Pub Date : 2019-05-15DOI: 10.37141/1451-014-001-016
حمزة مساعدي, راوية يحياوي راوية يحياوي
The novel is based on important elements: personality, event, language, space and time, and the language remains the most important of these elements. The modern creative experience requires a great artistic and aesthetic linguistic awareness, which stems from the paradoxes of the modern novelist discourse and the daily reality of life, its language and its issues. A linguistic form characterized by art, aesthetic and poetic, the function of prose shifts from the first level - to the level of poetry - the second level - and thus the difference between poetry and prose to be overridden in light of the theory of overlapping literary races.
{"title":"تحولات أسئلة النقد لشعرية اللغة الروائية عند أحمد ختاوي في رواية إبط السفينة","authors":"حمزة مساعدي, راوية يحياوي راوية يحياوي","doi":"10.37141/1451-014-001-016","DOIUrl":"https://doi.org/10.37141/1451-014-001-016","url":null,"abstract":"The novel is based on important elements: personality, event, language, space and time, and the language remains the most important of these elements. The modern creative experience requires a great artistic and aesthetic linguistic awareness, which stems from the paradoxes of the modern novelist discourse and the daily reality of life, its language and its issues. A linguistic form characterized by art, aesthetic and poetic, the function of prose shifts from the first level - to the level of poetry - the second level - and thus the difference between poetry and prose to be overridden in light of the theory of overlapping literary races.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121147713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-15DOI: 10.37141/1451-014-001-012
رحموني رضا رحموني رضا
The interpretation of the signs of a dramatic text according to the narrative component is an interpretation of the message conveyed by text and the vision of the writer himself. This is where a role of an interactive reader reappears to decode the deep clues, which the text allows according to its various form indices, and interprets them according to its own critical vision, within the possible limits of the critical method applied to the blog. Thus, we were obliged to opt for a dramatic text that responds with the critical approaches of (GRIMASS) in a way that analysis goes in full autonomy and openness to touch its aesthetics and its dramatic components. Here are the affordable and interpretable dramatic potentials observed on this play, hence the choice of this one of EL 'Lithame by Abdelkader Alloula.
{"title":"البنية السردية في مسرحية اللثام لعبدالقادر علولة","authors":"رحموني رضا رحموني رضا","doi":"10.37141/1451-014-001-012","DOIUrl":"https://doi.org/10.37141/1451-014-001-012","url":null,"abstract":"The interpretation of the signs of a dramatic text according to the narrative component is an interpretation of the message conveyed by text and the vision of the writer himself. This is where a role of an interactive reader reappears to decode the deep clues, which the text allows according to its various form indices, and interprets them according to its own critical vision, within the possible limits of the critical method applied to the blog. Thus, we were obliged to opt for a dramatic text that responds with the critical approaches of (GRIMASS) in a way that analysis goes in full autonomy and openness to touch its aesthetics and its dramatic components. Here are the affordable and interpretable dramatic potentials observed on this play, hence the choice of this one of EL 'Lithame by Abdelkader Alloula.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"384 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126731385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-15DOI: 10.37141/1451-014-001-017
سناء بوختاش
The Algerian women's novel came at a time when the distances crossed, and the lines and beliefs differed. The creative self-image of the female parallel to the man's creative self was the predominant intellectual food, in addition to other means, which could assimilate the feminine self and seek answers that varied in different cultures. To the desired ends, and it did not stop at the self-affirmation of the feminine, but to the desire to prove the creative value of works of art, which was written with pens, and this created a confrontation between the female self and the other man, which was exceeded A later to write in the self and the other remained on topics affecting the reality, whether from near or far, including identity, history, social intolerance and others, according to her imagination, creative and means consistent with the time. After the lengthy reading of many of the novels, we finally settled on choosing the code "I will throw myself in front of you" by: Deheia Louise, to be the subject of the study, entitled "Representation of the feminine self and the other in the novel" I will throw myself in front of you " Representing the female self and the other in this novel?
阿尔及利亚女性小说出现在一个距离跨越、界线和信仰不同的时代。与男性创造性自我平行的女性创造性自我形象是主要的智力食物，此外还有其他方法可以吸收女性自我并寻求不同文化中的不同答案。所需的结束,它并没有停留在女性的自我肯定,而是想证明的创造性价值的艺术作品,用钢笔,这创造了一个女性自我和另一个人之间的对抗,这是超过后面写自我和其他仍在主题影响现实,无论是无论远近,包括身份、历史、社会不容忍和其他人来说,根据她的想象力,创造性和与时俱进的意思。在长时间阅读了许多小说之后，我们最终决定选择Deheia Louise的代码“I will throw myself in you front”作为研究的主题，题目是“小说中女性自我和他者的表现”I will throw myself in you front“这部小说中女性自我和他者的表现?
{"title":"تمثيل الذات الأنثوية والآخر في رواية سأقذف نفسي أمامك لـ ديهية لويز","authors":"سناء بوختاش","doi":"10.37141/1451-014-001-017","DOIUrl":"https://doi.org/10.37141/1451-014-001-017","url":null,"abstract":"The Algerian women's novel came at a time when the distances crossed, and the lines and beliefs differed. The creative self-image of the female parallel to the man's creative self was the predominant intellectual food, in addition to other means, which could assimilate the feminine self and seek answers that varied in different cultures. To the desired ends, and it did not stop at the self-affirmation of the feminine, but to the desire to prove the creative value of works of art, which was written with pens, and this created a confrontation between the female self and the other man, which was exceeded A later to write in the self and the other remained on topics affecting the reality, whether from near or far, including identity, history, social intolerance and others, according to her imagination, creative and means consistent with the time. After the lengthy reading of many of the novels, we finally settled on choosing the code \"I will throw myself in front of you\" by: Deheia Louise, to be the subject of the study, entitled \"Representation of the feminine self and the other in the novel\" I will throw myself in front of you \" Representing the female self and the other in this novel?","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121563007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-14DOI: 10.37141/1451-014-001-009
كهينة توات
Translation quality assessment is one of the most intricate hindrances encountered by translation teachers during the training processowing to lack of objective and unified criteria that can help them provide systematic feedback on the students’ translations to enable them become aware of their errors and improve their performance. Therefore, we aim, through this article, to shed some light on the approaches and criteria adopted in translation quality assessment in order to see to what extent they can serve the evaluator and the evaluee.
{"title":"تقويم نوعية الترجمات: معاييره ووظائفه","authors":"كهينة توات","doi":"10.37141/1451-014-001-009","DOIUrl":"https://doi.org/10.37141/1451-014-001-009","url":null,"abstract":"Translation quality assessment is one of the most intricate hindrances encountered by translation teachers during the training processowing to lack of objective and unified criteria that can help them provide systematic feedback on the students’ translations to enable them become aware of their errors and improve their performance. Therefore, we aim, through this article, to shed some light on the approaches and criteria adopted in translation quality assessment in order to see to what extent they can serve the evaluator and the evaluee.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133853447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-14DOI: 10.37141/1451-014-001-007
جميلة علوشن
Each identity needs to create its own discourse to verify its distinctiveness from the other identities. Therefore, it employs every positive symbol and negative symbol. Several factors can contribute to determining the position of identity either in the center or in the margin as the economic, social, and political factor in the West, resulting in the "central ego" versus the "marginal ego" represented by the Third World, and other factors of identification, such as the ethnic factor based on the color of the skin On which the speech of Franz Fanon adopted the effects of the founder of the black movement, "Amy Cesar," but the direction of this discourse quickly changed because of the motivation of humanity, focusing on the values of equality, love and freedom that later became the ideology of our time,The humanitarian motive disappears after its contact with the Algerian revolution.In our search, we will try to discover the hidden pattern hidden behind these changes to see if this speech is a pragmatic speech for its founder.
{"title":"خطاب الهامش: فرانز فانون نموذجاً","authors":"جميلة علوشن","doi":"10.37141/1451-014-001-007","DOIUrl":"https://doi.org/10.37141/1451-014-001-007","url":null,"abstract":"Each identity needs to create its own discourse to verify its distinctiveness from the other identities. Therefore, it employs every positive symbol and negative symbol. Several factors can contribute to determining the position of identity either in the center or in the margin as the economic, social, and political factor in the West, resulting in the \"central ego\" versus the \"marginal ego\" represented by the Third World, and other factors of identification, such as the ethnic factor based on the color of the skin On which the speech of Franz Fanon adopted the effects of the founder of the black movement, \"Amy Cesar,\" but the direction of this discourse quickly changed because of the motivation of humanity, focusing on the values of equality, love and freedom that later became the ideology of our time,The humanitarian motive disappears after its contact with the Algerian revolution.In our search, we will try to discover the hidden pattern hidden behind these changes to see if this speech is a pragmatic speech for its founder.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124399168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-12DOI: 10.37141/1451-014-001-004
فاطمة محمد السويدي
The Imagistic Pattern and Perception of the Journey in the Poetry of Ka’ab bin Zuhair Dr. Fatma Mohammed Al Sowaidi Associate Professor at the Department of Arabic Language College of Arts and Sciences, Qatar University Although the poetic image has always been problematic in poetry, it has been the mark of the poet's uniqueness. This hidden secret lies in the fact that even if the poet’s world is totally his own, it still holds many meanings. Therefore, the objective of this study is to define the borderlines of the imagistic pattern in the poetry of Ka’ab ibn Zuhair, for his metaphors and figures are far from random. Rather, they form harmonious patterns that build the human experience and cognitive perception of Ka'ab. Additionally, they show how the poet created his perceptions of rigid materialistic dumb images and how he converted them into a lively world of poetic imagery. Furthermore, they reflect the true essence of his experience and notions, his constant search for the meaning of his life and existence, and his constant search for his rebellious self. The study includes the following topics: - The concept of the imagistic pattern - The imagistic pattern and spacio-temporal framework of the self and the journey - The imagistic pattern of the hunter and the preys - The imagistic pattern of the female
{"title":"النسق التصوري والإدراك المتمثل للرحلة في شعر كعب بن زهير","authors":"فاطمة محمد السويدي","doi":"10.37141/1451-014-001-004","DOIUrl":"https://doi.org/10.37141/1451-014-001-004","url":null,"abstract":"The Imagistic Pattern and Perception of the Journey in the Poetry of Ka’ab bin Zuhair Dr. Fatma Mohammed Al Sowaidi Associate Professor at the Department of Arabic Language College of Arts and Sciences, Qatar University Although the poetic image has always been problematic in poetry, it has been the mark of the poet's uniqueness. This hidden secret lies in the fact that even if the poet’s world is totally his own, it still holds many meanings. Therefore, the objective of this study is to define the borderlines of the imagistic pattern in the poetry of Ka’ab ibn Zuhair, for his metaphors and figures are far from random. Rather, they form harmonious patterns that build the human experience and cognitive perception of Ka'ab. Additionally, they show how the poet created his perceptions of rigid materialistic dumb images and how he converted them into a lively world of poetic imagery. Furthermore, they reflect the true essence of his experience and notions, his constant search for the meaning of his life and existence, and his constant search for his rebellious self. The study includes the following topics: - The concept of the imagistic pattern - The imagistic pattern and spacio-temporal framework of the self and the journey - The imagistic pattern of the hunter and the preys - The imagistic pattern of the female","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"53 34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133800922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-12DOI: 10.37141/1451-014-001-002
مليكة دحامنية
The Paul Ricoeur’s hermeneutic project is constituted in determining a new concept of interpretation, and this by : 1- criticism of structuralist project that impels the text to be lockout on itself. 2- Valorization of hermeneutic vision o the text whom confirms that there is no single text restores the same to all forms throughout an original reading of hermeneutic project. Awareness in the structuralist project is an internal awareness its main texture heading to the inside, thus to the closure of the sign on itself, the result : the closure of the text. Awareness in the hermeneutic project is an external awareness its main texture is going to the outside, thus through the opening of the sign to the outsider world. From here, hermeneutics tries to overcome the crisis of closed methods by linking language to reality so that the seen picture becomes derived from real picture’s life thus, it has led to a rupture with an epistemological system that considers the text –therefore the language here- only kind of couple mechanics and rules and fixed formal statics.
{"title":"الفكر التأويلي عند بول ريكور بين البنيوية والهرمنيوطيقا","authors":"مليكة دحامنية","doi":"10.37141/1451-014-001-002","DOIUrl":"https://doi.org/10.37141/1451-014-001-002","url":null,"abstract":"The Paul Ricoeur’s hermeneutic project is constituted in determining a new concept of interpretation, and this by : 1- criticism of structuralist project that impels the text to be lockout on itself. 2- Valorization of hermeneutic vision o the text whom confirms that there is no single text restores the same to all forms throughout an original reading of hermeneutic project. Awareness in the structuralist project is an internal awareness its main texture heading to the inside, thus to the closure of the sign on itself, the result : the closure of the text. Awareness in the hermeneutic project is an external awareness its main texture is going to the outside, thus through the opening of the sign to the outsider world. From here, hermeneutics tries to overcome the crisis of closed methods by linking language to reality so that the seen picture becomes derived from real picture’s life thus, it has led to a rupture with an epistemological system that considers the text –therefore the language here- only kind of couple mechanics and rules and fixed formal statics.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124641013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-05-12DOI: 10.37141/1451-014-001-003
وهيبة دربالي
The phenomenon Verstehen took a great place within issues criticism in studires criticism modernest, also result in constructive theories literatures and criticism,for noticed a critics approach the old Arabian Rhetoric and theories criticism foreigners modernest in interpretation Misconstructionsliteratures , it this display article.
{"title":"إشكالية سوء الفهم بين البلاغة العربية والنظريات الغربية الحديثة","authors":"وهيبة دربالي","doi":"10.37141/1451-014-001-003","DOIUrl":"https://doi.org/10.37141/1451-014-001-003","url":null,"abstract":"The phenomenon Verstehen took a great place within issues criticism in studires criticism modernest, also result in constructive theories literatures and criticism,for noticed a critics approach the old Arabian Rhetoric and theories criticism foreigners modernest in interpretation Misconstructionsliteratures , it this display article.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122065193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-01DOI: 10.37141/1451-014-001-001
مراد مبروك مراد مبروك
This research is interested in the epistemological vision that grounded the literary communication theory in the classical and modern criticism in collaboration with interdisciplinary research particularly engineering studies, sociology, media studies, linguistics, literary studies and criticism. It is a vision that format the central base for the theory in epistemological, philosophical, aesthetic, critical levels, starting from the explanation stage in the classical Greek and Arabic studies via the textual and hermeneutic stage to the communication strategy of literary text. Hence, this tackle came in three dimensions: The introduction: it is interested in the concept of theory and its relation to the epistemological, philosophical, aesthetic, critical fundamentals that produced the literary communication theory. The explanation level and the anticipations of the theory: It tackles the epistemological, philosophical, aesthetic, critical dimensions that produced the theory in its central founding of ancient Greeks and Arabs. The interdisciplinary stage and the formation of the theory: It is interested in the interdisciplinary studies that the theory of communication emerged from in engineering studies, sociology, media studies, linguistics, literary studies and criticism on imperative bases. The interpretive stage and the integrative vision of theory: it is interested in the Arabic critical studies that aimed at developing the theory of reception and added imperative dimensions and basic pillars that led to the emergence of new theoris such as the theory of literary communication that adds to the reception theory and avoid its imperfections as well as other critical theories.
{"title":"الرؤية الابستمولوجية لنظرية الاتصال الأدبي من التفسير إلى التأويل : مقاربة نقدية بينية","authors":"مراد مبروك مراد مبروك","doi":"10.37141/1451-014-001-001","DOIUrl":"https://doi.org/10.37141/1451-014-001-001","url":null,"abstract":"This research is interested in the epistemological vision that grounded the literary communication theory in the classical and modern criticism in collaboration with interdisciplinary research particularly engineering studies, sociology, media studies, linguistics, literary studies and criticism. It is a vision that format the central base for the theory in epistemological, philosophical, aesthetic, critical levels, starting from the explanation stage in the classical Greek and Arabic studies via the textual and hermeneutic stage to the communication strategy of literary text. Hence, this tackle came in three dimensions: The introduction: it is interested in the concept of theory and its relation to the epistemological, philosophical, aesthetic, critical fundamentals that produced the literary communication theory. The explanation level and the anticipations of the theory: It tackles the epistemological, philosophical, aesthetic, critical dimensions that produced the theory in its central founding of ancient Greeks and Arabs. The interdisciplinary stage and the formation of the theory: It is interested in the interdisciplinary studies that the theory of communication emerged from in engineering studies, sociology, media studies, linguistics, literary studies and criticism on imperative bases. The interpretive stage and the integrative vision of theory: it is interested in the Arabic critical studies that aimed at developing the theory of reception and added imperative dimensions and basic pillars that led to the emergence of new theoris such as the theory of literary communication that adds to the reception theory and avoid its imperfections as well as other critical theories.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130171301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2019-02-01DOI: 10.37141/1451-014-001-005
جمال بلعربي جمال بلعربي
I will expose and discuss Barthes’s reading of the glossematic project. Barthes has reformulated some of the most important terms and concepts of Hjelmslev, in a very different version from that project and its scientific program. Though, this non-verbal reading like the one of Greimas, or Derrida.. has participated in spreading and updating several of hjelmslevian concepts. These concepts were seen, at their first appearance, as exaggerating in their abstractness and formal aspect. So the reading of Barthes would have participated in attracting interest towards the Copenhagen structural linguistic circle and its production, more than the works of the glossematic writers themselves. We will focus during the analysis on the attempt to establish the semiology out of the semiotic concept of Hjelmslev. As a temporary research field that could sooner be rejected even by academic institution, instead of a general science with an abstract epistemological aspect, based on its intrinsic coherence. We will give more importance to the denotation and connotation, and also to metalanguage that Hjelmslev borrowed from the logicians and transforms into metasemiotics, but in a new sense.
{"title":"رولان بارت يقرأ هيلمسلاف","authors":"جمال بلعربي جمال بلعربي","doi":"10.37141/1451-014-001-005","DOIUrl":"https://doi.org/10.37141/1451-014-001-005","url":null,"abstract":"I will expose and discuss Barthes’s reading of the glossematic project. Barthes has reformulated some of the most important terms and concepts of Hjelmslev, in a very different version from that project and its scientific program. Though, this non-verbal reading like the one of Greimas, or Derrida.. has participated in spreading and updating several of hjelmslevian concepts. These concepts were seen, at their first appearance, as exaggerating in their abstractness and formal aspect. So the reading of Barthes would have participated in attracting interest towards the Copenhagen structural linguistic circle and its production, more than the works of the glossematic writers themselves. We will focus during the analysis on the attempt to establish the semiology out of the semiotic concept of Hjelmslev. As a temporary research field that could sooner be rejected even by academic institution, instead of a general science with an abstract epistemological aspect, based on its intrinsic coherence. We will give more importance to the denotation and connotation, and also to metalanguage that Hjelmslev borrowed from the logicians and transforms into metasemiotics, but in a new sense.","PeriodicalId":422476,"journal":{"name":"مجلة الخطاب","volume":"233 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126030711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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