Pub Date : 2019-05-19DOI: 10.37141/1451-014-001-023
Chahrazed Khelfi
The objective of our communication is to suggest an automatic approach, relatively unknown in Algeria, for the analysis of media discourse. This method is called Lexicometrics or research on corpus. By applying a computer- assisted analysis, we built a large corpus of media discourse in Algeria during the Arab Spring period (2011-2015) to analyze the behavior of journalists vis-a-vis the memory of war of Algeria. The Lexicometric exploration of this corpus proved to be interesting in the identification of the linguistic, typographical and ideological specificities of the speech of the French press during the presidential elections of 2014. Through statistical programmes including the calculation of the specificities developed by the Saint Cloud Laboratory, we have identified significant (discursive) regularities that can inform us about the positions of the press and the major Themes characterizing his speech during the elections.The identification of contrasts and repetitions between different sub-corpuses have highlighted the specificities of each organ's discourse and its ideological universe, thus revealing the (conciliatory, consensual, discreet)positions of the press vis-a-vis the four terms.
{"title":"Analyse Des Specificites Du Discours Journalistique En Algerie : Exploration Automatique D’un Corpus Sur Les Elections Presidentielles De 2014","authors":"Chahrazed Khelfi","doi":"10.37141/1451-014-001-023","DOIUrl":"https://doi.org/10.37141/1451-014-001-023","url":null,"abstract":"The objective of our communication is to suggest an automatic approach, relatively unknown in Algeria, for the analysis of media discourse. This method is called Lexicometrics or research on corpus. By applying a computer- assisted analysis, we built a large corpus of media discourse in Algeria during the Arab Spring period (2011-2015) to analyze the behavior of journalists vis-a-vis the memory of war of Algeria. The Lexicometric exploration of this corpus proved to be interesting in the identification of the linguistic, typographical and ideological specificities of the speech of the French press during the presidential elections of 2014. Through statistical programmes including the calculation of the specificities developed by the Saint Cloud Laboratory, we have identified significant (discursive) regularities that can inform us about the positions of the press and the major Themes characterizing his speech during the elections.The identification of contrasts and repetitions between different sub-corpuses have highlighted the specificities of each organ's discourse and its ideological universe, thus revealing the (conciliatory, consensual, discreet)positions of the press vis-a-vis the four terms.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"78 2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120838027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-19DOI: 10.37141/1451-014-001-024
Messaouda Boudjerida
Ernest Hemingway developed the “Theory of Omission” by which he would deploy interrelated techniques of implication and omission with the aim of strengthening the narrative and creating certain effects on readers. To provide additional evidence with respect tohis influence on the leading figures of American literary minimalism, this article argues that the narrators of Raymond Carver’s “Why Don’t you Dance,” Richard Ford’s “Great Falls,” and Bobbie Ann Mason’s “Shiloh” employ the techniques of implication and omission in order to engage readers in the construction of meaning and make them feel more than they understand the emotional reality of the marital dissatisfaction, which is left beneath the surface of things, as does Hemingway in “Hills Like White Elephants.” To this end, the analytical and the comparative study is carried out using Wolfgang’s Iser Reception Theory.
欧内斯特·海明威发展了“省略理论”，通过运用隐含和省略的相互关联的技巧，目的是加强叙事，并对读者产生一定的影响。为了进一步证明他对美国极简主义文学主要人物的影响，本文认为雷蒙德·卡弗的《你为什么不跳舞》、理查德·福特的《大瀑布》的叙述者博比·安·梅森(Bobbie Ann Mason)的《希洛》(Shiloh)运用了暗示和省略的技巧，让读者参与到意义的构建中，让他们感受到婚姻不满意的情感现实，而不是他们所理解的，就像海明威在《白象山》(Hills Like White Elephants)中所做的那样。为此，本文运用沃尔夫冈的伊瑟尔接受理论进行了分析和比较研究。
{"title":"Implication And Omission In Ernest Hemingway’s \"Hills Like White Elephants\" Raymond Carver’s \"Why Don’t You Dance\" Richard Ford’s \"Great Falls\" And Bobbie Ann Mason’s \"Shiloh\"","authors":"Messaouda Boudjerida","doi":"10.37141/1451-014-001-024","DOIUrl":"https://doi.org/10.37141/1451-014-001-024","url":null,"abstract":"Ernest Hemingway developed the “Theory of Omission” by which he would deploy interrelated techniques of implication and omission with the aim of strengthening the narrative and creating certain effects on readers. To provide additional evidence with respect tohis influence on the leading figures of American literary minimalism, this article argues that the narrators of Raymond Carver’s “Why Don’t you Dance,” Richard Ford’s “Great Falls,” and Bobbie Ann Mason’s “Shiloh” employ the techniques of implication and omission in order to engage readers in the construction of meaning and make them feel more than they understand the emotional reality of the marital dissatisfaction, which is left beneath the surface of things, as does Hemingway in “Hills Like White Elephants.” To this end, the analytical and the comparative study is carried out using Wolfgang’s Iser Reception Theory.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121533127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-19DOI: 10.37141/1451-014-001-025
Sara Djadi, N. Gada
While most previous studies on Rudyard Kipling’s works center either on the celebration of the British Empire or his racist doctrines, the present paper seeks to shed light on the neglected aspect of imperial defensiveness in his writings mainly in his novel Kim (1901). By anchoring the text in its context, the article tries to unveil Kipling’s imperial anxieties and fears. As well, it puts forward his vision to rescue the British Empire and his discourse advocating the reconstruction of the shaken imperial confidence in the late nineteenth to the early twentieth century. To do so, the study is based on the New Historicist approach, chiefly Stephen Greenblatt’s concepts of “wonder” and “resonance” in addition to a textual analysis of the main characters.
{"title":"Rudyard Kipling’s Kim : A Narrative Of Imperial Rehabilitation","authors":"Sara Djadi, N. Gada","doi":"10.37141/1451-014-001-025","DOIUrl":"https://doi.org/10.37141/1451-014-001-025","url":null,"abstract":"While most previous studies on Rudyard Kipling’s works center either on the celebration of the British Empire or his racist doctrines, the present paper seeks to shed light on the neglected aspect of imperial defensiveness in his writings mainly in his novel Kim (1901). By anchoring the text in its context, the article tries to unveil Kipling’s imperial anxieties and fears. As well, it puts forward his vision to rescue the British Empire and his discourse advocating the reconstruction of the shaken imperial confidence in the late nineteenth to the early twentieth century. To do so, the study is based on the New Historicist approach, chiefly Stephen Greenblatt’s concepts of “wonder” and “resonance” in addition to a textual analysis of the main characters.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124305394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-16DOI: 10.37141/1451-014-001-021
نبيلة أعدور نبيلة أعدور
Contemporary linguistic studies have led to the creation of many effective procedural mechanisms for the study of linguistic discourse, which has benefited greatly from contemporary literary criticism in its attempts to study literary texts. Therefore, in this study we will attempt to apply some of the mechanisms, By linking the elements of this text to the contexts that generated it, the latter; it imposes some kind of changes to the text, which is known as the rhetorical amendment.
{"title":"بلاغة التعديل الخطابي وآليات اشتغاله في قصيدة من ملحمة الجزائر لسليمان العيسى","authors":"نبيلة أعدور نبيلة أعدور","doi":"10.37141/1451-014-001-021","DOIUrl":"https://doi.org/10.37141/1451-014-001-021","url":null,"abstract":"Contemporary linguistic studies have led to the creation of many effective procedural mechanisms for the study of linguistic discourse, which has benefited greatly from contemporary literary criticism in its attempts to study literary texts. Therefore, in this study we will attempt to apply some of the mechanisms, By linking the elements of this text to the contexts that generated it, the latter; it imposes some kind of changes to the text, which is known as the rhetorical amendment.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"162 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122555580","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-16DOI: 10.37141/1451-014-001-020
حفيظ ملواني حفيظ ملواني
The premise of this scientific study is that the literary discourse did not take place at one turn, but on several turns that have always changed its form, destination, and even its function. It is characterized by rationality and sometimes irrationality, which led to a ripple of ideas and conflicting theories, And even contradictory theses, resulting problematic perceptions; which need explanation, analysis and even double abusive interpretation. According to this literary and interlocking context , the quest is achieved by presenting a reading in the background of forming the literary discourse on the tone of knowledge within the scope of three questions that are divided between rhetoric; poetic and interpretation, in the form of twists starting from the stage of verbal; artistic and semantic formation; passing by the reading space where new turns will be revealed and caused by the act of interpretation itself,according to the poetic model present of Mahmoud Darwish .
{"title":"منعطفات الخطاب الأدبي بين فرضية التشكيل وفعالية التأويل : قصيدة تنسى كأنك لم تكن لمحمود درويش أنموذجاً","authors":"حفيظ ملواني حفيظ ملواني","doi":"10.37141/1451-014-001-020","DOIUrl":"https://doi.org/10.37141/1451-014-001-020","url":null,"abstract":"The premise of this scientific study is that the literary discourse did not take place at one turn, but on several turns that have always changed its form, destination, and even its function. It is characterized by rationality and sometimes irrationality, which led to a ripple of ideas and conflicting theories, And even contradictory theses, resulting problematic perceptions; which need explanation, analysis and even double abusive interpretation. According to this literary and interlocking context , the quest is achieved by presenting a reading in the background of forming the literary discourse on the tone of knowledge within the scope of three questions that are divided between rhetoric; poetic and interpretation, in the form of twists starting from the stage of verbal; artistic and semantic formation; passing by the reading space where new turns will be revealed and caused by the act of interpretation itself,according to the poetic model present of Mahmoud Darwish .","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114607525","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-16DOI: 10.37141/1451-014-001-019
جوامع قيلة, علي ملاحي علي ملاحي
In this article, we tried to disassociate the authoritarian system in the contemporary Arabic poem, by extrapolating some of the elected models, in order to develop the poetry of displacement. If the emergence of literary discourse is related to the emergence of literature itself, the research on the subject of poetry requires research into the components of this discourse through the structure and significance. Therefore, this study came to analyze the poetic aspects in the titles of the contemporary Arabic poem by analyzing the structural displacement and the semantic displacement of these titles, according to a descriptive and analytical approach, answering several questions related to the poetic title and its manifestations of displacement: - What is the concept of the title? - What The concept of displacement? - What manifestations of structural and semantic shift in contemporary poetry? - To what extent have poets been able to capture the poetry of the title by employing the mechanism of displacement in the title of the contemporary poem?
{"title":"شعرية الانزياح في عنوان القصيدة العربية المعاصرة : نماذج منتخبة","authors":"جوامع قيلة, علي ملاحي علي ملاحي","doi":"10.37141/1451-014-001-019","DOIUrl":"https://doi.org/10.37141/1451-014-001-019","url":null,"abstract":"In this article, we tried to disassociate the authoritarian system in the contemporary Arabic poem, by extrapolating some of the elected models, in order to develop the poetry of displacement. If the emergence of literary discourse is related to the emergence of literature itself, the research on the subject of poetry requires research into the components of this discourse through the structure and significance. Therefore, this study came to analyze the poetic aspects in the titles of the contemporary Arabic poem by analyzing the structural displacement and the semantic displacement of these titles, according to a descriptive and analytical approach, answering several questions related to the poetic title and its manifestations of displacement: - What is the concept of the title? - What The concept of displacement? - What manifestations of structural and semantic shift in contemporary poetry? - To what extent have poets been able to capture the poetry of the title by employing the mechanism of displacement in the title of the contemporary poem?","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131352916","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-16DOI: 10.37141/1451-014-001-022
شامة مكلي
The Rhetorical Dimension of the Tri-verse Poetry Issue Poetry of contradictions (Opposition) is one of the distinctive images of the casted and sparring discourses between poets. It is a protest with an authoritative speech by excellence, in which he employs the methods of contestation,multiple and diverse methods of opposability in order to uphold the “ego” and vilify the “other”, in search of linguistic, cultural and cognitive superiority. Among the rhetorical tools employed for this purpose, we find a "question" which is an ideal and efficient way of these discourses, which operate in a variety of ways. They are dictated by the rhetoric, the context of dialogue and the purpose of such discourse. So in this article, we will try to investigate the rhetorical dimension of the question in three-dimensional poetry (El Djarir, Farazdaq, and Alakhtal.
{"title":"البعد التداولي للاستفهام في الخطاب السجالي: خطاب النقائض نموذجاً","authors":"شامة مكلي","doi":"10.37141/1451-014-001-022","DOIUrl":"https://doi.org/10.37141/1451-014-001-022","url":null,"abstract":"The Rhetorical Dimension of the Tri-verse Poetry Issue Poetry of contradictions (Opposition) is one of the distinctive images of the casted and sparring discourses between poets. It is a protest with an authoritative speech by excellence, in which he employs the methods of contestation,multiple and diverse methods of opposability in order to uphold the “ego” and vilify the “other”, in search of linguistic, cultural and cognitive superiority. Among the rhetorical tools employed for this purpose, we find a \"question\" which is an ideal and efficient way of these discourses, which operate in a variety of ways. They are dictated by the rhetoric, the context of dialogue and the purpose of such discourse. So in this article, we will try to investigate the rhetorical dimension of the question in three-dimensional poetry (El Djarir, Farazdaq, and Alakhtal.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130626488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-15DOI: 10.37141/1451-014-001-011
طه الأمين بودانة
In this study we seek to discover the pivotal role played by the letters of meanings in the direction of the meanings of similar verses in the Holy Quran; by studying the most prominent models in which there is a difference in the use of the letters of meanings. This study will require us first to define the letter, and then specify the properties of the letters of meanings, in addition to the definition of the concept of "similar verbal Quranic". It is certain that this study will not be a statistical survey of all the contents of the Holy Quran, but will be limited - as we have mentioned - to the most important models that caught the attention of scientists; both of them specialized in the study of the Koranic verbatim, or other grammarians and linguists and interpreters.
{"title":"دور حروف المعاني في توجيه المتشابه اللفظي في الخطاب القرآني","authors":"طه الأمين بودانة","doi":"10.37141/1451-014-001-011","DOIUrl":"https://doi.org/10.37141/1451-014-001-011","url":null,"abstract":"In this study we seek to discover the pivotal role played by the letters of meanings in the direction of the meanings of similar verses in the Holy Quran; by studying the most prominent models in which there is a difference in the use of the letters of meanings. This study will require us first to define the letter, and then specify the properties of the letters of meanings, in addition to the definition of the concept of \"similar verbal Quranic\". It is certain that this study will not be a statistical survey of all the contents of the Holy Quran, but will be limited - as we have mentioned - to the most important models that caught the attention of scientists; both of them specialized in the study of the Koranic verbatim, or other grammarians and linguists and interpreters.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130081759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-15DOI: 10.37141/1451-014-001-015
نوال قرين نوال قرين
Stephane Celimon considers colonial literature a form of cultural criticism and critical cultural analysis, it is also an approach to liberating entire societies from the hegemonic codes of cultural masks ... From these Arabic texts we find a text " nissian Com" by Algerian writer AhlamMostaganemi, which is a distinctive type of writing, the writer entered it after her unique narrative experience through her famous trio (dakirateljassed, fawdaaelhawas, abirsarir), it is therefore a temporal text of colonial literature or post-colonial writing, sexually / qualitatively (or through gender) this text belongs to a new type of literature known as "non-genre literature". And if we consider that text " nissian Com" was surrounded by a set of cultural patterns covered, the question is: Could text " nissian Com" pass its patterns? and what are these patterns passed by? and how did he do that?
{"title":"قراءة في الأنساق الثقافية لنص نسيان Com لأحلام مستغانمي","authors":"نوال قرين نوال قرين","doi":"10.37141/1451-014-001-015","DOIUrl":"https://doi.org/10.37141/1451-014-001-015","url":null,"abstract":"Stephane Celimon considers colonial literature a form of cultural criticism and critical cultural analysis, it is also an approach to liberating entire societies from the hegemonic codes of cultural masks ... From these Arabic texts we find a text \" nissian Com\" by Algerian writer AhlamMostaganemi, which is a distinctive type of writing, the writer entered it after her unique narrative experience through her famous trio (dakirateljassed, fawdaaelhawas, abirsarir), it is therefore a temporal text of colonial literature or post-colonial writing, sexually / qualitatively (or through gender) this text belongs to a new type of literature known as \"non-genre literature\". And if we consider that text \" nissian Com\" was surrounded by a set of cultural patterns covered, the question is: Could text \" nissian Com\" pass its patterns? and what are these patterns passed by? and how did he do that?","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126298057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-15DOI: 10.37141/1451-014-001-014
سميرة سايج, سامية داودي
The violation of the taboo is a common phenomenon among the various feminist creative works that have been rebelling against it in revolution and writing, in order to expose the dominant cultural patterns and expose unfair practices against women in order to bring about change and mobility in society. Hence, this intervention seeks to uncover how the taboo work in the Algerian feminist narrative by analyzing some models.
{"title":"اشتغال المحظور في الرواية النسائية الجزائرية","authors":"سميرة سايج, سامية داودي","doi":"10.37141/1451-014-001-014","DOIUrl":"https://doi.org/10.37141/1451-014-001-014","url":null,"abstract":"The violation of the taboo is a common phenomenon among the various feminist creative works that have been rebelling against it in revolution and writing, in order to expose the dominant cultural patterns and expose unfair practices against women in order to bring about change and mobility in society. Hence, this intervention seeks to uncover how the taboo work in the Algerian feminist narrative by analyzing some models.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124497571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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