Late Medieval and Early Modern English Drama (2017).
本文回顾了凯瑟琳·斯蒂尔·布罗考的《舞台和谐:中世纪晚期和早期现代英国戏剧中的音乐与宗教变化》(2017)。
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引用次数: 0
Review: Kevin Curran, Shakespeare’s Legal Ecologies: Law and Distributed Selfhood . 评论:Kevin Curran,《莎士比亚的法律生态:法律与分布式自我》。
IF 0.1 0 THEATER Pub Date : 2018-04-03 DOI: 10.12745/et.21.1.3515
Derek Dunne
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引用次数: 0
Review: Roger D. Sell, Anthony W. Johnson, and Helen Wilcox (eds), Community-Making in Early Stuart Theatres: Stage and Audience . 回顾:罗杰D.塞尔,安东尼W.约翰逊,和海伦威尔考克斯(编),社区在早期斯图尔特剧院制作:舞台和观众。
IF 0.1 0 THEATER Pub Date : 2018-04-03 DOI: 10.12745/et.21.1.3513
Mark Bayer
This review considers Roger D. Sell, Anthony W. Johnson, and Helen Wilcox (eds), Community-Making in Early Stuart Theatres: Stage and Audience (2017).
本综述考虑了罗杰·d·塞尔、安东尼·w·约翰逊和海伦·威尔科克斯(编)的《早期斯图尔特剧院的社区制作:舞台和观众》(2017)。
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引用次数: 0
Review: David B. Goldstein and Julia Reinhard Lupton (eds), Shakespeare and Hospitality: Ethics, Politics, and Exchange . 评论:David B.Goldstein和Julia Reinhard Lupton(编辑),《莎士比亚与好客:伦理、政治与交流》。
IF 0.1 0 THEATER Pub Date : 2018-04-03 DOI: 10.12745/et.21.1.3523
S. O’Malley
This review considers David B. Goldstein and Julia Reinhard Lupton (eds), Shakespeare and Hospitality: Ethics, Politics, and Exchange (2016).
这篇综述考虑了David B.Goldstein和Julia Reinhard Lupton(编辑),《莎士比亚与好客:道德、政治和交流》(2016)。
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引用次数: 0
Review: Bill Barclay and David Lindley (eds), Shakespeare, Music and Performance . 评论:比尔巴克利和大卫林德利(编辑),莎士比亚,音乐和表演。
IF 0.1 0 THEATER Pub Date : 2018-04-03 DOI: 10.12745/et.21.1.3527
Jennifer Moss Waghorn
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引用次数: 0
Review: Richard Preiss and Deanne Williams (eds), Childhood, Education and the Stage in Early Modern England . 评论:Richard Preiss和Deanne Williams(编辑),《近代早期英格兰的童年、教育和舞台》。
IF 0.1 0 THEATER Pub Date : 2018-04-03 DOI: 10.12745/et.21.1.3519
H. McCarthy
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引用次数: 0
Review: Barbara Ravelhofer (ed), James Shirley and Early Modern Theatre: New Critical Perspectives . 评论:Barbara Ravelhofer(编辑),James Shirley和早期现代戏剧:新的批判视角。
IF 0.1 0 THEATER Pub Date : 2018-04-03 DOI: 10.12745/et.21.1.3514
Catherine Clifford
This review considers Barbara Ravelhofer (ed.), James Shirley and Early Modern Theatre: New Critical Perspectives (2017).
这篇综述考虑了Barbara Ravelhofer(编辑)、James Shirley和《早期现代戏剧:新的批判视角》(2017)。
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引用次数: 0
Review: Jonathan Walker, Site Unscene: The Offstage in English Renaissance Drama . 评论:乔纳森·沃克(Jonathan Walker),《无文化遗址:英国文艺复兴戏剧的幕后》(Site Unsene:The Offstage in English Renaissance Drama)。
IF 0.1 0 THEATER Pub Date : 2018-04-03 DOI: 10.12745/et.21.1.3517
E. Isaacson
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引用次数: 0
Review: Kirk Melnikoff (ed.), Edward II: A Critical Reader . 书评:柯克·梅尔尼科夫主编,《爱德华二世:一个批判的读者》。
IF 0.1 0 THEATER Pub Date : 2018-04-03 DOI: 10.12745/et.21.1.3524
B. Packard
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引用次数: 0
Review: Evelyn Tribble, Early Modern Actors & Shakespeare’s Theatre: Thinking with the Body . 书评:伊夫林·特里布尔,《早期现代演员与莎士比亚戏剧:用身体思考》。
IF 0.1 0 THEATER Pub Date : 2018-04-03 DOI: 10.12745/et.21.1.3520
Paul Menzer
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引用次数: 0
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Early Theatre
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