Review of John Fletcher’s Rome: Questioning the Classics by Domenico Lovascio
约翰·弗莱彻的《罗马:质疑经典》，多梅尼科·洛瓦西奥著
{"title":"Domenico Lovascio. John Fletcher’s Rome: Questioning the Classics. Manchester: Manchester University Press, 2022. Pp 212.","authors":"Gordon McMullan","doi":"10.12745/et.26.1.5494","DOIUrl":"https://doi.org/10.12745/et.26.1.5494","url":null,"abstract":"Review of John Fletcher’s Rome: Questioning the Classics by Domenico Lovascio","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135603090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of Tom Bishop, Gina Bloom, and Erika T. Lin, eds. Games and Theatre in Shakespeare’s England by Mark Kaethler
汤姆•毕晓普、吉娜•布鲁姆、林评论，马克•凯斯勒主编《莎士比亚英国的游戏与戏剧》
{"title":"Tom Bishop, Gina Bloom, and Erika T. Lin, eds. Games and Theatre in Shakespeare’s England. Amsterdam: Amsterdam University Press, 2021. Pp. 332.","authors":"Mark Kaethler","doi":"10.12745/et.26.1.5500","DOIUrl":"https://doi.org/10.12745/et.26.1.5500","url":null,"abstract":"Review of Tom Bishop, Gina Bloom, and Erika T. Lin, eds. Games and Theatre in Shakespeare’s England by Mark Kaethler","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44316523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This is a review of Jeremy Lopez, ed. The Routledge Anthology of Early Modern Drama.
这是Jeremy Lopez主编的《早期现代戏剧劳特利奇选集》的评论。
{"title":"Jeremy Lopez, ed. The Routledge Anthology of Early Modern Drama. London and New York: Routledge, 2020. Pp. 1138.","authors":"Emma Smith","doi":"10.12745/et.26.1.5496","DOIUrl":"https://doi.org/10.12745/et.26.1.5496","url":null,"abstract":"This is a review of Jeremy Lopez, ed. The Routledge Anthology of Early Modern Drama. ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41893247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of Love's Cure, or The Martial Maid by José Pérez Díez, ed.
JoséPérez Díez主编的《爱的治愈》或《武女》评论。
{"title":"José A. Pérez Díez, ed. Love’s Cure, or The Martial Maid by John Fletcher and Philip Massinger. Manchester: Manchester University Press, 2022. Pp 250.","authors":"Eric Griffin","doi":"10.12745/et.26.1.5501","DOIUrl":"https://doi.org/10.12745/et.26.1.5501","url":null,"abstract":"Review of Love's Cure, or The Martial Maid by José Pérez Díez, ed. ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42950502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of Facial Hair and the Performance of Early Modern Masculinity by Eleanor Rycroft.
Eleanor Rycroft的《面部毛发与早期现代男性气概的表现》评论。
{"title":"Eleanor Rycroft. Facial Hair and the Performance of Early Modern Masculinity. London and New York: Routledge, 2019. Pp. 198.","authors":"R. Carson","doi":"10.12745/et.26.1.5504","DOIUrl":"https://doi.org/10.12745/et.26.1.5504","url":null,"abstract":"Review of Facial Hair and the Performance of Early Modern Masculinity by Eleanor Rycroft.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49339349","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of Shelby Richardson, ed. The Witch of Edmonton by Laura Jayne Wright.
对谢尔比·理查森编辑的《埃德蒙顿女巫》的评论，劳拉·杰恩·赖特著。
{"title":"Shelby Richardson, ed. The Witch of Edmonton by Thomas Dekker, John Ford, and William Rowley. Peterborough, ON: Broadview Press, 2021. Pp 162.","authors":"Laura Wright","doi":"10.12745/et.26.1.5490","DOIUrl":"https://doi.org/10.12745/et.26.1.5490","url":null,"abstract":"Review of Shelby Richardson, ed. The Witch of Edmonton by Laura Jayne Wright.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46471539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Review of Race and Affect in Early Modern English Literature edited by Carol Mejia LaPerle
《早期现代英国文学中的种族与情感》Carol Mejia LaPerle主编
{"title":"Carol Mejia LaPerle, ed. Race and Affect in Early Modern English Literature. Tempe: Arizona Center for Medieval and Renaissance Studies Press, 2022. Pp 221.","authors":"D. Britton","doi":"10.12745/et.26.1.5499","DOIUrl":"https://doi.org/10.12745/et.26.1.5499","url":null,"abstract":"Review of Race and Affect in Early Modern English Literature edited by Carol Mejia LaPerle","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46268896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
In his 2004 essay, ‘The Sharer and His Boy’, Scott McMillin hypothesized that what he called ‘restricted roles’ in early modern English drama, roles in which female characters take cue lines only from a small group of other characters, resulted from moments when new leading boy actors were being trained by their masters. This essay applies McMillin's hypothesis to two new plays that entered the King’s Men’s repertory around 1610, Shakespeare’s The Winter’s Tale and Beaumont and Fletcher’s The Maid’s Tragedy, asking how they might have interacted with earlier plays within the company’s repertory to shape the training of Richard Robinson as its new leading tragic boy.
斯科特·麦克米林（Scott McMillin）在2004年的文章《分享者和他的男孩》（The Sharer and his Boy）中假设，他所说的早期现代英国戏剧中的“限制性角色”，即女性角色只从一小群其他角色那里获得线索的角色，是由新的男主角接受大师训练的时刻产生的。本文将麦克米林的假设应用于1610年左右进入国王剧团的两部新剧，莎士比亚的《冬天的故事》和博蒙特以及弗莱彻的《女佣的悲剧》，询问他们可能如何与该剧团剧目中的早期戏剧互动，以塑造理查德·罗宾逊作为新的悲剧主角的训练。
{"title":"Birth of a Tragedy Queen","authors":"Roberta Barker","doi":"10.12745/et.25.2.4748","DOIUrl":"https://doi.org/10.12745/et.25.2.4748","url":null,"abstract":"In his 2004 essay, ‘The Sharer and His Boy’, Scott McMillin hypothesized that what he called ‘restricted roles’ in early modern English drama, roles in which female characters take cue lines only from a small group of other characters, resulted from moments when new leading boy actors were being trained by their masters. This essay applies McMillin's hypothesis to two new plays that entered the King’s Men’s repertory around 1610, Shakespeare’s The Winter’s Tale and Beaumont and Fletcher’s The Maid’s Tragedy, asking how they might have interacted with earlier plays within the company’s repertory to shape the training of Richard Robinson as its new leading tragic boy. ","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44897552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The repertory of the Blackfriars children frequently alluded to plays performed by adult companies across the Thames. In Jonson’s Poetaster, a boy player performs a scene as ‘the Moor’ from Peele’s The Battle of Alcazar. These parodies of adult performances in the children’s repertory not only evidence early modern acting style but also specifically reference styles of performing racial difference on the early modern stage. I argue that this parody showcased playing skill associated up to this point with adult actors, and that the Blackfriars children used these references to racialized characters to highlight skill and appeal to audience taste.
{"title":"'You shall see me do the Moor'","authors":"Emily Macleod","doi":"10.12745/et.25.2.4734","DOIUrl":"https://doi.org/10.12745/et.25.2.4734","url":null,"abstract":"The repertory of the Blackfriars children frequently alluded to plays performed by adult companies across the Thames. In Jonson’s Poetaster, a boy player performs a scene as ‘the Moor’ from Peele’s The Battle of Alcazar. These parodies of adult performances in the children’s repertory not only evidence early modern acting style but also specifically reference styles of performing racial difference on the early modern stage. I argue that this parody showcased playing skill associated up to this point with adult actors, and that the Blackfriars children used these references to racialized characters to highlight skill and appeal to audience taste.","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42453446","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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