This review considers Shakespeare and Lost Plays: Reimagining Drama in Early Modern England.
这篇评论探讨了莎士比亚与失落的戏剧:对近代早期英国戏剧的重新想象。
{"title":"David McInnis. Shakespeare and Lost Plays: Reimagining Drama in Early Modern England. Cambridge: Cambridge University Press. 2021.","authors":"Eoin Price","doi":"10.12745/et.25.1.5169","DOIUrl":"https://doi.org/10.12745/et.25.1.5169","url":null,"abstract":"This review considers Shakespeare and Lost Plays: Reimagining Drama in Early Modern England.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-06-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45383969","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Medieval performers gathered coins during a show from people assembled to see them. By 1570, performers throughout London collected admission fees before a show as a condition of entry. When, how, and by whom were admission fees introduced? Based on the research of David Kathman, I argue that travelling players brought the admission fee system to London in the late 1530s, after which animal baiting entrepreneurs and the fencing brotherhood adopted and refined it. In conclusion, this essay offers a speculative origin for the admission fee system in the practice of shrine keeping.
{"title":"The Introduction of Admission Fees in London: Fencing Prizes, Bearbaiting Arenas, and Speculative Origins","authors":"Oliver W. Gerland III","doi":"10.12745/et.24.2.4177","DOIUrl":"https://doi.org/10.12745/et.24.2.4177","url":null,"abstract":"Medieval performers gathered coins during a show from people assembled to see them. By 1570, performers throughout London collected admission fees before a show as a condition of entry. When, how, and by whom were admission fees introduced? Based on the research of David Kathman, I argue that travelling players brought the admission fee system to London in the late 1530s, after which animal baiting entrepreneurs and the fencing brotherhood adopted and refined it. In conclusion, this essay offers a speculative origin for the admission fee system in the practice of shrine keeping.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47650319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Jess Hamlet's review of Performances at Court in the Age of Shakespeare, edited by Sophie Chiari and John Mucciolo.
杰斯·哈姆雷特对莎士比亚时代宫廷表演的评论，由索菲·基亚里和约翰·穆奇奥罗编辑。
{"title":"Sophie Chiari and John Mucciolo, eds. Performances at Court in the Age of Shakespeare. Cambridge: Cambridge University Press, 2019. Pp 278.","authors":"Jess Hamlet","doi":"10.12745/et.24.1.4758","DOIUrl":"https://doi.org/10.12745/et.24.1.4758","url":null,"abstract":"Jess Hamlet's review of Performances at Court in the Age of Shakespeare, edited by Sophie Chiari and John Mucciolo.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43838773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This Editorial summarizes changes to the journal's practices and policies in connection with equity-focused, antiracist conversations prompted in part by the RaceB4Race executive board’s June 2020 open letter calling for structural changes in scholarly publishing within medieval and early modern studies. It also announces the journal's 2021 essay prize winners.
{"title":"Editorial","authors":"Melinda J. Gough, E. Kelly, Sarah E. Johnson","doi":"10.12745/et.24.1.4832","DOIUrl":"https://doi.org/10.12745/et.24.1.4832","url":null,"abstract":"This Editorial summarizes changes to the journal's practices and policies in connection with equity-focused, antiracist conversations prompted in part by the RaceB4Race executive board’s June 2020 open letter calling for structural changes in scholarly publishing within medieval and early modern studies. It also announces the journal's 2021 essay prize winners.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47767916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of Lucy Munro's Shakespeare in the Theatre: The King’s Men by Eoin Price.
露西·蒙罗的莎士比亚戏剧评论：伊恩·普莱斯的《国王的男人》。
{"title":"Lucy Munro. Shakespeare in the Theatre: The King’s Men. London: Bloomsbury, 2020. Pp 239.","authors":"Eoin Price","doi":"10.12745/et.24.1.4761","DOIUrl":"https://doi.org/10.12745/et.24.1.4761","url":null,"abstract":"Review of Lucy Munro's Shakespeare in the Theatre: The King’s Men by Eoin Price.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44629662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"David Gunby, David Carnegie, and MacDonald P. Jackson, eds. The Works of John Webster, Vol. IV. Cambridge: Cambridge University Press, 2019. Pp 642.","authors":"José Pérez Díez","doi":"10.12745/et.24.1.4757","DOIUrl":"https://doi.org/10.12745/et.24.1.4757","url":null,"abstract":"José A. Pérez Díez's review of The Works of John Webster, Vol. IV, edited by David Gunby, David Carnegie, and MacDonald P. Jackson.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45353745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of Claire M.L. Bourne's Typographies of Performance in Early Modern England by Brandi K. Adams.
评克莱尔·m·l·伯恩的《近代早期英国表演印刷》布兰迪·k·亚当斯著。
{"title":"Claire M.L. Bourne. Typographies of Performance in Early Modern England. Oxford: Oxford University Press, 2020. Pp 328.","authors":"Brandi K. Adams","doi":"10.12745/et.24.1.4752","DOIUrl":"https://doi.org/10.12745/et.24.1.4752","url":null,"abstract":"Review of Claire M.L. Bourne's Typographies of Performance in Early Modern England by Brandi K. Adams. ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47778673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of Andrew Bozio's Thinking Through Place on the Early Modern English Stage by Randall Martin.
安德鲁·博齐奥在近代早期英语舞台上的思考述评。
{"title":"Andrew Bozio, Thinking Through Place on the Early Modern English Stage. Oxford: Oxford University Press, 2020. Pp 240.","authors":"Randall Martin","doi":"10.12745/et.24.1.4760","DOIUrl":"https://doi.org/10.12745/et.24.1.4760","url":null,"abstract":"Review of Andrew Bozio's Thinking Through Place on the Early Modern English Stage by Randall Martin.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43020290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of Yasmin Arshad's Imagining Cleopatra: Performing Gender and Power in Early Modern England by Cristina León Alfar.
亚斯明·阿尔沙德（Yasmin Arshad）的《想象埃及艳后：在现代早期的英格兰表现性别与权力》（Imagining Cleopatra:Performing Gender and Power in Early Modern England），作者：克里斯蒂娜·莱昂·阿尔法尔（Cristina León Alfar）。
{"title":"Yasmin Arshad. Imagining Cleopatra: Performing Gender and Power in Early Modern England. London: Bloomsbury, 2019. Pp 337.","authors":"Cristina León Alfar","doi":"10.12745/et.24.1.4753","DOIUrl":"https://doi.org/10.12745/et.24.1.4753","url":null,"abstract":"Review of Yasmin Arshad's Imagining Cleopatra: Performing Gender and Power in Early Modern England by Cristina León Alfar.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45439128","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Benjamin Blyth review of Early Shakespeare 1588-1594, edited by Rory Loughnane and Andrew Power.
Benjamin Blyth对1588-1594年早期莎士比亚的评论，由Rory Loughnane和Andrew Power编辑。
{"title":"Rory Loughnane and Andrew Power, eds. Early Shakespeare 1588-1594. Cambridge: Cambridge University Press, 2020. Pp 336.","authors":"Benjamin Blyth","doi":"10.12745/et.24.1.4754","DOIUrl":"https://doi.org/10.12745/et.24.1.4754","url":null,"abstract":"Benjamin Blyth review of Early Shakespeare 1588-1594, edited by Rory Loughnane and Andrew Power. \u0000 ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49526843","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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