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سؤال الاستلاب الوجودي في رواية حين تعشق العقول 小说里的存在受精问题
Pub Date : 2021-01-03 DOI: 10.37141/1451-016-001-001
طارق طه عبود
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引用次数: 0
دراسة التشاكلات والتقابلات في قصيدة الطلاسم:, دراسة سيميولوجية 在诗诗中研究和采访:生理学研究
Pub Date : 2021-01-03 DOI: 10.37141/1451-016-001-007
دادپور ناديا, وفادار كشاورز
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引用次数: 0
World Governance In Selected Writings By Bertrand Russell:, Utopia Or Ideology 伯特兰·罗素文集中的世界治理:乌托邦还是意识形态
Pub Date : 2021-01-03 DOI: 10.37141/1451-016-001-010
Hacène Benmechiche
This article studies the idea of “World Government” as envisioned in a series of essays published by Bertrand Russell in the period of the Cold War. It draws upon the theoretical categories introduced by Karl Mannheim in Ideology and Utopia (1936) to account for the nature of the reconstruction schemes the author advances to spare human society a possible apocalyptic nuclear confrontation. The study has shown that Russell’s liberal outlook is utopian insofar as it has shown advanced positions regarding self-determination, the dissemination of progress and cooperation toward the reconstruction of a peaceful and prosperous world. However, given the technological abyss separating the industrial West in the 1950s from the rest, an open “World State” would be another form of imperialism in disguise. The risk involved is that this “global utopia” whose rulers monopolize military, legislative as well as economic power, would turn into an institutional and ideological instrument of control in the hands of the technologically powerful few.
本文研究了罗素在冷战时期发表的一系列文章中所设想的“世界政府”理念。它借鉴了卡尔·曼海姆(Karl Mannheim)在《意识形态与乌托邦》(1936)中引入的理论范畴,来解释作者提出的重建计划的本质,以避免人类社会可能发生世界末日般的核对抗。这项研究表明,罗素的自由主义观点是乌托邦式的,因为它在自决、传播进步和合作方面表现出了先进的立场,以重建一个和平与繁荣的世界。然而,考虑到20世纪50年代西方工业国家与其他国家之间的技术鸿沟,一个开放的“世界国家”将是另一种形式的帝国主义伪装。其中的风险是,这个统治者垄断军事、立法和经济权力的“全球乌托邦”,将变成技术上强大的少数人手中的制度和意识形态控制工具。
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引用次数: 0
Mythe, Conte Et Parodie Comme Stratégies De Subversion Dansle Dernier Juif De Tamentit De Amine Zaoui 在阿明·扎维的《塔曼特的最后一个犹太人》中,神话、故事和戏仿作为颠覆策略
Pub Date : 2021-01-03 DOI: 10.37141/1451-016-001-011
Fatima Boukhelou
This article aims to demonstrate that the writing of Amine Zaoui, at least in The Last Jew of Tamentit, is a writing that uses narrative strategies such as myth, storytelling and parody to subvert the norm and reverse the canons of dogma and established order. Amine Zaoui draws on orality and revitalizes writing.
本文旨在证明,至少在《塔曼提特的最后一个犹太人》中,阿明·扎维的写作是一种使用神话、讲故事和戏仿等叙事策略来颠覆规范、逆转教条和既定秩序的写作。阿明·早伊借鉴口语,使文字焕发活力。
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引用次数: 0
رسالة كتاب سيبويه وامتداداتها النقدية والبلاغية 《销售书》及其现金和报告
Pub Date : 2019-06-19 DOI: 10.37141/1451-014-002-001
مولود هيد الله مزايط
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引用次数: 0
صوفية النسق في رواية السيمورغ لمحمد ديب 《默罕默德·德布的小说的风格
Pub Date : 2019-06-19 DOI: 10.37141/1451-014-002-008
لعلاونة محمد الأمين لعلاونة محمد الأمين
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引用次数: 0
النقد الاجتماعي بين البلاغة والتحليل النقدي للخطاب:, مراجعة للمشروع البلاغي الخطابي للدكتور عماد عبداللطيف 演讲中的社会批评和批判性分析:对伊马德·阿卜杜勒蒂夫博士演讲项目的回顾
Pub Date : 2019-06-19 DOI: 10.37141/1451-014-002-002
محمد يطاوي Yattaoui Mohamed
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引用次数: 0
المهمش في الرواية الجزائرية من منظور البيولوجيا السياسية لميشال فوكو 从michel foko的政治生物学的角度看,在阿尔及利亚小说中被边缘化
Pub Date : 2019-06-19 DOI: 10.37141/1451-014-002-007
ليلة أجعود adjaoud lila
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引用次数: 0
نسقية العرف في رواية ليلة هروب فجرة لأحمد زغب 爆破那晚艾哈迈德·扎格布的惯例整理
Pub Date : 2019-06-19 DOI: 10.37141/1451-014-002-009
السعيد قبنه, خديجة الشامخة خديجة الشامخة
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引用次数: 0
Une Quete De Soi Au Carrefour Des Identites:, Fiction ET Realite Dans Surtout Ne Te Retourne Pas De Maissa BEY 在身份的十字路口寻找自我:小说和现实,特别是Ne Te retour Pas De Maissa BEY
Pub Date : 2019-06-19 DOI: 10.37141/1451-014-002-011
Aini Betouche
Surtout ne te retourne pas is the story of a young girl victim of an earthquake and an identity crisis. It is also the story of Amina, the amnesiac who tries to "unravel the threads" of her past existence through some tragic stories, including that of Dada Aicha, Mourad, Nadia, and Sarah. In this article, we seek to examine Amina at the crossroads of several identities. Would she be Amina, the daughter of a so busy entrepreneur with his status as a future legislator, a submissive mother, or a fundamentalist brother? Would it be Amina who ran a runaway at 15 days to escape her arranged marriage? Would she be Amina the maid's niece? Would she be El Wahida that Dadda Aicha finds annihilated, "lying on the road, curled up, frozen, and rigid"?. Or is she Amina the daughter of Dounya? In the light of these textual details, we will try to highlight the plurality of identity, which emerge from a fragmentation of the identities of the character in search of the self. The writer traces sketches of the individual and her society. The 2003 earthquake and Amina's amnesia are only a pretext for dealing with the past memory, of the present of an Algeria plagued by big cats, which have submitted the mother of the character, who succeeds finally free herself and to allow her daughter to outwit the patriarchal projects. Thus, to grasp the meaning of the text, the mythanalytic data will make it possible to turn down the meaning. The myth of the end of the world, the myth of creation and the myth of rebirth have given birth to another text in which Amina experiences a symbolic death, which evolves into two rebirths; one with Dadda Aicha, the other with Dounya.
《归途》讲述的是一个在地震和身份危机中受害的小女孩的故事。这也是阿米娜的故事,她试图通过一些悲惨的故事来“解开”她过去存在的线索,包括达达·艾莎、穆拉德、纳迪亚和萨拉。在这篇文章中,我们试图审视阿米娜在几个身份的十字路口。她会是阿米娜,一个忙碌的企业家的女儿,一个未来的立法者,一个顺从的母亲,还是一个原教旨主义的兄弟?会不会是阿米娜为了逃避包办婚姻,15天就离家出走了?她会是女仆阿米娜的侄女吗?她会是埃尔·瓦希达吗?艾夏爸爸发现她已经湮灭了,“躺在路上,蜷缩着,冻得僵硬”?或者她是敦雅的女儿阿米娜?在这些文本细节的光照下,我们将试图强调身份的多元性,这是在寻找自我的过程中,从角色身份的碎片中出现的。作者勾勒出个人及其社会的轮廓。2003年的地震和阿米娜的失忆只是一个处理过去记忆的借口,现在的阿尔及利亚被大型猫科动物所困扰,这些猫科动物已经屈服于角色的母亲,她最终成功地解放了自己,并让她的女儿战胜了父权计划。因此,要把握文本的意义,神话分析的数据将使意义的否定成为可能。世界末日的神话、创造的神话和重生的神话产生了另一个文本,在这个文本中,阿米娜经历了象征性的死亡,并演变成两次重生;一个和艾夏爸爸在一起,另一个和唐娅在一起。
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引用次数: 0
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